Pavarotti – The Greatest Hits

~ Veröffentlichung von Luciano Pavarotti (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Copyright: © 2019 Decca Music Group Limited
This Compilation ℗ 2019 Decca Music Group Limited

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Turandot: Atto III. “Nessun dorma!”
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini53:00
2La bohème: Atto I. “Che gelida manina”
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:39
3L’elisir d’amore: Atto II. “Una furtiva lagrima”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti4:48
4La Fille du régiment : Acte I. « Pour mon âme quel destin »
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Fille du régiment : Acte I, Scène 11. Final “Pour mon âme” (Tonio)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Jean-François Bayard (French librettist) und Jules-Henri Vernoy de Saint-Georges
Teil von:
La Fille du régiment : Acte I
Gaetano Donizetti2:12
5Rigoletto: Atto III. “La donna è mobile”
Sound-Engineering:
Stanley Goodall (engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
David Harvey (producer) und Michael Woolcock (producer)
Tenor-Gesang [Duca]:
Luciano Pavarotti (tenor) (am 1971-06-28)
Orchester:
London Symphony Orchestra (am 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (am 1971-06-28)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (am 1971-06-28)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:23
6Il trovatore: Atto III. “Di quella pira”
Chorgesang:
Chorus Viennensis (Chor der Wiener Staatsoper)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Nicola Rescigno (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
7Tosca: Atto III. “E lucevan le stelle”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:54
8Pagliacci: Atto I. “Vesti la giubba”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchester der Wiener Volksoper
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:50
9Manon Lescaut: Atto I. “Donna non vidi mai”
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
Giacomo Puccini2:39
10La favorita: Atto IV. “Spirto gentil, de’ sogni miei”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
übersetzte Version von:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
Teil von:
La favorita: Atto IV
Gaetano Donizetti3:31
11Carmen : Acte II. « La fleur que tu m’avais jetée »
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-12)
Orchester:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
aufgenommen bei:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien, Österreich (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Georges Bizet4:29
12La bohème: Atto I. “O soave fanciulla” (Love duet)
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
Bearbeitung von:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) von Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:14
13Tosca: Atto I. “Recondita armonia”
Bass-Gesang [Sacristan]:
Italo Tajo (Italian operatic bass) (von 1978-05-31 bis 1978-08-01)
Tenor-Gesang [Cavaradossi]:
Luciano Pavarotti (tenor) (von 1978-05-31 bis 1978-08-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (von 1978-05-31 bis 1978-08-01)
conductor:
Nicola Rescigno (conductor) (von 1978-05-31 bis 1978-08-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (von 1978-05-31 bis 1978-08-01)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:00
14Werther : « Pourquoi me réveiller, ô souffle du printemps? »
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) und Paul Milliet (Librettist)
Teil von:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:07
15Martha: Atto III. “M’appari”
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-06)
Tenor-Gesang [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Komponist(in):
Friedrich von Flotow (composer)
Librettist:
Friedrich Wilhelm Riese
Teil von:
Martha: Akt III
Friedrich von Flotow3:29
16La fanciulla del West,: Atto III. “Ch’ella mi creda”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
Giacomo Puccini2:06
17Aida: Atto I. “Celeste Aida”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchester der Wiener Volksoper
conductor:
Leone Magiera (conductor, pianist)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi3:32
18Der Rosenkavalier: Atto I. “Di rigori armato il seno”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger)
Komponist(in):
Richard Strauss (German composer) (von 1909 bis 1910)
Librettist:
Hugo von Hofmannsthal
Teil von:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:21
19Andrea Chénier: Atto IV. “Come un bel dì di maggio”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1896)
Librettist:
Luigi Illica (in 1896)
Teil von:
Andrea Chénier: Atto IV
Umberto Giordano3:12
20La Gioconda, op. 9: “Cielo e mar!”
