Smash Hits 80s Mixtape

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1-1House of Fun
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.65?:??
1-2Planet Earth
recording of:
Planet Earth
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Duran Duran?:??
1-3Just Like Heaven
recording of:
Just Like Heaven
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure?:??
1-4Together in Electric Dreams
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
The Human League?:??
1-5To Cut a Long Story Short
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
To Cut a Long Story Short
Texter und Komponist(in):
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. und Reformation Publishing Co. Ltd.
Spandau Ballet3.5?:??
1-6Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.95?:??
1-7You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.15?:??
1-8Imagination
recording of:
Imagination
Texter und Komponist(in):
Neville Keighley
Belouis Some3?:??
1-9Like to Get to Know You Well
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Programmierung:
Howard Jones (English singer, songwriter)
Produzent(in):
Rupert Hine
Instrumente:
Howard Jones (English singer, songwriter)
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
Cherry Red Records (UK indie label; for copyrights, use Cherry Red Records Ltd. instead, with an alias if needed) (in 1983)
aufgenommen bei und mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Like to Get to Know You Well
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones5?:??
1-10The Harder I TryBrother Beyond1?:??
1-11Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.95?:??
1-12Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.95?:??
1-13Walk Out to Winter
Techniker(in):
John Brand (engineer)
Produzent(in):
John Brand (engineer) und Bernie Clarke (keyboard / producer)
Bassgitarre:
Campbell Owens
Gitarre:
Roddy Frame
Perkussion und Schlagzeug:
Dave Ruffy
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Walk Out to Winter
Texter und Komponist(in):
Roddy Frame
Aztec Camera3?:??
1-14Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.5?:??
1-15Dangerous
Programmierung:
Anders Herrlin und Clarence Öfwerman
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1988-05)
Gitarre:
Jonas Isacsson (in 1988-05)
Keyboard:
Clarence Öfwerman (in 1988-05)
klassiche Gitarre:
Erik Borelius (in 1988-05)
Mundharmonika:
Jalle Lorensson (in 1988-05)
Saxophon:
Erik Häusler (in 1988-05)
Schlagzeug:
Pelle Alsing (in 1988-05)
Slide-Gitarre:
Janne Oldaeus (in 1988-05)
Talkbox:
Henrik Janson (in 1988-05)
Hintergrundgesang:
Marie Fredriksson (in 1988-05), Per Gessle (Swedish singer and guitarist) (in 1988-05) und Clarence Öfwerman (in 1988-05)
Sologesang:
Marie Fredriksson (in 1988-05) und Per Gessle (Swedish singer and guitarist) (in 1988-05)
phonographisches Urheberrecht (℗) von:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) und EMI Svenska AB (not for release label use!) (in 1989)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-05)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Dangerous (in 1988-05)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3?:??
1-16Some Like It Hot
recording of:
Some Like It Hot
Verfasser(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) und John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music und Tritec Music Ltd. (publisher and copyrights holder)
The Power Station5?:??
1-17Life’s What You Make ItTalk Talk?:??
1-18Army Dreamers
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Akustikgitarre:
Brian Bath (am 1980-09-22)
Bassgitarre:
Alan Murphy (UK session guitarist) (am 1980-09-22)
Bodhrán:
Stuart Elliott (session drummer, member of Cockney Rebel) (am 1980-09-22)
Mandoline:
Paddy Bush (am 1980-09-22)
Synthesizer:
Duncan Mackay (UK keyboardist/synthesizerist) (am 1980-09-22)
Hintergrundgesang:
Brian Bath (am 1980-09-22), Paddy Bush (am 1980-09-22) und Alan Murphy (UK session guitarist) (am 1980-09-22)
Sologesang:
Kate Bush (am 1980-09-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
Bearbeitung von:
Army Dreamers (hard ending) von Kate Bush
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Army Dreamers
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush4.05?:??
1-19Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.9?:??
1-20The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood4?:??
2-1Town Called Malace
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam?:??
