A Portrait of Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Packaging is a Fatbox in a card slip-case.

Anmerkung zuletzt geändert am 2017-06-29 15:43 UTC.

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1Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
42:42
2La Cucaracha
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
La cucaracha (am 1934-10-03)
Texter und Komponist(in):
[traditional] (special purpose artist)
2:42
3Alexander's Ragtime Band
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Alexander’s Ragtime Band (am 1937-07-07)
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:37
4I Double Dare You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-13)
Gitarre:
Lee Blair (am 1938-01-13)
Klavier:
Luis Russell (am 1938-01-13)
Kontrabass:
George "Pops" Foster (am 1938-01-13)
Posaune:
J.C. Higginbotham (am 1938-01-13)
Saxophon:
Bingie Madison (am 1938-01-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-13)
Trompete:
Louis Armstrong (am 1938-01-13)
vocals:
Louis Armstrong (am 1938-01-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-13)
recording of:
I Double Dare You (am 1938-01-13)
Verfasser(in):
Jimmy Eaton (songwriter) und Terry Shand (jazz pianist/composer)
2:58
5Let That Be a Lesson to You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-13)
Gitarre:
Lee Blair (am 1938-01-13)
Klavier:
Luis Russell (am 1938-01-13)
Kontrabass:
George "Pops" Foster (am 1938-01-13)
Posaune:
J.C. Higginbotham (am 1938-01-13)
Saxophon:
Bingie Madison (am 1938-01-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-13)
Trompete:
Louis Armstrong (am 1938-01-13)
vocals:
Louis Armstrong (am 1938-01-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-13)
recording of:
Let That Be a Lesson to You (am 1938-01-13)
Texter:
Johnny Mercer
Komponist(in):
Richard A. Whiting (composer)
2:36
6True Confession
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-13)
Bass und Kontrabass:
George "Pops" Foster (am 1938-01-13)
Gitarre:
Lee Blair (am 1938-01-13)
Klavier:
Luis Russell (am 1938-01-13)
Posaune:
J.C. Higginbotham (am 1938-01-13)
Saxophon:
Bingie Madison (am 1938-01-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-13)
Trompete:
Louis Armstrong (am 1938-01-13)
vocals:
Louis Armstrong (am 1938-01-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-13)
recording of:
True Confession (am 1938-01-13)
Komponist(in):
Sam Coslow und Friedrich Hollaender
3:07
7Shadrack
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-14)
vocals:
Louis Armstrong (am 1938-06-14) und The CBS Choir (am 1938-06-14)
arranger:
Lyn Murray
recording of:
Shadrack (am 1938-06-14)
Texter und Komponist(in):
R. MacGimsey
2:31
8Cuban Pete
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Cuban Pete (am 1937-07-07)
Komponist(in):
Jose Norman (composer / band leader)
3:09
9Jonah and the Whale
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-14)
Gitarre:
Lee Blair (am 1938-06-14)
Glocken, Schlagzeug, Vibraphon und xylophone:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-06-14)
Klavier:
Luis Russell (am 1938-06-14)
Kontrabass:
George "Pops" Foster (am 1938-06-14)
vocals:
Louis Armstrong (am 1938-06-14) und The CBS Choir (am 1938-06-14)
arranger:
Lyn Murray
recording of:
Jonah and the Whale (am 1938-06-14)
Texter und Komponist(in):
Robert MacGimsey
2:49
10Sun Showers
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Sun Showers (am 1937-07-07)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
2:43
11On the Sunny Side of the Street
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-11-15)
Gitarre:
Lee Blair (am 1937-11-15)
Klavier:
Luis Russell (am 1937-11-15)
Kontrabass:
Red Callender (am 1937-11-15)
Posaune:
J.C. Higginbotham (am 1937-11-15)
Rohrblattinstrumente:
Bingie Madison (am 1937-11-15)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-11-15)
Trompete:
Louis Armstrong (am 1937-11-15)
vocals:
Louis Armstrong (am 1937-11-15)
Orchester:
Louis Armstrong & His Orchestra (am 1937-11-15)
recording of:
On the Sunny Side of the Street (am 1937-11-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:58
12The Trumpet Player's Lament
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Kontrabass:
George "Pops" Foster (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
recording of:
The Trumpet Player's Lament (am 1938-01-12)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
2:55
13Satchel Mouth Swing
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Kontrabass:
George "Pops" Foster (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
recording of:
Satchel Mouth Swing (am 1938-01-12)
Verfasser(in):
Louis Armstrong und Mary Lou Williams (American jazz pianist and composer)
2:37
14Yours and Mine
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-02) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-02)
