BBQ Classics: Best of 70s 80s 90s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Deezer + Spotify)

(As of 2024-07-04).

  • Caribbean: 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇫🇰 Falkland Islands (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇪🇷 Eritrea (er) 🇮🇴 British Indian Ocean Territory (io) 🇸🇴 Somalia (so)
  • Middle Africa: 🇨🇫 Central African Republic (cf)
  • Western Asia: 🇾🇪 Yemen (ye)
  • Central Asia: 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇰🇷 South Korea (kr)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)
Annotation last modified on 2024-07-04 03:18 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Born in the U.S.A.
recording engineer:
Toby Scott (from 1982-04-27 until 1982-05-03)
assistant engineer:
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus and Zoë Yanakas
producer:
Jon Landau, Little Steven, Chuck Plotkin and Bruce Springsteen
mixer:
Bob Clearmountain
acoustic guitar:
Little Steven (from 1982-04-27 until 1982-05-03)
bass guitar:
Garry Tallent (from 1982-04-27 until 1982-05-03)
drums (drum set):
Max Weinberg (from 1982-04-27 until 1982-05-03)
glockenspiel, organ and piano and piano:
Danny Federici (from 1982-04-27 until 1982-05-03)
guitar and lead vocals:
Bruce Springsteen (from 1982-04-27 until 1982-05-03)
percussion:
Clarence Clemons (from 1982-04-27 until 1982-05-03)
piano and synthesizer:
Roy Bittan (from 1982-04-27 until 1982-05-03)
phonographic copyright (℗) by:
Bruce Springsteen (in 1984)
recorded at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1982-04-27 until 1982-05-03)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 48) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 275)
recording of:
Born in the U.S.A. (from 1982-04-27 until 1982-05-03)
publisher:
Bruce Springsteen (in 1984)
lyricist and composer:
Bruce Springsteen (in 1981)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Vietnam
Bruce Springsteen3.854:39
2The South’s Gonna Do It (Again)
The Charlie Daniels Band3:57
3Down Home
Alabama3:28
4Gone Country
additional recording engineer:
Steve Lowery (Engineer, based in Nashville, TN)
recording engineer and mixer:
John Kelton
engineer:
Paula Montondo (Mixing & recording engineer)
producer:
Keith Stegall (American country singer / songwriter and record producer)
lead vocals:
Alan Jackson (US country singer/songwriter)
recorded at:
Eleven Eleven Sound in Nashville, Tennessee, United States and The Castle (Castle Recording Studios) in Franklin, Tennessee, United States
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, United States
music videos:
Gone Country by Alan Jackson (US country singer/songwriter)
recording of:
Gone Country
lyricist and composer:
Bob McDill
Alan Jackson44:20
5Don’t Stop Believin’
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
recording of:
Don’t Stop Believin’ (Journey song)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4:11
6Jolene
recording of:
Jolene
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton53:43
7Brand New Man
producer:
Don Cook (US country producer/songwriter) and Scott Hendricks (producer)
mixer:
Scott Hendricks (producer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, United States
recording of:
Brand New Man
writer:
Kix Brooks, Don Cook (US country producer/songwriter) and Ronnie Dunn (American country music singer-songwriter and record producer)
Brooks & Dunn3.352:59
8Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
assistant engineer:
Mike Clink (task: assistant), Roy Segal (task: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (task: assistant) and Tom Lubin (task: assistant)
engineer:
Andy Johns (task: recording & mixing)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass:
Lonnie Turner
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist), Gary Mallaber and Kevin Calhoun (composer)
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals:
Randy Nichols
vocals:
Eddie Money
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
lyricist and composer:
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.154:00
9Would?
recording engineer and mixer:
Rick Parashar
artist & repertoire support:
Nick Terzo
producer:
Alice in Chains and Rick Parashar
bass guitar:
Mike Starr (Alice in Chains)
drums (drum set):
Sean Kinney
guitar and background vocals:
Jerry Cantrell
lead vocals:
Jerry Cantrell and Layne Staley
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
music videos:
Would? by Alice in Chains
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 88) and The Downloader’s Music Source Book (number: 353)
recording of:
Would?
