| # | Title | Artist | Rating | Length |
|---|
| 1 | I Want To Break Free- additional recording engineer:
- Mike Beiriger
- assistant recording engineer:
- Eddie DeLena and Stephan Wissnet
- recording engineer, programming and engineer:
- Mack
- producer:
- Mack and Queen
- acoustic guitar [acoustic rhythm guitar] and bass guitar:
- John Deacon (from 1983-08 until 1984-01)
- drums (drum set):
- Roger Taylor (from 1983-08 until 1984-01)
- electric guitar:
- Brian May (from 1983-08 until 1984-01)
- guest solo synthesizer and guest synthesizer:
- Fred Mandel (from 1983-08 until 1984-01)
- synthesizer:
- John Deacon (from 1983-08 until 1984-01) and Freddie Mercury (from 1983-08 until 1984-01)
- background vocals and lead vocals:
- Freddie Mercury (from 1983-08 until 1984-01)
- phonographic copyright (℗) by:
- Raincloud Productions Ltd. (in 1984) and Queen Productions Ltd. (in 2011)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- produced at:
- Musicland Studios in München , Bayern , Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- edit of:
- I Want to Break Free by Queen
- recording of:
- I Want to Break Free (from 1983-08 until 1984-01)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Ltd., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Queen Music Ltd.
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.3 | 3:21 |
| 2 | Shuld I Stay Or Shuld I Go | The Clash | 4.4 | 3:08 |
| 3 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.1 | 4:55 |
| 4 | No More Heroes | The Stranglers | 4.65 | 3:29 |
| 5 | The Joker | Steve Miller Band | 4.15 | 3:35 |
| 6 | Keep On Running | Steve Winwood | | 2:47 |
| 7 | Unchain My Heart | Joe Cocker | 4.3 | 5:05 |
| 8 | Africa- recording engineer:
- David Leonard , Greg Ladanyi, Jamie Ledner, Jim Horn , Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian and Tom Knox
- additional engineer:
- Bruce Heigh (task: additional recording), David Paich (task: additional recording), Dick Gall (task: additional recording) and Steve Porcaro (task: additional recording)
- engineer:
- Al Schmitt, Bruce Heigh, David Paich, Dick Gall , Greg Ladanyi, Steve Porcaro and Tom Knox
- producer:
- Bruce Dickinson and Toto
- mixer:
- Elliot Scheiner (task: for 5.1 surround sound) and Greg Ladanyi
- acoustic guitar:
- Timothy B. Schmit
- bass:
- David Hungate and Michael Porcaro
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) and gong:
- Jeff Porcaro
- electric guitar and guitar:
- Steve Lukather
- instruments:
- Lenny Castro
- keyboard:
- David Paich and Steve Porcaro
- keyboard and piano:
- David Paich
- marimba:
- Joe Porcaro
- percussion:
- Lenny Castro, Jeff Porcaro and Joe Porcaro
- recorder:
- Jim Horn
- synthesizer:
- Steve Porcaro
- background vocals:
- Bobby Kimball, Steve Lukather , David Paich and Timothy B. Schmit
- lead vocals:
- Jean-Michel Byron, Bobby Kimball and David Paich
- vocals:
- Bobby Kimball, David Paich, Steve Lukather and Steve Porcaro
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony Music Entertainment (in 1982) and Sony Music Entertainment Inc. (in 1982, in 1983)
- music videos:
- Africa by Toto
- part of:
- Billboard: The 500 Best Pop Songs (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
- recording of:
- Africa
- writer:
- Jeffrey Porcaro and David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Rising Storm Music, Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Spirit Two Music
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Toto | 4.1 | 4:59 |
| 9 | Bette Davies Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:47 |
| 10 | Black Magic Woman | Santana | 3.8 | 3:16 |
| 11 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 4.05 | 3:43 |
| 12 | All Right Now- engineer:
- Roy Thomas Baker
- producer:
- Free and John Kelly
- bass:
- Andy Fraser
- drums (drum set):
- Simon Kirke
- guitar:
- Paul Kossoff
- lead vocals:
- Paul Rodgers
- remixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1970, in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Trident Studios in Soho, Westminster, London , England, United Kingdom
- music videos:
- All Right Now by Free
- recording of:
- All Right Now
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing
| Free | 4.65 | 4:15 |
| 13 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.4 | 4:28 |
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