100 Best Film Classics

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

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1▼CD: The Great Blockbusters
#	Title	Artist	Rating	Length
1	Also sprach Zarathustra (2001: A Space Odyssey) engineer: Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Simon Rhodes (senior recording engineer at Abbey Road Studios) producer: David R. Murray organ: David Bell (organist) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-11-19 until 1989-03-15) conductor: Klaus Tennstedt (conductor) (from 1986-11-19 until 1989-03-15) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990) recorded at: Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1986-11-19 until 1989-03-15) recording of: Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1986-11-19 until 1989-03-15) composer: Richard Strauss (German composer) (in 1896) publisher: Peters Edition Ltd. part of: Also sprach Zarathustra, op. 30 (TrV 176)	Richard Strauss		1:46
2	The Ride of the Valkyries (Apocalypse Now) producer: John Fraser (UK producer) orchestra: Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24) conductor: Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24) balance engineer: Mark Vigars (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992) recorded at: Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1991-08-14 until 1991-08-24) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1991-08-14 until 1991-08-24) composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		4:47
3	Requiem (Amadeus) choir vocals: Chorus of Royal Northern Sinfonia orchestra: Royal Northern Sinfonia conductor: Richard Hickox (conductor) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		3:10
4	My Heart Will Go On (Titanic) violin: David Abel (violinist/violist) orchestra: Shearman Orchestra conductor: David Abel (conductor) arranger: James Shearman (conductor, orchestrator, composer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998) instrumental recording of: My Heart Will Go On lyricist: Will Jennings composer: James Horner (American score composer) publisher: Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present) part of: The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner) part of: Titanic	James Horner		4:22
5	Main Theme (You Only Live Twice) engineer: Mike Ross‐Trevor (engineer) executive producer: Reynold da Silva producer: Nic Raine and Mike Ross‐Trevor (engineer) alto saxophone: Jindřich Němeček guitar: Peter Binder (guitarist) piano: Jaroslava Eleasova violin: Michael Metelka orchestra: The City of Prague Philharmonic Orchestra conductor: Nic Raine additional arranger: Christopher Tin arranger: Nic Raine instrumental cover recording of: You Only Live Twice lyricist: Leslie Bricusse composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: You Only Live Twice (from the James Bond Film) recording of: You Only Live Twice lyricist: Leslie Bricusse composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: You Only Live Twice (from the James Bond Film)	John Barry		2:56
6	Main Theme (Star Wars) performer: Geoff Love & His Orchestra recording of: Main Title (Star Wars) composer: John Williams (American score composer and conductor) (ended) publisher: Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) part of: Star Wars Holiday Special (television soundtrack) part of: Star Wars, Episode I: The Phantom Menace (film soundtrack) part of: Star Wars, Episode II: Attack of the Clones (2002 film score) part of: Star Wars, Episode III: Revenge of the Sith (film soundtrack) part of: Star Wars, Episode IV: A New Hope (film soundtrack) part of: Star Wars, Episode IX: The Rise of Skywalker (2019 film score) part of: Star Wars, Episode V: The Empire Strikes Back (film soundtrack) part of: Star Wars, Episode VI: Return of the Jedi (film soundtrack) part of: Star Wars, Episode VII: The Force Awakens (2015 film score) part of: Star Wars, Episode VIII: The Last Jedi (2017 film score) part of: Star Wars: Shadows of the Empire	John Williams		3:17
7	Gladiator Theme (Gladiator) choir vocals: Crouch End Festival Chorus orchestra: The City of Prague Philharmonic Orchestra conductor: Nic Raine chorus master: David Temple partial recording of: Gladiator composer: Hans Zimmer (German score composer) partial recording of: Gladiator: Symphonic Suite composer: Hans Zimmer (German score composer) arrangement of: Honor Him (Gladiator) arrangement of: The Battle (Gladiator) arrangement of: The Might of Rome (Gladiator)	Hans Zimmer, Lisa Gerrard & Klaus Badelt		2:23
