| # | Title | Artist | Rating | Length |
|---|
| 1 | Vincent | Don McLean | 4.4 | 4:02 |
| 2 | Too Much Too Little Too Late | Johnny Mathis & Deniece Williams | 4 | 2:59 |
| 3 | Help Me Make It Through the Night | Gladys Knight & the Pips | 3 | 4:20 |
| 4 | You’ve Got a Friend | James Taylor | 4.4 | 4:30 |
| 5 | Reason to Believe- producer:
- Rod Stewart
- acoustic guitar:
- Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
- bass:
- Andy Pyle (in 1971-01)
- bass guitar, guitar and pedal steel guitar:
- Ronnie Wood (in 1971-01)
- double bass:
- Danny Thompson (in 1971-01)
- drums (drum set):
- Micky Waller (in 1971-01)
- organ:
- Ian McLagan (in 1971-01)
- piano:
- Pete Sears (in 1971-01)
- slide guitar:
- Sam Mitchell (in 1971-01)
- violin:
- Dick Powell (in 1971-01)
- lead vocals:
- Rod Stewart (in 1971-01)
- vocals:
- Madeline Bell (in 1971-01)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1971)
- cover recording of:
- Reason to Believe (in 1971-01)
- lyricist and composer:
- Tim Hardin
- publisher:
- Allen Stanton Productions, Alley Music Corp., EMI Music , Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. and Trio Music Co., Inc.
- recording of:
- Reason to Believe
- lyricist and composer:
- Tim Hardin
- publisher:
- Allen Stanton Productions, Alley Music Corp., EMI Music , Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. and Trio Music Co., Inc.
| Rod Stewart | 3.15 | 4:07 |
| 6 | Every Day Hurts | Sad Café | | 3:47 |
| 7 | Seasons in the Sun | Terry Jacks | 3.5 | 3:30 |
| 8 | (Sittin’ on) the Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.3 | 2:43 |
| 9 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
- phonographic copyright (℗) by:
- EMI Records Ltd. , Sony BMG Music Entertainment (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd.
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 3.8 | 4:12 |
| 10 | Your Love Is King | Sade | 4.35 | 3:40 |
| 11 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.15 | 3:49 |
| 12 | Me and Mrs. Jones | Billy Paul | | 3:43 |
| 13 | You’re a Lady | Peter Skellern | | 4:37 |
| 14 | Where Do You Go to My Lovely | Peter Sarstedt | 5 | 4:41 |
| 15 | Ev’ry Time We Say Goodbye | Simply Red | | 3:25 |