2-2How Soon Is Now?
recording of:
How Soon Is Now?
Texter:
Morrissey (English singer‐songwriter)
Verfasser(in):
Johnny Marr und Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths?:??
2-3The Cutter
Techniker(in):
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige und Steve Short (sound engineer & producer)
Produzent(in):
Kingbird
Bass:
Les Pattinson
Gast-Saiteninstrumente:
Shankar (L. Shankar)
Gitarre:
Ian McCulloch (Echo & the Bunnymen) und Will Sergeant
Schlagzeug:
Pete de Freitas
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4?:??
2-4Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie4?:??
2-5I’ve Been Losing You
Techniker(in):
Gerry Kitchingham
Produzent(in):
Mags und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Mix:
John Hudson (producer, recording and mixing engineer) und Alan Tarney
Bassgitarre:
Leif K. Johansen
Schlagzeug:
Michael Sturgis
Teil von:
The Downloader’s Music Source Book (Nummer: 277)
recording of:
I've Been Losing You
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
a‐ha4.8?:??
2-6Ceremony
Produzent(in):
Martin Hannett
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 24)
recording of:
Ceremony
Texter:
Ian Curtis
zusätzlicher Texter:
Peter Hook und Bernard Sumner
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order2.5?:??
2-7Isolation
assistierende(r) Techniker(in):
Michael Johnson (UK recording engineer and producer)
Techniker(in):
John Caffery (producer and engineer) und Martin Hannett
Produzent(in):
Joy Division und Martin Hannett
Sologesang:
Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory (Records/Communications) (in 1987)
aufgenommen bei:
Britannia Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Isolation
Verfasser(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
Joy Division4?:??
2-8Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.45?:??
2-9Cry Boy Cry
recording of:
Cry Boy Cry
Verfasser(in):
Andy O (member of Blue Zoo) und Tim Parry (guitarist)
Blue Zoo?:??
2-10Veronica
Techniker(in) und Mix:
Kevin Killen
Akustikgitarre:
T‐Bone Burnett (musician, songwriter and producer)
Bassgitarre:
Paul McCartney (The Beatles)
Chamberlin und Hybrid-Piano:
Mitchell Froom
E-Gitarre und Sologesang:
Elvis Costello
Glockenspiel und Pauke:
Michael Blair (American drummer/producer/songwriter based in Sweden)
Klavier und Spinet [Baldwin spinet]:
Benmont Tench
Schlagzeug:
Jerry Marotta (drummer and composer)
recording of:
Veronica
Verfasser(in):
Declan Patrick MacManus und Paul McCartney (The Beatles)
Elvis Costello4.65?:??
2-11Darklands
Techniker(in):
Tony Harris (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer)
vocals:
William Reid (guitarist, The Jesus and Mary Chain)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1987)
recording of:
Darklands
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain5?:??
2-12Paralysed
recording of:
Paralysed
Texter:
Andy Gill (guitarist and record producer) und Jon King (vocalist in Gang of Four)
Komponist(in):
Andy Gill (guitarist and record producer)
publisher:
Bug Music (music publishing), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Gang of Four Music
Gang of Four?:??
2-13The Edge of ForeverThe Dream Academy4?:??
2-14Cry Little Sister (Theme From Lost Boys)
Koproduzent(in):
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) und Bruce Martin (keyboards / production)
Produzent(in):
Mike Mainieri
Sologesang:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Cry Little Sister
Verfasser(in):
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) und Mike Mainieri
Gerard McMann4.65?:??
2-15Cccan’t You See
Produzent(in):
Tony Mansfield (producer & songwriter)
recording of:
Cccan't You See
Texter:
Josie Warden
Komponist(in):
Brian Moss (member of Vicious Pink)
publisher:
Heath Levy Music Co. Ltd. und Warehouse Music Ltd
Vicious Pink4?:??
2-16C30 C60 C90 Go
assistierende(r) Produzent(in):
Martin Levan
Produzent(in):
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
Bow Wow Wow5?:??