8	Temple Duet (Gallipoli) engineer: Walther Ruhlmann producer: René Challan (French composer) baritone vocals [Zurga]: Ernest Blanc (baritone) (in 1961) tenor vocals [Nadir]: Nicolai Gedda (tenor) (in 1961) orchestra: Paris Opéra-Comique Orchestra (in 1961) conductor: Pierre Dervaux (French conductor and composer) (in 1961) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961) recording of: Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1961) composer: Georges Bizet (French composer) (from 1863-04 until 1863-08) librettist: Michel Carré (librettist) and Eugène Cormon part of: ABC Classic 100 (2001) (number: 7) part of: Les Pêcheurs de perles : Acte I	Georges Bizet		5:25
9	Intermezzo (The Godfather III) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979) conductor: Riccardo Muti (conductor) (in 1979) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980) recording of: Cavalleria rusticana: Intermezzo (in 1979) composer: Pietro Mascagni (composer & conductor) (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni		3:43
10	The Fellowship (The Lord of the Rings: Fellowship of the Ring) producer: James Fitzpatrick choir vocals: Crouch End Festival Chorus orchestra: The City of Prague Philharmonic Orchestra (in 2002) conductor: Nic Raine (in 2002) chorus master: David Temple cover recording of: Main Theme (The Lord of the Rings) composer: Howard Shore (Canadian score composer) publisher: Universal Music Publishing (use ONLY if no country‐specific information is available) partial recording of: The Lord of the Rings: The Fellowship of the Ring (film soundtrack) composer: Howard Shore (Canadian score composer)	Howard Shore		5:54
11	Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) orchestra: The City of Prague Philharmonic Orchestra conductor: Nic Raine arranger: Christopher Tin cover recording of: Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) composer: John Williams (American score composer and conductor) publisher: Warner–Barham Music LLC part of: Harry Potter and the Chamber of Secrets (2002 film score) recording of: Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) composer: John Williams (American score composer and conductor) publisher: Warner–Barham Music LLC part of: Harry Potter and the Chamber of Secrets (2002 film score)	John Williams		3:38
12	Hymn to the Fallen (Saving Private Ryan) choir vocals: Crouch End Festival Chorus orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) arranger: Paul Bateman (conductor) phonographic copyright (℗) by: BMG Music, Cherry Lane and Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1999) cover recording of: Hymn to the Fallen (Saving Private Ryan) composer: John Williams (American score composer and conductor) publisher: Cherry Lane Music Ltd. and Universal Music Publishing MGB part of: Saving Private Ryan (1998 film score) recording of: Hymn to the Fallen (Saving Private Ryan) composer: John Williams (American score composer and conductor) publisher: Cherry Lane Music Ltd. and Universal Music Publishing MGB part of: Saving Private Ryan (1998 film score)	John Williams		6:05
13	String Trio Divertimento (Mission Impossible) cello: Gary Hoffman (Canadian cellist) viola: Gérard Caussé (violist) violin: Augustin Dumay (violinist) recording of: Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-09-27) part of: Divertimento for Violin, Viola & Cello in E-flat major, K. 563	Wolfgang Amadeus Mozart		5:20
14	The Sorcerer's Apprentice (Fantasia) orchestra: Oslo‐Filharmonien (Oslo Philharmonic) conductor: Mariss Jansons (Latvian conductor) partial recording of: L’Apprenti sorcier (The Sorcerer's Apprentice) composer: Paul Dukas (French composer) (from 1896 until 1897) recording of: L’Apprenti sorcier (The Sorcerer's Apprentice) composer: Paul Dukas (French composer) (from 1896 until 1897)	Paul Dukas		6:39
15	End Titles (Braveheart) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) phonographic copyright (℗) by: EMI Music (do not use as release label! this is a music publisher) and Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1997) cover recording of: End Credits (Braveheart) composer: James Horner (American score composer) part of: Braveheart recording of: End Credits (Braveheart) composer: James Horner (American score composer) part of: Braveheart	James Horner		7:06