lyricist and composer:
Jerry Cantrell
publisher:
Buttnugget Publishing and Sony/ATV Music Publishing LLC (1995–2020)
Alice in Chains4.253:27
10My Life
assistant engineer:
Dave Martone (US engineer)
engineer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
mixer:
Jim Boyer (producer/engineer) and Phil Ramone
acoustic guitar:
Steve Kahn (in 1978)
drums (drum set):
Liberty DeVitto (US drummer) (in 1978)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1978)
electric piano, piano and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1978)
guest background vocals:
Peter Cetera (in 1978) and Donnie Dacus (in 1978)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
My Life by Billy Joel (American singer‐songwriter and pianist) and My Life by Billy Joel (American singer‐songwriter and pianist)
recording of:
My Life (in 1978)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., Joelsongs, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) and Impulsive Music (in 1978)
Billy Joel4.154:44
11Jailhouse Rock
recording of:
Jailhouse Rock
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley2:27
12Top Gun Anthem
programming:
Harold Faltermeyer
engineer:
Dave Whitman
producer:
Jerry Bruckheimer, Harold Faltermeyer and Don Simpson (American film producer, screenwriter, and actor)
mixer:
Harold Faltermeyer and Brian Reeves
electric guitar:
Steve Stevens (US guitarist and songwriter)
keyboard and synthesizer:
Harold Faltermeyer
performer:
Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States and Right Track Recording Studios in Manhattan, New York, New York, United States
recording of:
Top Gun Anthem
composer:
Harold Faltermeyer
publisher:
Sony/ATV Harmony
Harold Faltermeyer & Steve Stevens4:13
13Private Eyes
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
drums (drum set) [drums]:
Mickey Curry
phonographic copyright (℗) by:
BMG Entertainment (in 1981) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
live recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Daryl Hall & John Oates4.553:32
14Carrie
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
Carrie (Europe song)
writer:
Mic Michaeli and Joey Tempest (Swedish singer)
publisher:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe3.94:31
15Big River
producer:
Chips Moman
recording of:
Big River
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Hi Lo Music Inc. (BMI-affiliated), House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash) and Knox Music, Inc.
The Highwaymen, Willie Nelson, Johnny Cash, Waylon Jennings & Kris Kristofferson2:47
16Surrender
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 356) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 465)
recording of:
Surrender (from 1978-04-30 until 1978-05-03)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Cheap Trick3.854:14
17Broken Wings
engineer:
Paul DeVilliers and Lois Oki
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
mixer:
Mick Guzauski and Mike Shipley (audio engineer, mixer, producer)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:49
18Wide Open Spaces
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, United States
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop (Nashville, TN) in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
recording of:
Wide Open Spaces (from 1997-03 until 1997-08)
lyricist and composer:
Susan Gibson
publisher:
Pie-Eyed Music (in 1997)
The Chicks4.43:44
19Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.43:14
20Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.654:00
21Bulls on Parade
recording engineer:
Nick DiDia
assistant engineer:
Clay Harper
engineer:
Caram Costanzo (music producer, sound engineer)
co-producer:
Rage Against the Machine
producer:
Brendan O’Brien (engineer)
mixer:
Andy Wallace (engineer)
bass:
Tim Bob
drums (drum set):
Brad Wilk
guitar:
Tom Morello
lead vocals:
Zack de la Rocha
recorded at:
Cole Rehearsal Studios in Hollywood, Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Bulls on Parade
lyricist:
Zack de la Rocha
composer:
Tim Commerford, Tom Morello, Zack de la Rocha and Brad Wilk
publisher:
Retribution Music and Wixen Music Publishing (American music publishing company, affiliated to BMI)
