| # | Title | Artist | Rating | Length |
|---|
| 1 | All the Small Things- recording engineer:
- Sean O’Dwyer
- assistant engineer:
- Darrell Harvey , John Nelson and Robert Read
- producer:
- Jerry Finn
- mixer:
- Tom Lord‐Alge
- bass guitar and background vocals:
- Mark “Fish Guts” Hoppus
- drums (drum set):
- Travis “Fuck Boy” Barker
- guitar and lead vocals:
- Tom “Hot Pants” DeLonge
- keyboard:
- Roger Joseph Manning Jr.
- arranger:
- blink‐182
- drums (drum set) technician:
- Mike Fasano
- phonographic copyright (℗) by:
- Geffen Records (in 1999), MCA Records, Inc. (in 1999), MCA Records (in 2000), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- music videos:
- All the Small Things by blink‐182
- part of:
- BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (number: 365)
- recording of:
- All the Small Things
- writer:
- Tom DeLonge and Mark Hoppus
- publisher:
- Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick and Kobalt Songs Music Publishing
| blink‐182 | 4.2 | 2:51 |
| 2 | (I Can’t Help) Falling in Love With You- cover recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
- recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
| UB40 | 3.25 | 3:26 |
| 3 | The Impression That I Get | The Mighty Mighty Bosstones | 4.1 | 3:15 |
| 4 | Cradle of Love- additional bass programming:
- Arthur Barrow
- assistant engineer:
- Bryant Arnett, Ian Minns and Craig Porteils
- engineer and mixer:
- Tommy Vicari
- producer:
- Keith Forsey
- assistant mixer:
- Craig Porteils
- bass:
- Vito
- drums (drum set):
- Keith Forsey
- guitar:
- Mark Younger-Smith
- keyboard:
- Arthur Barrow
- lead vocals:
- Billy Idol
- arranger:
- Keith Forsey and Billy Idol
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990) and Chrysalis Records, Inc. (in 1990)
- recorded at:
- Conway Studios in Hollywood, Los Angeles, California, United States and Oasis Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Conway Studios in Hollywood, Los Angeles, California, United States
- music videos:
- Cradle of Love (full‐length version) by Billy Idol
- recording of:
- Cradle of Love
- writer:
- Billy Idol and David Werner
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Publishing Ltd., David Werner Music, Inc., EMI April Music Inc., EMI Music Publishing Ltd. , EMI Songs Ltd. and TCF Music Publishing, Inc.
| Billy Idol | 3.2 | 4:41 |
| 5 | When You’re Gone- recorded in:
- Saint Ann , Jamaica (from 1998-06 until 1998-08)
- additional recording engineer:
- Dean Maher (from 1998-06-06 until 1998-08), Phil Thornalley (from 1998-06-06 until 1998-08) and Phil Western (from 1998-06-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06-06 until 1998-08)
- miscellaneous support:
- Ron Vermeulen (task: technical assistance)
- engineer:
- Eliot Kennedy
- producer:
- Bryan Adams and Bob Rock
- assistant mixer:
- Dean Maher (on 1998-09-03)
- mixer:
- Bob Clearmountain (on 1998-09-03)
- bass:
- Dave Taylor (from 1998-06-06 until 1998-08)
- drums (drum set) [drums]:
- Mickey Curry (from 1998-06-06 until 1998-08)
- guitar [guitars]:
- BA (from 1998-06-06 until 1998-08) and Keith Scott (from 1998-06-06 until 1998-08)
- keyboard [keyboards]:
- Phil Western (from 1998-06-06 until 1998-08)
- guest vocals:
- Melanie C (from 1998-06-06 until 1998-08)
- vocals:
- BA (from 1998-06-06 until 1998-08)
- arranger:
- Bryan Adams
- phonographic copyright (℗) by:
- A&M Records (in 1998), A&M Records, Inc. (in 1998, in 1999), Badman Limited (in 1998) and Badman Ltd. (in 1999)
- recorded at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-06-06), Metropolis Studios in London , England, United Kingdom (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-09-03)
- part of:
- The Downloader’s Music Source Book (number: 185)
- recording of:
- When You’re Gone (from 1998-06-06 until 1998-08)
- writer:
- Bryan Adams and Eliot Kennedy