2▼CD: The Classic Movies
#	Title	Artist	Rating	Length
1	Piano Concerto No. 2 (Somewhere in Time) piano: Cécile Ousset (French pianist) orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) partial recording of: Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto premiered in: Moscow, Russia (on 1900-12-15) composer: Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04) part of: Piano Concerto no. 2 in C minor, op. 18	Сергей Васильевич Рахманинов		4:32
2	Miserere (Chariots of Fire) baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]: Gerald Finley (bass-baritone) choir vocals: Choir of King’s College, Cambridge (in 1984) treble vocals: Timothy Beasley-Murray (treble vocalist) (in 1984) vocals: Gerald Finley (bass-baritone) (in 1984) conductor: Stephen Cleobury (organist, conductor) chorus master: Stephen Cleobury (organist, conductor) (in 1984) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) partial recording of: Miserere mei, Deus composer: Gregorio Allegri (composer) part of: ABC Classic 100 (2001) (number: 9) quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri		5:47
3	Cavatina (The Deer Hunter) guitar: Manuel Barrueco (guitarist) and Steve Morse (American guitarist) recording of: Cavatina (theme from The Deer Hunter, for guitar) composer: Stanley Myers publisher: EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.	Stanley Myers		3:16
4	Adagio for Strings (Platoon) orchestra: The Philadelphia Orchestra (in 1957, in 1985) conductor: Eugene Ormandy (conductor) (in 1957, in 1985) recording of: Adagio for Strings (in 1957) orchestrator: Samuel Barber (American composer) (in 1938) composer: Samuel Barber (American composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio partial recording of: Adagio for Strings orchestrator: Samuel Barber (American composer) (in 1938) composer: Samuel Barber (American composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber	3	6:23
5	Symphony No. 5: IV. Adagietto (Death in Venice) orchestra: New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Sir John Barbirolli (conductor and cellist) partial recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		3:08
6	Any Other Name (American Beauty) recording engineer: Dennis Sands (American sound engineer) assistant engineer: Tom Hardisty (film score engineer) and David Marquette producer: Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer) mixer: Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer) assistant editor: Jordan Corngold editor: Bill Bernstein performer: Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor) phonographic copyright (℗) by: SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000) mixed at: Signet Sound Studios in Los Angeles, California, United States recording of: Any Other Name orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer) publisher: Cherry Lane Music and Cherry Lane Music Publishing Company Inc. part of: American Beauty (1999)	Thomas Newman	3	4:06
7	Main Theme (E.T.) orchestra: Ron Goodwin and His Concert Orchestra recording of: E.T.: Main Theme composer: John Williams (American score composer and conductor) (in 1982) part of: E.T. the Extra-Terrestrial (concert arrangement soundtrack)	John Williams		3:59
8	Main Theme (Schindler's List) violin: Tasmin Little (violinist) (in 1994) orchestra: New World Philharmonic (in 1994) conductor: Iain Sutherland (British conductor) (in 1994) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994) recording of: Main Theme (Schindler’s List) (in 1994) composer: John Williams (American score composer and conductor) (in 1993) publisher: Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!) part of: Schindler's List part of: Three Pieces from Schindler’s List	John Williams		5:05
9	Gabriel's Oboe (The Mission) orchestra: The Ennio Morricone Orchestra (Italian symphonic orchestra) conductor: Ennio Morricone (Italian classical and score composer) phonographic copyright (℗) by: Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987) recording of: Gabriel’s Oboe (The Mission, main theme) publisher: Ennio Morricone (Italian classical and score composer) orchestrator and composer: Ennio Morricone (Italian classical and score composer) publisher: EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd. part of: The Mission	Ennio Morricone		2:14
10	Symphony No. 25 (William Shakespeare's Romeo + Juliet) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) partial recording of: Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio composer: Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05) part of: Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"	Wolfgang Amadeus Mozart		4:43
11	Main Theme (Jean de Florette) orchestra: Hallé Orchestra conductor: Sir John Barbirolli (conductor and cellist) partial recording of: La forza del destino: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: La forza del destino recording of: La forza del destino: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: La forza del destino	Giuseppe Verdi		2:57
12	Eine kleine Nachtmusik: II. Romance (Alien) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26) conductor: Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-01-29) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“ recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-10-26) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		5:45
13	Love Theme (Cinema Paradiso) piano: Paul Bateman (conductor) solo soprano vocals: Anna Thomas (soprano) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) orchestrator: Rachel Berlin phonographic copyright (℗) by: Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996) recording of: Nuovo cinema Paradiso: Tema d’amore composer: Andrea Morricone (composer) and Ennio Morricone (Italian classical and score composer) part of: Nuovo Cinema Paradiso (soundtrack)	Ennio Morricone	3	3:33
14	Jazz Suite No. 2 (Eyes Wide Shut) orchestra: The Philadelphia Orchestra conductor: Mariss Jansons (Latvian conductor) recording of: Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) composer: Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) part of: Suite for Variety Orchestra	Дмитрий Дмитриевич Шостакович		3:44
15	Ode to Joy (A Clockwork Orange) bass-baritone vocals: James Morris (operatic bass-baritone) choir vocals: Westminster Choir (Princeton, USA) orchestra: The Philadelphia Orchestra conductor: Sir Adrian Boult (conductor) and Riccardo Muti (conductor) chorus master: Joseph Flummerfelt (choir master) and James Morris (operatic bass-baritone) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) partial recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) quotes lyrics from: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		3:20

