| # | Title | Artist | Rating | Length |
|---|
| 1 | Pretty Fly (for a White Guy) | The Offspring | 3.85 | 3:08 |
| 2 | Everlong- recording engineer and engineer:
- Bradley Cook and Geoff Turner
- assistant engineer:
- Ryan Boesch, Todd Burke, Don Farwell, Ryan Hadlock and Jason Mauza
- producer:
- Gil Norton
- mixer:
- Chris Sheldon
- bass guitar:
- Nate Mendel
- drums (drum set) and lead vocals:
- Dave Grohl
- guitar:
- Dave Grohl and Pat Smear
- phonographic copyright (℗) by:
- Roswell Records, Inc. (in 1997)
- recorded at:
- Grandmaster Recorders in Hollywood, Los Angeles, California, United States
- mixed at:
- Skip Saylor Recording in Hollywood, Los Angeles, California, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 6), Triple J’s Hottest 100: Twenty Years (number: 6), VH1: 100 Greatest Hard Rock Songs (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 409)
- recording of:
- Everlong
- lyricist and composer:
- Dave Grohl
- publisher:
- MJ Twelve Music (in 1996)
| Foo Fighters | 4.3 | 4:11 |
| 3 | Insane in the Brain | Cypress Hill | 3.45 | 3:28 |
| 4 | Killing Me Softly With His Song | Fugees | 4.15 | 4:59 |
| 5 | Waterfalls- assistant recording engineer:
- Bernasky, Rico Lumpkins and Mike Wilson
- recording engineer and mixer:
- Nealhpogue
- drum machine programming:
- Organized Noize
- producer:
- Organized Noize
- assistant mixer:
- John Frye and Ricciano Lumpkins
- bass guitar:
- LaMarquis Jefferson
- brass [horn section]:
- Ronnie Fitch, Jerry Lloyd and Charles Nix
- guitar:
- Edward Stroud
- keyboard:
- Organized Noize
- Wurlitzer electric piano:
- Kenneth Wright
- background vocals:
- Debra Killings, Thomas "Cee-Lo" Burton and TLC
- vocals:
- Chilli , Lisa “Left Eye” Lopes and T‐Boz
- brass [horns] arranger:
- Shock
- recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, D.A.R.P Studios in Atlanta, Georgia, United States and Doppler Studios in Atlanta, Georgia, United States
- mixed at:
- D.A.R.P Studios in Atlanta, Georgia, United States and Studio LaCoCo in Atlanta, Georgia, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 63), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 127) and Billboard: The 500 Best Pop Songs (number: 267)
- recording of:
- Waterfalls
- writer:
- Marqueze Ethridge, Lisa “Left Eye” Lopes and Organized Noize
- publisher:
- BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| TLC | 4.45 | 4:40 |
| 6 | Black or White (single version) | Michael Jackson | 3.75 | 3:19 |
| 7 | Criminal | Fiona Apple | 4.15 | 5:42 |
| 8 | Virtual Insanity | Jamiroquai | 3.5 | 5:41 |
| 9 | Say My Name | Destiny’s Child & Maurice Joshua | 4.05 | 4:31 |
| 10 | Torn | Natalie Imbruglia | 4.1 | 4:05 |
| 11 | If You Had My Love- programming:
- Bill Makina
- assistant engineer:
- Chuck Bailey , Brian Calicchia and Robb Williams
- engineer:
- Franklyn Grant , Glen Marchese and Robb Williams
- producer:
- Rodney Jerkins
- mixer:
- Tony Maserati
- background vocals:
- Shawnyette Harrell and Jennifer Karr
- conductor:
- Larry Gold
- strings arranger:
- Larry Gold
- recorded at:
- Sony Music Studios in Hell's Kitchen, New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States
- a cappella versions:
- If You Had My Love (a cappella) by Jennifer Lopez
- instrumental versions:
- If You Had My Love (instrumental) by Jennifer Lopez
- part of:
- Cachitos Nochevieja 2022 (number: 120)
- recording of:
- If You Had My Love
- lyricist:
- LaShawn Daniels , Rodney Jerkins and Cory Rooney
- composer:
- Rodney Jerkins
| Jennifer Lopez | 4.15 | 4:26 |
| 12 | Two Princes | Spin Doctors | 4.2 | 4:17 |
| 13 | Down | 311 | 4.05 | 2:51 |
| 14 | The Freshmen | The Verve Pipe | 4.35 | 4:29 |
| 15 | Standing Outside a Broken Phone Booth With Money in My Hand | Primitive Radio Gods | 4.1 | 5:37 |
