Tracklist

1CD
#TitleArtistRatingLength
1Adriano in Siria: Atto III, scena 5. “Barbaro non comprendo” (Adriano)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Adriano in Siria: Atto III. “Barbaro non comprendo“
composer:
Antonio Caldara (Italian composer)
part of:
Adriano in Siria
Antonio Caldara4:26
2La costanza combattuta in amore: Atto III, scena 8. “Mormorando quelle fronde” (Eumene)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
La costanza combattuta in amore: Atto III. “Mormorando quelle fronde“
composer:
Costanzo Porta (Italian renaissance composer, c. 1528-1601)
part of:
La costanza combattuta in amore
Giovanni Porta8:11
3“A’ piedi miei svenato”
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
A' piedi miei svenato
composer:
[anonymous] (special purpose artist)
Antonio Vivaldi3:30
4Flavio Anicio Olibrio: Atto I, scena 2. “Dolce mio ben, mia vita” (Flavio)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Flavio Anicio Olibrio - Act I: Dolce mio ben, mia vita
composer:
Francesco Gasparini
part of:
Flavio Anicio Olibrio
Francesco Gasparini4:52
5“Anche in mezzo a perigliosa”
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Anche in mezzo a perigliosa
composer:
[anonymous] (special purpose artist)
Antonio Vivaldi4:06
6Merope: Atto III, scena 7. “Sposa… non mi conosci” (Epitide)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Merope: Atto III. “Sposa, non mi conosci” (Epitide)
composer:
Geminiano Giacomelli
part of:
Merope: Atto III
Geminiano Giacomelli9:37
7Argippo: Atto II, scena 6. “Io son rea dell’onor mio” (Zanaida)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Argippo, RV 697 - Act II: Io son rea dell'onor mio
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Argippo, RV 697: Act II
Antonio Vivaldi5:26
8Il nascimento de l’Aurora: “Pianta bella, pianta amata” (Apollo)
viola:
Stefano Marcocchi
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Il nascimento dell'Aurora: Aria "Pianta bella, pianta amata" (Apollo)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Il nascimento dell’Aurora
Tomaso Giovanni Albinoni6:28
9La verità in cimento: Atto I, scena 2. “Mi vuoi tradir, lo so” (Melindo)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
La verità in cimento, RV 739 - Act I: Mi vuoi tradir lo so
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
La verità in cimento, RV 739: Act I
Antonio Vivaldi3:41
10Motezuma: Atto II, scena 3. “Quel rossor che in volto miri” (Ramiro)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Motezuma, RV 723, Act II: Quel rossor ch’in volto miri
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Motezuma, RV 723, Act II
Antonio Vivaldi8:09
11Nitocri: Atto I, scena 3. “Anche un misero arboscello” (Mirteo)
countertenor vocals:
Max Emanuel Cenčić (countertenor)
orchestra:
Il Pomo d’Oro
conductor:
Riccardo Minasi (Italian conductor)
recording of:
Nitocri - Act I: Anche un misero arboscello
composer:
Giuseppe Sellitto
part of:
Nitocri
Giuseppe Sellitto4:59