3▼CD: Favourite Movies
#	Title	Artist	Rating	Length
1	Eine kleine Nachtmusik: I. Allegro (Ace Ventura: Pet Detective) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26) conductor: Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-01-29) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“ recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-10-26) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		5:52
2	Clarinet Concerto in A major, K. 622: II. Adagio (from "Out of Africa") basset clarinet: Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08) orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08) conductor: Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08) phonographic copyright (℗) by: EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990) recorded at: Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08) composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		6:38
3	Concerto for Two Pianos (Amadeus) producer: Christopher Bishop (conductor/producer) piano: Radu Lupu (Romanian concert pianist) (on 1975-12-08) and André Previn (pianist, conductor, composer, arranger) (on 1975-12-08) orchestra: London Symphony Orchestra (on 1975-12-08) conductor: André Previn (pianist, conductor, composer, arranger) (on 1975-12-08) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-12-08) recording of: Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro (on 1975-12-08) composer: Wolfgang Amadeus Mozart (classical composer) (in 1779) part of: Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365	Wolfgang Amadeus Mozart		6:47
4	Memories of the Alhambra (Sideways) guitar: Christopher Parkening (guitarist) recording of: Recuerdos de la Alhambra (Memories of the Alhambra) composer: Francisco Tárrega (Spanish composer and guitarist) arrangement of: FINE ON THE OUTSIDE	Francisco Tárrega		3:57
5	Flute & Harp Concerto (The Joy Luck Club) flute: James Galway (flautist) harp: Fritz Helmis (harpist) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Herbert von Karajan (conductor) partial recording of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino composer: Wolfgang Amadeus Mozart (classical composer) (in 1778-04) part of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299 recording of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino composer: Wolfgang Amadeus Mozart (classical composer) (in 1778-04) part of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299	Wolfgang Amadeus Mozart		4:00
6	Stabat Mater (The Talented Mr. Ripley) producer: Tolga Kaşif (Tolga Kashif, composer and conductor) countertenor vocals: Robin Blaze (countertenor) soprano vocals: Lesley Garrett (soprano) orchestra: The London Session Orchestra conductor: Paul Daniel (conductor) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		3:57
7	Ave verum corpus (Lorenzo's Oil) producer: James Mallinson (producer) choir vocals: Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15) and Swedish Radio Choir (from 1987-02-14 until 1987-02-15) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15) conductor: Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15) chorus master: Eric Ericson (from 1987-02-14 until 1987-02-15) balance engineer: John Kurlander (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-02-14 until 1987-02-15) composer: Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18) part of: Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)	Wolfgang Amadeus Mozart		3:26
8	Horn Concerto No. 2 (JFK) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) horn: Barry Tuckwell (hornist / conductor) (in 1971-05) orchestra: Academy of St Martin in the Fields (in 1971-05) conductor: Sir Neville Marriner (conductor) (in 1971-05) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21) recording of: Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Concerto for Horn no. 2 in E-flat major, K. 417	Wolfgang Amadeus Mozart		3:16
9	String Quintet (Carrington) cello: Laszlo Varga (cellist) performer: Hungarian Quartet (1935-1972) partial recording of: String Quintet in C major, D. 956: II. Adagio composer: Franz Schubert (composer) (in 1828) part of: String Quintet in C major, D. 956	Franz Schubert		4:39
10	Le nozze di Figaro: Overture (The Runaway Bride) orchestra: Royal Philharmonic Orchestra conductor: Sir Colin Davis (English conductor) recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)	Wolfgang Amadeus Mozart		4:20
11	Cello Concerto (Hilary and Jackie) cello: Robert Cohen (cellist) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Norman Del Mar (conductor) partial recording of: Cello Concerto in E minor, op. 85: I. Adagio – Moderato composer: Edward Elgar (composer) (from 1918 until 1919) part of: Cello Concerto in E minor, op. 85	Sir Edward Elgar		3:48
12	Symphony No. 40 (The Living Daylights) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		5:36
13	Nimrod (Elizabeth) producer: Christopher Bishop (conductor/producer) orchestra: London Symphony Orchestra (from 1970-08-04 until 1970-08-06) conductor: Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06) balance engineer: Michael Gray (UK classical recording engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06) recording of: Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06) publisher: Sir Edward Elgar (dec’d) (Edward Elgar, composer) composer: Edward Elgar (composer) (in 1899) dedicated to: Augustus J. Jaeger part of: Variations on an Original Theme (‘Enigma’), op. 36	Sir Edward Elgar		3:57
14	'Unfinished' Symphony (Minority Report) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Herbert von Karajan (conductor) partial recording of: Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato composer: Franz Schubert (composer) (in 1822) part of: Symphony no. 8 in B minor, D. 759 “Unfinished”	Franz Schubert		4:10
15	Eine kleine Nachtmusik: IV. Rondo (There's Something About Mary) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26) conductor: Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-01-29) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“ recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-10-26) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		3:05
16	Swan Lake (Billy Elliot) producer: Christopher Bishop (conductor/producer) orchestra: London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10) conductor: André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10) recording of: Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10) composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) part of: Swan Lake, op. 20: Act II part of: Swan Lake, op. 20: Act II (ed. Drigo)	Пётр Ильич Чайковский		2:49
17	Jupiter (The Right Stuff) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Simon Rattle (conductor) partial recording of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity composer: Gustav Holst (composer) (from 1914 until 1916) orchestration of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst		4:47