2-17The Politics of Dancing
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex3.35?:??
2-18Can’t Be SureThe Sundays3.75?:??
2-19Election Day
vocals:
Grace Jones
recording of:
Election Day
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und Roger Taylor (Duran Duran drummer)
Arcadia?:??
2-20Gentle Tuesday
Techniker(in):
Pat Collier
Produzent(in):
Mayo Thompson
recording of:
Gentle Tuesday
Verfasser(in):
Jim Beattie und Bobby Gillespie
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream4.5?:??
3-1Stand and Deliver
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants?:??
3-2Psycho Killer (live)
recording engineer:
Allen Chinowsky (in 1983-12)
Mastering:
Ted Jensen (American mastering engineer) und Jack Skinner (engineer)
assistierende(r) Techniker(in):
Nick Delre, Robin Laine, Linda Randazzo und Glenn Rosenstein
Techniker(in):
Joel Moss und Mark Wolfson
Produzent(in):
Talking Heads
Mix:
Eric Thorngren
zusätzliche(r) Mix:
Chris Frantz und Jerry Harrison (Talking Heads & producer)
vocals:
David Byrne (Talking Heads) (in 1983-12)
aufgenommen bei:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983-12)
live recording of:
Psycho Killer (in 1983-12)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads4.5?:??
3-3Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
Techniker(in) und Mix:
John Tanner
Produzent(in):
Mark Van Hecke
Bass:
Brian Ritchie (in 1982-07)
Gitarre und Sologesang:
Gordon Gano (in 1982-07)
Schlagzeug und Perkussion:
Victor DeLorenzo (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) und Brian Ritchie (in 1982-07)
aufgenommen bei:
Castle Productions in Lake Geneva, Wisconsin, Vereinigte Staaten (in 1982-07)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 17)
recording of:
Blister in the Sun (in 1982-07)
Texter und Komponist(in):
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.45?:??
3-4There There My Dear
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
There, There My Dear
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners?:??
3-5Lucretia My Reflection
Produzent(in):
Larry Alexander (producer/engineer) und Andrew Eldritch
Sologesang:
Andrew Eldritch
recording of:
Lucretia My Reflection
Texter und Komponist(in):
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4.25?:??
3-6Love Missile F1-11
recording of:
Love Missile F1‐11
Texter und Komponist(in):
Martin Degville, Tony James (UK bassist/guitarist) und Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik?:??
3-751st StateNew Model Army4?:??
3-8Mountain Song
Bassgitarre:
Eric Avery
Gitarre:
Dave Navarro (American guitarist)
Schlagzeug:
Stephen Perkins (American drummer)
vocals:
Perry Farrell
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 71)
recording of:
Mountain Song
Texter:
Perry Farrell
Komponist(in):
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) und Stephen Perkins (American drummer)
Jane’s Addiction4.4?:??
3-9Broken Land
Techniker(in):
Rafe McKenna
Teil von:
The Downloader’s Music Source Book (Nummer: 214)
recording of:
Broken Land
Texter und Komponist(in):
Pat Gribben
The Adventures5?:??
3-10Roam
sonstige Unterstützung:
Budd Tunick (Aufgabe: Production Manager)
Programmierung:
Richard Hilton
Techniker(in):
Tom Durack
zusätzliche(r) Techniker(in):
Paul Angelli, Ed Brooks (audio engineer at RFI Mastering in Seattle), Patrick Dillett und Keith Freedman
Produzent(in):
Nile Rodgers
Mix:
Tom Durack und Nile Rodgers
Bassgitarre [bass]:
Sara Lee (UK bassist, singer & songwriter)
Gitarre:
Keith Strickland
Keyboard [keyboards]:
Richard Hilton
Schlagzeug:
Leroy Clouden
vocals:
Kate Pierson und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei und mixed at:
Skyline Studios in New York, Vereinigte Staaten
recording of:
Roam
Texter:
Robert Waldrop
Komponist(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s3.9?:??
