100 Greatest Jazz Icons

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Take Five
The Dave Brubeck Quartet5:25
2So What
registrata a:
New York, New York, Stati Uniti (il 1959-03-02)
tecnico di registrazione:
Fred Plaut (il 1959-03-02)
produttore:
Irving Townsend
batteria :
Jimmy Cobb (US jazz drummer) (il 1959-03-02)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1959-03-02)
pianoforte :
Bill Evans (pianist) (il 1959-03-02)
sassofono contralto :
Cannonball Adderley (il 1959-03-02)
sassofono tenore :
John Coltrane (il 1959-03-02)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1959-03-02)
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-03-02)
remix di:
So What (stereo) di Miles Davis (jazz trumpeter, bandleader, songwriter)
registrazione di:
So What (il 1959-03-02)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
editore:
Jazz Horn Music
parte di:
The Real Book (compilation of jazz standards, volume I)
Miles Davis4.29:23
3Round Midnight
Thelonious Monk3:11
4St. Thomas
registrazione di:
St. Thomas
compositore:
Sonny Rollins (American saxophonist)
editore:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins Quartet with Tommy Flanagan & Max Roach6:47
5Blue Train
tecnico di registrazione:
Rudy van Gelder (il 1957-09-15)
produttore:
Alfred Lion
batteria :
Philly Joe Jones (US jazz drummer) (il 1957-09-15)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1957-09-15)
pianoforte :
Kenny Drew (il 1957-09-15)
sassofono tenore :
John Coltrane (il 1957-09-15)
tromba :
Lee Morgan (jazz trumpeter / composer) (il 1957-09-15)
trombone :
Curtis Fuller (il 1957-09-15)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti
registrazione di:
Blue Train (il 1957-09-15)
compositore:
John Coltrane
editore:
Jowcol Music
John Coltrane9:56
6The Girl From Ipanema
registrazione di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Stan Getz, João Gilberto & Astrud Gilberto5:20
7Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:53
8Moanin'
Art Blakey9:31
9Fever
registrazione cover di:
Fever
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee3:20
10A House Is Not a Home
Bill Evans4:37
11Stolen Moments
tecnico di registrazione:
Rudy van Gelder (il 1961-02-23)
tecnico:
Rudy van Gelder
produttore:
Creed Taylor
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1961-02-23)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1961-02-23)
pianoforte :
Bill Evans (pianist) (il 1961-02-23)
sassofono baritono :
George Barrow (il 1961-02-23)
sassofono contralto e flauto :
Eric Dolphy (il 1961-02-23)
sassofono contralto e sassofono tenore :
Oliver Nelson (saxophone, arranger, composer) (il 1961-02-23)
tromba :
Freddie Hubbard (il 1961-02-23)
arrangiatore:
Oliver Nelson (saxophone, arranger, composer)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1961-02-23)
registrazione strumentale di:
Stolen Moments (original instrumental version) (il 1961-02-23)
compositore:
Oliver Nelson (saxophone, arranger, composer) (nel 1960)
editore:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Noslen Music Company (Oliver Nelson)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oliver Nelson8:47
12Work Song
batteria :
Louis Hayes (il 1960-03-29)
contrabbasso :
Sam Jones (US jazz bassist) (il 1960-03-29)
cornetta :
Nat Adderley (il 1960-03-29)
pianoforte :
Barry Harris (Jazz pianist) (il 1960-03-29)
sassofono contralto :
Cannonball Adderley (il 1960-03-29)
diritti fonografici (℗) detenuti da:
Mastercorp Pty Ltd (nel 2011)
registrazione di:
Work Song (lyrics added by Oscar Brown Jr.) (il 1960-03-29)
paroliere:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
compositore:
Nat Adderley
editore:
Upam Music Co. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
versione di:
Work Song (original instrumental)
Cannonball Adderley5:08
13Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:18
14Sing, Sing, Sing (with a Swing)
registrazione di:
Sing, Sing, Sing (With a Swing)
paroliere e compositore:
Louis Prima
