Lovin’ & Swingin’ All Night Long

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Swingin’
Nr.TitelBewertungLänge
1I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.352:56
2The Lady Is a Tramp
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-26)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-26)
conductor:
Nelson Riddle (am 1956-11-26)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-11-26)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
43:16
3Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:18
4It Happened in Monterey
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jim Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
It Happened in Monterey (am 1956-01-12)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. und EMI United Partnership Ltd.
32:35
5You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.752:56
6All of Me
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
recording of:
All of Me (am 1954-04-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
32:09
7I Won’t Dance
Produzent(in):
Voyle Gilmore
alto saxophone:
Jack Dumont und Dominic Mumolo
baritone saxophone:
Robert Lawson
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Lou Kievman (violist)
Cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross und Eudice Shapiro (Violinist)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Don Raffell (reeds) und Buck Skalak
Trompete:
Conrad Gozzo, Mickey Mangano, Shorty Sherock und Harry “Sweets” Edison (am 1956-11-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-15)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-15)
conductor:
Nelson Riddle (am 1956-11-15)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (am 1956-11-15)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
23:25
8Nice Work If You Can Get It
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Wilbur Schwartz
baritone saxophone:
Joe Koch
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Dave Sterkin
Cello:
Cy Bernard, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Ted Nash (75- US saxophonist, the nephew)
Trompete:
Conrad Gozzo, Mickey Mangano, Shorty Sherock und Harry “Sweets” Edison (am 1956-11-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-20)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-20)
conductor:
Nelson Riddle (am 1956-11-20)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-20)
cover recording of:
Nice Work If You Can Get It (am 1956-11-20)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
22:22
9Jeepers Creepers
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Jeepers Creepers (am 1954-04-19)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
12:24
10Witchcraft
Produzent(in):
Dave Cavanaugh
Bass:
Joe Comfort (am 1957-05-20)
Bassposaune:
George Roberts (american bass trombone) (am 1957-05-20)
Bratsche / Viola:
Maxine Johnson (am 1957-05-20) und Barbara Simons (am 1957-05-20)
Cello:
Cy Bernard (am 1957-05-20), Edgar Lustgarten (am 1957-05-20) und Eleanor Slatkin (US cellist, b. Aller) (am 1957-05-20)
Geige / Violine:
Alex Beller (am 1957-05-20), Harry Bluestone (am 1957-05-20), Robert Cross (violinist) (am 1957-05-20), Walter Edelstein (am 1957-05-20), Ben Gill (am 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1957-05-20), Mischa Russell (violinist) (am 1957-05-20), Marshall Sosson (am 1957-05-20) und Gerald Vinci (American violinist and strings conductor) (am 1957-05-20)
Gitarre:
Nick Bonney (guitarist) (am 1957-05-20)
Harfe:
Kathryn Julye (am 1957-05-20)
Klavier:
Bill Miller (pianist) (am 1957-05-20)
Posaune:
Jim Priddy (am 1957-05-20), Dick Noel (trombone) (am 1957-05-20) und Juan Tizol (am 1957-05-20)
Rohrblattinstrumente:
Buddy Collette (am 1957-05-20), Harry Klee (am 1957-05-20), Joe Koch (am 1957-05-20), Wilbur Schwartz (am 1957-05-20) und Warren Webbe (am 1957-05-20)
Schlagzeug:
Frank DeVito (american jazz drummer) (am 1957-05-20)
Trompete:
Clarence "Shorty" Sherock (am 1957-05-20), Harry “Sweets” Edison (am 1957-05-20), Conrad Gozzo (am 1957-05-20) und Vito "Mickey" Mangano (am 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-05-20)
Orchester:
The Nelson Riddle Orchestra (am 1957-05-20)
conductor:
Nelson Riddle (am 1957-05-20)
arranger:
Nelson Riddle
Herausgeber:
Morley Music Corp. und Notable Music Co., Inc.
