| # | Title | Artist | Rating | Length |
|---|
| 1 | Freedom (single version) | Wham! | 4.15 | 5:18 |
| 2 | Let’s Hear It for the Boy | Deniece Williams | 3.6 | 4:20 |
| 3 | The War Song- assistant engineer:
- Peter Lees
- engineer:
- Gordon Milne
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1984)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1984)
- guest keyboard:
- Phil Pickett (in 1984)
- guest saxophone:
- Steve Grainger (in 1984)
- guest trombone:
- Kenneth McGregor (in 1984)
- guest trumpet:
- Ron Williams (in 1984)
- guest background vocals:
- Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (in 1984), Tara Thomas (in 1984) and Clare Torry (in 1984)
- vocals:
- Boy George (in 1984)
- recorded at:
- Red Bus Studios in London , England, United Kingdom (in 1984)
- music videos:
- The War Song by Culture Club
- recording of:
- The War Song (in 1984)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay and Jon Moss
- publisher:
- Virgin Music (Publishers) Ltd.
| Culture Club | 3.65 | 4:12 |
| 4 | Showing Out (Get Fresh at the Weekend) (7″ version) | Mel & Kim | 2.75 | 3:29 |
| 5 | You Spin Me Round (Like a Record) | Dead or Alive | 4.15 | 3:16 |
| 6 | Touch Me (I Want Your Body) | Samantha Fox | 3.65 | 3:44 |
| 7 | You Got It (The Right Stuff) | New Kids on the Block | 3 | 4:11 |
| 8 | Dr. Beat | Miami Sound Machine | 3.85 | 4:22 |
| 9 | Together Forever (7″ version)- keyboard [Fairlight] programming:
- Ian Curnow (in 1987)
- additional engineer:
- Jamie Bromfield , Mike Duffy , Phil Harding and Karen Hewitt
- assistant engineer:
- Boky, Gordon Dennis , Jonathan King and Yoyo
- engineer:
- Mark McGuire
- producer:
- Aitken, Stock and Waterman
- mixer:
- Mixmasters Pete Hammond
- drums (drum set) [drums]:
- A Linn (in 1987)
- guitar [guitars]:
- Matt Aitken (in 1987)
- keyboard [keyboards]:
- Mike Stock and Matt Aitken (in 1987)
- background vocals [backing vocals]:
- Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (in 1987) and Suzanne Rhatigan (in 1987)
- vocals:
- Rick (in 1987)
- arranger:
- Gordon Jenkins
- phonographic copyright (℗) by:
- Pete Waterman Ltd. (in 1987)
- miscellaneous support:
- PWL (task: original sound recordings made by)
- recorded at:
- PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
- mixed at:
- PWL Studio 1 and PWL Studio 2
- recording of:
- Together Forever (in 1987)
- writer:
- Matt Aitken, Mike Stock and Pete Waterman
- publisher:
- All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
| Rick Astley | 4.65 | 3:24 |
| 10 | Tell It to My Heart (single mix) | Taylor Dayne | 3.75 | 3:39 |
| 11 | Break My Stride (album version)- drums (drum set) programming:
- John Gilston (in 1983)
- producer:
- Peter Bunetta, Rick Chudacoff and Bill Elliott
- analog synthesizer [Prophet-5]:
- Bill Elliott (in 1983) and Matthew Wilder (in 1983)
- drum machine [Oberheim DMX], drums (drum set) and percussion:
- Peter Bunetta (in 1983)
- guitar:
- Dennis Herring (in 1983)
- background vocals:
- Greg Prestopino (in 1983), Joe Turano (in 1983) and Matthew Wilder (in 1983)
- lead vocals:
- Matthew Wilder (in 1983)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (in 1983)
- recorded at:
- Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
- recording of:
- Break My Stride (in 1983)
- writer:
- Greg Prestopino and Matthew Wilder
- publisher:
- Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing , Music of Windswept, Universal Studios, Inc. , WB Music Corp. , Wilder Kingdom Music, Big Ears Music (in 1983), No Ears Music (in 1983) and Streetwise Music (in 1983)
| Matthew Wilder | 3.4 | 3:02 |
| 12 | Strut | Sheena Easton | | 4:00 |
| 13 | You Drive Me Crazy | Shakin’ Stevens | | 2:49 |
| 14 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:40 |
| 15 | The Lion Sleeps Tonight | Tight Fit | 3.65 | 3:12 |
| 16 | Making Your Mind Up | Bucks Fizz | 4.65 | 2:38 |
| 17 | Shiny Shiny | Haysi Fantayzee | 5 | 3:43 |
| 18 | Call Me | Go West | 3.65 | 4:10 |
| 19 | Love & Pride | King | 4 | 3:22 |
| 20 | You Should Hear How She Talks About You | Melissa Manchester | 4.5 | 4:16 |
| 21 | Love of the Common People | Paul Young | 3 | 3:41 |
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