Rage Against the Machine4.43:50
22Sunny
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
cover recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Boney M.44:01
23Knockin’ on Heaven’s Door
engineer:
Dan Wallin
producer:
Gordon Carroll (producer)
bass guitar:
Terry Paul (in 1973-02)
drums (drum set):
Jim Keltner (in 1973-02)
guitar:
Bob Dylan (in 1973-02) and Roger McGuinn (in 1973-02)
harmonium, organ and spinet:
Carl Fortina (in 1973-02)
background vocals:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) and Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Ram’s Horn Music (in 1973)
Bob Dylan4.72:30
24I Ran (So Far Away)
recording engineer:
Mike Score
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 55)
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.35:08
25Smokin’
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Smokin’
writer:
Brad Delp and Tom Scholz
publisher:
Lacey Boulevard Music, Screen Gems–EMI Music Ltd., Weedhigh‐Nightmare Music and Pure Songs (in 1976)
Boston4:24
26September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:36
27Life Is So Good
recording of:
Life Is So Good
lyricist and composer:
John Denver
John Denver1:57
28Ragged Old Flag
recorded in:
Hendersonville, Tennessee, United States (on 1974-01-28)
producer:
Charlie Bragg and Johnny Cash (country music legend)
acoustic guitar and spoken vocals:
Johnny Cash (country music legend) (on 1974-01-28)
banjo:
Earl Scruggs (on 1974-01-28)
bass:
Joe Allen (US country songwriter & bassist) (on 1974-01-28)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1974-01-28)
guitar:
Bobby Thompson (guitar & banjo player) (on 1974-01-28)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1974-01-28)
piano:
Charles Cochran (Nashville session pianist & composer) (on 1974-01-28)
background vocals:
The Oak Ridge Boys (on 1974-01-28)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Ragged Old Flag (on 1974-01-28)
lyricist and composer:
Johnny Cash (country music legend)
Johnny Cash33:07
29I’m No Stranger to the Rain
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 139)
recording of:
I'm No Stranger to the Rain
writer:
Sonny Curtis and Ron Hellard
Keith Whitley43:34
30High on You
engineer and producer:
Ron Nevison
bass:
Stephan Ellis (bass player with Survivor)
drums (drum set):
Marc Droubay (drummer for Survivor)
guitar:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
keyboard:
Jim Peterik
background vocals:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
lead vocals:
Jimi Jamison
phonographic copyright (℗) by:
Scotti Brothers Records (in 1984)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
High on You
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Rude Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Survivor54:08
31It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc. (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI April Music Inc.
Albert Hammond3.83:51
32Straight Tequila Night
assistant recording engineer:
Julian King
recording engineer and mixer:
Lynn Peterzell
producer:
John Anderson (US country music singer-songwriter) and James C. Stroud
assistant mixer:
Julian King and John Kunz
editor:
Milan Bogdan
acoustic guitar:
Mark Casstevens
bass:
Gary Lunn
drums (drum set):
James C. Stroud
steel guitar:
Sonny Garrish
performer:
John Anderson (US country music singer-songwriter)
recorded at and edited at:
Masterfonics in Nashville, Tennessee, United States
mixed at:
Digital Recorders in Nashville, Tennessee, United States
recording of:
Straight Tequila Night
writer:
Debbie Hupp and Kent Robbins
John Anderson52:55
33Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.44:33
34Working for the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 100)
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy4.23:44
35Don’t Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-03 until 1979-04)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 215)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.54:03
36When I See You Smile
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
When I See You Smile
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal/MCA Music Ltd. (not for release label use!)