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (conclusa) e EMI Robbins Catalog Inc. (ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Benny Goodman and His Orchestra5:02
15In the Mood
registrazione di:
In the Mood
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller and His Orchestra43:37
16Every We Say Goodbye
Brian Dee, Bobby Worth, Tommy Whittle, Jimmy Richardson & Maxine Daniels2:26
17Take the a Train
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
The Duke Ellington Orchestra3:04
18Yardbird Suite
registrazione di:
Yardbird Suite (instrumental version) (il 1946-03-28)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (nel 1946)
Charlie Parker2:52
19Sugar
tecnico di registrazione:
Rudy van Gelder (nel 1970-11)
produttore:
Creed Taylor
batteria :
Bill Kaye (jazz drummer) (nel 1970-11)
chitarra elettrica [guitar] :
George Benson (jazz guitarist/singer) (nel 1970-11)
congas :
Richard Landrum (nel 1970-11)
contrabbasso [bass] :
Ron Carter (US jazz double-bassist) (nel 1970-11)
organo Hammond [organ] :
Butch Cornell (nel 1970-11)
pianoforte elettrico :
Lonnie L. Smith, Jr. (nel 1970-11)
sassofono tenore :
Stanley Turrentine (nel 1970-11)
tromba :
Freddie Hubbard (nel 1970-11)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (nel 1970-11)
registrazione di:
Sugar (nel 1970-11)
compositore:
Stanley Turrentine
Stanley Turrentine10:03
20Sweet Georgia Brown
registrazione di:
Sweet Georgia Brown
paroliere:
Kenneth Casey (nel 1925)
compositore:
Ben Bernie (nel 1925) e Maceo Pinkard (nel 1925)
editore:
Francis Day (publisher), Remick Music Corp. e Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Oscar Peterson Trio3:02
21L-O-V-E
tecnico:
Ryan Robinson (engineer)
tecnico di missaggio:
Joel Iwataki
assistente editor:
Sam Zeines
voce:
Nat King Cole (il 1964-06-03)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-03)
registrazione di:
L‐O‐V‐E (il 1964-06-03)
paroliere:
Milton Gabler
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Nat King Cole52:35
22Stormy Weather
registrazione di:
Stormy Weather
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
Billie Holiday3:44
23They Can't Take That Away From Me
registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Dizzy Gillespie3:45
24Mad About the Boy
Dinah Washington2:51
25Lullaby of Birdland
registrata a:
New York, New York, Stati Uniti (il 1954-12-16)
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-12-16)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1954-12-16)
flauto :
Herbie Mann (il 1954-12-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1954-12-16)
sassofono e sassofono tenore :
Paul Quinichette (il 1954-12-16)
tromba :
Clifford Brown (trumpet) (il 1954-12-16)
voce:
Sarah Vaughan (il 1954-12-16)
voce principale:
Sarah Vaughan
direttore d'orchestra:
Ernie Wilkins (il 1954-12-16)
arrangiatore:
Ernie Wilkins
registrazione cover di:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (il 1954-12-16)
paroliere:
B. Y. Forster (pseudonym of George David Weiss)
autore:
George David Weiss
compositore:
George Shearing (British jazz pianist)
editore:
EMI Longitude Music, Good Music Limited e Planetary Nom (London) Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan33:58
26Sound and Sense (Remastered)
Roy Ayers6:42
27Night Hawk
tecnico di registrazione:
Rudy van Gelder (il 1960-12-30)
produttore:
Esmond Edwards
batteria :
Gus Johnson (drums) (il 1960-12-30)
contrabbasso [bass] :
Ron Carter (US jazz double-bassist) (il 1960-12-30)
pianoforte :
Tommy Flanagan (il 1960-12-30)
sassofono tenore :
Eddie “Lockjaw” Davis (jazz saxophonist) (il 1960-12-30) e Coleman Hawkins (il 1960-12-30)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1960-12-30)
Coleman Hawkins10:30
28Someone to Watch Over Me
Benny Carter2:43
29It Was a Very Good Year
Wes Montgomery3:43
30Taxi War Dance
Count Basie2:49
31Caravan
Buddy Rich9:41
32Comin' Home Baby
Mel Tormé2:45
33My Funny Valentine
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2:20
34Manha de Carnaval (Remastered 2005)
registrazione di:
Manhã de Carnaval
paroliere:
Antônio Maria
compositore:
Luiz Bonfá
editore:
Belinda (Jhb.) (Pty.) Ltd