| 16 | Even Flow | Pearl Jam | 4.65 | 4:53 |
| 17 | Runaway Train | Soul Asylum | 4.4 | 4:26 |
| 18 | Tomorrow | Silverchair | 4.1 | 4:27 |
| 19 | Mmm Mmm Mmm Mmm- additional recording engineer:
- David Vartanian
- recording engineer:
- Tommy Lipnick
- engineer:
- Dan Harjung
- producer:
- Crash Test Dummies and Jerry Harrison
- mixer:
- Tom Lord‐Alge
- editor:
- Patrick Murphy
- accordion, keyboard [keyboards], piano and background vocals [back-up vocals]:
- Ellen Reid
- acoustic guitar [acoustic guitars], electric guitar [electric guitars] and lead vocals:
- Brad Roberts
- phonographic copyright (℗) by:
- BMG Music Canada Inc. (in 1991, in 1993) and BMG (in 1993)
- recorded at:
- DV Productions in Milwaukee, Wisconsin, United States, Mindscape in Chicago, Illinois, United States and Music Head Recording in Lake Geneva, Wisconsin, United States
- mixed at:
- Music Head Recording in Lake Geneva, Wisconsin, United States
- produced at:
- God of Thunder Studios in Winnipeg, Manitoba, Canada
- music videos:
- Mmm Mmm Mmm Mmm by Crash Test Dummies
- recording of:
- Mmm Mmm Mmm Mmm
- lyricist and composer:
- Brad Roberts
- publisher:
- Universal Music Publishing Pty Ltd. , Universal PolyGram International Publishing, Inc. , Universal/Island Music Ltd. , Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (in 1993)
| Crash Test Dummies | 3.95 | 3:53 |
| 20 | Crash Into Me | Dave Matthews Band | 3.85 | 5:16 |
| 21 | Truly Madly Deeply | Savage Garden | 4.25 | 4:39 |
| 22 | …Baby One More Time- recording engineer, producer and mixer:
- Max Martin and Rami
- bass guitar:
- Tomas Lindberg
- guitar:
- Johan Carlberg
- background vocals:
- Nana Hedin , Max Martin and Britney Spears
- lead vocals:
- Britney Spears
- phonographic copyright (℗) by:
- Zomba Recording Corporation (in 1998) and Zomba Recording LLC (in 1999)
- mixed for and produced for:
- Cheiron Productions
- recorded at and mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden
- music videos:
- …Baby One More Time by Britney Spears, …Baby One More Time by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
- part of:
- Billboard: The 500 Best Pop Songs (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
- recording of:
- …Baby One More Time
- lyricist and composer:
- Max Martin
- publisher:
- Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. , Zomba Enterprises, Inc. and ヤマハミュージックEH(CM)
- part of:
- Freaky Friday
| Britney Spears | 3.8 | 3:31 |
| 23 | Steal My Sunshine | LEN | 4.5 | 4:08 |
| 24 | I Want It That Way- producer:
- Kristian Lundin (in 1999) and Max Martin (in 1999)
- mixer:
- Kristian Lundin and Max Martin
- electric bass guitar [bass]:
- Tomas Lindberg
- guitar:
- Esbjörn Öhrwall
- vocals:
- Alexander James “A.J.” McLean , Brian “B-Rok” Littrell , Nick Carter , Howard “Howie D.” Dorough and Kevin Richardson
- phonographic copyright (℗) by:
- RCA Records (in 1998, in 2025) and Zomba Recording Corporation (in 1999)
- produced for:
- Cheiron Productions (in 1999)
- recorded at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden
- mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden (in 1999)
- part of:
- Billboard: The 500 Best Pop Songs (number: 4), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 240)
- recording of:
- I Want It That Way
- lyricist, writer and composer:
- Andreas Carlsson and Max Martin
- publisher:
- Grantsville Publishing Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Backstreet Boys | 3.75 | 3:33 |
| 25 | Genie in a Bottle- recording engineer:
- David Frank , Steve Kipner and Mario Luccy
- programming:
- Guy Roche
- engineer:
- Paul Arnold and Ryan James Freeland
- producer:
- David Frank , Steve Kipner and Guy Roche