4▼CD: The Piano at the Cinema
#	Title	Artist	Rating	Length
1	The Heart Asks Pleasure First / The Promise (The Piano) additional engineer: Jamie Luker engineer: Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner) producer and creative direction: Michael Nyman (composer) piano: Michael Nyman (composer) conductor: Michael Nyman (composer) arranger: Michael Nyman (composer) phonographic copyright (℗) by: Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993) recorded at: Arco Studios in München (Munich), Bayern (Bavaria), Germany mixed at: Kitsch Recording Studio in Ixelles / Elsene, Brussels (Brussels-Capital Region), Belgium medley including a recording of: The Heart Asks Pleasure First (The Piano) composer: Michael Nyman (composer) publisher: Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) part of: The Piano (1993 film score) medley including a recording of: The Promise (The Piano) composer: Michael Nyman (composer) publisher: J&W Chester/Ed Wilhelm part of: The Piano (1993 film score)	Michael Nyman		3:15
2	Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan" piano: Stephen Hough (pianist) (in 1987-05) orchestra: Hallé Orchestra (in 1987-05) conductor: Bryden Thomson (conductor) (in 1987-05) recorded at: Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (in 1987-05) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05) composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		6:47
3	'Raindrop' Prelude (Face/Off) piano: Dmitri Alexeev (pianist) recording of: Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839) part of: Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		5:53
4	Piano Concerto No. 20 (Amadeus) piano: Annie Fischer (pianist) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Sir Adrian Boult (conductor) partial recording of: Concerto for Piano no. 20 in D minor, K. 466: II. Romanze composer: Wolfgang Amadeus Mozart (classical composer) (in 1785) part of: Concerto for Piano no. 20 in D minor, K. 466	Wolfgang Amadeus Mozart		6:15
5	Waltz in C sharp minor (Private Benjamin) piano: Dmitri Alexeev (pianist) recording of: Waltz no. 7 in C‐sharp minor, op. 64 no. 2 composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847) part of: Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 213) part of: Waltzes, op. 64	Frédéric Chopin		4:14
6	Rondo alla turca (The Truman Show) piano: Andrei Gavrilov (pianist) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Classic 100: Piano (2025) (number: 32) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		3:28
7	Piano Concerto No. 25 (The Associate) piano: Christian Zacharias (pianist and conductor) orchestra: Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) conductor: David Zinman (conductor) recording of: Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-04) part of: Concerto for Piano and Orchestra no. 25 in C major, K. 503	Wolfgang Amadeus Mozart		7:09
8	Piano Sonata No. 11 in A major, K. 331 (A Beautiful Mind) piano: Andrei Gavrilov (pianist) partial recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		1:59
9	'Moonlight' Sonata (Immortal Beloved) piano: Dame Moura Lympany (British pianist) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) partial recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) included in: end of starchild (video game soundtrack) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) included in: end of starchild (video game soundtrack) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		3:58
10	Nocturne in C-sharp minor (The Pianist) piano: Maria Tipo (pianist) recording of: Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16 composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1830) part of: Chopin National Edition: WN Catalogue (number: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 49) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 127)	Frédéric Chopin		4:24
11	Piano Concerto No. 1 in B-flat minor, Op. 23 (The Music Lovers) piano: Horacio Gutiérrez (pianist) orchestra: London Symphony Orchestra conductor: André Previn (pianist, conductor, composer, arranger) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)	Пётр Ильич Чайковский		3:23
12	Gymnopédie No. 1 (What Lies Beneath) piano: Anne Queffélec (pianist) orchestra: London Symphony Orchestra recording of: Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) composer: Erik Satie (French composer) (from 1888-02 until 1888-04) part of: Classic 100: Piano (2004) (number: 4) part of: Gymnopédies	Erik Satie		3:35
13	'Minute' Waltz (Paycheck) piano: Dmitri Alexeev (pianist) performer: Dimitri Alexeev (Dmitri Alexeev, pianist) recording of: Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847) part of: Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212) part of: Waltzes, op. 64	Frédéric Chopin		1:50
14	Für Elise (Rosemary's Baby) piano: Dame Moura Lympany (British pianist) recording of: Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) composer: Ludwig van Beethoven (German composer) (from 1808 until 1810) part of: Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)	Ludwig van Beethoven		3:20
15	Piano Concerto No. 1, Op. 11 (The Truman Show) piano: Martha Argerich (Argentine pianist) orchestra: Orchestre symphonique de Montréal (Montreal Symphony Orchestra) conductor: Charles Dutoit (conductor) partial recording of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09) part of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11 recording of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09) part of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11	Frédéric Chopin		3:52
16	Clair de lune (Ocean's Eleven) piano: Dame Moura Lympany (British pianist) (in 1988) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) composer: Claude Debussy (French composer) (from 1890 until 1905) part of: Classic 100: Piano (2004) (number: 3) included in: Granblue Fantasy (video game soundtrack) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy		4:56
17	Polonaise No. 6 in A flat (Shine) piano: Alex Slobodyanik (pianist, not to be confused with his father: Alexander Slobodyanik (Олександр Слободяник)) recording of: Polonaise in A‐flat major, op. 53 “Heroique” composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1842) dedicated to: Auguste Léo part of: List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)	Frédéric Chopin		6:45