Dexter Gordon8:26
35Moonlight in Vermont
Gerry Mulligan Art Farmer Quartet3:58
36Poinciana
pianoforte :
Ahmad Jamal (nel 2016-07)
registrazione strumentale di:
Poinciana (Song of the Tree) (nel 2016-07)
paroliere:
Buddy Bernier (nel 1936)
compositore:
Nat Simon (nel 1936)
Ahmad Jamal4:28
37The Very Thought of You
Shirley Horn5:14
38The Man I Love
tecnico di registrazione:
Rudy van Gelder (il 1958-05-14)
produttore:
Alfred Lion
batteria :
Art Blakey (il 1958-05-14)
chitarra elettrica [guitar] :
Kenny Burrell (il 1958-05-14)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (il 1958-05-14)
pianoforte :
Duke Jordan (il 1958-05-14)
tromba :
Louis Smith (US jazz trumpeter) (il 1958-05-14)
registrata presso:
Manhattan Towers (hotel ballroom used for Van Gelder recording) in New York, New York, Stati Uniti (il 1958-05-14)
registrazione cover di:
The Man I Love (il 1958-05-14)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
registrazione strumentale di:
The Man I Love (il 1958-05-14)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Kenny Burrell6:47
39Quintessence
sassofono contralto :
Phil Woods (US jazz woodwind player)
Quincy Jones and His Orchestra4:22
40Sarah Jane
Ramsey Lewis4:30
41Butterfly
Courtney Pine & Omar3:57
42Bulbs
produttore:
Gil Evans (Canadian‐American jazz pianist and composer)
batteria :
Sunny Murray (il 1961-10-10)
contrabbasso [bass] :
Henry Grimes (US free jazz bassist) (il 1961-10-10)
pianoforte :
Cecil Taylor (il 1961-10-10)
sassofono contralto :
Jimmy Lyons (saxophone player) (il 1961-10-10)
sassofono tenore :
Archie Shepp (il 1961-10-10)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1961-10-10)
registrazione di:
Bulbs (il 1961-10-10)
compositore:
Cecil Taylor
Gil Evans6:52
43I Got Rhythm
Cleo Laine2:49
44Black Narcissus
tecnico di registrazione:
George Sawtelle
produttore:
Orrin Keepnews
batteria :
Jack DeJohnette (il 1969-05-29)
contrabbasso :
Ron Carter (US jazz double-bassist) (il 1969-05-29)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (il 1969-05-29)
pianoforte elettrico :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
sassofono tenore :
Joe Henderson (US jazz tenor saxophonist) (il 1969-05-29)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (il 1969-05-29)
Joe Henderson4:52
45That's Right
Woody Herman and His Orchestra3:05
46All of Me (Remastered 2019)
Erroll Garner2:25
47Night Train
registrata a:
New York, New York, Stati Uniti (il 1959-04-13)
produttore:
Sidney Frey
basso :
Lawrence Burgan (il 1959-04-13)
chitarra :
William Mackel (il 1959-04-13)
pianoforte :
Wade Legge (il 1959-04-13)
sassofono baritono :
Lonnie Shaw (il 1959-04-13)
sassofono contralto :
Ed Pazant (il 1959-04-13) e Bobby Plater (il 1959-04-13)
sassofono tenore :
Herman Green (Memphis jazz musician) (il 1959-04-13) e Andrew McGhee (il 1959-04-13)
tromba :
Donald Byrd (American jazz trumpeter) (il 1959-04-13), Cat Anderson (il 1959-04-13), Dave Gonzales (trumpet) (il 1959-04-13), Arthur Hoyle (il 1959-04-13), Ed Mullens (il 1959-04-13) e Eddie Williams (trumpet) (il 1959-04-13)
trombone :
Lou Blackburn (il 1959-04-13), Wade Marcus (il 1959-04-13) e Clarence Watson (il 1959-04-13)
vibrafono :
Lionel Hampton (il 1959-04-13)
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Night Train (Jimmy Forrest’s original instrumental version) (il 1959-04-13)
compositore:
Jimmy Forrest
si basa su:
Happy Go Lucky Local
Lionel Hampton3:04
48Goodbye Pork Pie Hat
registrazione di:
Goodbye Pork Pie Hat (Roland Kirk lyrics)
paroliere:
Roland Kirk
compositore:
Charles Mingus
versione di:
Goodbye Pork Pie Hat (instrumental)
Charles Mingus4:48
49They Can't Take That Away From Me
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-29)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-29)
registrazione strumentale di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Art Tatum4:46
50I'll See You in My Dreams
registrazione di:
I’ll See You in My Dreams
paroliere:
Gus Kahn
compositore:
Isham Jones
editore:
Bantam Music Publishing Co., Gilbert Keyes Music Company e Leo Feist, Inc. (il 1924-12-19)
