Silky Smooth Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 Warner Music Group - X5 Music Group»

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(As of 2020-05-15).

  • Caribbean: 🇻🇨 Saint Vincent and Grenadines (vc)
  • Western Asia: 🇵🇸 Palestinian Territory, Occupied (ps)
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Anmerkung zuletzt geändert am 2020-05-15 00:56 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Minute by Minute
recording of:
Minute by Minute
Verfasser(in):
Lester Abrams und Michael McDonald (R&B & soul singer)
publisher:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) und Snug Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3:28
2Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:54
3Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:32
4I Go to Sleep
Produzent(in):
Chris Thomas (UK record producer / remixer)
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I Go to Sleep
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. und Sony/ATV
Pretenders2:57
5Baby What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:06
6She Makes My Day
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
Remlap Co. Inc. (in 1988)
recording of:
She Makes My Day
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer34:22
7Josephine
recording of:
Josephine
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea5:39
8Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:27
9I Gotta Try
Produzent(in):
Ted Templeman und Lenny Waronker
Bass:
Willie Weeks (US bass player)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Klavier und Synthesizer:
Michael McDonald (R&B & soul singer)
Perkussion:
Paulinho da Costa (Brazilian percussionist) und Ted Templeman
Rhodes Piano:
Greg Phillinganes
Schlagzeug:
Steve Gadd (drummer)
zusätzlich Synthesizer:
Michael Boddicker
Hintergrundgesang:
Kenny Loggins und Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Gotta Try
Verfasser(in):
Kenny Loggins und Michael McDonald (R&B & soul singer)
publisher:
Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael McDonald3:55
10When the Morning Comes
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Akustikgitarre:
John Oates (in 1973)
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre:
Hugh McCracken (in 1973)
Mandoline und Sologesang:
Daryl Hall (in 1973)
mellotron:
Chris Bond (producer, active circa 1970s) (in 1973)
Oboe:
Joe Farrell (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
recording of:
When the Morning Comes (in 1973)
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates2.53:13
11Kayleigh
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion3.74:04
12I Don’t Want to Talk About It
Produzent(in):
Bernard Edwards (American bassist and record producer) und Rod Stewart
cover recording of:
I Don’t Want to Talk About It (in 1989)
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Rod Stewart4:52
13Slang of Ages
Produzent(in):
Walter Becker und Donald Fagen
assistierende(r) Mix:
Joe Peccerillo
Mix:
Elliot Scheiner
E-Bass:
Walter Becker
E-Gitarre:
Jon Herington und Hugh McCracken
Perkussion:
Gordon Gottlieb (American percussionist and conductor)
Rhodes Piano, Orgel und Synthesizer:
Donald Fagen
Schlagzeug:
Keith Carlock
Tenorsaxophon:
Walt Weiskopf
Trompete:
Michael Leonhart
Wurlitzer Electric Piano [Wurlitzer]:
Ted Baker
Hintergrundgesang:
Tawatha Agee, Ada Dyer (American soul singer), Michael Harvey, Carolyn Leonhart und Catherine Russell (jazz vocalist)
vocals:
Walter Becker
Horn arranger:
Donald Fagen
mixed at:
Presence Studios in Weston, Connecticut, Vereinigte Staaten
recording of:
Slang of Ages
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Freejunket Music (in 2003) und Zeon Music (in 2003)
Steely Dan34:14
14Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:44
15Nightmoves
recording engineer:
Bruce Botnick, Lee Herschberg und Al Schmitt
Produzent(in):
Tommy LiPuma
Mix:
Al Schmitt
Bassgitarre:
Wilton Felder
Gitarre:
Larry Carlton
Keyboard:
Joe Sample
Perkussion und Schlagzeug:
John Guerin
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recording of:
Night Moves
Texter:
Michael Franks
Komponist(in):
Michael Small (20th century soundtrack composer)
publisher:
Mississippi Mud Music Co., Warner–Barham Music LLC und 大洋音楽 (Taiyō Music)
Michael Franks4:04
16You’ve Got a Friend
Techniker(in):
Richard Sanford Orshoff
Produzent(in):
Peter Asher
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Akustikgitarre und Conga:
Danny Kortchmar (Danny Kootch)
Bassgitarre:
Leland Sklar (bassist, session musician)
cabasa, Conga und Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Joni Mitchell und James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
James Taylor4.44:29
17I’ll Be Long Gone
recording of:
I’ll Be Long Gone
Texter und Komponist(in):
Boz Scaggs
Boz Scaggs4:16
18Blue Morning, Blue Day
Techniker(in):
David DeVore und Keith Olsen (US producer and engineer)
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) und Keith Olsen (US producer and engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
E-Gitarre [lead guitar] und Hintergrundgesang:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Gitarre:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood
Schlagzeug:
Dennis Elliott
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
instruments arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (von 1977-12 bis 1978-03)
recording of:
Blue Morning, Blue Day
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner43:11
19Love of the Common Man
vocals:
Todd Rundgren
recording of:
Love of the Common Man
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Todd Rundgren43:36
20Love Is the Answer
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Love Is the Answer
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:45
21Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
22The Nightfly
Bass:
Marcus Miller (jazz musician)
Gitarre:
Larry Carlton, Rick Derringer und Hugh McCracken
Hybrid-Piano:
Michael Omartian
Klavier und Synthesizer und Hintergrundgesang und Sologesang:
Donald Fagen
Schlagzeug:
Jeff Porcaro
Synthesizer:
Rob Mounsey
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Zachary Sanders und Valerie Simpson
arranger:
Donald Fagen
recording of:
The Nightfly
Komponist(in):
Donald Fagen
Donald Fagen5:47
23Fazon
Sopwith Camel5:15
24Just Between You and Me
assistierende(r) Techniker(in):
Carlos Golliher (engineer)
Techniker(in):
Paul Ericksen (recording engineer) und Bino Espinoza
Produzent(in):
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Bino Espinoza und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Bassgitarre:
Bruce Turgon
E-Gitarre:
Nils Lofgren und Peter Maunu
Keyboard:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Schlagzeug:
Benny Gramm (drummer)
arranger:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
mixed at:
41B Studios in Westlake Village, California (Kalifornien), Vereinigte Staaten
recording of:
Just Between You and Me
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Holly Knight
Lou Gramm54:56
25Midnight Prowl
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Greg Ladanyi
Produzent(in):
Peter Asher
Akustikgitarre und Conga:
John David Souther
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Bratsche / Viola:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), James Dunham (viola player) und Pamela Goldsmith (American violist)
Cello:
Ronald Cooper, Dennis Karmazyn und Harry Shlutz
E-Gitarre und Hybrid-Piano:
Andrew Gold
Flügelhorn [fluegel horn]:
Donald Byrd (American jazz trumpeter)
Geige / Violine:
Charles Veal (violinist, conductor and arranger), Kathleen Lenski, Sheldon Sanov (violinist) und Haim Shtrum
Schlagzeug:
Russel Kunkel (session drummer)
Slide-Gitarre:
Lowell George
Synthesizer [ARP string ensemble]:
Andrew Gold und John David Souther
vocals:
John David Souther
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight Prowl
Texter und Komponist(in):
J.D. Souther
publisher:
Benchmark Music (in 1976) und Golden Spread Music (in 1976)
J.D. Souther5:03
26Show Me
Mandoline:
Steve Howe
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing (in 2004)
recording of:
Show Me
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis)
Yes3:37
27The Tourist
recording of:
The Tourist
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty4:14