Bad English44:20
37All Out of Love
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Robie Porter
assistant mixer:
Linda Corbin
mixer:
Jim Hilton
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
part of:
The Downloader’s Music Source Book (number: 290)
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:02
38Pickup Man
bass:
Larry Paxton
fiddle:
Stuart Duncan
steel guitar:
Paul Franklin (steel guitarist)
recording of:
Pickup Man
writer:
Kerry Kurt Phillips and Howard Perdew
Joe Diffie53:37
39Paradise by the Dashboard Light
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
drums (drum set):
Max Weinberg
guitar:
Todd Rundgren
keyboard and other vocals [lascivious effects]:
Jim Steinman
keyboard and piano:
Roy Bittan
saxophone:
Edgar Winter
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Marvin Lee and Todd Rundgren
background vocals and lead vocals [featured female vocal]:
Ellen Foley
lead vocals:
Meat Loaf
spoken vocals [baseball play-by-play]:
Phil Rizzuto
performer:
Ellen Foley
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
recording of:
Paradise by the Dashboard Light
lyricist and composer:
Jim Steinman
Meat Loaf4.28:29
40Carry On Wayward Son
assistant engineer:
Jeff Glixman
engineer:
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
producer:
Jeff Glixman
acoustic guitar:
Rich Williams (guitarist of Kansas) (from 1975 until 1976)
bass guitar:
Dave Hope (from 1975 until 1976)
clavinet, Moog and synthesizer [Oberheim synthesizer]:
Kerry Livgren (from 1975 until 1976)
drums (drum set) and percussion:
Phil Ehart (from 1975 until 1976)
electric guitar:
Kerry Livgren (from 1975 until 1976) and Richard Williams (guitarist of Kansas) (from 1975 until 1976)
organ, synthesizer and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
piano:
Kerry Livgren (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
viola and violin:
Robby Steinhardt (from 1975 until 1976)
background vocals:
Robby Steinhardt (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
recorded at and mixed at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 96)
recording of:
Carry On Wayward Son (from 1975 until 1976)
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (from 1976 to present)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.655:23
41The One I Loved Back Then (The Corvette Song)
recording of:
The One I Loved Back Then (The Corvette Song)
lyricist and composer:
Gary Lee Gentry
George Jones52:31
42I Can Help
recording of:
I Can Help
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan3:58
43Oh Sherrie
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Oh Sherrie
writer:
Bill Cuomo, Randy Goodrum, Craig Krampf and Steve Perry (former lead singer of Journey)
publisher:
Pants Down Music, Phosphene Music, Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music and Street Talk Tunes
sub-publisher:
Origin Network Pty Ltd, フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Steve Perry4.353:52
44Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.33:48
45You Got It
engineer:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Jeff Lynne
acoustic guitar:
Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
bass guitar, electric guitar, keyboard and piano:
Jeff Lynne (in 1988-04)
drums (drum set) and percussion:
Phil Jones (Percussionist) (in 1988-04)
background vocals:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
lead vocals:
Roy Orbison (in 1988-04)
phonographic copyright (℗) by:
Roys Boy’s, LLC (in 1989, in 2014) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988-04), M.C. Studios in Los Angeles, California, United States (in 1988-04) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1988-04)
recording of:
You Got It (in 1988-04)
writer:
Jeff Lynne, Roy Orbison and Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) and SBK Songs Ltd.
Roy Orbison4.553:30
46Suddenly
recording of:
Suddenly
writer:
Keith Diamond and Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean33:51
47Dancing in the Dark
recording engineer:
Toby Scott (on 1984-02-14)
assistant engineer:
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus and Zoë Yanakas
producer:
Jon Landau, Little Steven, Chuck Plotkin and Bruce Springsteen
mixer:
Bob Clearmountain (from 1984-02 until 1984-03-08)
bass guitar:
Garry Tallent (on 1984-02-14)
drums (drum set):
Max Weinberg (on 1984-02-14)
guitar and lead vocals:
Bruce Springsteen (on 1984-02-14)
organ:
Danny Federici (on 1984-02-14)
percussion and saxophone:
Clarence Clemons (on 1984-02-14)
piano and synthesizer:
Roy Bittan (on 1984-02-14)
phonographic copyright (℗) by:
Bruce Springsteen (in 1984)
phonographic copyright (℗) by:
Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1984-02-14)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 234)
recording of:
Dancing in the Dark (on 1984-02-14)
publisher:
Bruce Springsteen (in 1984)
lyricist and composer:
Bruce Springsteen (in 1984)
publisher:
Bruce Springsteen Music, Jonathan Msc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.454:01
48How Am I Supposed to Live Without You
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. and Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Michael Bolton44:15
49Forty Hour Week (For a Livin’)