Django Reinhardt2:33
51The Sidewinder
registrazione di:
The Sidewinder
compositore:
Lee Morgan (jazz trumpeter / composer)
editore:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:04
52When It's Sleepy Down South
assistente tecnico di registrazione:
Dennis Ferrante, James Nickols e Sandy Palmer
tecnico di registrazione e tecnico di missaggio:
Tim Geelan
produttore:
Steven Epstein (classical music producer)
basso :
Reginald Veal
batteria :
Herlin Riley
pianoforte :
Marcus Roberts (American jazz pianist)
tromba :
Wynton Marsalis
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrata presso:
BMG Studio A in Theater District, New York, New York, Stati Uniti (dal 1987-09 al 1990-08)
registrazione di:
When It’s Sleepy Time Down South
paroliere:
Leon René e Otis René
compositore:
Clarence Muse
editore:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication e Sherwin Music (publisher)
Wynton Marsalis5:10
53Hey Laura
assistente tecnico:
Owen Mulholland (engineer) e Ted Tuthill
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Brian Bacchus (producer, consultant A&R)
produttore associato:
Kamau Kenyatta
tecnico di missaggio:
Jay Newland (producer, engineer and mixer) (dal 2013-04 al 2013-05)
basso :
Aaron James (Bassist)
batteria :
Emanuel Harrold
organo Hammond [Hammond B3 organ] :
Glenn Patscha
pianoforte :
Chip Crawford
voce:
Gregory Porter
arrangiatore ottoni [horns] :
Kamau Kenyatta
registrata presso:
Sear Sound in New York, New York, Stati Uniti (dal 2013-03-28 al 2013-03-30, il 2013-04-15)
mixata presso:
The Grateful Shed in Norwalk, Connecticut, Stati Uniti (dal 2013-04 al 2013-05)
registrazione di:
Hey Laura
paroliere e compositore:
Gregory Porter
arrangiatore:
Chip Crawford, Kamau Kenyatta e Gregory Porter
Gregory Porter3:19
54Let's Face the Music and Dance
produttore:
Tommy LiPuma e Johnny Mandel (American composer and arranger)
batteria :
Jeff Hamilton (jazz drummer)
chitarra :
Russell Malone
contrabbasso :
John Clayton (US jazz and classical double bassist)
pianoforte e voce principale:
Diana Krall
direttore d'orchestra:
Eddie Karam e Johnny Mandel (American composer and arranger)
arrangiatore:
Johnny Mandel (American composer and arranger)
registrazione cover di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Diana Krall5:18
55I Should Care
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
voce:
Julie London (nel 1955-08)
registrazione cover di:
I Should Care (nel 1955-08)
autore:
Sammy Cahn, Axel Stordahl e Paul Weston
editore:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited e Stordahl Music Publishing
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Julie London43:17
56They Say It's Wonderful
Jimmy Scott4:07
57These Are the Days
Jamie Cullum3:21
58There Will Never Be Another You
The Lester Young — Teddy Wilson Quartet3:28
59Matrix
Chick Corea6:30
60Where Do You Start
registrazione cover di:
Where Do You Start
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Johnny Mandel (American composer and arranger)
editore:
Marissa Music e Spirit Two Music Crescendo
Brad Mehldau Trio4:06
61Fly Me to the Moon (In Other Words)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-09)
tecnico:
Lowell Frank (engineer)
produttore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
ance :
Marshall Royal, Eric Dixon (woodwind) (il 1964-06-09), Frank Foster (saxophonist) (il 1964-06-09), Charlie Fowlkes (baritone saxophonist) (il 1964-06-09) e Frank Wess (il 1964-06-09)
basso :
Buddy Catlett
batteria :
Sonny Payne (il 1964-06-09)
chitarra :
Freddie Green (il 1964-06-09)
percussione :
Emil Richards
pianoforte :
Count Basie (pianist) (il 1964-06-09)
tromba :
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (il 1964-06-09), Wallace Davenport (il 1964-06-09), Harry “Sweets” Edison (il 1964-06-09) e Al Porcino (il 1964-06-09)
trombone :
Henderson Chambers, Henry Coker (jazz trombonist) (il 1964-06-09), Bill Hughes (jazz trombonist) (il 1964-06-09), Grover Mitchell (trombone) (il 1964-06-09) e Ken Shroyer (trombonist) (il 1964-06-09)