3-11I Can’t Escape Myself
recording of:
I Can’t Escape Myself
Texter und Komponist(in):
Adrian Borland
The Sound?:??
3-12Hyperactive!
recorded in:
Brussels (Region Brüssel-Hauptstadt), Belgien (in 1983-06)
engineered in:
Brussels (Region Brüssel-Hauptstadt), Belgien
Techniker(in):
Dan Lacksman (Belgian musician & producer)
Produzent(in):
Thomas Dolby
Mix:
Alan Douglas (Scottish born engineer)
Bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
elektronisches Schlagzeug / E-Drums und Perkussion:
Clif Brigden (in 1983-06)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
Klavier:
Thomas Dolby (in 1983-06)
Perkussion:
Matthew Salt (in 1983-06)
Posaune:
Peter Thoms (trombone) (in 1983-06)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) und Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
zusätzlich vocals:
Louise Ulfstedt (in 1983-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
Texter und Komponist(in):
Thomas Dolby
publisher:
Scale Music, Smash Ltd. und Street Music Ltd.
Thomas Dolby5?:??
3-13Out of Reach
recording of:
Out of Reach
Verfasser(in):
Dave Bateman (aka Pox) und Rebecca Bond
Vice Squad?:??
3-14Don’t Want to Know If You Are Lonely
Techniker(in):
Steve Fjelstad (von 1985-10 bis 1986-01)
Produzent(in):
Grant Hart (von 1985-10 bis 1986-01) und Bob Mould (von 1985-10 bis 1986-01)
Bass:
Greg Norton (von 1985-10 bis 1986-01)
Gitarre:
Bob Mould (von 1985-10 bis 1986-01)
Schlagzeug:
Grant Hart (von 1985-10 bis 1986-01)
vocals:
Grant Hart (von 1985-10 bis 1986-01) und Bob Mould (von 1985-10 bis 1986-01)
aufgenommen bei und mixed at:
Nicollet Studios in Minneapolis, Minnesota, Vereinigte Staaten (von 1985-10 bis 1986-01)
recording of:
Don’t Want to Know If You Are Lonely (von 1985-10 bis 1986-01)
Texter und Komponist(in):
Grant Hart
Hüsker Dü4.5?:??
3-15Bastards of Young
Techniker(in):
Steve Fjelstad
Produzent(in):
Thomas Erdelyi (Tommy Ramone)
aufgenommen bei:
Nicollet Studios in Minneapolis, Minnesota, Vereinigte Staaten (von 1985-06 bis 1985-07)
Musikvideos:
Bastards of Young (music video) von The Replacements
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 241)
recording of:
Bastards of Young (von 1985-06 bis 1985-07)
Texter und Komponist(in):
Paul Westerberg
publisher:
Nah Music
The Replacements4.25?:??
3-16One Stop
Kissing the Pink?:??
3-17Last Night Another Soldier
Produzent(in):
Peter Wilson (UK Producer)
E-Bass [bass]:
Glyn Warren (of Angelic Upstarts) (in 1980)
E-Gitarre und Hintergrundgesang:
Mond (in 1980)
Schlagzeug [drums]:
Keith Warrington (drummer of Cockney Rejects) (in 1980)
Sologesang [vocals]:
Mensi (in 1980)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Dojo Limited (in 1993), Captain Oi! (in 2001) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
recording of:
Last Night Another Soldier (in 1980)
Komponist(in):
Raymond Cowie und Thomas Mensforth
publisher:
Maxwood Music Ltd. und Singatune Publishing
Angelic Upstarts5?:??
3-18Oi! Oi! Oi!
Cockney Rejects?:??
3-19Over and Done With
The Proclaimers?:??
3-20Talk of the Town
Produzent(in):
Chris Thomas (UK record producer / remixer)
recording of:
Talk of the Town
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Pretenders?:??

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