- additional mixer:
- Michael Huff
- mixer:
- Dave Way
- additional drums (drum set) [drums] and additional keyboard [keyboards]:
- Steve Kipner
- drums (drum set) [drums] and keyboard [keyboards]:
- David Frank
- guitar:
- John Goux and Bruce Watson
- tambourine:
- Matt Laug
- background vocals:
- Christina Aguilera and Shelly Peiken
- arranger:
- David Frank , Steve Kipner, Pam Sheyne and Guy Roche
- additional vocals arranger:
- Christina Aguilera
- vocals arranger:
- David Frank , Steve Kipner and Pam Sheyne
- music videos:
- Genie in a Bottle by Christina Aguilera
- part of:
- The Downloader’s Music Source Book (number: 264) and Billboard: The 500 Best Pop Songs (number: 228)
- recording of:
- Genie in a Bottle
- writer:
- David Frank , Steve Kipner and Pam Sheyne
- publisher:
- AppleTreeSongs Ltd., EMI April Music Inc., EMI Music Publishing (ASCAP), EMI Music Publishing Ltd. , Griff Griff Music, Mother’s Finest Songs , Muso Music, Stephen A. Kipner Music and Warner Chappell Music Ltd.
| Christina Aguilera | 3.95 | 3:37 |
| 26 | I Try | Macy Gray | 4.1 | 3:57 |
| 27 | Doo Wop (That Thing)- recording engineer:
- Commissioner Gordon and Warren Riker
- drum machine programming:
- Ché Guevara and Vada Nobles
- producer:
- Ms. Lauryn Hill
- mixer:
- Commissioner Gordon
- Rhodes piano [Rhodes], Wurlitzer electric piano [Wurlitzer], celesta [celeste], electric piano and piano:
- James Poyser
- saxophone:
- Dean Frazer
- strings:
- Indigo Quartet
- trombone:
- Ronald "Nambo" Robinson
- trumpet:
- Everol Ray
- turntable [DJ elements]:
- DJ Supreme
- background vocals:
- Jeni Fujita, Fundisha Johnson, James Poyser , Lenesha Randolph and Rasheem Pugh
- lead vocals:
- Ms. Lauryn Hill
- recorded at:
- Chung King Studios in New York, New York, United States and Marley Music, Inc. in Kingston , Jamaica
- mixed at:
- Sony Music Studios in Hell's Kitchen, New York, New York, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 49) and Billboard: The 500 Best Pop Songs (number: 253)
- recording of:
- Doo Wop (That Thing) (in 1998-01)
- lyricist and composer:
- Ms. Lauryn Hill
| Lauryn Hill | 4.55 | 5:20 |
| 28 | Summertime (single edit)- producer:
- Hula & K. Fingers
- phonographic copyright (℗) by:
- Zomba Recording Corporation (in 1991)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Soundtrack Studios in New York, New York, United States
- recording of:
- Summertime
- lyricist:
- Will Smith
- writer:
- Hula & K. Fingers
- composer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith , Alton Taylor, Dennis “D.T.” Thomas and Ricky West
- is based on:
- Summer Madness
| DJ Jazzy Jeff & the Fresh Prince | 3.5 | 3:57 |
| 29 | C.R.E.A.M. | Wu‐Tang Clan | | 4:10 |
| 30 | The Distance | Cake | 3.9 | 3:00 |
| 31 | Can I Kick It? | A Tribe Called Quest | 4 | 4:12 |
| 32 | Save Tonight | Eagle‐Eye Cherry | 4 | 3:53 |
| 33 | Girlfriend | Matthew Sweet | 4.75 | 3:41 |
| 34 | Don’t Let the Sun Go Down on Me (remastered) | George Michael & Elton John | 2.5 | 5:48 |
| 35 | Walking on Broken Glass | Annie Lennox | 4 | 4:13 |
| 36 | I Will Always Love You- engineer:
- David Reitzas, Bill Schnee and Peter Yianilos
- executive producer:
- Clive Davis and Whitney Houston
- producer:
- David Foster
- mixer:
- David Reitzas
- creative direction:
- Rickey Minor
- solo saxophone:
- Kirk Whalum
- arranger:
- David Foster
- vocals arranger:
- Whitney Houston
- phonographic copyright (℗) by:
- RCA Records and Arista Records, Inc. (in 1992)
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 3), Billboard: The 500 Best Pop Songs (number: 60), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
- cover recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd , Owepar Publishing Inc. and Velvet Apple Music