5▼CD: Opera at the Cinema
#	Title	Artist	Rating	Length
1	Casta Diva (The Bridges of Madison County) producer: Walter Jellinek (British classical producer) and Walter Legge (British classical producer) editor: Jennifer Howells choir vocals: Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12) soprano vocals [Norma]: Maria Callas (soprano) (from 1960-09-05 until 1960-09-12) orchestra: Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12) conductor: Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12) chorus master: Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12) balance engineer: Robert Gooch (British classical sound engineer, active from late 1950's) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961) recorded at: Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12) recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto I live recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1961) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto I	Vincenzo Bellini		5:36
2	La donna è mobile (Captain Correlli's Mandolin) tenor vocals [Duca]: Alfredo Kraus (tenor) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Julius Rudel (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) recording of: Rigoletto: Atto III. “La donna è mobile” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi		2:17
3	Soave sia il vento (Closer) bass-baritone vocals [Don Alfonso]: José van Dam (Belgian operatic bass-baritone) mezzo-soprano vocals [Dorabella]: Agnes Baltsa (mezzo-soprano) soprano vocals [Fiordiligi]: Margaret Marshall (Scots soprano active in late 20th century) orchestra: Vienna Philharmonic Orchestra (Vienna Philharmonic) conductor: Riccardo Muti (conductor) recording of: Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart		3:22
4	D'amor sull'ali rosee (Basquiat) soprano vocals: Leontyne Price (soprano) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Herbert von Karajan (conductor) recording of: Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto IV. Il supplicio	Giuseppe Verdi		4:44
5	Non più andrai (Trading Places) baritone vocals [Figaro]: Claudio Desderi (baritone and conductor) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Bernard Haitink (conductor) recording of: Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)	Wolfgang Amadeus Mozart		3:41
6	Vissi d'arte (Copycat) soprano vocals [Tosca]: Angela Gheorghiu (Romanian soprano) (, in 2000-08) orchestra: Orchestra of the Royal Opera House, Covent Garden (in 2000-08) conductor: Antonio Pappano (conductor and pianist) (in 2000-08) phonographic copyright (℗) by: Euripide Productions (motion picture production company) (from 2001 to present) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-08) recording of: Tosca: Atto II. “Vissi d’arte” (Tosca) (in 2000-08) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Tosca: Atto II (Tosca: Act II)	Giacomo Puccini		3:28
7	Un'aura amorosa (My Left Foot) producer: John Fraser (UK producer) tenor vocals [Ferrando]: John Aler (tenor) (in 1986-02) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02) conductor: Bernard Haitink (conductor) (in 1986-02) balance engineer: Stuart Eltham (engineer) (in 1986-02) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-02) recording of: Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart		4:45
8	Der Hölle Rache (Miss Congeniality) soprano vocals [Königin der Nacht]: Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13) orchestra: Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13) conductor: Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13) recorded at: Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13) recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		2:51
9	Canzonnetta sull'aria (The Shawshank Redemption) soprano vocals: Felicity Lott (soprano) and Gianna Rolandi (American soprano) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Bernard Haitink (conductor) recording of: Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)	Wolfgang Amadeus Mozart		3:06
10	La mamma morta (Philadelphia) producer: Walter Legge (British classical producer) soprano vocals: Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) conductor: Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955) recorded at: Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) recording of: Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18) composer: Umberto Giordano (Italian opera composer) librettist: Luigi Illica publisher: Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!) part of: Andrea Chénier: Atto III recording of: Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21) composer: Umberto Giordano (Italian opera composer) librettist: Luigi Illica publisher: Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!) part of: Andrea Chénier: Atto III	Umberto Giordano		4:55
