101 80s Hits Platinum Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1You’re the Voice (remastered 2006)
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:04
2Sweet Dreams (Are Made of This) (remastered version)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1983) and RCA Ltd. (UK arm of RCA) (in 1983)
music videos:
Sweet Dreams by Eurythmics
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.153:37
3Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:47
4We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:55
5Is There Something I Should Know
co-producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
mixer:
Ian Little (producer, engineer, songwriter) and Alex Sadkin
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.14:09
6Dressed for Success (US single mix)
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
acoustic guitar:
Jonas Isacsson
keyboard:
Clarence Öfwerman
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-05)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Dressed for Success
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette14:11
7Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.44:06
8Holding Out for a Hero (single version)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:21
9Rock Me Amadeus
producer:
Ferdi Bolland and Rob Bolland
phonographic copyright (℗) by:
GiG Records (Austrian label) (in 1985) and TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1985)
music videos:
Rock Me Amadeus by Falco (Austrian pop & rock musician)
part of:
TV Cream: Real 100 Best Singles Ever (number: 15) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 87)
recording of:
Rock Me Amadeus (in 1985)
lyricist:
Ferdi Bolland, Rob Bolland and Falco (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) and Nada Music (Dutch publisher)
Falco3.653:18
1099 Luftballons
engineer:
Imre Sereg (in 1982)
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
drums (drum set):
Rolf Brendel (in 1982)
electric bass guitar:
Jürgen Dehmel (in 1982)
electric guitar:
Carlo Karges (in 1982)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
lead vocals:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
recorded at:
Spliff in Berlin, Germany (in 1982)
mixed at:
Audio-Studio in Berlin, Germany (in 1982)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 73) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
composer:
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:51
11Prince Charming
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar:
Adam Ant (English new wave singer and actor) and Gary Tibbs
drums (drum set):
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) and Terry Lee Miall
guitar:
Merrick (ex Adam & The Ants) and Marco Pirroni (British musician and producer)
harmonica and lead vocals:
Adam Ant (English new wave singer and actor)
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
music videos:
Prince Charming by Adam and the Ants (English new wave band) and Prince Charming (alt) by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 144)
recording of:
Prince Charming
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants43:17
12Chequered Love
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Chequered Love (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
Kim Wilde53:21
13Can You Feel It (single edit)
producer:
The Jacksons (formerly “The Jackson 5”)
bass:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone [vibes]:
Gary L. Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jacksons4.253:49
14Freeway of Love (single version)
assistant engineer:
Dana Jon Chappelle, Maureen Droney and Ray Pyle
engineer:
Dr. Dave Frazer
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Narada Michael Walden
mixer:
Michael Brauer (engineer)
solo saxophone:
Clarence Clemons
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985)
recording of:
Freeway of Love
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music and When Words Collide Music
Aretha Franklin4:07
15Glittering Prize
producer:
Keith Forsey (drummer, producer and songwriter) and Peter Walsh (UK producer)
recording of:
Glittering Prize
writer:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Publishing Ltd.
Simple Minds3:58
16Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.253:59
17Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Ray Parker, Jr.3.93:59
18Out of Touch (remastered 2003)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Daryl Hall & John Oates4:05
19We Belong
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer:
Pete Coleman and Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:42
20The Final Countdown (single version)
producer:
Kevin Elson
phonographic copyright (℗) by:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.053:58
2▼CD
#TitleArtistRatingLength
1Freedom (single version)
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
music videos:
Freedom by Wham! (British pop-duo)
recording of:
Freedom (Wham!)
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd. (in 1984)
Wham!4.155:18
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:20
3The War Song
assistant engineer:
Peter Lees
engineer:
Gordon Milne (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1984)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
guest saxophone:
Steve Grainger (saxophonist) (in 1984)
guest trombone:
Kenneth McGregor (in 1984)
guest trumpet:
Ron Williams (Trumpeter) (in 1984)
guest background vocals:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) and Clare Torry (in 1984)
vocals:
Boy George (in 1984)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1984)
music videos:
The War Song by Culture Club (English pop group)
recording of:
The War Song (in 1984)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3.654:12
4Showing Out (Get Fresh at the Weekend) (7″ version)
recording of:
Showing Out (Get Fresh at the Weekend)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.753:29
5You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:16
6Touch Me (I Want Your Body)
producer:
Jon Astrop (British musician, songwriter and painter)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
writer:
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris and Mark Shreeve
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Imagem London Ltd.