recording of:
Forty Hour Week (For a Livin')
composer:
Dave Loggins, Don Schlitz and Lisa Silver
Alabama33:22
50When Will I See You Again
recording of:
When Will I See You Again
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees3:00
51One Toke Over the Line
engineer:
Steve Barncard
producer:
Nick Gravenites (singer, guitarist and songwriter)
vocals:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) and Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
recording of:
One Toke Over the Line
lyricist and composer:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) and Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
publisher:
Universal Music Careers
Brewer & Shipley53:19
52Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:23
53Piano Man
engineer:
Ron Malo
producer:
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion and keyboard [keyboards]:
Michael Omartian (in 1973)
drums (drum set):
Ron Tutt (drummer) (in 1973)
electric bass guitar:
Wilton Felder (in 1973)
guitar:
Larry Carlton (in 1973) and Dean Parks (American session guitarist) (in 1973)
guitar [guitar overdubs]:
William Bennett (guitarist) (in 1973)
harmonica and piano and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1973)
percussion:
Bobbi Hall (in 1973)
arranger:
Michael Omartian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States (in 1973)
music videos:
Piano Man by Billy Joel (American singer‐songwriter and pianist)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 421)
recording of:
Piano Man (in 1973)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) and Joelsongs (in 1973)
Billy Joel4.355:39
54All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:32
55Free‐for‐All
producer:
Cliff Davies (British drummer, songwriter and producer)
recording of:
Free-For-All
lyricist and composer:
Ted Nugent
publisher:
Magicland Music
Ted Nugent4.53:22
56Cowboy Take Me Away
recording engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Blake Chancey and Paul Worley
music videos:
Cowboy Take Me Away by The Chicks (US country trio, formerly known as the Dixie Chicks)
part of:
Billboard Decade End Chart: Country (2000's) (number: 28)
recording of:
Cowboy Take Me Away (in 1999)
writer:
Marcus Hummon (in 1999) and Martie Seidel (in 1999)
publisher:
Bug Music (music publishing) (in 1999), Careers BMG Music Publishing, Inc. (in 1999), Floyd's Dream Music (in 1999) and Woolly Puddin’ Music (in 1999)
The Chicks4.154:51
57Shakin’
engineer and mixer:
Andy Johns
producer:
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
recorded at:
Automatt in San Francisco, California, United States (from 1981-12 until 1982-04), Criteria Studios in Miami, Florida, United States (from 1981-12 until 1982-04) and Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1981-12 until 1982-04)
recording of:
Shakin’ (from 1981-12 until 1982-04)
writer:
Ralph Carter (heavy metal bassist), Eddie Money and Elizabeth Myers (musician, composer, pianist and singer)
publisher:
Cashola Music, Elizabeth Myers Music and Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money43:08
58Lovin’, Touchin’, Squeezin’
engineer:
George Tutko (engineer, producer) and Geoff Workman
producer:
Roy Thomas Baker (producer), Gregg Rolie (keyboardist and vocalist), Neal Schon, Steve Smith (US drummer most associated with Journey) and Ross Valory
mixer:
Roy Thomas Baker (producer)
acoustic guitar and electric guitar:
Neal Schon (from 1978-10 until 1979-11)
bass guitar:
Ross Valory (from 1978-10 until 1979-11)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1978-10 until 1979-11)
keyboard:
Gregg Rolie (keyboardist and vocalist) (from 1978-10 until 1979-11)
background vocals:
Greg Werner (from 1978-10 until 1979-11)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1978-10 until 1979-11)
vocals:
Gregg Rolie (keyboardist and vocalist) (from 1978-10 until 1979-11), Neal Schon (from 1978-10 until 1979-11) and Ross Valory (from 1978-10 until 1979-11)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1978-10 until 1979-11)
music videos:
Lovin’, Touchin’, Squeezin’ (music video) by Journey (American rock band)
recording of:
Lovin’, Touchin’, Squeezin’ (from 1978-10 until 1979-11)
lyricist and composer:
Steve Perry (former lead singer of Journey)
publisher:
Lacey Boulevard Music and Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey33:53
59Summertime Blues
additional recording engineer:
Steve Lowery (Engineer, based in Nashville, TN)
recording engineer and mixer:
John Kelton
engineer:
Paula Montondo (Mixing & recording engineer)
producer:
Keith Stegall (American country singer / songwriter and record producer)
background vocals and lead vocals:
Alan Jackson (US country singer/songwriter)
recorded at:
Eleven Eleven Sound in Nashville, Tennessee, United States and The Castle (Castle Recording Studios) in Franklin, Tennessee, United States
mixed at:
The Castle (Castle Recording Studios) in Franklin, Tennessee, United States
cover recording of:
Summertime Blues
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Alan Jackson43:12
60One on One
recording of:
One on One (in 1981-12)
lyricist and composer:
Daryl Hall
publisher:
Hot Cha Music Co., Intersong Music Ltd. and Unichappell Music, Inc.