- publisher:
- Badams Music Limited (in 1998) and Sony Music Publishing (UK) Ltd. (in 1998)
| Bryan Adams & Melanie C | 4 | 3:26 |
| 6 | The Shoop Shoop Song (It’s in His Kiss) | Cher | 3.35 | 2:47 |
| 7 | One of Us | Joan Osborne | 4 | 5:19 |
| 8 | You Get What You Give | New Radicals | 4.65 | 5:00 |
| 9 | All My Life | K‐Ci & JoJo | 4 | 5:31 |
| 10 | (Everything I Do) I Do It for You- additional recording engineer:
- Ken Lomas (from 1991-04-10 until 1991)
- recording engineer:
- Nigel Green (from 1991-04-10 until 1991)
- programming:
- Phil Nicholas
- assistant engineer:
- Yan Memmi
- engineer:
- Nigel Green and Ron Obvious
- producer:
- Bryan Adams and Robert John 'Mutt' Lange
- assistant mixer:
- Avril MacKintosh (in 1991)
- mixer:
- Bob Clearmountain (in 1991)
- drums (drum set) and percussion:
- Mickey Curry (from 1991-04-10 until 1991)
- electric bass guitar [bass]:
- Larry Klein (from 1991-04-10 until 1991)
- guitar:
- Bryan Adams (from 1991-04-10 until 1991) and Keith Scott (from 1991-04-10 until 1991)
- Hammond organ and piano:
- Bill Payne (from 1991-04-10 until 1991)
- keyboard:
- Phil Nicholas (from 1991-04-10 until 1991)
- lead vocals:
- Bryan Adams (from 1991-04-10 until 1991)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1991, in 1999), UMG Recordings, Inc. (in 1991) and Badman Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom (from 1991-04-10 until 1991: piano), Battery Studios in London , England, United Kingdom (from 1991-04-10 until 1991), Mayfair Studios in London , England, United Kingdom (from 1991-04-10 until 1991: lead vocals) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1991-04-10 until 1991)
- mixed at:
- Mayfair Studios in London , England, United Kingdom (in 1991)
- part of:
- The Downloader’s Music Source Book (number: 162)
- recording of:
- (Everything I Do) I Do It for You (from 1991-04-10 until 1991)
- writer:
- Bryan Adams (on 1991-04-10), Michael Kamen (on 1991-04-10) and Robert John “Mutt” Lange (on 1991-04-10)
- publisher:
- 2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (in 1991)
- part of:
- The 64th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 3.9 | 6:34 |
| 11 | Born Slippy (Nuxx) | Underworld | | 7:35 |
| 12 | Poison | Bell Biv DeVoe | 3.4 | 4:22 |
| 13 | Kiss the Rain | Billie Myers | 4.65 | 4:30 |
| 14 | Gypsy Woman (She’s Homeless) (La Da Dee La Da Da) | Crystal Waters | 3.6 | 3:47 |
| 15 | Just Another Day | Jon Secada | 4 | 5:24 |
| 16 | Finally | Cece Peniston | 4.2 | 4:05 |
| 17 | This Is How We Do It | Montell Jordan | 4.5 | 3:58 |
| 18 | U Can’t Touch This | MC Hammer | 4.1 | 4:17 |
| 19 | What’s Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 3.85 | 4:56 |
| 20 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 3.9 | 4:33 |
| 21 | Man! I Feel Like a Woman! | Shania Twain | 4 | 3:53 |
| 22 | Don’t Speak | No Doubt | 4.15 | 4:23 |
| 23 | How Bizarre | OMC | 3.95 | 3:46 |
| 24 | That Word (L.O.V.E.) | Rockmelons | | 4:10 |
| 25 | Return to Innocence | Enigma | 4.4 | 4:19 |
| 26 | Weather With You | Crowded House | 3.8 | 3:44 |
| 27 | When You Say Nothing at All | Ronan Keating | 2.75 | 4:13 |
| 28 | Santeria | Sublime | 4.55 | 3:03 |
| 29 | Love Is All Around | Wet Wet Wet | 3.85 | 4:05 |
| 30 | Closing Time | Semisonic | 3.95 | 4:34 |
| 31 | Hold On- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- additional guitar:
- Joe Walsh
- bass:
- Jimmy Johnson
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- part of:
- Billboard: The 500 Best Pop Songs (number: 312)
- recording of:
- Hold On
- writer:
- Glen Ballard, Chynna Phillips and Carnie Wilson
- publisher:
- Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (in 1990, in 2003), MCA Music Publishing (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (in 2003)
| Wilson Phillips | 4.5 | 4:23 |