Samantha Fox3.653:44
7You Got It (The Right Stuff)
producer:
Maurice Starr
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 92) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 499)
recording of:
You Got It (The Right Stuff)
lyricist and composer:
Maurice Starr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs and Maurice Starr Music
New Kids on the Block34:11
8Dr. Beat
lead vocals:
Gloria Estefan
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. and Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:22
9Together Forever (7″ version)
keyboard [Fairlight] programming:
Ian Curnow (in 1987)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1987)
guitar [guitars]:
Matt Aitken (in 1987)
keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) and Matt Aitken (in 1987)
background vocals [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) and Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 and PWL Studio 2
recording of:
Together Forever (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
Rick Astley4.653:24
10Tell It to My Heart (single mix)
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:39
11Break My Stride (album version)
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
12Strut
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Strut
writer:
Charlie Dore and Julian Littman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and PolyGram Music Publishing
Sheena Easton4:00
13You Drive Me Crazy
recording of:
You Drive Me Crazy
lyricist and composer:
Ronnie Harwood (Songwriter, singer and guitarist)
publisher:
Campbell Connelly (Australia) P/L
translated version of:
Krejčí (You Drive Me Crazy)
Shakin’ Stevens2:49
14The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:40
15The Lion Sleeps Tonight
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
music videos:
The Lion Sleeps Tonight by Tight Fit
cover recording of:
The Lion Sleeps Tonight
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) and Memory Lane Music Ltd.
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
Tight Fit3.653:12
16Making Your Mind Up
producer:
Andy Hill (English producer & songwriter)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987–1996) (in 1981)
part of:
United Kingdom in the Eurovision Song Contest (number: 1981) and Winners of the Eurovision Song Contest (number: 1981)
recording of:
Making Your Mind Up
lyricist and composer:
John Danter and Andy Hill (English producer & songwriter)
publisher:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz4.652:38
17Shiny Shiny
recording of:
Shiny Shiny
writer:
Paul Caplin, Kate Garner and Jeremy Healy
publisher:
Carlin Music Corporation
Haysi Fantayzee53:43
18Call Me
producer:
Gary Stevenson
recording of:
Call Me
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West3.654:10
19Love & Pride
producer:
Richard James Burgess
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
writer:
Paul King (British-Irish singer/musician/VJ) and Mick Roberts
publisher:
EMI Songs Ltd. and King Songs
King43:22
20You Should Hear How She Talks About You
producer:
Arif Mardin
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
bass guitar [bass]:
Abe Laborielle
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
synthesizer:
Robbie Buchanan (Canadian producer)
background vocals:
Ula Hedwig, Will Lee (US jazz/rock bassist) and Millie Whiteside
lead vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
You Should Hear How She Talks About You
lyricist:
Dean Pitchford
composer:
Tom Snow (US keyboardist/songwriter)
publisher:
Body Electric Music, Pitchford Music and Snow Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Melissa Manchester4.54:16
21Love of the Common People
producer:
Laurie Latham
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Love of the Common People
lyricist and composer:
John Hurley and Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) and Westminster Music Ltd. (in 1983)
Paul Young33:41
3▼CD
#TitleArtistRatingLength
1We Didn’t Start the Fire (single version)
producer:
Billy Joel (American singer‐songwriter and pianist) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989)
recording of:
We Didn’t Start the Fire
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., Impulsive Music, Universal Music Ltd. (UK sound recording / publishing company) and Joelsongs (in 1989)
arrangement of:
We Didn’t Start the Slop Stream
Billy Joel34:28
2Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest bongos, guest congas and guest tambourine:
Steve Scales
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads & producer)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer)
background vocals:
Jerry Harrison (Talking Heads & producer) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
lead vocals:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) and Talking Heads Tours Inc. (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
music videos:
Road to Nowhere (music video) by Talking Heads
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
Talking Heads4.24:19
3He’s Gonna Step on You Again
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:08
4Africa (album version)
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) and Tom Knox
additional engineer:
Bruce Heigh (task: additional recording), David Paich (task: additional recording), Dick Gall (engineer/guitar technician) (task: additional recording) and Steve Porcaro (task: additional recording)
engineer:
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro and Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
mixer:
Elliot Scheiner (task: for 5.1 surround sound) and Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
instruments:
Lenny Castro
keyboard:
David Paich and Steve Porcaro
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro, Jeff Porcaro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich and Timothy B. Schmit
lead vocals:
Jean-Michel Byron, Bobby Kimball and David Paich
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.14:56
5White Wedding, Part 1
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol4.154:13
6Science Fiction
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983)
recording of:
Science Fiction (Divinyls song)
writer:
Chrissy Amphlett and Mark McEntee
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Divinyls3:30
7And We Danced
recording of:
And We Danced
writer:
Eric Bazilian and Rob Hyman
publisher:
Dub Notes Music (publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!) and Human Boy Music
The Hooters3:43
8I’m on My Way
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
I’m on My Way
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers33:34
9Freeze‐Frame
engineer:
Dave Thoener
producer:
Seth Justman
brass [horns]:
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) and George Young (saxophonist)
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
recording of:
Freeze-Frame
writer:
Seth Justman and Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
J. Geils Band4.23:57
10Walk This Way
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
guest vocals:
Steven Tyler
phonographic copyright (℗) by:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run‐DMC3.73:37
11The Stroke
assistant recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Billy Squier
drums (drum set):
Bobby Chouinard
guitar and lead vocals:
Billy Squier
background vocals:
Mark Clarke (Rock, UK) and Alan St. Jon
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
additionally recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 59)
recording of:
The Stroke
lyricist and composer:
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:38
12Runaway Boys
producer:
Dave Edmunds
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Runaway Boys
writer:
Slim Jim Phantom and Brian Setzer
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:00
13Stuck With You (single edit)
recording of:
Stuck with You
lyricist and composer:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hulex Music (publisher) (in 1986)
Huey Lewis & the News4:25
14Generals and Majors
engineer:
Hugh Padgham
producer:
Steve Lillywhite
recording of:
Generals and Majors
lyricist and composer:
Colin Ivor Moulding
publisher:
Virgin Music Publishers
XTC53:41
15Don’t Need Love
recording engineer, producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell
guitar:
Diesel (Australian pop rock aka Mark Lizotte)
saxophone and background vocals:
Bernie Bremond
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1989) and EMI Music Australia Pty. Limited (not for release label use!) (in 1989)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Don’t Need Love
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs and Mushroom Music Pty. Ltd.
Johnny Diesel & the Injectors4:10
16Skin Deep
producer:
Laurie Latham and The Stranglers
music videos:
Skin Deep by The Stranglers
recording of:
Skin Deep
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
EMI Songs Ltd. and Plugshaft Ltd.
The Stranglers4.53:52
17Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:32
18Poison (album version)
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:27
19Every Rose Has Its Thorns
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
composer:
Siddhartha Khosla (American singer and score composer)
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:19
20Turn Me Loose (single edit)
recording of:
Turn Me Loose
writer:
Paul Dean (Canadian guitarist) and Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music and EMI Songs
Loverboy3:29
4▼CD
#TitleArtistRatingLength
1Funky Town
producer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York)
mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
bass:
Pierre Gigliotti
drums (drum set):
Anthony Argiro
guitar:
Brian Canham (Australian singer ex. Pseudo Echo)
keyboard:
James Leigh (Pseudo Echo)
vocals:
Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1986), EMI Music Australia Pty. Limited (not for release label use!) (in 1986), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
cover recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo54:53
2Jump (for My Love)
recorded in:
Los Angeles, California, United States (in 1983)
drum machine and synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
electronic drum set programming:
Reek Havoc (in 1983)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
additional synthesizer and Minimoog and electronic drum set:
Howie Rice (in 1983)
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine and synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) and James C. Tract
phonographic copyright (℗) by:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters3.354:26
3I Ran
recording engineer:
Mike Score
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 55)
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock Of Seagulls4.35:05
4Only When You Leave
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Reformation Publishing Co. Ltd.
