Raised on Rock: 70’s Rock U.S.

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Voodoo Chile
Techniker(in):
Eddie Kramer (engineer) (am 1968-05-03)
Produzent(in):
Bryan “Chas” Chandler und Jimi Hendrix
E-Bass:
Noel Redding (am 1968-05-03)
E-Gitarre und Sologesang:
Jimi Hendrix (am 1968-05-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (am 1968-05-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 1999)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-05-03)
produced at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-05-03)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 15) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 101)
recording of:
Voodoo Child (slight return) (am 1968-05-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
basiert auf:
Voodoo Chile
recording of:
Voodoo Chile (am 1968-05-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
The Jimi Hendrix Experience4.155:19
2Witch Queen of New Orleans
recording of:
The Witch Queen of New Orleans (1971 song)
Verfasser(in):
Lolly Vegas und Pat Vegas
publisher:
EMI Songs Ltd.
Redbone42:48
3American Woman
Assistent recording engineer:
Ed Schnabl und Russ Vestuto
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) und BMG Music (in 1970)
aufgenommen bei:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten
Bearbeitung von:
American Woman (original stereo mix) von The Guess Who (Canadian rock band)
recording of:
American Woman
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.23:54
4Rich Girl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1976), BMG Music (in 1976) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 14)
recording of:
Rich Girl
Texter und Komponist(in):
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Hall & Oates4.152:28
5Baby Come Back
Techniker(in):
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) und Joe Sidore
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
Bassgitarre:
Ronn Moss
Clavinet, Hybrid-Piano und Synthesizer:
Wayne Cook
Conga, Maracas / Rumba-Rasseln und Schlagzeug:
John Friesen (drummer)
Gitarre:
Peter Beckett (lead singer of Player)
Hintergrundgesang und Sologesang:
J.C. Crowley
vocals:
Peter Beckett (lead singer of Player) und Ronn Moss
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:14
6Ramblin’ Man
recording of:
Ramblin’ Man
Texter und Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band44:51
7Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.254:00
8You Took the Words Right Out of My Mouth
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978)
Bearbeitung von:
You Took the Words Right Out of My Mouth (Hot Summer Night) von Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf44:16
9Let’s Work Together
cover recording of:
Let’s Work Together
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat42:56
10Miracles
recording engineer:
Jeffrey Husband und Steve Mantoani
Techniker(in):
Larry Cox (US engineer/producer)
Produzent(in):
Larry Cox (US engineer/producer) und Jefferson Starship
phonographisches Urheberrecht (℗) von:
BMG Music (in 1975)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Miracles von Jefferson Starship
recording of:
Miracles (Jefferson Starship song)
Texter und Komponist(in):
Marty Balin
Jefferson Starship43:29
11She’s Not There
Produzent(in):
Tom Coster und Carlos Santana
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana34:08
12Spooky
cover recording of:
Spooky
Texter:
Buddy Buie und J. R. Cobb
Komponist(in):
Harry Middlebrooks und Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
basiert auf:
Spooky (instrumental)
Atlanta Rhythm Section45:03
13Fooled Around and Fell in Love
Produzent(in):
Elvin Bishop und Bill Szymczyk
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
Fooled Around and Fell in Love
Texter und Komponist(in):
Elvin Bishop
Elvin Bishop4.53:00
14Devil Gate Drive
recording of:
Devil Gate Drive
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Suzi Quatro43:51
15You Ain’t Seen Nothin’ Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:32

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