Daryl Hall & John Oates4:20
61Wham Bam Shang‐A‐Lang
producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Tom Sellers (US musician, producer, arranger and songwriter)
bass guitar:
Tom Leadon
drums (drum set):
Harry Stinson
guitar:
John Batdorf (singer, songwriter) and Greg Collier
keyboard:
Brent Mydland
vocals:
John Batdorf (singer, songwriter), Greg Collier, Tom Leadon, Brent Mydland and Harry Stinson
arranger:
Silver (70s US country rock band “Wham Bam”) and Tom Sellers (US musician, producer, arranger and songwriter)
recording of:
Wham Bam Shang‐A‐Lang
lyricist and composer:
Rick Giles (US country musician)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Silver3.13:34
62Roll With the Changes
additional engineer:
Gary Lubow
engineer:
Paul Grupp
producer:
Kevin Cronin (guitarist, singer and songwriter), Paul Grupp and Gary Richrath (guitarist and songwriter)
acoustic guitar, piano and lead vocals:
Kevin Cronin (guitarist, singer and songwriter)
bass guitar:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set) [drums]:
Alan Gratzer (drummer)
guitar [lead guitars]:
Gary Richrath (guitarist and songwriter)
Hammond organ:
Neal Doughty (keyboards)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
recorded at and mixed at:
Sound City in Van Nuys, California, United States
recording of:
Roll With the Changes (in 1977-10)
lyricist and composer:
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Fate Music, Roliram Music and 大洋音楽 (Taiyō Music)
REO Speedwagon35:36
63Everything You Want
recording of:
Everything You Want
writer:
Matthew Scannell
Vertical Horizon4.54:15
64She’s So High
producer:
Bob Rock
bass guitar [bass]:
Chris Wyse
drums (drum set) [drums]:
Lance Porter (Drummer)
electric guitar, lap steel guitar, piano and lead vocals:
Tal Bachman
Moog and Wurlitzer electric piano [Wurlitzer]:
Buck Johnson
background vocals:
Tal Bachman and Buck Johnson
recording of:
She's So High
writer:
Tal Bachman
Tal Bachman4.53:42
65Islands in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:10
66Rock and Roll, Hoochie Koo
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1973)
recording of:
Rock and Roll, Hoochie Koo
lyricist and composer:
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer33:44
67(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:08
68Your Love
producer:
William Wittman
mixer:
John Agnello (engineer & producer) and William Wittman
bass guitar and lead vocals:
Tony Lewis (lead vocalist, bassist in The Outfield)
drums (drum set):
Alan Jackman
guitar:
John Spinks
keyboard:
Reg Webb (piano)
vocals:
John Spinks
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1985)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Your Love by The Outfield
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 450)
recording of:
Your Love
lyricist and composer:
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) and Warning Tracks Ltd.