vibrafono :
Emil Richards (il 1964-06-09)
viola :
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) e Paul Robyn
violino :
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson e Gerald Vinci (American violinist and strings conductor)
violoncello :
Ann Goodman e Edgar Lustgarten (, il 1964-06-09)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-09)
voce principale:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-09)
orchestra:
Count Basie and His Orchestra (il 1964-06-09)
direttore d'orchestra:
Quincy Jones (, il 1964-06-09)
arrangiatore:
Quincy Jones
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 75)
registrazione di:
Fly Me to the Moon (il 1964-06-09)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
registrazione di:
Fly Me to the Moon (Quincy Jones arr.) (il 1964-06-09)
paroliere e compositore:
Bart Howard
arrangiatore:
Quincy Jones
editore:
Almanac Music Inc. e Hampshire House Publishing Corp.
arrangiamento di:
Fly Me to the Moon
Frank Sinatra & Count Basie and His Orchestra42:32
62Soho Soul
Tubby Hayes with Clark Terry8:05
63Come Away With Me
assistente tecnico:
Dick Kondas
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser
chitarra acustica :
Jesse Harris
chitarra basso :
Lee Alexander (US bassist, songwriter & producer)
chitarra elettrica :
Adam Levy (jazz guitarist)
pianoforte e voce principale:
Norah Jones
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Come Away With Me
paroliere e compositore:
Norah Jones
Norah Jones3.753:18
64Namely You
registrazione di:
Namely You
paroliere:
Johnny Mercer (nel 1956)
compositore:
Gene de Paul (nel 1956)
Max Roach2:47
65Maiden Voyage
tecnico di registrazione:
Rudy van Gelder (il 1965-03-17)
produttore:
Alfred Lion e Michael Cuscuna (nel 1999: incarico: Reissue produced by)
basso :
Ron Carter (US jazz double-bassist) (il 1965-03-17)
batteria :
Tony Williams (American jazz drummer) (il 1965-03-17)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (il 1965-03-17)
sassofono tenore :
George Coleman (US jazz saxophonist) (il 1965-03-17)
tromba :
Freddie Hubbard (il 1965-03-17)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1965-03-17)
registrazione di:
Maiden Voyage (il 1965-03-17)
compositore:
Herbert J. Hancock (Herbie Hancock, US jazz pianist, keyboardist, bandleader and composer)
editore:
Hancock Music Co.
Herbie Hancock7:57
66Footprints (Remastered)
registrazione di:
Footprints
compositore:
Wayne Shorter (US jazz saxophonist and composer)
editore:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Wayne Shorter7:30
67I Remember Clifford
tecnico di registrazione:
Rudy van Gelder (il 1957-03-24)
produttore:
Alfred Lion
batteria :
Charlie Persip (American jazz drummer) (il 1957-03-24)
contrabbasso [bass] :
Paul Chambers (US jazz bassist) (il 1957-03-24)
pianoforte :
Wynton Kelly (il 1957-03-24)
sassofono contralto e flauto :
Gigi Gryce (il 1957-03-24)
sassofono tenore :
Benny Golson (American jazz saxophonist and composer) (il 1957-03-24)
tromba :
Lee Morgan (jazz trumpeter / composer) (il 1957-03-24)
arrangiatore:
Benny Golson (American jazz saxophonist and composer)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1957-03-24)
registrazione di:
I Remember Clifford (il 1957-03-24)
paroliere:
Jon Hendricks
compositore:
Benny Golson (American jazz saxophonist and composer)
versione di:
I Remember Clifford (instrumental original)
Lee Morgan7:09
68Alfie
produttore:
Creed Taylor
basso :
Ronnie Boykins (il 1967-05-02)
batteria :
Grady Tate (il 1967-05-02)
legni :
Roland Kirk (il 1967-05-02)
pianoforte :
Lonnie Liston Smith (il 1967-05-02)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1967-05-02)
registrazione strumentale di:
Alfie (il 1967-05-02)
paroliere:
Hal David (nel 1965)
compositore:
Burt Bacharach (nel 1965)
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
Rahsaan Roland Kirk2:55
69Bye Bye Blackbird
Bill Henderson3:05
70Song for My Father
registrazione di:
Song for My Father (instrumental) (il 1964-10-26)
compositore:
Horace Silver
editore:
Ecaroh Music, Inc.