| 32 | Say What You Want | Texas | 3.8 | 3:50 |
| 33 | Tubthumping- drum machine programming:
- Harry “Daz” Hamer
- programming:
- Lou Watts (from 1996-08 until 1997-02)
- engineer and producer:
- Chumbawamba and Neil Ferguson
- acoustic guitar:
- Boff Whalley (from 1996-08 until 1997-02)
- bass:
- Paul Greco (from 1996-08 until 1997-02)
- drums (drum set):
- Harry “Daz” Hamer (from 1996-08 until 1997-02)
- electric guitar:
- Neil Ferguson (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
- keyboard:
- Neil Ferguson (from 1996-08 until 1997-02) and Lou Watts (from 1996-08 until 1997-02)
- percussion:
- Dunstan Bruce (from 1996-08 until 1997-02)
- trumpet:
- Jude Abbott (from 1996-08 until 1997-02)
- vocals:
- Jude Abbott (from 1996-08 until 1997-02), Dunstan Bruce (from 1996-08 until 1997-02), Danbert Nobacon (from 1996-08 until 1997-02), Alice Nutter (from 1996-08 until 1997-02), Lou Watts (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
- arranger:
- Chumbawamba
- recorded at and mixed at:
- Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (from 1996-08 until 1997-02)
- music videos:
- Tubthumping by Chumbawamba
- recording of:
- Tubthumping (in 1996)
- publisher:
- Chumbawamba (in 1997)
- writer:
- Jude Abbott, Dunstan Bruce, Paul Greco , Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Leosong (in 1997)
| Chumbawamba | 3.9 | 4:39 |
| 34 | S Club Party | S Club 7 | 2.5 | 3:30 |
| 35 | Life Is a Highway | Tom Cochrane | 5 | 4:27 |
| 36 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music , Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:13 |
| 37 | One Headlight | The Wallflowers | 4.35 | 5:17 |
| 38 | All Star | Smash Mouth | 4.6 | 3:20 |
| 39 | Bitter Sweet Symphony | The Verve | 4.3 | 5:57 |
| 40 | All I Wanna Do- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (in 1993)
- part of:
- Billboard: The 500 Best Pop Songs (number: 405)
- recording of:
- All I Wanna Do
- writer:
- David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert
- publisher:
- Almo Music Corp. , Ignorant Music , Old Crow Music , Reservoir One America, Sony/ATV Tunes LLC , Warner–Tamerlane Publishing Corp. , WB Music Corp. , WC Music Corp. and Zen of Iniquity
| Sheryl Crow | 3.9 | 4:33 |
| 41 | All I Wanna Do Is Make Love to You- recording engineer:
- Phil Kaffel (in 1989)
- producer:
- Richie Zito
- mixer:
- Phil Kaffel
- additional keyboard:
- Kim Bullard (in 1989)
- drums (drum set):
- Denny Carmassi (in 1989)
- electric bass guitar [bass]:
- Mark Andes (in 1989)
- guitar:
- Nancy Wilson (in 1989)
- background vocals and lead vocals:
- Ann Wilson (in 1989)
- phonographic copyright (℗) by:
- Capitol Records, Inc.
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States (in 1989) and One on One Studios in North Hollywood, Los Angeles, California, United States (in 1989)
- recording of:
- All I Wanna Do Is Make Love to You (in 1989)
- lyricist and composer:
- Robert John “Mutt” Lange
- publisher:
- Zomba Enterprises, Inc. (ended), Imagem London Ltd., Out-of-Pocket Productions Ltd. and Zomba Music Publishers Ltd. (from 1979 to ????)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- version of:
- All I Want to Do Is Make Love to You
| Heart | 3.8 | 5:11 |
| 42 | I Touch Myself- assistant engineer:
- Chris Albert and Vince Caro
- producer:
- Divinyls , Howard Shore and David Tickle
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1989, in 1990) and Virgin Records (in 1990)
- recorded at:
- BMG Recording Studios in Theater District, New York, New York, United States
- remixed at:
- Power Station in Hell's Kitchen, New York, New York, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (number: 326)
- recording of:
- I Touch Myself
- lyricist and composer:
- Christina Amphlett, Mark McEntee, Tom Kelly and William Steinberg
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd.