11	Là ci darem la mano (Babette's Feast) producer: Walter Legge (British classical producer) baritone vocals [Don Giovanni]: Eberhard Wächter (baritone) (from 1959-10-07 until 1959-11-24) soprano vocals [Zerlina]: Graziella Sciutti (soprano) (from 1959-10-07 until 1959-11-24) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-10-07 until 1959-11-24) conductor: Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24) balance engineer: Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24) recording of: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		3:17
12	E lucevan le stelle (Heavenly Creatures) tenor vocals [Mario Cavaradossi]: Carlo Bergonzi (tenor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19) vocals: Carlo Bergonzi (tenor) orchestra: Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19) conductor: Georges Prêtre (French conductor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1964-12-04) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-07 until 1964-12-12) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1964-12-14) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1965-01-19) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III)	Giacomo Puccini		3:04
13	Habanera (Callas Forever) producer: Michel Glotz editor: Jennifer Howells choir vocals: Chœurs René Duclos (from 1964-07-06 until 1964-07-20) mezzo-soprano vocals [Carmen]: Maria Callas (soprano) (from 1964-07-06 until 1964-07-20) soprano vocals: Maria Callas (soprano) vocals: Maria Callas (soprano) orchestra: Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20) conductor: Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20) balance engineer: Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20) recording of: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20) composer: Georges Bizet (French composer) librettist: Ludovic Halévy (French librettist) and Henri Meilhac is based on: El arreglito part of: Carmen : Acte I	Georges Bizet		4:22
14	Che gelida manina (Moonstruck) tenor vocals [Rodolfo]: Alfredo Kraus (tenor) (in 1979-08) orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08) conductor: James Levine (US conductor and pianist) (in 1979-08) recording of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-08) composer: Giacomo Puccini (Italian composer) (in 1896) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini		5:02
15	Song to the Moon (Driving Miss Daisy) soprano vocals: Lesley Garrett (soprano) and Lucia Popp (soprano) soprano vocals [Rusalka]: Lucia Popp (soprano) orchestra: Munich Radio Symphony Orchestra (The Munich Radio Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Andrew Greenwood (conductor) and Stefan Soltész (conductor) recording of: Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) composer: Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27) part of: Rusalka, op. 114, B. 203: 1. jednání	Antonín Dvořák	3	5:55
16	Ebben? ne andrò lontana (Diva) soprano vocals: Ghena Dimitrova (soprano) (in 1984) orchestra: Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1984) conductor: Lamberto Gardelli (conductor) (in 1984) recording of: La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1984) composer: Alfredo Catalani (composer) librettist: Luigi Illica (in 1892) publisher: Lam Larghetto Music (from 1993 to present) part of: La Wally: Atto I	Alfredo Catalani		3:28
17	Barcarolle (Life is Beautiful) producer: David R. Murray choir vocals: Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06) mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) soprano vocals [Giulietta]: Jessye Norman (soprano) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) chorus master: Günter Wagner (choir master) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)	Jacques Offenbach		4:23
18	Nessun dorma (The Witches of Eastwick) choir vocals: Chœur de l'Opéra national du Rhin (Rhine Opera Chorus) tenor vocals [Calaf]: José Carreras (Spanish tenor) orchestra: Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra) conductor: Alain Lombard (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) recording of: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) composer: Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03) librettist: Giuseppe Adami and Renato Simoni publisher: Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher) part of: Turandot: Atto III (Turandot: Act III)	Giacomo Puccini		4:11

