In Concert / I Put a Spell on You

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1I Loves You, Porgy
flute:
Rudy Stevenson
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Perkussion:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1964-03-21)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:32
2Plain Gold Ring
Gitarre:
Rudy Stevenson (am 1964-04-06)
Klavier und Sologesang:
Nina Simone (am 1964-04-06)
Kontrabass:
Lisle Atkinson (am 1964-04-06)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-06)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-06)
live recording of:
Plain Gold Ring (am 1964-04-06)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
26:21
3Pirate Jenny
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
live cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation) (am 1964-04-04)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer)
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) und Weill-Brecht-Harms Co., Inc.
übersetzte Version von:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
46:37
4Old Jim Crow
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live recording of:
Old Jim Crow (am 1964-03-21)
Verfasser(in):
Jackie Alper, Ron Vander Groef und Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
2:40
5Don’t Smoke in Bed
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (am 1964-03-21)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
25:27
6Go Limp
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
live recording of:
Go Limp (am 1964-04-04)
Texter:
Alex Comfort
zusätzlicher Texter:
Nina Simone
Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
Orchestrierung von:
Go Limp
7:01
7Mississippi Goddam
Gitarre:
Rudy Stevenson (am 1964-04-04)
Klavier und Sologesang:
Nina Simone (am 1964-04-04)
Kontrabass:
Lisle Atkinson (am 1964-04-04)
membranophone und Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04)
Hintergrundgesang:
Lisle Atkinson (am 1964-04-04), Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-04) und Rudy Stevenson (am 1964-04-04)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 172)
live recording of:
Mississippi Goddam (am 1964-04-04)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4.654:54
8I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.252:37
9Tomorrow Is My Turn
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
Texter:
Yves Stéphane
Komponist(in):
Charles Aznavour
Übersetzer:
Marcel Stellman
übersetzte Version von:
L’amour c’est comme un jour
4.652:53
10Ne me quitte pas
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
43:38
11Marriage Is for Old Folks
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
Marriage Is for Old Folks
Verfasser(in):
Leon Carr und Earl S. Shuman (composer / lyricist)
3.353:34
12July Tree
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
July Tree (in 1965-01)
Verfasser(in):
Irma Jurist und Eve Merriam
42:44
13Gimme Some
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
Verfasser(in):
Andy Stroud (former husband of Nina Simone.)
3.353:02
14Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:57
15One September Day
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
One September Day
Verfasser(in):
Rudy Stevenson
42:51
16Blues on Purpose
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Gitarre:
Rudy Stevenson (in 1964)
Klavier:
Nina Simone (in 1964)
recording of:
Blues on Purpose (in 1964)
Komponist(in):
Rudy Stevenson
43:18
17Beautiful Land
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Beautiful Land (in 1965-01)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
2.251:58
18You’ve Got to Learn
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
You’ve Got to Learn
Texter und Komponist(in):
Charles Aznavour
Übersetzer:
Marcel Stellman
übersetzte Version von:
Il faut savoir
42:44
19Take Care of Business
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
3.52:05