| Whitney Houston | 4.5 | 4:30 |
| 37 | Thank You | Dido | 4.25 | 3:38 |
| 38 | Un‐Break My Heart- assistant recording engineer:
- Brandon Harris (in 1995)
- recording engineer:
- Felipe Elgueta (in 1995)
- keyboard programming:
- David Foster (in 1995)
- synclavier programming:
- Simon Franglen (in 1995)
- producer:
- David Foster
- assistant mixer:
- Marnie Riley
- mixer:
- Mick Guzauski
- acoustic guitar:
- Dean Parks (in 1995)
- electric guitar:
- Michael Thompson (in 1995)
- background vocals:
- Toni Braxton (in 1995) and Shanice (in 1995)
- lead vocals:
- Toni Braxton (in 1995) and Shanice Wilson (in 1995)
- arranger:
- David Foster , L.A. Reid and Tim Thomas
- phonographic copyright (℗) by:
- LaFace Records, Inc. (in 1996)
- arranged for and produced for:
- Chartmaker, Inc.
- recorded at:
- Chartmaker Studios in Malibu, California, United States (in 1995) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1995)
- mixed at:
- Barking Doctor in Mount Kisco, New York, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 16)
- recording of:
- Un-Break My Heart (in 1995)
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing Ltd. and Realsongs
| Toni Braxton | 3.7 | 4:30 |
| 39 | Always Be My Baby- sound engineer:
- Phil Tan
- additional engineer:
- Jay Healy and Phil Tan
- co-engineer:
- Kurt Lundvall, Glen Marchese, Mike Scott and Andy Smith
- engineer:
- Jay Healy
- co-producer:
- Manuel Seal
- producer:
- Mariah Carey and Jermaine Dupri
- mixer:
- Mick Guzauski
- background vocals:
- Mariah Carey, Melonie Daniels, Kelly Price and Shanrae Price
- arranger:
- Mariah Carey and Jermaine Dupri
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1995)
- recorded at:
- Crave Studios in New York, United States and The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Crave Studios in New York, United States
- recording of:
- Always Be My Baby
- lyricist:
- Mariah Carey
- composer:
- Mariah Carey and Jermaine Dupri
- publisher:
- Air Control Music, Inc., EMI April Music Inc., EMI Full Keel Music, Rye Songs, So So Def and Sony Songs Inc.
| Mariah Carey | 3.75 | 4:18 |
| 40 | Back & Forth | Aaliyah, R. Kelly & Mr. Lee | 4.35 | 3:49 |
| 41 | You Make Me Wanna… | Usher | 2.5 | 3:40 |
| 42 | Meet Virginia | Train | 4 | 4:00 |
| 43 | Waiting for Tonight- additional programming:
- Richie Jones and “Young” Dave Scheuer
- assistant engineer:
- Juan Bohorquez and Robb Williams
- engineer:
- Franklyn Grant , “Young” Dave Scheuer and Thomas R. Yezzi
- additional producer:
- Richie Jones
- producer:
- Ric Wake
- mixer:
- Dan Hetzel
- drums (drum set) and percussion:
- Richie Jones
- keyboard [keyboards]:
- Eric Kupper
- background vocals:
- Jane Barrett, Margaret Dorn and Maria Christiansen
- remixer:
- Richie Jones
- additional arranger:
- Richie Jones and “Young” Dave Scheuer
- arranger:
- Richie Jones and Ric Wake
- recorded at:
- Cove City Sound Studios in Glen Cove, New York, United States, Sony Music Studios in Hell's Kitchen, New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Cove City Sound Studios in Glen Cove, New York, United States
- a cappella versions:
- Waiting for Tonight (A cappella) by Jennifer Lopez
- instrumental versions:
- Waiting for Tonight (Instrumental) by Jennifer Lopez
- recording of:
- Waiting for Tonight
- lyricist and composer:
- Maria Christensen , Michael Garvin and Phil Temple
- adaptations:
- Una noche más
| Jennifer Lopez & Richie Jones | 3.5 | 4:06 |
| 44 | Tearin’ Up My Heart (radio edit) | *NSYNC | 3.75 | 3:30 |
| 45 | Smooth | Santana & Rob Thomas | 3.05 | 4:56 |
| 46 | Livin’ La Vida Loca | Ricky Martin | 4.5 | 4:02 |
| 47 | Gettin’ Jiggy Wit It- recording engineer:
- Ken "DURO" Ifill
- co-producer:
- L.E.S.