6▼CD: Baroque Goes to the Cinema
#	Title	Artist	Rating	Length
1	The Arrival of the Queen of Sheba (Four Weddings and a Funeral) producer: John Fraser (UK producer) harpsichord: Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28) orchestra: Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28) conductor: Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28) balance engineer: Stuart Eltham (engineer) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28) composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain) part of: Solomon, HWV 67: Act III	Georg Friedrich Händel	4	2:50
2	Fugue in D minor (The Aviator) organ: Wayne Marshall (British pianist, organist and conductor) recorded at: Coventry Cathedral in Coventry, West Midlands, England, United Kingdom recording of: Toccata und Fuge d-Moll, BWV 565: II. Fuge composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)	Johann Sebastian Bach		6:20
3	Zadok the Priest (The Madness of King George) choir vocals: Royal Choral Society (The Royal Choral Society) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Andrew Davis (conductor, keyboardist, composer, arranger) recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 composer: George Frideric Handel (German‐British baroque composer) (in 1727) premiered at: Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11) part of: Händel-Werke-Verzeichnis (number: HWV 258) part of: The Four Coronation Anthems	Georg Friedrich Händel		6:04
4	Double Violin Concerto (Children of a Lesser God) violin: Christian Ferras (violinist) and Yehudi Menuhin (violinist) orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin (violinist) partial recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		2:36
5	Gloria (Someone to Watch Over Me) instruments: Taverner Players choir vocals: Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11) orchestra: Taverner Players (in 1992-11) conductor: Andrew Parrott (conductor) (in 1992-11) recorded at: St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11) recording of: Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11) composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Gloria in D major, RV 589	Antonio Vivaldi		2:33
6	Viola da Gamba Sonata in G minor (Truly, Madly, Deeply) harpsichord: Ton Koopman (conductor, organist and harpsichordist) viola da gamba: Jordi Savall (viol player, conductor and composer) edit of: Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio by Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist) partial recording of: Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029	Johann Sebastian Bach		2:33
7	Adagio (Gallipoli) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) partial recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)	Tomaso Giovanni Albinoni		5:52
8	Mandolin Concerto in C (Kramer vs. Kramer) mandolin: André Saint-Clivier (mandolin player) orchestra: Toulouse Chamber Orchestra conductor: Louis Auriacombe (conductor) recording of: Concerto for Mandolin in C major, RV 425: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Mandolin in C major, RV 425	Antonio Vivaldi		2:59
9	Goldberg Variations (Silence of the Lambs) recording engineer: Daniel Michel (recording engineer) producer: Alain Lanceron piano: Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28) recording of: Goldberg-Variationen, BWV 988: Aria (opening) (from 1986-06-26 until 1986-06-28) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach		3:05
10	Concerto Grosso Op. 6 No. 12 (Pirates of the Carribean: The Curse of the Black Pearl) orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin (violinist) recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		4:14
11	Air 'on the G string' (Runaway Bride) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) violin: Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04) orchestra: Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04) conductor: Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04) balance engineer: Stuart Eltham (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1973-10-01 until 1973-10-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		3:35
12	Canon in D (Ordinary People) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) violin: Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04) orchestra: Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04) conductor: Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04) balance engineer: Stuart Eltham (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) recording of: Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04) composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		5:02
13	Winter (The Other Sister) harpsichord: Paul Crocker (harpsichord) (in 1979-12) violin: Yehudi Menuhin (violinist) (in 1979-12) orchestra: Camerata Lysy Gstaad (in 1979-12) conductor: Alberto Lysy (violinist and conductor) (in 1979-12) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12) composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		2:12
14	Jesu, Joy of Man's Desiring (Meet the Parents) producer: Christopher Bishop (conductor/producer) choir vocals: King’s College Choir, Cambridge orchestra: Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) conductor: Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor) balance engineer: Neville Boyling (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom recording of: Jesu, Joy of Man’s Desiring orchestrator: Leopold Stokowski (conductor) lyricist: Robert Bridges (poet) composer: Johann Sebastian Bach (German Baroque period composer & musician) translated version of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		3:31
15	Sarabande (Barry Lyndon) piano: Andrei Gavrilov (pianist) recording of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande composer: George Frideric Handel (German‐British baroque composer) is based on: Folia part of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437	Georg Friedrich Händel		3:02
16	Keyboard Concerto No. 5 in F minor (Lara Croft: Tomb Raider) producer: John Fraser (UK producer) piano: Andrei Gavrilov (pianist) (in 1986-04) orchestra: Academy of St Martin in the Fields (in 1986-04) conductor: Sir Neville Marriner (conductor) (in 1986-04) balance engineer: Mark Vigars (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		3:28
17	Brandenburg Concerto No. 3 in G (Hannibal) orchestra: Polish Chamber Orchestra conductor: Jerzy Maksymiuk (conductor) performer: Rachel Beckett (flute and recorder player), Zbigniew Czapczynaki and Philip Pickett (musician) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)	Johann Sebastian Bach		5:18
18	Hallelujah Chorus (Bridget Jones's Diary) choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Sir David Willcocks (UK composer, organist, choral conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		4:25

Credits

Release group

part of:	100 Best (EMI Classics) (order: 5)

Discogs:	https://www.discogs.com/master/1225566 [info]
discography entry:	https://www.last.fm/music/Various+Artists/100+Best+Film+Classics [info]

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Release information

Barcode:: 094635492828
Format:: 6×CD
Length:: 7:01:16

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Warner Classics
0946 3 54928 2 8

Release events

Europe
2006-08-29

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Last updated on 2024-01-11 22:00 UTC