Horace Silver7:18
71At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:02
72Ain't Misbehavin'
ance :
Gene Porter (40s west coast jazz cat) (il 1943-01-23)
batteria :
Zutty Singleton (il 1943-01-23)
chitarra :
Irving Ashby (il 1943-01-23)
contrabbasso :
Slam Stewart (il 1943-01-23)
pianoforte :
Fats Waller (nel 1943, il 1943-01-23)
tromba :
Benny Carter (il 1943-01-23)
trombone :
Alton Moore (il 1943-01-23) e Slim Moore (trombonist linked to Fats Waller) (il 1943-01-23)
voce:
Fats Waller (il 1943-01-23)
edit di:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) di “Fats” Waller (Fats Waller)
registrazione di:
Ain’t Misbehavin’ (il 1943-01-23)
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Fats Waller and His Rhythm4:01
73B the Beguine
Artie Shaw and His Orchestra3:15
74Beyond the Mirage
produttore:
Al Di Meola, Paco de Lucía e John McLaughlin (guitarist)
chitarra :
Al Di Meola
chitarra acustica :
John McLaughlin (guitarist)
chitarra classica [Spanish guitar] :
Paco de Lucía
Paco de Lucía, Al Di Meola & John McLaughlin6:10
75When Sunny Gets Blue
batteria :
Albert “Tootie” Heath (il 1963-06-04)
contrabbasso :
Jimmy Garrison (il 1963-06-04)
pianoforte :
McCoy Tyner (jazz pianist) (il 1963-06-04)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1963-06-04)
registrazione strumentale di:
When Sunny Gets Blue (il 1963-06-04)
paroliere:
Jack Segal (US songwriter)
autore:
Fisher e Segal (US songwriter)
compositore:
Marvin Fisher
editore:
Sony/ATV Tunes LLC (ASCAP)
parte di:
The Real Book (compilation of jazz standards, volume I)
McCoy Tyner4:42
76Heather
Billy Cobham8:41
77It Ain't Necessarily So
Mary Lou Williams4:41
78Bouncin' With Bud
tecnico di registrazione:
Doug Hawkins (sound engineer)
produttore:
Alfred Lion
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1949-08-08)
contrabbasso :
Tommy Potter (il 1949-08-08)
pianoforte :
Bud Powell (il 1949-08-08)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1949-08-08)
tromba :
Fats Navarro (il 1949-08-08)
registrata presso:
WOR Studios in New York, New York, Stati Uniti (il 1949-08-08)
registrazione di:
Bouncing With Bud (il 1949-08-08)
compositore:
Bud Powell
Bud Powell3:03
79All the Things You Are
Pat Metheny8:26
80Return Expedition
tecnico:
Tamoo Suzuki (nel 1990-11)
produttore:
Stanley Jordan
chitarra :
Stanley Jordan (nel 1990-11)
registrata presso:
Blue Note Tokyo in Minami-Aoyama, Minato (Minato-ku), Tokyo, Giappone (dal 1990-11-07 al 1990-11-09)
mixata presso:
Studio Vincent
Stanley Jordan15:27
81The Best Is Yet to Come
produttore:
Ernie Altschuler
produttore esecutivo:
Danny Bennett
basso :
Hal Gaylor (Canadian bassist)
batteria :
William "Billy" Exiner
pianoforte :
Ralph Sharon
sassofono tenore :
Al Cohn
voce:
Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione cover di:
The Right to Love
autore:
Gene Lees e Lalo Schifrin (pianist & composer)
Tony Bennett3:40
82Am I Blue?