- producer:
- Poke and Tone
- assistant mixer:
- Chris Ribando
- mixer:
- Rich Travali
- bass guitar:
- Lanar "Kern" Brantley
- guitar [lead guitar]:
- David Foreman
- keyboard [keyboards]:
- Timothy "Tyme" Riley
- turntable [scratches]:
- DJ Jazzy Jeff
- recorded at:
- Right Track Studios in Manhattan, New York, New York, United States
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- samples:
- He’s the Greatest Dancer by Sister Sledge and Sang and Dance by The Bar-Kays
- recording of:
- Gettin’ Jiggy Wit It
- writer:
- Samuel Barnes , Bernard Edwards & Nile Rodgers, Bernard Edwards , David Porter , Joey Robinson, Jr. , Nile Rodgers and Will Smith
- publisher:
- Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC , Treball Music and Warner–Tamerlane Publishing Corp.
| Will Smith | 3.85 | 3:48 |
| 48 | Mambo No. 5 (A Little Bit Of…) | Lou Bega | 3.75 | 3:40 |
| 49 | ATLiens | OutKast | 4.45 | 3:51 |
| 50 | Bump n’ Grind | R. Kelly | 4.15 | 4:15 |
| 51 | Jump- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1992)
- part of:
- Billboard: The 500 Best Pop Songs (number: 347)
- recording of:
- Jump
- writer:
- Alphonso Mizell, Andrew Noland, Berry Gordy, Jr., Leroy Bonner , Jermaine Dupri , Fred Perren, Joe Nicolo, Marshall Jones , Marvin Pierce, Norman Napier, Ralph Middlebrooks, Deke Richards , Walter Morrison and Greg Webster
- is based on:
- I Want You Back
| Kris Kross | 4 | 3:15 |
| 52 | Jeremy | Pearl Jam | 4.4 | 5:18 |
| 53 | Bulls on Parade | Rage Against the Machine | 4.4 | 3:49 |
| 54 | Ball and Chain | Social Distortion | 4.2 | 5:43 |
| 55 | Nearly Lost You | Screaming Trees | | 4:07 |
| 56 | Shimmer (single version) | Fuel | 3.05 | 3:35 |
| 57 | The Message | Nas | 4.25 | 3:54 |
| 58 | You Gotta Be | Des’ree | 2.9 | 4:05 |
| 59 | The River of Dreams- additional programming:
- Jeff Jacobs
- co-producer:
- Joe Nicolo
- producer:
- Danny Kortchmar
- mixer:
- Joe “The Butcher” Nicolo and Phil Nicolo
- additional bass:
- Jef Lee Johnson (from 1992 until 1993), Chuck Treece (from 1992 until 1993) and Mike Tyler (from 1992 until 1993)
- additional percussion:
- Andy "Funky Drummer" Kravitz (from 1992 until 1993)
- bass:
- Lonnie D. Hillyer (from 1992 until 1993)
- drums (drum set):
- Zachary Alford (from 1992 until 1993)
- guitar:
- Danny Kortchmar (from 1992 until 1993) and Mike Tyler (from 1992 until 1993)
- Hammond organ, Hammond organ, piano and synthesizer, piano, synthesizer and lead vocals:
- Billy Joel (from 1992 until 1993)
- background vocals:
- Wrecia Ford (from 1992 until 1993), Marlon Saunders (from 1992 until 1993), Frank Simms (from 1992 until 1993), George Simms (from 1992 until 1993), Crystal Taliefero (from 1992 until 1993) and B. David Whitworth (from 1992 until 1993)
- vocals:
- Billy Joel (from 1992 until 1993)
- background vocals arranger:
- Crystal Taliefero
- orchestrator:
- Ira Newborn
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment , Sony Music Entertainment (in 1993) and Sony Music Entertainment Inc. (in 1993)
- music videos:
- The River of Dreams by Billy Joel
- recording of:
- The River of Dreams (from 1992 until 1993)
- lyricist and composer:
- Billy Joel