| Divinyls | 3.5 | 3:47 |
| 43 | Connected- assistant engineer:
- Neil Douglas and Elliot Singerman
- engineer:
- Al Stone
- producer:
- Stereo MC’s
- additional keyboard:
- James Hallawell
- brass:
- Kick Horns
- additional vocals:
- Cath Coffey, Verona Davis, Andrea Groves and Jennifer Ismail
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1992)
- recorded at:
- The Workhouse in London , England, United Kingdom
- samples:
- Let Me Let Me Be Your Lover by Jimmy “Bo” Horne
- recording of:
- Connected
- writer:
- Rob Birch , Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
- publisher:
- EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
| Stereo MCs | 3.85 | 5:13 |
| 44 | Touch Me (All Night Long) (Touch This mix) | Cathy Dennis | | 7:45 |
| 45 | Rush Rush | Paula Abdul | 3 | 4:53 |
| 46 | Good Vibrations | Marky Mark and the Funky Bunch & Loleatta Holloway | 4.65 | 4:29 |
| 47 | Ice Ice Baby- producer:
- Vanilla Ice
- vocals:
- Vanilla Ice
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1990) and SBK Records (in 1990)
- samples:
- Under Pressure by Queen & David Bowie
- music videos:
- Ice Ice Baby by Vanilla Ice
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 49)
- recording of:
- Ice Ice Baby
- lyricist:
- Floyd Brown , Mario Lavell Johnson and Vanilla Ice
- composer:
- David Bowie , Floyd Brown , John R. Deacon, Mario Lavell Johnson , Brian May , Freddie Mercury, Roger Taylor and Vanilla Ice
- publisher:
- Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing , Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music , QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
- is based on:
- Under Pressure
| Vanilla Ice | 4.25 | 4:31 |
| 48 | Together Again | Janet Jackson | 4.2 | 5:01 |
| 49 | More Than Words | Extreme | 3.75 | 5:38 |
| 50 | Back at One- recording engineer:
- Tommy Vicari (other instruments [orchestra])
- drums (drum set) [drum] programming:
- Brian McKnight
- assistant executive producer:
- Damien Smith
- executive producer:
- Bruce Carbone, Kedar Massenburg and Herb Trawick
- producer:
- Brian McKnight
- assistant mixer:
- Tom Bender
- mixer:
- Mick Guzauski
- bass, keyboard, background vocals and background vocals and lead vocals:
- Brian McKnight
- arranger:
- Brian McKnight
- orchestrator:
- Bill K. Meyers
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (other instruments [orchestra])
- mixed at:
- Barking Doctor Recording in Mount Kisco, New York, United States
- recording of:
- Back at One
- lyricist, writer and composer:
- Brian McKnight
- publisher:
- Cancelled Lunch Music, PolyGram International Publishing, Inc. and Universal PolyGram International Publishing, Inc.
| Brian McKnight | 3 | 4:24 |
| 51 | I Do (Cherish You) | 98° | 5 | 3:46 |
| 52 | Save the Best for Last- producer:
- Keith Thomas
- additional arranger:
- Vanessa Williams
- arranger:
- Keith Thomas
- recording of:
- Save the Best for Last
- writer:
- Phil Galdston, Jon Lind and Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:40 |
| 53 | I’d Do Anything for Love (But I Won’t Do That) | Meat Loaf | | 12:01 |
| 54 | Lightning Crashes | Lïve | 4 | 5:24 |
| 55 | I Can’t Make You Love Me- recording engineer and mixer:
- Ed Cherney
- assistant engineer:
- Bryant Arnett, Ray Blair, Dan Bosworth and Christina Paakkari
- producer:
- Bonnie Raitt and Don Was
- additional keyboard and piano:
- Bruce Hornsby (in 1991)
- bass guitar:
- James "Hutch" Hutchinson (in 1991)
- drums (drum set):
- Tony Braunagel (in 1991)
- Hammond organ [C3]:
- Benmont Tench (in 1991)
- percussion:
- Paulinho da Costa (in 1991)
- background vocals:
- Bonnie (in 1991), David Lasley (in 1991) and Arnold McCuller (in 1991)
- vocals:
- Bonnie (in 1991)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1991, in 2005)