Gitarre:
Lee Blair (am 1937-07-02)
Klavier:
Luis Russell (am 1937-07-02)
Kontrabass:
George "Pops" Foster (am 1937-07-02)
Posaune:
J.C. Higginbotham (am 1937-07-02), George Matthews (trombone) (am 1937-07-02) und George Washington (jazz trombonist) (am 1937-07-02)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-02)
Tenorsaxophon:
Bingie Madison (am 1937-07-02) und Albert Nicholas (am 1937-07-02)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-02), Louis Armstrong (am 1937-07-02), Louis Bacon (am 1937-07-02) und Shelton "Scad" Hemphill (am 1937-07-02)
vocals:
Louis Armstrong (am 1937-07-02)
Bearbeitung von:
Yours and Mine (with pre-groove warm-up) von Louis Armstrong
recording of:
Yours and Mine (am 1937-07-02)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
2:44
15I Can't Give You Anything but Love
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Posaune:
Al Philburn (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Johnny McGhee (trumpet) (am 1938-06-24) und Robert Cusumano (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Bearbeitung von:
I Can't Give You Anything but Love (with pre-groove chatter) von Louis Armstrong
recording of:
I Can’t Give You Anything but Love, Baby (am 1938-06-24)
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:57
16I've Got a Heartful of Rhythm
3:11
17Jubilee
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Kontrabass:
George "Pops" Foster (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (am 1938-01-12)
Komponist(in):
Hoagy Carmichael
2:38
18Public Melody Number One
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-02)
Gitarre:
Lee Blair (am 1937-07-02)
Klavier:
Luis Russell (am 1937-07-02)
Kontrabass:
George "Pops" Foster (am 1937-07-02)
Posaune:
J.C. Higginbotham (am 1937-07-02), George Matthews (trombone) (am 1937-07-02) und George Washington (jazz trombonist) (am 1937-07-02)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-02), Bingie Madison (am 1937-07-02) und Albert Nicholas (am 1937-07-02)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-02)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-02), Louis Armstrong (am 1937-07-02), Louis Bacon (am 1937-07-02) und Shelton "Scad" Hemphill (am 1937-07-02)
vocals:
Louis Armstrong (am 1937-07-02)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-02)
recording of:
Public Melody Number One (am 1937-07-02)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
3:11
19Love Walked In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-18)
Gitarre:
Lee Blair (am 1938-05-18)
Klavier:
Luis Russell (am 1938-05-18)
Kontrabass:
George "Pops" Foster (am 1938-05-18)
Posaune:
J.C. Higginbotham (am 1938-05-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-18)
Tenorsaxophon:
Bingie Madison (am 1938-05-18)
Trompete:
Louis Armstrong (am 1938-05-18) und Shelton "Scad" Hemphill (am 1938-05-18)
vocals:
Louis Armstrong (am 1938-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-18)
recording of:
Love Walked In (am 1938-05-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:32
20Wrap Your Troubles in Dreams
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klarinette:
George James (US jazz saxophonist) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Wrap Your Troubles in Dreams (am 1931-11-04)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
43:45
21Red Cap
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-02)
Gitarre:
Lee Blair (am 1937-07-02)
Klavier:
Luis Russell (am 1937-07-02)
Kontrabass:
George "Pops" Foster (am 1937-07-02)
Posaune:
J.C. Higginbotham (am 1937-07-02), George Matthews (trombone) (am 1937-07-02) und George Washington (jazz trombonist) (am 1937-07-02)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-02), Bingie Madison (am 1937-07-02) und Albert Nicholas (am 1937-07-02)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-02)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-02), Louis Armstrong (am 1937-07-02), Louis Bacon (am 1937-07-02) und Shelton "Scad" Hemphill (am 1937-07-02)
vocals:
Louis Armstrong (am 1937-07-02)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-02)
recording of:
Red Cap (am 1937-07-02)
3:11
22She's the Daughter of a Planter From Havana
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
She's the Daughter of a Planter From Havana (am 1937-07-07)
3:20
23Struttin' With Some Barbeque
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Bass:
George "Pops" Foster (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (am 1938-01-12)
Komponist(in):
Lil Hardin Armstrong
2:59
24As Long as You Live, You'll Be Dead If You Die
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
As Long as You Live, You'll Be Dead If You Die (am 1938-05-13)
Texter:
Johnny Mercer
Komponist(in):
Bernie Hanighen
2:14

Nennungen