- publisher:
- Impulsive Music (in 1992) and Joelsongs (in 1992)
| Billy Joel | 4 | 4:05 |
| 60 | Streets of Philadelphia | Bruce Springsteen | 5 | 3:16 |
| 61 | Building a Mystery | Sarah McLachlan | 4 | 4:07 |
| 62 | Hallelujah- engineer, producer and mixer:
- Andy Wallace
- guitar and lead vocals:
- Jeff Buckley
- part of:
- AUX: 10 Cover Songs Better Than The Orignials, New York Post: 100 Greatest Covers (2007) (number: 40), Rolling Stone: 500 Greatest Songs of All Time (number: 259) and Indie 88: Top 500 Indie Rock Songs (number: 380)
- cover recording of:
- Hallelujah
- lyricist and composer:
- Leonard Cohen
- publisher:
- Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Songs , Sony/ATV Songs LLC, Universal Music Publishing and ソニー・ミュージックパブリッシング A事業部
- sub-publisher:
- Sony/ATV Music Publishing (Hong Kong)
| Jeff Buckley | 3.85 | 6:53 |
| 63 | No Ordinary Love | Sade | 4 | 7:20 |
| 64 | Damn I Wish I Was Your Lover | Sophie B. Hawkins | 4.75 | 5:23 |
| 65 | Gone Till November- recording engineer and mixer:
- Warren Riker
- assistant engineer:
- Brian Dozoretz, Rawle Gittens, Storm Jefferson, Jay Nicholas, Alex Olsson and Mike Roach
- co-producer:
- Jerry "Te Bass" Duplessis
- producer:
- Wyclef
- guitar:
- Wyclef
- orchestra:
- Members of the New York Philharmonic Orchestra
- performer:
- Canibus
- produced for:
- R.C.E.
- recorded at:
- Chung King Studios in New York, New York, United States and Manhattan Center in Midtown Manhattan, New York, New York, United States
- mixed at:
- Chung King Studios in New York, New York, United States
- music videos:
- Gone Till November by Wyclef Jean
- recording of:
- Gone Till November
- orchestrator:
- Sonny Kompanek
- lyricist and composer:
- Nel Ust Wyclef Jean
- publisher:
- Sony/ATV Tunes LLC and Tete San Ko Publishing
| Wyclef Jean | 3 | 3:28 |
| 66 | I Wish | Skee‐Lo | 4 | 4:09 |
| 67 | I Believe I Can Fly | R. Kelly | 3.4 | 5:21 |
| 68 | Gonna Make You Sweat (Everybody Dance Now) | C & C Music Factory | 4.15 | 4:04 |
| 69 | Ready to Go- programming:
- Ben Grosse , Jesus Beats, Mike Tuller and John Vitale
- additional producer:
- Ben Grosse
- producer:
- Republica
- mixer:
- Ben Grosse
- additional guitar:
- Sal Aiello, Grant Mohrman and Marlon Young
- drums (drum set):
- Dave Barbarossa
- guest guitar:
- John Malea
- guitar:
- Johnny Male
- keyboard:
- Tim Dorney and Andy Todd
- piano:
- Dave Arch
- lead vocals:
- Saffron
- additional remixer:
- Ben Grosse
- remixer:
- Ben Grosse
- phonographic copyright (℗) by:
- BMG Entertainment International UK & Ireland Ltd. (in 1996), BMG Records (UK) Limited (in 1996) and Sony Music Entertainment UK Limited (in 1996)
- recorded at:
- Milo Studios in Hoxton, Hackney, London , England, United Kingdom, Republica Studios in London , England, United Kingdom and The Workhouse in London , England, United Kingdom
- part of:
- Anti-Hit List: September 3, 1996 (number: 1)
- recording of:
- Ready to Go
- writer:
- Tim Dorney, Johnny Male, Saffron and Andy Todd
- publisher:
- BMG Music Publishing Ltd., Momentum Music , Momentum Music Ltd., Notting Hill Music , Notting Hill Music (UK) Ltd. and Warner Chappell Music Ltd.