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 331) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 372)
- recording of:
- I Can’t Make You Love Me (in 1991)
- writer:
- Mike Reid and Allen Shamblin
- publisher:
- Universal Music–MGB Songs, Almo Music Corp. (in 1991), Brio Blues Music (in 1991) and Hayes Street Music, Inc. (in 1991)
- sub-publisher:
- 環球音樂出版股份有限公司
| Bonnie Raitt | 5 | 5:32 |
| 56 | Regulate | Warren G & Nate Dogg | 4.45 | 4:10 |
| 57 | No Rain | Blind Melon | 4.3 | 3:37 |
| 58 | Baby Can I Hold You | Boyzone | 2 | 3:14 |
| 59 | Show Me Heaven | Maria McKee | | 3:56 |
| 60 | Don’t Let the Sun Go Down on Me | Oleta Adams | 3 | 5:58 |
| 61 | High | Lighthouse Family | 3.35 | 5:12 |
| 62 | Strawberry Wine | Deana Carter | 5 | 4:52 |
| 63 | MMMBop | Hanson | 3.5 | 4:28 |
| 64 | End of the Road | Boyz II Men | 4.65 | 5:50 |
| 65 | Fade Into You- recording engineer:
- Dale Everingham
- producer:
- David Roback
- acoustic guitar, electric guitar, piano and slide guitar:
- David Roback
- bass:
- Jason Yates
- drums (drum set):
- Keith Mitchell
- tambourine:
- Hope Sandoval
- vocals:
- Hope Sandoval
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1993)
- recorded at:
- Westbeach Recorders in Hollywood, Los Angeles, California, United States
- engineered at:
- Live Oak Studio in Berkeley, California, United States
- music videos:
- Fade Into You by Mazzy Star
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 468)
- recording of:
- Fade Into You
- lyricist:
- Hope Sandoval
- composer:
- David Roback
- publisher:
- Salley Gardens, Sand Devil Music and Wixen Music Publishing, Inc.
| Mazzy Star | 3.7 | 4:57 |
| 66 | Zombie- assistant engineer and assistant producer:
- Julie Gardiner
- engineer and producer:
- Stephen Street
- acoustic guitar and electric guitar:
- Noel Hogan and Dolores O’Riordan
- bass guitar:
- Mike Hogan
- drums (drum set) and percussion:
- Fergal Lawler
- keyboard and lead vocals:
- Dolores O’Riordan
- background vocals:
- Noel Hogan
- phonographic copyright (℗) by:
- The Island Def Jam Music Group , Island Records, Inc. (in 1994), UMG Recordings, Inc. (in 1994) and Island Records (in 2002)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1993-11 until 1994-08)
- mixed at:
- The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
- recording of:
- Zombie
- lyricist and composer:
- Dolores O’Riordan
- publisher:
- Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG and Universal–Songs of PolyGram International, Inc.
| The Cranberries | 4.35 | 5:07 |
| 67 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:17 |
| 68 | Come to My Window | Melissa Etheridge | 5 | 3:56 |
| 69 | Tom’s Diner (7” version) | DNA & Suzanne Vega | 3.8 | 3:49 |
| 70 | Dreams | Gabrielle | 3 | 3:41 |
| 71 | Whatta Man | Salt‐N‐Pepa & En Vogue | 5 | 5:08 |
| 72 | Lovefool | The Cardigans | 3.65 | 3:18 |
| 73 | Wannabe | Spice Girls | 3.85 | 2:53 |
| 74 | Real Love | Mary J. Blige | 3.65 | 4:31 |
| 75 | Now That We Found Love | Heavy D & the Boyz & Aaron Hall | 4 | 4:18 |
| 76 | Doctor Jones- producer and mixer:
- Delgado , Johnny Jam, Claus Norreen and Søren Rasted
- arranger:
- Delgado , Johnny Jam, Claus Norreen and Søren Rasted
- recording of:
- Doctor Jones
- lyricist:
- Claus Norreen, Anders Øland, Søren Rasted and René Dif
- composer:
- Claus Norreen, Anders Øland and Søren Rasted
- publisher:
- MCA Music Scandinavia AB, Universal MCA Music Publishing , Universal/MCA Music Publishing Scandinavia AB , Warner Chappell Music France, Warner/Chappell Music Denmark, A/S , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Aqua | 3.45 | 3:22 |
| 77 | Where My Girls At | 702 | 4 | 2:47 |
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