Spandau Ballet4:45
5(Keep Feeling) Fascination
producer:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
music videos:
(Keep Feeling) Fascination by The Human League
recording of:
(Keep Feeling) Fascination
writer:
Jo Callis and Philip Oakey
The Human League3.253:44
6We Love You
recording of:
We Love You
writer:
Stephen Hague, Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Stephen Hague Publishing Designee and Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark4:04
7Stimulation (album version)
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1986)
recording of:
Stimulation
writer:
Paul Gray (former Wa Wa Nee vocalist/keyboardist)
Wa Wa Nee3:32
8Love My Way (album version)
engineer:
Chris Andersen and Todd Rundgren
producer:
Todd Rundgren
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
cello:
Ann Sheldon
drums (drum set) and percussion:
Vince Ely
guitar:
John Ashton
horn:
Donn Adams and Gary Windo
keyboard:
Todd Rundgren
background vocals:
Howard Kaylan and Mark Volman
vocals:
Richard Butler (singer)
arranger:
The Psychedelic Furs
recording of:
Love My Way
lyricist and composer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) and Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. and EMI Songs Musikverlag GmbH
The Psychedelic Furs3.63:31
9Caribbean Queen (No More Love on the Run)
producer:
Keith Diamond
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean4.154:05
10Heartbreaker
engineer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
acoustic guitar and background vocals:
Barry Gibb (in 1982)
bass guitar:
George “Chocolate” Perry (bassist aka "Chocolate") (in 1982)
drums (drum set):
Steve Gadd (drummer) (in 1982)
electric guitar:
George Terry (guitar player with Clapton in 70's) (in 1982)
lead vocals:
Dionne Warwick (in 1982)
conductor:
Albhy Galuten (in 1982)
strings arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
additionally recorded at:
Mediasound Studios in New York, New York, United States (in 1982)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States (in 1982)
recording of:
Heartbreaker (Dionne Warwick song) (in 1982)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3.54:16
11French Kissin’ in the USA (edit)
producer:
Seth Justman
vocals:
Deborah Harry
arranger:
Seth Justman
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1986)
recording of:
French Kissin’ in the USA
lyricist and composer:
Chuck Lorre (US TV director, writer, producer & composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) and Theodello Profunct Publishers
Deborah Harry2.654:06
12Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:46
13Theme From S’Express
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Is It Love You’re After by Rose Royce, Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:55
14Forever Your Girl (single version)
producer:
Oliver Leiber
recording of:
Forever Your Girl
lyricist and composer:
Oliver Leiber
Paula Abdul34:13
15Keep on Movin’ (edit)
producer and mixer:
Nellee Hooper and Jazzie B
phonographic copyright (℗) by:
10 Records (in 1989)
produced for:
Silent Productions Ltd. (Production company of Jazzie B and Nellee Hooper)
music videos:
Keep On Movin’ (official music video) by Soul II Soul
recording of:
Keep On Movin’
lyricist and composer:
Jazzie B
publisher:
Virgin Music (Publishers) Ltd. (in 1989)
Soul II Soul feat. Caron Wheeler43:34
16Buffalo Stance (7″ mix)
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
publisher:
April Music Ltd., BMG VM Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Songs France (27, rue de Berri) and Warner Chappell Music France
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry3:50
17Good Life (edit)
engineer:
Ben Grosse (American producer and engineer)
producer:
Kevin Saunderson
mixer:
Ben Grosse (American producer and engineer) and Kevin "Master Reese" Saunderson
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City3.253:56
18Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe (UK producer / engineer / musician) and Yazoo (80s British synthpop duo, aka Yaz)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:10
19Jealous Guy (edit)
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4.54:57
5▶CD

Credits

Release

manufactured in:Australia
manufactured by and marketed by:EMI Music Australia Pty. Limited (not for release label use!)
copyrighted (©) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2012)
Discogs:https://www.discogs.com/release/18566137 [info]

Release group

part of:101 Hits (Australian compilation series) (number: 80s Hits: Platinum Edition) (order: 5)