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1969)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969)
conductor:
Leone Magiera (conductor, pianist) (in 1969)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (in 1969)
Komponist(in):
Amilcare Ponchielli (composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli5:08
21Madama Butterfly: Atto II. “Addio, fiorito asil” (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Maurizio Benini (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:54
22Fedora: “Amor ti vieta”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1898)
Librettist:
Arturo Colautti
Teil von:
Fedora: Atto II
Umberto Giordano1:46
23L’Africaine: Atto IV. “Mi batte il cor” … “O paradiso!”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Eugène Scribe
übersetzte Version von:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Giacomo Meyerbeer3:31
24Rigoletto: Atto I. “Questa o quella”
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:59
25La traviata : Atto I. “Libiamo ne’ lieti calici” (Brindisi)
assistierende(r) Produzent(in):
Andrew Cornall (engineer / producer) (in 1979-11)
Produzent(in):
Christopher Raeburn (producer) (in 1979-11)
Chorgesang:
London Opera Chorus (in 1979-11)
Soprangesang [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
Tenor-Gesang [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1979-11) und Kenneth Wilkinson (engineer) (in 1979-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-11)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1977)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:49
26’o sole mio (arr. Chiaramello for tenor & orchestra)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1979-03)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-03)
recording of:
’O sole mio (arr. Chiaramello for tenor and orchestra) (in 1979-03)
Texter:
Giovanni Capurro
Komponist(in):
Eduardo Di Capua und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”)
arranger:
Giancarlo Chiaramello
Arrangement von:
’O sole mio
Eduardo Di Capua, Alfredo Mazzucchi3:23
27Caruso
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Interpret(in):
Lucio Dalla (Italian singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Dala Luma (in 1988)
recording of:
Caruso
Texter und Komponist(in):
Lucio Dalla (Italian singer‐songwriter)
publisher:
BMG Music Publishing Ltd., BMG Ricordi Music Publishing Spain, BMG Songs, Inc., Edizioni BMG Ariola Music, EMI Music Publishing Italia Srl (Italian branch of EMI Music Publishing), EMI Music Publishing Ltd. (PRS‐affiliated), Universal Music Publishing International MGB Ltd. und Universal Music Publishing Ricordi srl
Lucio Dalla5:20
28Soirées musicales: No. 8. La danza
recording engineer:
Colin Moorfoot (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
Teatro Comunale di Bologna in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
Gioachino Rossini3:07
29Nel blu, dipinto di blu (Volare)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Nel blu dipinto di blu (Volare)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Domenico Modugno3:27
30Torna a Surriento (arr. Chiaramello)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1979-03)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-03)
recording of:
Torna a Surriento (Giancarlo Chiaramello arrangement) (in 1979-03)
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer)
arranger:
Giancarlo Chiaramello
Arrangement von:
Torna a Surriento
recording of:
Torna a Surriento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
Ernesto De Curtis4:24
31Ti adoro
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Bulgarian Symphony Orchestra
conductor:
Stefano Nanni (Italian piano and accordion player)
recording of:
Ti adoro
Texter:
Robin Smith (songwriter/pianist/conductor/producer)
Komponist(in):
Michele Centonze
Michele Centonze, Robin Smith3:13
32’a vucchella
recorded in:
Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1979-07)
recording engineer:
Colin Moorfoot (engineer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1979-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1979-07)
conductor:
Anton Guadagno (conductor) (in 1979-07)
arranger:
Giancarlo Chiaramello
recording of:
’A vucchella (in 1979-07)
Texter:
Gabriele D'Annunzio (in 1892)
Komponist(in):
Francesco Paolo Tosti (Paolo Tosti, composer) (in 1904)
Francesco Paolo Tosti3:10
33Vivere
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Vivere (in 1984-01)
Texter und Komponist(in):
Cesare Andrea Bixio
Cesare Andrea Bixio3:26
34La mia canzone al vento
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
La mia canzone al vento (arr. Mancini)
Texter:
Bixio Cherubini
Komponist(in):
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Cesare Andrea Bixio3:03
35Non ti scordar di me (arr. Mancini)
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Non ti scordar di me (arr. Mancini)
Texter:
Domenico Furnò
Komponist(in):
Ernesto De Curtis (composer)
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Non ti scordar di me
Ernesto de Curtis2:55
36Ave Maria, D. 839 (orch. Gamley)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Franz Schubert4:49
37Messa da requiem: 2h. Ingemisco
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1873 bis 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:35
38Panis angelicus, CFF 209 (re‐orch. Gamley)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck4:01
39Cantique de Noël “O Holy Night / Minuit, chrétiens” (orch. Gamley)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
O Holy Night (catch-all for arrangements)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Adolphe Adam4:13
40Mamma (arr. Mancini)
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
Texter:
Bixio Cherubini
Komponist(in):
