Oldie Juke Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:33
2Good Golly Miss Molly
recording of:
Good Golly Miss Molly
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
Little Richard2:05
3Sweet Little Sixteen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
Geffen Records Ltd. (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Sweet Little Sixteen (from 1957-12-09 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:02
4Great Balls of Fire
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:53
5Lucille
recording of:
Lucille
writer:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
sub-publisher:
Sony/ATV Music Publishing France (ended), Sony Music Publishing France and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard2:13
6Honey Don’t
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (from 1955-12 until 1966-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
recording of:
Honey, Don’t! (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins42:41
7Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:16
8Maybelline
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Chuck Berry3.92:21
9Long Tall Sally
recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Little Richard2:00
10See You Later Alligator
recording of:
See You Later, Alligator
lyricist and composer:
Robert Guidry (in 1955-10)
Bill Haley & His Comets2:18
11Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1955, from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
12Roll Over Beethoven
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry4.152:25
13Whole Lotta Shakin’ Goin’ On
Chuck Berry2:54
14Be Bop A Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:37
15Johnny B. Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Chuck Berry4.252:38
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