Atlantic Rhythm & Blues 1947–1974

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▶12" Vinyl: Volume 1: 1947–1952
2▶12" Vinyl: Volume 1: 1947–1952
3▶12" Vinyl: Volume 2: 1952–1955
4▶12" Vinyl: Volume 2: 1952–1955
5▶12" Vinyl: Volume 3: 1955–1958
6▶12" Vinyl: Volume 3: 1955–1958
7▶12" Vinyl: Volume 4: 1958–1962
8▶12" Vinyl: Volume 4: 1958–1962
9▶12" Vinyl: Volume 5: 1962–1966
10▼12" Vinyl: Volume 5: 1962–1966
#TitleArtistRatingLength
S1And I Love Him
recorded in:
New York, New York, United States (on 1964-10-01)
engineer:
Tom Dowd
producer:
Bert Berns and Ahmet Ertegun (US songwriter/producer)
double bass [bass]:
Milt Hinton (on 1964-10-01)
drums (drum set) [drums]:
Mel Lewis (American jazz drummer) (on 1964-10-01)
flute:
Hubert Laws (on 1964-10-01)
guitar:
Mundell Lowe (on 1964-10-01)
piano:
Dave McKenna (on 1964-10-01)
strings [ten strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-10-01)
trombone:
Billy Byers (on 1964-10-01), Buddy Morrow (on 1964-10-01), Santo Russo (Sonny Russo, trombone) (on 1964-10-01) and Bart Varsalona (on 1964-10-01)
vocals:
Esther Phillips (Little Esther) (on 1964-10-01)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1964-10-01)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
And I Love Her (on 1964-10-01)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Esther Phillips32:42
S2Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (on 1964-11-06)
bass:
Warren Jones (bass, Soul) (on 1964-11-06)
drums (drum set):
Clyde Williams (US drummer) (on 1964-11-06)
electric bass guitar [electric bass]:
Clarence Hadley (on 1964-11-06)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1964-11-06)
tenor saxophone:
Eddie Williams (saxophone) (on 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 26)
recording of:
Hold What You’ve Got (from 1964 until 1964-11-06)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:06
S3Mr. Pitiful
recorded in:
Memphis, Tennessee, United States (on 1964-12-28)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1964-12-28)
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1964-12-28)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1964-12-28)
guitar:
Steve Cropper (on 1964-12-28)
piano:
Booker T. Jones (on 1964-12-28)
tenor saxophone:
Charles “Packy” Axton (on 1964-12-28)
trumpet:
Sammy Coleman (on 1964-12-28)
vocals:
Otis Redding (on 1964-12-28)
recording of:
Mr. Pitiful (on 1964-12-28)
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding3.62:43
S4Baby I’m Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (jazz bassist) (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (American pianist, session musician) (on 1965-01-08)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
tenor saxophone:
Charlie Brown (saxophonist) (on 1965-01-08)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1965-01-08) and Clark Terry (American swing trumpeter) (on 1965-01-08)
background vocals:
vocal group ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:31
S5Teasin’ You
recorded in:
New Orleans, Louisiana, United States (in 1964)
producer:
Wardell Quezergue
vocals:
Willie Tee (US keyboardist, vocalist, songwriter and producer) (in 1964)
conductor:
Wardell Quezergue (in 1964)
arranger:
Wardell Quezergue
Willie Tee2:47
S6I’ve Been Loving You Too Long
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-07-09)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Isaac Hayes (on 1965-07-09) and Booker T. Jones (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-07-09) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-07-09)
vocals:
Otis Redding (on 1965-07-09)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding3:15
S7In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:40
T1See-Saw
recording of:
See Saw
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay3:02
T2Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Otis Redding3.852:08
T3You Don’t Know Like I Know
recorded in:
Memphis, Tennessee, United States (on 1965-10-25)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1965-10-25)
recording of:
You Don’t Know Like I Know (on 1965-10-25)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music and Warner Chappell
Sam & Dave2:32
T4When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
T5Hold On, I’m Comin’
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:33
T6Cool Jerk
recorded in:
Detroit, Michigan, United States (on 1966-03-11)
vocals:
The Capitols (1960's Soul Vocal Trio) (on 1966-03-11)
arranger:
Riley Hampton
recording of:
Cool Jerk (on 1966-03-11)
lyricist and composer:
Donald Storball
publisher:
Trio Music Company and Aberbach (German publisher) (in 1967)
The Capitols2:36
T7Neighbor, Neighbor
recorded in:
Muscle Shoals, Alabama, United States (on 1966-04-18)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Jimmy Hughes (60s US funk/soul vocalist) (on 1966-04-18)
recording of:
Neighbor, Neighbor (on 1966-04-18)
lyricist and composer:
Billy Gibbons
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Burlington Music Co., Ltd., Fujipacific Music, Inc., Glad Music, Hamstein Music (publisher), Music of Stage Three and Stage Three Songs
Jimmy Hughes2:41
11▶12" Vinyl: Volume 6: 1966–1969
12▶12" Vinyl: Volume 6: 1966–1969
13▶12" Vinyl: Volume 7: 1969–1974
14▶12" Vinyl: Volume 7: 1969–1974

Credits

Release group

part of:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (order: 1)
Discogs:https://www.discogs.com/master/474792 [info]
other databases:https://www.45cat.com/cdalbum/cd/nc485740uk [info]