Best of 2001

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Produzent(in):
Stephen Johns (producer)
Orchester:
Wiener Philharmoniker (von 2000-12-01 bis 2000-12-03)
conductor:
Simon Rattle (conductor) (von 2000-12-01 bis 2000-12-03)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 2000-12-01 bis 2000-12-03)
aufgenommen bei:
Wiener Musikverein in Innere Stadt, Wien, Österreich (von 2000-12-01 bis 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von 2000-12-01 bis 2000-12-03)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven47:12
2Epitaph in Old Mode
Klavier:
Julius Drake (pianist)
Tenor-Gesang:
Paul Agnew (tenor and conductor)
recording of:
Epitaph in Old Mode
Texter:
J. C. Squire
Komponist(in):
Ivor Gurney
Ivor Gurney23:21
3Fantaisie Impromptu, op. 66
Klavier:
Freddy Kempf (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
Teil von:
Classic 100: Piano (2004) (Nummer: 13), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 46), Chopin National Edition: WN Catalogue (Nummer: WN 46), Works of Fryderyk Chopin by opus number (Nummer: op. 66) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 87)
Frédéric Chopin44:31
4Gymnopedie no. 3 (arr. Bauch)
Saxophon:
Branford Marsalis (saxophonist)
Orchester:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Gymnopédie no. 3 (for saxophone, Bauch)
Komponist(in):
Erik Satie (French composer)
arranger:
Ronnie Bauch
Arrangement von:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
Erik Satie42:26
5Suite no. 1 in C major BWV 1007: Prelude
recorded in:
Sajazarra, La Rioja, Spanien (in 2000-10)
Techniker(in):
Isidro Matamoros (in 2000-10)
Produzent(in):
Andrea Fossá (producer) und Paolo Pandolfo (viol and double bass player)
Editing:
Carlos Céster (producer and engineer) und Bertram Kornacher
viola da gamba:
Paolo Pandolfo (viol and double bass player) (in 2000-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 2000-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach42:34
6Humoreske in G-flat major
Geige / Violine:
Maxim Vengerov (violinist) (von 2001-04-28 bis 2001-04-30) und Virtuosi (Israel based violin ensemble) (von 2001-04-28 bis 2001-04-30)
Klavier:
Vag Papian (pianist and conductor) (von 2001-04-28 bis 2001-04-30)
Saiteninstrumente:
Virtuosi (Israel based violin ensemble)
arranger:
Mikhail Parhamovsky (Soviet-born violinist)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (von 2001-04-28 bis 2001-04-30)
Komponist(in):
Antonín Dvořák (composer) (in 1894)
Arrangement von:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák43:21
7Gloria: Gloria in excelsis Deo
Soprangesang:
Emma Kirkby (soprano) (am 2001-05-03)
Orchester:
Royal Academy of Music Baroque Orchestra (am 2001-05-03)
conductor:
Laurence Cummings (harpsichordist, organist and conductor) (am 2001-05-03)
recording of:
Gloria: I. Gloria in excelsis Deo (am 2001-05-03)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Gloria, HWV deest (re-discovered in 2001)
Georg Friedrich Händel22:31
8Gloria: Et in terra pax
Soprangesang:
Emma Kirkby (soprano) (am 2001-05-03)
Orchester:
Royal Academy of Music Baroque Orchestra (am 2001-05-03)
conductor:
Laurence Cummings (harpsichordist, organist and conductor) (am 2001-05-03)
recording of:
Gloria: II. Et in terra pax (am 2001-05-03)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Gloria, HWV deest (re-discovered in 2001)
Georg Friedrich Händel22:34
9Le nozze di Figaro: Voi che sapete (Cherubino)
Wolfgang Amadeus Mozart22:55
10Mireille: Mon cœur est plein d’un noir souci
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bertrand de Billy (conductor)
recording of:
Mireille: Acte V. (no. 18) Cavatine « Mon cœur est plein d’un noir souci ! » … « Anges du paradis » (Vincent)
Komponist(in):
Charles Gounod (French composer) (in 1863)
Librettist:
Michel Carré (librettist)
Teil von:
Mireille: Acte V
Charles‐François Gounod23:30
11Violin Concerto no. 2: Rondo (La Campanella)
Geige / Violine:
Chloë Hanslip (British classical violinist)
Orchester:
London Symphony Orchestra
conductor:
Paul Mann (British conductor)
recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
Komponist(in):
Niccolò Paganini (Italian composer and violinist) (in 1826)
Teil von:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini35:35
12St. Matthew Passion: So ist mein Jesus nun gefangen
Chorgesang:
Arnold Schoenberg Chor (in 2000-05) und Wiener Sängerknaben (in 2000-05)
contralto vocals:
Bernarda Fink (mezzo-soprano) (in 2000-05)
Soprangesang:
Christine Schäfer (soprano) (in 2000-05)
Orchester:
Concentus Musicus Wien (in 2000-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 2000-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 2000-05) und Erwin Ortner (in 2000-05)
aufgenommen bei:
Jesuitenkirche-Universitätskirche in Innere Stadt, Wien, Österreich (in 2000-05)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 2000-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach34:57
13Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante
Sound-Engineering:
Mike Hatch (engineer/editor)
Produzent(in):
John Fraser (UK producer)
Editing:
Jennifer Howells
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1999-12)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1999-12)
recording of:
Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante (in 1999-12)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1797)
Teil von:
Sonata for Piano no. 19 in G minor, op. 49 no. 1
Ludwig van Beethoven33:02
14Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro
Sound-Engineering:
Mike Hatch (engineer/editor)
Produzent(in):
John Fraser (UK producer)
Editing:
Jennifer Howells
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1999-12)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1999-12)
recording of:
Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro (in 1999-12)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1797)
Teil von:
Sonata for Piano no. 19 in G minor, op. 49 no. 1
Ludwig van Beethoven43:16
15Orfeo & Euridice: Deh! Placatevi con me
assistierende(r) Techniker(in):
Horst Langheinrich
Techniker(in):
Michael Glaser (Mastering engineer)
Editing:
Marcus Zwerschke
Chorgesang:
RIAS Kammerchor (German chamber choir)
Mezzosoprangesang:
Bernarda Fink (mezzo-soprano)
Orchester:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. “Deh! Placatevi con me” (Orfeo)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck24:22
16West Side Story Suite: Maria (arr. Brohn)
Geige / Violine:
Joshua Bell (violinist) (von 2000-12-18 bis 2000-12-20)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 2000-12-18 bis 2000-12-20)
conductor:
David Zinman (conductor) (von 2000-12-18 bis 2000-12-20)
Bearbeitung von:
West Side Story Suite von Joshua Bell (violinist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), David Zinman (conductor)
teilweise recording of:
West Side Story Suite (arr. for violin and orchestra, Brohn) (von 2000-12-18 bis 2000-12-20)
Orchestrator(in):
William David Brohn (American arranger and orchestrator)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
Geige / Violine arranger:
William David Brohn (American arranger and orchestrator)
basiert auf:
West Side Story
Leonard Bernstein33:47
17Love Came Down at Christmas
recording engineer:
Julian Millard (engineer) (von 2001-01-03 bis 2001-01-06)
Produzent(in):
Mark Brown (operatic bass, early music singer, conductor, and producer)
Chorgesang:
Polyphony (choir) (von 2001-01-03 bis 2001-01-06)
Orchester:
City of London Sinfonia (chamber orchestra) (von 2001-01-03 bis 2001-01-06)
conductor:
Stephen Layton (English conductor) (von 2001-01-03 bis 2001-01-06)
phonographisches Urheberrecht (℗) von:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2001)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (von 2001-01-03 bis 2001-01-06)
recording of:
Love came down at Christmas (von 2001-01-03 bis 2001-01-06)
Texter:
Christina Rossetti (in 1885)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
basiert auf:
Love Came Down at Christmas
John Rutter32:26
18Concerto no. 4 in A major: Allegro ma non tanto
assistierende(r) Techniker(in):
Andrew Granger (sound engineer) und Jake Jackson (recording engineer)
Techniker(in):
Markus Heiland
Produzent(in):
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
Editing:
Matthew Cocker (editor)
Klavier:
Murray Perahia (pianist and conductor) (von 2000-05-14 bis 2000-05-16)
Orchester:
Academy of St Martin in the Fields (von 2000-05-14 bis 2000-05-16)
conductor:
Murray Perahia (pianist and conductor) (von 2000-05-14 bis 2000-05-16)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 2000-05-14 bis 2000-05-16)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto (von 2000-05-14 bis 2000-05-16)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach44:23
19Lucia di Lammermoor: Quando rapito in estasi
Techniker(in):
John Dunkerley (engineer)
assistierende(r) Produzent(in):
Jørn Pederson
Produzent(in):
David Groves (classical music producer at EMI)
Editing:
Jørn Pederson
Soprangesang [Lucia]:
Angela Gheorghiu (Romanian soprano)
Orchester:
London Symphony Orchestra
conductor:
Evelino Pidò (conductor)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa)
Texter:
Salvadore Cammarano (Italian librettist)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
Gaetano Donizetti24:38

Nennungen

Veröffentlichung

mastering:Ivor Humphreys
urheberrechtlich geschützt (©) von:Classic FM plc (in 2001)
Discogs:https://www.discogs.com/release/14943201 [Info]