| Republica | 3.6 | 5:02 |
| 70 | Learn to Fly- recording engineer:
- Adam Kasper (in 1999)
- producer:
- Foo Fighters and Adam Kasper
- assistant mixer:
- Ted Reiger
- bass guitar:
- Nate Mendel (in 1999)
- drums (drum set):
- Dave Grohl (in 1999) and Taylor Hawkins (in 1999)
- guitar, percussion and lead vocals:
- Dave Grohl (in 1999)
- phonographic copyright (℗) by:
- Roswell Records, Inc. (in 1999)
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1999)
- recorded at:
- Studio 606 in Alexandria, Virginia, United States (in 1999)
- mixed at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 55)
- recording of:
- Learn to Fly (in 1999)
- writer:
- Dave Grohl, Taylor Hawkins and Nate Mendel
- publisher:
- Flying Earform Music , Living Under a Rock Music and MJ Twelve Music
| Foo Fighters | 4.35 | 3:55 |
| 71 | Sunday Shining | Finley Quaye | 4 | 3:44 |
| 72 | Got the Life | Korn | 3.6 | 3:45 |
| 73 | Inside Out | Eve 6 | 4.15 | 3:39 |
| 74 | I Will Survive- assistant engineer:
- Scott Reams
- engineer:
- Joe Johnston , Craig Long and Kirt Shearer
- producer:
- CAKE
- arranger:
- CAKE
- recorded at:
- Paradise Studios in Sacramento, California, United States and Pus Cavern in Sacramento, California, United States
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 89)
- cover recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
- recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
| CAKE | 4.05 | 5:11 |
| 75 | Superman | Goldfinger | 4.5 | 3:06 |
| 76 | Sell Out | Reel Big Fish | 4 | 3:47 |
| 77 | She’s So High | Tal Bachman | 4.5 | 3:45 |
| 78 | Show Me Love (radio version) | Robyn | 4.35 | 3:49 |
| 79 | No Scrubs | TLC | 4.1 | 3:36 |
| 80 | Fantasy- programming:
- Dave Hall
- co-engineer:
- Kurt Lundvall and Andy Smith
- audio engineer and mixer:
- Jay Healy
- producer:
- Mariah Carey and Dave Hall
- instruments:
- Dave Hall
- background vocals:
- Mariah Carey and Kelly Price
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1995)
- recorded at:
- DMH Studios in New York, New York, United States
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- samples:
- Genius of Love (extended mix) by Tom Tom Club
- part of:
- Billboard: The 500 Best Pop Songs (number: 15) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 419)
- recording of:
- Fantasy
- lyricist:
- Mariah Carey, Chris Frantz and Tina Weymouth
- composer:
- Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall , Steven Stanley and Tina Weymouth
- publisher:
- Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. and WB Music Corp.
- is based on:
- Genius of Love
| Mariah Carey | 3.35 | 4:03 |
| 81 | As Long as You Love Me | Backstreet Boys | 3.25 | 3:34 |
| 82 | Jumpin’, Jumpin’ | Destiny’s Child | 3.95 | 3:48 |
| 83 | Wide Open Spaces- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Wide Open Spaces (from 1997-03 until 1997-08)
- lyricist and composer:
- Susan Gibson
- publisher:
- Pie-Eyed Music (in 1997)
| Dixie Chicks | 4.4 | 3:44 |
| 84 | Lullaby | Shawn Mullins | | 5:30 |
| 85 | Brick | Ben Folds Five | 3.55 | 4:31 |
| 86 | Sunny Came Home | Shawn Colvin | 4 | 4:23 |
| 87 | You Are Not Alone (single version) | Michael Jackson | 5 | 4:56 |
| 88 | All I Want | Toad the Wet Sprocket | 4.25 | 3:16 |
| 89 | It’s All Coming Back to Me Now | Céline Dion | 5 | 7:36 |
| 90 | Angel | Sarah McLachlan | 4.5 | 4:31 |
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