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Mamma
Cesare Andrea Bixio3:34
41L’ultima canzone (orch. Faris)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Piero Gamba (conductor and pianist)
recording of:
L’ultima canzone
Texter:
Francesco Cimmino
Komponist(in):
Francesco Paolo Tosti (Paolo Tosti, composer)
gewidmet:
Rina Giacchetti
recording of:
L’ultima canzone (arr. for tenor and orchestra, Faris)
arranger:
Alexander Faris (conductor)
Arrangement von:
L’ultima canzone
Francesco Paolo Tosti4:17
42Buongiorno a te
Soprangesang:
Antonella Pepe
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Rob Mathes
Orchestrator(in):
Rob Mathes
recording of:
Buongiorno a te
Komponist(in):
Michele Centonze, Veris Giannetti und Stefano Nanni (Italian piano and accordion player)
Stefano Nanni, Michele Centonze & Veris Giannetti4:15
43Mattinata (orch. Faris)
recording engineer:
Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-04)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger und Orchestrator(in):
Alexander Faris (conductor)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-04)
recording of:
Mattinata (in 1977-04)
Texter und Komponist(in):
Ruggero Leoncavallo (composer)
recording of:
Mattinata (catch-all for arrangements)
Komponist(in):
Ruggero Leoncavallo (composer)
basiert auf:
Mattinata
Ruggero Leoncavallo1:59
44Core ’ngrato (arr. Chiaramello)
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1985-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
Dala Luma
aufgenommen bei:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
Texter:
Riccardo Cordiferro (in 1911)
Komponist(in):
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
Salvatore Cardillo4:54
45Passione (arr. Chiaramello)
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1985-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
aufgenommen bei:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Passione (in 1985-07)
Texter:
Libero Bovio (in 1934)
Komponist(in):
Ernesto Tagliaferri (composer) (in 1934) und Nicola Valente (in 1934)
Nicola Valente, Ernesto Tagliaferri3:44
46Santa Lucia (remastered 2014)
Baritongesang:
David Romano (baritone vocalist)
Tenor-Gesang:
Luciano Pavarotti (tenor)
conductor:
Emerson Buckley (conductor)
recording of:
Santa Lucia (catch-all for arrangements)
Komponist(in):
Teodoro Cottrau (composer)
Arrangement von:
Santa Lucia (Italian version)
[traditional]1:30
47Granada (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Maurizio Benini (conductor)
recording of:
Granada (original Spanish version)
Texter und Komponist(in):
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. und Peer International Corporation (BMI) (vom 1932 bis heute)
live recording of:
Granada (original Spanish version)
Texter und Komponist(in):
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. und Peer International Corporation (BMI) (vom 1932 bis heute)
Agustín Lara3:06
48Funiculì‐funiculà (orch. Chiaramello)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Giancarlo Chiaramello und Anton Guadagno (conductor)
Orchestrator(in):
Giancarlo Chiaramello
recording of:
Funiculì, funiculà
komponiert in:
Castellammare di Stabia, Napoli, Campania (Kampanien), Italien (in 1880)
Texter:
Peppino Turco
Komponist(in):
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. und Robbins Music Corp.
Luigi Denza2:39
49Les Pêcheurs de perles : Acte I. « Au fond du temple saint » (Pearl fishers’ duet, remastered 2014)
Bass-Gesang:
Nicolaï Ghiaurov (operatic bass)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Robin Stapleton (conductor)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
ABC Classic 100 (2001) (Nummer: 7)
Teil von:
Les Pêcheurs de perles : Acte I
Georges Bizet5:24
50Otello: Atto II. “Sì, pel ciel marmoreo giuro!” (live)
Baritongesang:
Leo Nucci (baritone)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto II
live recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto II
Giuseppe Verdi2:17
51Beatrice di Tenda: Atto II. “Angiol di pace” (live in New York, 1981)
Mezzosoprangesang:
Marilyn Horne (American operatic mezzo-soprano)
Soprangesang:
Joan Sutherland (soprano)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
New York City Opera Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Beatrice di Tenda: Atto II. N°12d “Angiol di pace, all’anima” (Orombello, Agnese, Beatrice, Anichino, coro)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
Beatrice di Tenda: Atto II
live recording of:
Beatrice di Tenda: Atto II. N°12d “Angiol di pace, all’anima” (Orombello, Agnese, Beatrice, Anichino, coro)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
Beatrice di Tenda: Atto II
Vincenzo Bellini2:42
52Notte ’e piscatore (live)
Tenor-Gesang:
Andrea Bocelli (tenor) und Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Leone Magiera (conductor, pianist)
recording of:
Notte 'e piscatore
Komponist(in):
Maurizio Morante
live recording of:
Notte 'e piscatore
Komponist(in):
Maurizio Morante
Luciano Pavarotti & Andrea Bocelli5:06
53Miserere (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra da Camera Arcangelo Corelli
conductor:
Aldo Sisillo
recording of:
Miserere (Zucchero/Bono song)
Texter:
Paul David Hewson (singer of U2) und Zucchero
Komponist(in):
Zucchero
live cover recording of:
Miserere (Zucchero/Bono song)
Texter:
Paul David Hewson (singer of U2) und Zucchero
Komponist(in):
Zucchero
Zucchero & Luciano Pavarotti4:16
54Miss Sarajevo
Tenor-Gesang:
Luciano Pavarotti (tenor)
Interpret(in):
Passengers (Eno + U2)
cover recording of:
Miss Sarajevo
Verfasser(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans), Brian Eno und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd., Mother Music, Opal Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) und Upala Music Inc.
