Orff: Carmina Burana / Beethoven: Late Choral Works / Gershwin: An American in Paris / Rhapsody in Blue

~ Release by Orff, Beethoven, George Gershwin; Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band, Michael Tilson Thomas (see all versions of this release, 1 available)

Tracklist

1▼Hybrid SACD
#TitleArtistRatingLength
1Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:27
2Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Carmina Burana: I. Primo vere: Veris leta facies
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:32
4Carmina Burana: I. Primo vere: Omnia sol temperat
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
solo baritone vocals:
Peter Binder (guitarist)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:15
5Carmina Burana: I. Primo vere: Ecce gratum
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:29
6Carmina Burana: Uf dem Anger: Tanz
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:41
7Carmina Burana: Uf dem Anger: Floret silva
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:03
8Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:25
9Carmina Burana: Uf dem Anger: Reie
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Uf dem Anger: IX. (a) Reie
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff2:20
10Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe (Carmina Burana: Uf dem Anger: 9. (b) Swaz hie gat umbe)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise)
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff3:03
11Carmina Burana: Uf dem Anger: Were diu werlt alle min
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:49
12Carmina Burana: II. In taberna: Estuans interius
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
solo baritone vocals:
Peter Binder (guitarist)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:22
13Carmina Burana: II. In taberna: Olim lacus colueram
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
solo tenor vocals:
Kenneth Riegel (tenor)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:30
14Carmina Burana: II. In taberna: Ego sum abbas
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
solo baritone vocals:
Peter Binder (guitarist)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:46
15Carmina Burana: II. In taberna: In taberna quando sumus
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:59
16Carmina Burana: III. Cour d'amours: Amor volat undique
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
solo soprano vocals:
Judith Blegen (soprano)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff4:08
17Carmina Burana: III. Cour d'amours: Dies, nox et omnia
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
solo baritone vocals:
Peter Binder (guitarist)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:51
18Carmina Burana: III. Cour d'amours: Stetit puella
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
solo soprano vocals:
Judith Blegen (soprano)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:51
19Carmina Burana: III. Cour d'amours: Circa mea pectora
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
solo baritone vocals:
Peter Binder (guitarist)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:58
20Carmina Burana: III. Cour d'amours: Si puer cum puellula
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:53
21Carmina Burana: III. Cour d'amours: Veni, veni, venias
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:52
22Carmina Burana: III. Cour d'amours: In trutina
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
solo soprano vocals:
Judith Blegen (soprano)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:36
23Carmina Burana: III. Cour d'amours: Tempus est iocundum
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
solo baritone vocals:
Peter Binder (guitarist)
solo soprano vocals:
Judith Blegen (soprano)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
24Carmina Burana: III. Cour d'amours: Dulcissime
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
solo soprano vocals:
Judith Blegen (soprano)
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:45
25Carmina Burana: Blanziflor et Helena: Ave formosissima
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:01
26Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna
recording engineer:
Raymond Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Edward T. Graham (engineer)
choir vocals:
The Cleveland Orchestra Chorus
orchestra:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States and TempleLive Cleveland Masonic in Cleveland, Ohio, United States
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:39
27Elegischer Gesang, Op. 118
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
Elegischer Gesang, op. 118 (Elegiac Song) (from 1974-12-19 until 1974-12-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
dedicated to:
Johann von Pasqualati
part of:
Works of Ludwig van Beethoven by opus number (number: op. 118)
Ludwig van Beethoven7:07
28Opferlied, Op. 121b
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1974-12-19 until 1974-12-21) and Mike Ross‐Trevor (engineer) (from 1974-12-19 until 1974-12-21)
producer:
Paul Myers (classical record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1974-12-19 until 1974-12-21)
solo soprano vocals:
Lorna Haywood (soprano) (from 1974-12-19 until 1974-12-21)
soprano vocals:
Lorna Haywood (soprano)
orchestra:
London Symphony Orchestra (from 1974-12-19 until 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1974-12-19 until 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1974-12-19 until 1974-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-12-19 until 1974-12-21)
recording of:
Opferlied, op. 121b (first version, for soprano, choir and orchestra) (from 1974-12-19 until 1974-12-21)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 121b)
Ludwig van Beethoven7:51
2▶Hybrid SACD (SACD layer, multichannel)
3▶Hybrid SACD
4▶Hybrid SACD (SACD layer, multichannel)