tecnico di registrazione:
Rudy van Gelder (il 1963-05-16)
produttore:
Alfred Lion
batteria :
Ben Dixon (Jazz drummer) (il 1963-05-16)
chitarra :
Grant Green (jazz guitarist) (il 1963-05-16)
organo :
John Patton (il 1963-05-16)
sassofono tenore :
Joe Henderson (US jazz tenor saxophonist) (il 1963-05-16)
tromba :
Johnny Coles (US jazz trumpeter) (il 1963-05-16)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1963-05-16)
registrazione cover di:
Am I Blue? (il 1963-05-16)
paroliere:
Grant Clarke
compositore:
Harry Akst
editore:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Grant Green6:57
83Autumn Nocturne
tecnico di registrazione:
Rudy van Gelder (il 1958-07-28)
produttore:
Alfred Lion
batteria :
Dave Bailey (US jazz drummer) (il 1958-07-28)
congas :
Ray Barretto (il 1958-07-28)
contrabbasso [bass] :
John "Peck" Morrison (Jazz bass player from the 60s) (il 1958-07-28)
pianoforte :
Herman Foster (il 1958-07-28)
sassofono contralto :
Lou Donaldson (il 1958-07-28)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1958-07-28)
registrazione di:
Autumn Nocturne (il 1958-07-28)
paroliere:
Kim Gannon
compositore:
Josef Myrow
Lou Donaldson4:55
84Thunder Walk
George Benson4:43
85Patricia
Art Pepper3:38
86Down
The Robert Glasper Trio5:22
87Dance Me to the End of Love
assistente tecnico:
Ricky Chao e Nicholas Fournier
tecnico e tecnico di missaggio:
Helik Hadar
produttore:
Larry Klein
basso :
David Piltch
chitarra acustica :
Madeleine Peyroux (US jazz singer & songwriter)
percussione [drums, percussion] :
Jay Bellerose (american drummer and percussionist)
tastiera [piano, wurlitzer piano, organ, celesta] :
Larry Goldings
voce:
Madeleine Peyroux (US jazz singer & songwriter)
diritti fonografici (℗) detenuti da:
Rounder Records Corp. (not for release label use!) e Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (nel 2004)
registrazione cover di:
Dance Me to the End of Love
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Madeleine Peyroux4.353:58
88Almost Like Being in Love
Nancy Wilson1:46
89Astral Traveling
tecnico:
Bill Szymczyk
produttore:
Ed Michel e Bill Szymczyk
produttore esecutivo:
Sig Sigworth
basso e cimbalini a dita :
Cecil McBee (il 1970-11-25)
batteria e maracas :
Clifford Jarvis (il 1970-11-25)
campana :
Clifford Jarvis (il 1970-11-25) e Pharoah Sanders (US jazz saxophonist) (il 1970-11-25)
legnetti , pianoforte e pianoforte elettrico :
Lonnie Liston Smith (il 1970-11-25)
percussione :
Clifford Jarvis (il 1970-11-25), Cecil McBee (il 1970-11-25), Pharoah Sanders (US jazz saxophonist) (il 1970-11-25), Lonnie Liston Smith (il 1970-11-25) e Michael White (American jazz violinist) (il 1970-11-25)
sassofono soprano e sassofono tenore :
Pharoah Sanders (US jazz saxophonist) (il 1970-11-25)
violino :
Michael White (American jazz violinist) (il 1970-11-25)
registrata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (il 1970-11-25)
registrazione di:
Astral Traveling (il 1970-11-25)
compositore:
Lonnie Liston Smith
Pharoah Sanders5:50
90Lonely Woman
Ornette Coleman5:00
91Journey in Satchidananda
tecnico di registrazione:
Roy Musgnug e Orville O'Brien (audio engineer)
produttore:
Alice Coltrane e Ed Michel
arpa :
Alice Coltrane
basso :
Cecil McBee (il 1970-11-08)
batteria :
Rashied Ali (jazz drummer) (il 1970-11-08)
campana e tamburello :
Majid Shabazz (il 1970-11-08)
liuto :
Tulsi
percussione :
Pharoah Sanders (US jazz saxophonist) e Majid Shabazz
percussione e sassofono soprano :
Pharoah Sanders (US jazz saxophonist) (il 1970-11-08)
pianoforte :
Alice Coltrane (il 1970-11-08)
sassofono soprano :
Pharoah Sanders (US jazz saxophonist)
tambura :
Tulsi (il 1970-11-08)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1997)
registrata presso:
The Coltrane Home Studio in Dix Hills, New York, Stati Uniti (il 1970-11-08)
registrazione di:
Journey in Satchidananda (il 1970-11-08)
compositore:
Alice Coltrane
editore:
Jowcol Music
Alice Coltrane & Pharoah Sanders6:37
92Door of the Cosmos
Sun Ra9:00
93Brown Rice
tecnico di registrazione:
Kurt Munkacsi
registrata presso:
The Basement Recording Studio in Brooklyn, New York, New York, Stati Uniti
registrazione di:
Brown Rice
compositore:
Don Cherry (jazz trumpeter)
editore:
Eternal River Music (publisher for Don Cherry)
Don Cherry5:14
94Birdland
assistente tecnico:
Jerry Hudgins e Brian Risner
tecnico:
Ron Malo
assistente produttore:
Wayne Shorter (US jazz saxophonist and composer)
co-produttore:
Jaco Pastorius
produttore:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) e Joe Zawinul (jazz and fusion keyboard player)
basso elettrico [bass] e mandoloncello :
Jaco Pastorius (dal 1976 al 1977)
batteria :
Alex Acuña (dal 1976 al 1977)
melodica , pianoforte a coda [acoustic piano] e sintetizzatore analogico [Oberheim Polyphonic] :
Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
sassofono soprano e sassofono tenore :
Wayne Shorter (US jazz saxophonist and composer) (dal 1976 al 1977)
sintetizzatore analogico [Arp 2600] :
Joe Zawinul (jazz and fusion keyboard player)
tamburello :
Manolo Badrena (dal 1976 al 1977)
voce:
Jaco Pastorius (dal 1976 al 1977) e Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
orchestratore:
Joe Zawinul (jazz and fusion keyboard player)
registrata presso:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti (dal 1976 al 1977)
registrazione di:
Birdland (instrumental) (dal 1976 al 1977)
compositore:
Joe Zawinul (jazz and fusion keyboard player)
editore:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:59
95So Far Away
tecnico e tecnico di missaggio:
Ray Bardani
co-produttore:
Ray Bardani
produttore:
Marcus Miller (jazz musician)
basso e tastiera :
Marcus Miller (jazz musician)
batteria :
Vinnie Colaiuta (drummer)
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist), Marcus Miller (jazz musician) e G.E. Smith
congas e percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte elettrico :
Ricky Peterson (American keyboardist)
sassofono contralto :
David Sanborn
registrata presso e mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrazione di:
So Far Away
compositore:
David Sanborn
David Sanborn5:20
96Sneakin' Up Behind You
produttore:
Randy Brecker
basso elettrico :
Will Lee (US jazz/rock bassist) (nel 1975-01)
batteria :
Harvey Mason (jazz drummer) (nel 1975-01)
batteria aggiunto:
Christopher Parker (American drummer) (nel 1975-01)
chitarra :
Bob Mann (US session guitarist) (nel 1975-01)
flicorno soprano e tromba :
Randy Brecker (nel 1975-01)
percussione :
Ralph MacDonald (nel 1975-01)
sassofono contralto :
Dave Sanborn (nel 1975-01)
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (nel 1975-01)
tastiera :
Don Grolnick (nel 1975-01)
voce:
Will Lee (US jazz/rock bassist) (nel 1975-01)
registrata presso:
Secret Sound (New York) in New York, New York, Stati Uniti (nel 1975-01)
The Brecker Brothers4:55
97Winelight
Grover Washington, Jr.7:33
98Expansions
produttore:
Bob Thiele (producer & songwriter) e Lonnie Liston Smith
produttore esecutivo:
Sig Sigworth
diritti fonografici (℗) detenuti da:
Flying Dutchman Productions, Ltd. (dal 1975 a oggi)
registrazione di:
Expansions
compositore:
Lonnie Liston Smith
editore:
10 Music Ltd., Cosmic Echoes Publishing Co., Famous Chappell, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
Lonnie Liston Smith & The Cosmic Echoes36:06
99Don't Go Lose It Baby
Hugh Masekela6:51
100What a Wonderful World
registrazione di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong2:20

Accreditamenti