recording of:
Witchcraft (am 1957-05-20)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
12:54
11I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:43
12They Can’t Take That Away From Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
31:59
13I’m Gonna Sit Right Down and Write Myself a Letter
Produzent(in):
Voyle Gilmore
alto saxophone:
Mahlon Clark und Skeets Herfurt
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Allan Reuss
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-07)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-07)
arranger:
Nelson Riddle (am 1954-04-07)
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-07)
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1954-04-07)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
2:28
14When You’re Smiling
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Ossip Giskin (cellist), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Perkussion:
Frank Flynn
Posaune:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy und Tommy Shepard (trombonist)
Schlagzeug:
Alvin Stoller
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-22)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-22)
conductor:
Nelson Riddle (am 1960-08-22)
arranger:
Nelson Riddle (am 1960-08-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-22)
recording of:
When You’re Smiling (the Whole World Smiles With You) (am 1960-08-22)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
2:00
15I’ve Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Bass:
Philip Stephens (bass and tuba player) (am 1953-04-30)
Gitarre:
Al Hendrickson (am 1953-04-30)
Klavier:
Bill Miller (pianist) (am 1953-04-30)
Posaune:
Milt Bernhart (am 1953-04-30), Francis Howard (trombone) (am 1953-04-30), Jimmy Priddy (am 1953-04-30) und Si Zentner (am 1953-04-30)
Rohrblattinstrumente:
Jack Dumont (am 1953-04-30), Skeets Herfurt (am 1953-04-30), Plas Johnson (am 1953-04-30), Joe Koch (am 1953-04-30), Ernest Romersa (am 1953-04-30) und Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-30)
Schlagzeug:
Alvin Stoller (am 1953-04-30)
Trompete:
Harry “Sweets” Edison (am 1953-04-30), Conrad Gozzo (am 1953-04-30), Vito "Mickey" Mangano (am 1953-04-30) und Rubin "Zeke" Zarchy (am 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (am 1953-04-30)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.752:11
16Cheek to Cheek
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-12-22)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
13:06
17Taking a Chance on Love
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Taking a Chance on Love (am 1954-04-19)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
12:14
18Blue Moon
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alvin Dinkin (am 1960-09-01) und Stan Harris (US big band viola player) (am 1960-09-01)
Cello:
Ossip Giskin (cellist) (am 1960-09-01), Armand Kaproff (am 1960-09-01) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-09-01)
Geige / Violine:
Victor Bay (am 1960-09-01), Alex Beller (am 1960-09-01), Kurt Dieterle (am 1960-09-01), Jacques Gasselin (am 1960-09-01), Joseph Livoti (violinist) (am 1960-09-01), Louis Kaufman (violinist) (am 1960-09-01), Murray Kellner (am 1960-09-01), Mischa Russell (violinist) (am 1960-09-01), Gerald Vinci (American violinist and strings conductor) (am 1960-09-01) und William Weiss (violinist) (am 1960-09-01)
Gitarre:
Al Viola (am 1960-09-01)
Harfe:
Kathryn Julye (am 1960-09-01)
Klavier:
Bill Miller (pianist) (am 1960-09-01)
Perkussion:
Emil Richards (am 1960-09-01)
Posaune:
George Arus (am 1960-09-01), Gail Martin (am 1960-09-01), Tom Shepard (trombonist) (am 1960-09-01) und Tommy Pederson (am 1960-09-01)
Rohrblattinstrumente:
Buddy Collette (am 1960-09-01), Chuck Gentry (am 1960-09-01), William Green (woodwind) (am 1960-09-01), Plas Johnson (am 1960-09-01) und Wilbur Schwartz (am 1960-09-01)
Schlagzeug:
Irving Cottler (am 1960-09-01)
Trompete:
Clarence "Shorty" Sherock (am 1960-09-01), Carroll Lewis (trumpeter) (am 1960-09-01), George Seaberg (am 1960-09-01) und Vito "Mickey" Mangano (am 1960-09-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-09-01)
Orchester:
The Nelson Riddle Orchestra (am 1960-09-01)
conductor:
Nelson Riddle (am 1960-09-01)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-09-01)
cover recording of:
Blue Moon (am 1960-09-01)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:52
19Get Happy
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Get Happy (am 1954-04-19)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
12:26
20Just One of Those Things
Produzent(in):
Voyle Gilmore
alto saxophone:
Mahlon Clark und Skeets Herfurt
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Allan Reuss
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-07)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-07)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-07)
conductor:
Nelson Riddle (am 1954-04-07)
arranger:
Nelson Riddle (am 1954-04-07)
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-07)
cover recording of:
Just One of Those Things (am 1954-04-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
23:16
21Lean Baby
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-02)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn (am 1953-04-02) und Dave Sterkin (am 1953-04-02)
Cello:
Cy Bernard (am 1953-04-02)
Geige / Violine:
Harry Bluestone (am 1953-04-02), Murray Kellner (am 1953-04-02), Alex Murray (violinist) (am 1953-04-02), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1953-04-02), Irving Prager (am 1953-04-02) und Mischa Russell (violinist) (am 1953-04-02)
Gitarre:
George van Eps (am 1953-04-02)
Harfe:
Ann Mason Stockton (American harpist) (am 1953-04-02)
Klavier:
Bill Miller (pianist) (am 1953-04-02)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1953-04-02)
Rohrblattinstrumente:
Leonard Hartman (am 1953-04-02), Heine Beau (am 1953-04-02), Skeets Herfurt (am 1953-04-02) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-02)
Schlagzeug:
Ray Hagan (am 1953-04-02)
Trompete:
Rubin "Zeke" Zarchy (am 1953-04-02)
Waldhorn:
Vincent DeRosa (am 1953-04-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-02)
Orchester:
Axel Stordahl and His Orchestra (am 1953-04-02) und The Nelson Riddle Orchestra (am 1953-04-02)
conductor:
Axel Stordahl (am 1953-04-02)
arranger:
Heine Beau (am 1953-04-02)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Lean Baby (am 1953-04-02)
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
Komponist(in):
Billy May
12:35
22The Gal That Got Away
Bass:
Joe Comfort (am 1954-05-13)
Bassposaune:
George Roberts (american bass trombone) (am 1954-05-13)
Bratsche / Viola:
Maxine Johnson (am 1954-05-13) und Paul Robyn (am 1954-05-13)
Cello:
Cy Bernard (am 1954-05-13) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-05-13)
Geige / Violine:
Victor Bay (am 1954-05-13), Harry Bluestone (am 1954-05-13), Walter Edelstein (am 1954-05-13), George Kast (am 1954-05-13), Nick Pisani (am 1954-05-13), Mischa Russell (violinist) (am 1954-05-13), Eudice Shapiro (Violinist) (am 1954-05-13), Paul Shure (am 1954-05-13) und Felix Slatkin (am 1954-05-13)
Gitarre:
Bobby Gibbons (am 1954-05-13)
Harfe:
Kathryn Julye (am 1954-05-13)
Klavier:
Bill Miller (pianist) (am 1954-05-13)
Posaune:
Dick Noel (trombone) (am 1954-05-13) und Tommy Pederson (am 1954-05-13)
Rohrblattinstrumente:
Plas Johnson, Arthur "Skeets" Herfert (am 1954-05-13), Mahlon Clark (am 1954-05-13), Chuck Gentry (am 1954-05-13), Arthur Kafton (am 1954-05-13), Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1954-05-13) und Warren Webb (am 1954-05-13)
Schlagzeug:
Alvin Stoller (am 1954-05-13)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo (am 1954-05-13) und Rubin "Zeke" Zarchy (am 1954-05-13)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-05-13)
Orchester:
The Nelson Riddle Orchestra (am 1954-05-13)
conductor:
Nelson Riddle (am 1954-05-13)
arranger:
Nelson Riddle (am 1954-05-13)
cover recording of:
The Man That Got Away (A Star Is Born) (am 1954-05-13)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
3:11
23Saturday Night Is the Loneliest Night of the Week
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahn (am 1944-11-14), Sol Paeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
E. Gara (am 1944-11-14), George Polikian (am 1944-11-14) und Avron Twerdowsky (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Fred Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), L. Kanter (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Klarinette:
Arthur Baker (saxophonist, flutist and clarinetist)
Klavier:
Billy Rowland (am 1944-11-14)
Posaune:
Charles Small (trombone) (am 1944-11-14), John D'Agostino (trombonist) (am 1944-11-14) und Andy Russo (Jazz trombonist) (am 1944-11-14)
Saxophon:
Arthur Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harold Feldman (woodwind player) (am 1944-11-14), Bernard Kaufman (am 1944-11-14), Peter Pumiglio (am 1944-11-14) und Henry Ross (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (US trumpeter) (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupse (French horn player) (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1944-11-14)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC und WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:45
24Blue Skies
Bass:
Phil Stephens (bass and tuba player) (am 1946-07-30)
Bratsche / Viola:
Abraham Hochstein (am 1946-07-30), Alexander Neiman (violist) (am 1946-07-30) und Stanley Spiegelman (am 1946-07-30)
Cello:
Fred Goerner (am 1946-07-30), Jack Sewell (am 1946-07-30) und Julius Tannenbaum (am 1946-07-30)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-07-30), Werner Callies (am 1946-07-30), Walter Edelstein (am 1946-07-30), Sam Freed, Jr. (Violinist) (am 1946-07-30), David Frisina (am 1946-07-30), Howard Halbert (am 1946-07-30), Sol Kindler (am 1946-07-30), Morris King (am 1946-07-30), Eugene Lamas (am 1946-07-30), Dan Lube (am 1946-07-30), Mischa Russell (violinist) (am 1946-07-30) und Gerald Vinci (American violinist and strings conductor) (am 1946-07-30)
Gitarre:
Dave Barbour (am 1946-07-30)
Harfe:
Ann Mason Stockton (American harpist) (am 1946-07-30)
Instrumente:
Herbie Haymer (am 1946-07-30), Jules Kinsler (am 1946-07-30) und Harry Klee (am 1946-07-30)
Klavier:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-07-30)
Posaune:
Hoyt Bohannon (am 1946-07-30), Les Jenkins (am 1946-07-30) und Ed Kusby (am 1946-07-30)
Saxophon:
Fred Dornbach (am 1946-07-30)
Schlagzeug:
Ray Hagan (am 1946-07-30)
Trompete:
Clyde Hurley (am 1946-07-30), Manny Klein (am 1946-07-30) und Rubin "Zeke" Zarchy (am 1946-07-30)
Waldhorn:
Richard Perissi (am 1946-07-30)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-07-30)
conductor:
Axel Stordahl (am 1946-07-30)
arranger:
Axel Stordahl
cover recording of:
Blue Skies (am 1946-07-30)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Blue Skies (am 1946-07-30)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
12:31
25Begin the Beguine
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-02-24)
Bass:
Phil Stephens (bass and tuba player) (am 1946-02-24)
Bratsche / Viola:
Alexander Neiman (violist) (am 1946-02-24), Leonard Selic (am 1946-02-24) und Dave Sterkin (am 1946-02-24)
Cello:
Fred Goerner (am 1946-02-24), Jack Sewell (am 1946-02-24) und Julius Tannenbaum (am 1946-02-24)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-02-24), Harry Bluestone (am 1946-02-24), Sam Freed, Jr. (Violinist) (am 1946-02-24), Gerald Joyce (am 1946-02-24), George Kast (am 1946-02-24), Sol Kindler (am 1946-02-24), Morris King (am 1946-02-24), Samuel Levine (violinist) (am 1946-02-24), Sam Middleman (am 1946-02-24), Nicholas Pisani (am 1946-02-24), Mischa Russell (violinist) (am 1946-02-24) und Olcott Vail (am 1946-02-24)
Gitarre:
George van Eps (am 1946-02-24)
Harfe:
May Cambern (am 1946-02-24)
Holzblasinstrumente:
Heinie Beau (am 1946-02-24), Herbie Haymer (am 1946-02-24), Jules Kinsler (am 1946-02-24), Harry Schuchman (am 1946-02-24) und Arthur Smith (Saxophonist) (am 1946-02-24)
Instrumente:
Ben A. Creitz (woodwind, brass and bass player) (am 1946-02-24)
Klavier:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-02-24)
Posaune:
Hoyt Bohannon (am 1946-02-24), Les Jenkins (am 1946-02-24) und Elmer Smithers (am 1946-02-24)
Schlagzeug:
Ray Hagan (am 1946-02-24)
Trompete:
Max Herman (am 1946-02-24), Manny Klein (am 1946-02-24) und Ray Linn (am 1946-02-24)
Waldhorn:
Richard Perissi (am 1946-02-24)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-02-24)
conductor:
Axel Stordahl (am 1946-02-24)
arranger:
George Siravo und Axel Stordahl
recording of:
Begin the Beguine (am 1946-02-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
2:56
2▶CD: Lovin’