Luciano Pavarotti & Passengers4:33
55Live Like Horses (remastered 2017)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Elton John (English singer, songwriter, pianist, and composer)
conductor:
Anne Dudley (English score composer)
recording of:
Live Like Horses
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
cover recording of:
Live Like Horses
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John & Luciano Pavarotti5:08
56I Hate You Then I Love You (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Céline Dion
Orchester:
Orchestra Filarmonica di Torino
conductor:
Marco Boemi (conductor)
recording of:
I Hate You Then I Love You
Verfasser(in):
Manuel de Falla (Spanish composer), Norman Newell, Tony Renis, Alberto Testa und Fabio Testa
publisher:
Chester Music, Ediciones de Falla, Peer International Corporation (BMI) und Tony Renis Music Publishing Corp.
live cover recording of:
I Hate You Then I Love You
Verfasser(in):
Manuel de Falla (Spanish composer), Norman Newell, Tony Renis, Alberto Testa und Fabio Testa
publisher:
Chester Music, Ediciones de Falla, Peer International Corporation (BMI) und Tony Renis Music Publishing Corp.
Luciano Pavarotti & Céline Dion4:49
57Hero
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Mariah Carey
Orchester:
Orchestra Sinfonica Italiana
conductor:
José de Molina
live cover recording of:
Hero
Texter:
Mariah Carey
Komponist(in):
Walter Afanasieff und Mariah Carey
publisher:
Beyondidolization (ASCAP), Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Universal Music Corporation, Inc. (USA, affiliated with ASCAP), Wallyworld Music und WB Music Corp. (1929–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
übersetzte Version von:
Héroe
Mariah Carey & Luciano Pavarotti4:20
58Holy Mother (live)
Chorgesang:
East London Gospel Choir
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Eric Clapton
Orchester:
Orchestra Filarmonica di Torino
conductor:
Marco Armiliato (conductor)
live recording of:
Holy Mother
Verfasser(in):
Stephen Bishop (American singer-songwriter) und Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Stephen Bishop Music Publishing und Unichappell Music, Inc.
