As Time Goes By… The Great American Songbook, Volume II

~ Release by Rod Stewart (see all versions of this release, 10 available)

Tracklist

1▼Copy Control CD
#TitleArtistRatingLength
1Time After Time
recording engineer:
Joel Moss
producer:
Phil Ramone
mixer:
Frank Filipetti
acoustic guitar:
David Spinozza
bass:
David Finck
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
drums (drum set):
Frank Vilardi
keyboard:
Rob Mathes, Rob Mounsey and Philippe Saisse
piano:
Henry Hey
trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Rob Mounsey
additional arranger:
Rob Mathes
cover recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Rod Stewart2:59
2I’m in the Mood for Love
recording engineer:
Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Bobby Ginsburg and Carter Humphrey
bass:
Reggie McBride
drums (drum set):
John Ferraro
guitar:
Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
saxophone:
Doug Webb
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Rod Stewart3:08
3Don’t Get Around Much Anymore
recording engineer and mixer:
Frank Filipetti
producer:
Phil Ramone
acoustic guitar:
David Spinozza
bass:
Tom Barney
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
clarinet:
Lawrence Feldman (flutist and saxophonist)
drums (drum set):
Shawn Pelton
guitar and keyboard:
Rob Mathes
keyboard:
Rob Mounsey and Philippe Saisse
piano:
Peter Nero (US pianist & conductor)
viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Rob Mounsey and Philippe Saisse
additional arranger:
Rob Mathes
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Rod Stewart2:49
4Bewitched, Bothered & Bewildered
recording engineer:
Bobby Ginsburg and Carter Humphrey
additional producer:
Lauren Wild
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
bass:
Reggie McBride
drums (drum set):
Joe LaBarbera
guitar:
Aaron Kaplan, Larry Koonse and Dean Parks (American session guitarist)
horn and saxophone:
Doug Webb
piano and synthesizer:
Mike Thompson (recording engineer)
conductor:
Alan Broadbent
performer:
Cher
strings arranger:
Alan Broadbent
additional arranger:
Arnold Stiefel
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Rod Stewart & Cher4:14
5’Till There Was You
recording engineer:
Al Hemberger and Joel Moss
additional engineer:
Matt Noble
mixer:
Jan Folkson
bass:
David Finck
cello:
Jean Le Blanc and Richard Locker (cellist)
drums (drum set):
Warren Odze
guitar:
David Spinozza and Carl Sturken
keyboard and piano:
Rob Mathes
percussion:
Shawn Pelton
vibraphone:
Joe Locke (United States jazz vibraphonist)
strings arranger:
Rob Mathes
cover recording of:
Till There Was You (The Music Man)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
Rod Stewart2:52
6Until the Real Thing Comes Along
recording engineer and mixer:
Carter Humphrey
producer:
Richard Perry (producer)
alto saxophone and clarinet:
Doug Webb
bass:
Reggie McBride
drums (drum set):
John Ferraro
guitar:
Larry Koonse and Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
conductor:
Colin Freeman
clarinet and horn arranger:
Mike Thompson (recording engineer)
strings arranger:
Colin Freeman
arranger:
Richard Perry (producer)
cover recording of:
Until the Real Thing Comes Along
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Rod Stewart3:39
7Where or When
recording engineer and mixer:
Al Hemberger
producer:
Evan Rogers (musician/producer) and Carl Sturken
bass:
David Finck
drums (drum set):
Warren Odze
guitar and piano:
Carl Sturken
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Rod Stewart & Lisa Ekdahl13:11
8Smile
recording engineer:
Ray Bardani and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
additional guitar:
Dean Parks (American session guitarist)
bass:
David Finck
drums (drum set):
Shawn Pelton
guitar:
Jimmy Rip and David Spinozza
piano:
Henry Hey
synthesizer:
Philippe Saisse and Mike Thompson (recording engineer)
additional arranger:
Rob Mathes, Richard Perry (producer), Mike Thompson (recording engineer) and Lauren Wild
cover recording of:
Smile (song version w/ lyrics)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Rod Stewart3:13
9My Heart Stood Still
recording engineer:
Frank Filipetti and Joel Moss
producer:
Phil Ramone
mixer:
Frank Filipetti
acoustic guitar:
David Spinozza
alto saxophone:
Dave Koz
bass:
David Finck
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
drums (drum set):
Frank Vilardi
keyboard:
Rob Mathes and Philippe Saisse
piano:
Henry Hey
viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Philippe Saisse
additional arranger:
Rob Mathes
cover recording of:
My Heart Stood Still
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
Rod Stewart3:04
10Someone to Watch Over Me
recording engineer:
J.J. Blair and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Bobby Ginsburg
bass:
Chris Golden (American bassist)
drums (drum set):
Jimi Paxson, Jr
guitar:
Dean Parks (American session guitarist) and Frank Simes
piano and synthesizer:
Mike Thompson (recording engineer)
conductor:
Mort Lindsey
strings arranger:
Mort Lindsey
arranger:
Richard Perry (producer), Mike Thompson (recording engineer) and Lauren Wild
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Rod Stewart3:31
11As Time Goes By
additional recording engineer:
Bobby Ginsburg
recording engineer and mixer:
Carter Humphrey
producer:
Richard Perry (producer)
bass:
Reggie McBride
drums (drum set):
Kendall Kay
guitar:
Larry Koonse and Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
saxophone and woodwind:
Doug Webb
performer:
Queen Latifah
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Rod Stewart & Queen Latifah3:50
12I Only Have Eyes for You
recording engineer and mixer:
Frank Filipetti
producer:
Phil Ramone
acoustic guitar:
David Spinozza
bass:
Tom Barney
cello:
Ann S. Kim, Richard Locker (cellist) and Mark Orrin Shuman
drums (drum set):
Shawn Pelton
keyboard:
Rob Mathes, Rob Mounsey and Philippe Saisse
piano:
Henry Hey
trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
viola:
Adria Benjamin, Monica Gerard (viola), Mary Hammann and Vincent Lionti
violin:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz and Carol Webb (violinist)
conductor:
Rob Mounsey
strings arranger:
Rob Mounsey
additional arranger:
Rob Mathes
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Rod Stewart3:08
13Crazy She Calls Me
recording engineer:
Bobby Ginsburg and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
bass:
Reggie McBride
clarinet, horn and woodwind:
Doug Webb
drums (drum set):
Joe LaBarbera
guitar:
Larry Koonse and Dean Parks (American session guitarist)
piano and synthesizer:
Mike Thompson (recording engineer)
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Rod Stewart23:29
14Our Love Is Here to Stay
recording engineer:
Ray Bardani and Carter Humphrey
producer:
Richard Perry (producer)
mixer:
Carter Humphrey
bass:
David Finck
drums (drum set):
Shawn Pelton
guitar:
Dean Parks (American session guitarist), Jimmy Rip and David Spinozza
piano:
Henry Hey
synthesizer:
Philippe Saisse and Mike Thompson (recording engineer)
conductor:
Mort Lindsey
strings arranger:
Mort Lindsey
additional arranger:
Rob Mathes
arranger:
Richard Perry (producer) and Mike Thompson (recording engineer)
cover recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Rod Stewart2:57

Credits

Release

manufactured in:the EU (Europe)
art direction:Jeri Heiden
photography:Andrew Macpherson (British-born photographer based in Los Angeles, CA)
producer:Clive Davis (record producer, A&R executive and music industry chief executive)
Richard Perry (producer)
Phil Ramone
mastering:Robert Hadley (mastering engineer)
Doug Sax
copyrighted (©) by and phonographic copyright (℗) by:J Records LLC (in 2003)
mastered at:The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/3711488 [info]
ASIN:UK: B0000C9ZEX [info]