Eric Clapton, Luciano Pavarotti & East London Gospel Choir5:27
59The Magic of Love (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Lionel Richie
Orchester:
Orchestra Sinfonica Italiana
conductor:
José Antonio Molina (orchestral & operatic conductor)
recording of:
The Magic of Love
Verfasser(in):
Alan Bergman (American lyricist), Marilyn Bergman und Lionel Richie
live cover recording of:
The Magic of Love
Verfasser(in):
Alan Bergman (American lyricist), Marilyn Bergman und Lionel Richie
Lionel Richie & Luciano Pavarotti4:35
60Too Much Love Will Kill You (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Interpret(in):
Queen (UK rock group)
recording of:
Too Much Love Will Kill You
Verfasser(in):
Elizabeth Lamers, Brian May (Queen guitarist) und Frank Musker
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
live cover recording of:
Too Much Love Will Kill You
Verfasser(in):
Elizabeth Lamers, Brian May (Queen guitarist) und Frank Musker
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
Luciano Pavarotti & Queen4:33
61Peace Just Wanted to Be Free (live)
Chorgesang:
Coro Voci Bianche und Liberian Children’s Choir
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Jovanotti und Stevie Wonder
Orchester:
Orchestra Filarmonica di Torino
conductor:
Marco Boemi (conductor)
recording of:
Peace Wanted Just to Be Free
Verfasser(in):
Stevie Wonder
live cover recording of:
Peace Wanted Just to Be Free
Verfasser(in):
Stevie Wonder
Stevie Wonder, Jovanotti, Luciano Pavarotti, Coro Voci Bianche & Liberian Children’s Choir5:05
62When We Dance (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Sting (singer, songwriter & member of The Police)
Orchester:
Orchestra Sinfonica Italiana
conductor:
José Antonio Molina (orchestral & operatic conductor)
recording of:
When We Dance
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
live cover recording of:
When We Dance
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
Sting & Luciano Pavarotti5:03
63You’re the First, the Last, My Everything (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Barry White
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
live cover recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White & Luciano Pavarotti4:27
64It’s a Man’s World (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
James Brown (The Godfather of Soul)
Orchester:
Orchestra Sinfonica Italiana
conductor:
José Antonio Molina (orchestral & operatic conductor)
recording of:
It’s a Man’s Man’s Man’s World
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
live cover recording of:
It’s a Man’s Man’s Man’s World
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown & Luciano Pavarotti4:17
65Perfect Day (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Lou Reed
Orchester:
Orchestra Sinfonica Italiana
conductor:
José Antonio Molina (orchestral & operatic conductor)
recording of:
Perfect Day
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
live cover recording of:
Perfect Day
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed & Luciano Pavarotti3:46
66My Way (live)
recorded in:
Italien (am 1994-08-19)
Bass:
Chuck Berghofer (Jazz bassist) (am 1993-07-06)
Bassposaune:
George Roberts (american bass trombone) (am 1993-07-06)
Bratsche / Viola:
Denyse Buffum (am 1993-07-06), Kenneth Burward‐Hoy (am 1993-07-06) und Carole Mukogawa (am 1993-07-06)
Cello:
Anne Goodman (am 1993-07-06), Michael Mathews (am 1993-07-06) und Gloria Strassner (am 1993-07-06)
Geige / Violine:
Patricia Aiken (am 1993-07-06), Michael Ferril (am 1993-07-06), Harris Goldman (am 1993-07-06), Joseph Goodman (violin) (am 1993-07-06), Diana Halprin (am 1993-07-06), Patricia Johnson (violinist) (am 1993-07-06), Karen Jones (violinist) (am 1993-07-06), Ann Koons (am 1993-07-06), Ralph Morrison (am 1993-07-06), Donald Palmer (US violinist and concertmaster) (am 1993-07-06), Mari Tsumura (aka Mari Tsumura‐Botnick) (am 1993-07-06) und Gerald Vinci (American violinist and strings conductor) (am 1993-07-06)
Gitarre:
Ron Anthony (am 1993-07-06)
Harfe:
Gayle Levant (American studio musician, harpist) (am 1993-07-06)
Holzblasinstrumente und Saxophon:
Gene Cipriano (am 1993-07-06), Bob Cooper (US jazz saxophonist) (am 1993-07-06), Dick Mitchell (woodwind) (am 1993-07-06), Jack Nimitz (American saxophonist and clarinet player) (am 1993-07-06) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (am 1993-07-06)
Klavier:
Bill Miller (pianist) (am 1993-07-06)
Perkussion:
Emil Richards (am 1993-07-06) und Jerry Williams (US percussionist) (am 1993-07-06)
Posaune:
George Bohanon (am 1993-07-06), Dick Hyde (am 1993-07-06) und Dick Nash (am 1993-07-06)
Schlagzeug:
Gregg Field (drums, producer) (am 1993-07-06)
Trompete:
Oscar Brashear (am 1993-07-06), Conte Candoli (am 1993-07-06), Robert O’Donnell (am 1993-07-06) und Frank Szabo (am 1993-07-06)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1993-07-06) und Luciano Pavarotti (tenor) (am 1994-08-19)
Tenor-Gesang:
Luciano Pavarotti (tenor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Patrick Williams (composer, arranger) (am 1993-07-06)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1993-07-06)
live recording of:
My Way (Frank Sinatra song) (von 1993-07-06 bis 1994-08-19)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Luciano Pavarotti & Frank Sinatra43:33
67Turandot: Atto III. “Nessun Dorma!” (live)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino und Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:58