The Outfield3.753:34
69The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:58
70Burning Love
producer:
Felton Jarvis
bass:
Emory Gordy (from 1972-02-27 until 1972-02-29)
drums (drum set):
Ronnie Tutt (drummer) (from 1972-02-27 until 1972-02-29)
guitar:
Charlie Hodge (from 1972-02-27 until 1972-02-29), Dennis Linde (from 1972-02-27 until 1972-02-29), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (from 1972-02-27 until 1972-02-29) and James Burton (guitarist) (from 1972-03-27 until 1972-03-29)
percussion:
Jerry Carrigan (US drummer) (from 1972-02-27 until 1972-02-29)
piano:
Glen D. Hardin (from 1972-02-27 until 1972-02-29)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
J.D. Sumner & The Stamps (from 1972-02-27 until 1972-02-29)
phonographic copyright (℗) by:
BMG Music (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (from 1972-03-27 until 1972-03-29, on 1972-03-28)
cover recording of:
Burning Love (from 1972-02-27 until 1972-02-29)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
live cover recording of:
Burning Love (on 1972-03-28)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
cover recording of:
Burning Love (on 1972-03-28)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
Elvis Presley32:50
71Paper Bag
recording engineer:
Rich Costey
assistant engineer:
Tom Banghart, Rob Brill, Greg Collins (engineer), Steve Mixdorf and John Tyree (engineer)
producer:
Jon Brion
mixer:
Jon Brion and Rich Costey
bass guitar:
Mike Elizondo
drums (drum set):
Matt Chamberlain (American drummer)
horn:
Jean Martinelli, Wendell Kelly, Paul Loredo, John Noreyko and Don Sweeney (horninst)
piano:
Fiona Apple (singer-songwriter and pianist)
vocals:
Fiona Apple (singer-songwriter and pianist)
orchestrator:
John Bainbridge
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 382)
recording of:
Paper Bag
lyricist and composer:
Fiona Apple (singer-songwriter and pianist)
Fiona Apple4.453:39
72Living in America (from “Rocky IV” soundtrack)
assistant engineer:
Jeff Lord‐Alge
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Dan Hartman and Stevie Ray Vaughan
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral and The Uptown Horns (US horn section, formed in 1980)
keyboard:
Dan Hartman
membranophone:
Ray Marchica
background vocals:
Dan Hartman and T.M. Stevens (US bass player Thomas Michael Stevens)
lead vocals:
James Brown (The Godfather of Soul)
recording of:
Living in America
writer:
Dan Hartman and Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. and United Lion Music Inc.
James Brown3.354:44
73Man in the Box
recording engineer, producer and mixer:
Dave Jerden
artist & repertoire support:
Nick Terzo
additional engineer:
Ron Champagne
assistant engineer:
Leslie Ann Jones (recording engineer)
assistant mixer:
Bob Lacivita
drums (drum set) and percussion:
Sean Kinney
electric bass guitar [bass]:
Michael Starr (Alice in Chains)
electric guitar [guitar] and background vocals [backing vocals]:
Jerry Cantrell
additional background vocals [backing hacking]:
Jerry Cantrell, Sean Kinney, Kevin Shuss and Mike Starr (Alice in Chains)
lead vocals [voals]:
Layne Staley
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1990 to present) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recorded at:
Capitol Recording Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and London Bridge Studios in Seattle, Washington, United States
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States
music videos:
Man in the Box by Alice in Chains
recording of:
Man in the Box
lyricist:
Layne Staley
composer:
Jerry Cantrell
publisher:
Buttnugget Publishing (from 1990 to present) and Jack Lord Music (from 1990 to present)
Alice in Chains4.24:44
74Cool Drink of Water
producer:
Don Cook (US country producer/songwriter) and Scott Hendricks (producer)
mixer:
Scott Hendricks (producer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, United States
recording of:
Cool Drink of Water
writer:
Kix Brooks and Don Cook (US country producer/songwriter)
Brooks & Dunn2.53:07
75Got to Get You Into My Life
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1978 to present) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Earth, Wind & Fire34:11
76Take Me Home, Country Roads (original version)
recording engineer:
Ray Hall (engineer)
assistant producer:
Jean Kaplow
producer:
Milt Okun
acoustic guitar [6-string guitar] and lead vocals:
John Denver
banjo and pedal steel guitar:
Eric Weissberg
double bass:
Dick Kniss
guitar:
Bill Danoff and Michael Taylor (Guitarist & former member of the John Denver Band)
membranophone:
Gary Chester (studio drummer and educator)
piano:
Frank Owens (American pianist)
background vocals:
Bill Danoff, Taffy Nivert and Starland Vocal Band
vocals:
John Denver
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 94) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 358)
recording of:
Take Me Home, Country Roads (on 1971-02-04)
anthem of:
West Virginia, United States
writer:
Bill Danoff, John Denver and Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music and Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:13
77Killing in the Name
additional assistant recording engineer:
Craig Doubet (recording engineer)
assistant recording engineer:
Jeff Sheehan
recording engineer:
GGGarth (Canadian music producer and engineer) and Stan Katayama
producer:
GGGarth (Canadian music producer and engineer) and Rage Against the Machine
mixer:
Andy Wallace (engineer)
drums (drum set):
Brad Wilk
electric bass guitar:
Tim Commerford
electric guitar:
Tom Morello
lead vocals:
Zack de la Rocha
arranger:
Rage Against the Machine
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1992) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recorded at:
Scream Studios in Studio City, Los Angeles, California, United States and Sound City Studios in Van Nuys, California, United States
mixed at:
Quantum Sound Studios in Jersey City, New Jersey, United States
music videos:
Killing in the Name (music video) by Rage Against the Machine
part of:
Fuck tha Police: 20 Songs Against Police Brutality (number: 8), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 32), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 38), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 44) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 207)
recording of:
Killing in the Name
lyricist:
Zack de la Rocha
composer:
Tim Commerford, Tom Morello, Zack de la Rocha and Brad Wilk
publisher:
Retribution Music and Wixen Music Publishing (American music publishing company, affiliated to BMI)
Rage Against the Machine4.255:14
78Drinkin’ My Baby Goodbye
The Charlie Daniels Band3:40
79Heaven
recording of:
Heaven
lyricist and composer:
Jani Lane
publisher:
BMG Platinum Songs US, Dixonyou Music, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music and Rich McBitch Music
Warrant3:58
80This Is the Day
recording of:
This Is the Day
lyricist and composer:
Matt Johnson (English singer/songwriter for “The The”)
publisher:
Cherry Red Music Ltd. (do not use as label, for copyrights and distribution credits only), Complete Music Ltd. and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The The4:56
81Save Tonight
Eagle‐Eye Cherry4:03
82Love My Way
engineer:
Chris Andersen and Todd Rundgren
producer:
Todd Rundgren
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
cello:
Ann Sheldon
drums (drum set) and percussion:
Vince Ely
guitar:
John Ashton
horn:
Donn Adams and Gary Windo
keyboard:
Todd Rundgren
background vocals:
Howard Kaylan and Mark Volman
vocals:
Richard Butler (singer)
arranger:
The Psychedelic Furs
recording of:
Love My Way
lyricist and composer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) and Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. and EMI Songs Musikverlag GmbH
The Psychedelic Furs3.63:33
83When You Say Nothing at All
recording of:
When You Say Nothing at All (from 1988 to present)
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Keith Whitley4.353:41
84(Ghost) Riders in the Sky
recorded in:
Nashville, Tennessee, United States (on 1979-03-27)
producer:
Brian Ahern
banjo [banjo-lute] and mandocello:
Bob Johnson (American banjo player from Chattanooga, Tennessee) (from 1979-02 until 1979-04)
drums (drum set):
W.S. Holland (from 1979-02 until 1979-04)
electric bass guitar:
Marshall Grant (from 1979-02 until 1979-04)
electric guitar:
Bob Wootton (from 1979-02 until 1979-04)
fiddle:
Ricky Skaggs (from 1979-02 until 1979-04)
French horn:
Jack Hale (trombone) (from 1979-02 until 1979-04) and Bob Lewin (from 1979-02 until 1979-04)
guitar:
Johnny Cash (country music legend) (from 1979-02 until 1979-04), Jack Clement (from 1979-02 until 1979-04), Jerry Hensley (from 1979-02 until 1979-04) and Jack Routh (from 1979-02 until 1979-04)
hammered dulcimer:
Alisa Jones (US hammered dulcimer player) (from 1979-02 until 1979-04)
percussion:
Mark Morris (drummer & percussionist) (from 1979-02 until 1979-04)
piano:
Earl Poole Ball (US country pianist) (from 1979-02 until 1979-04)
trumpet:
Jack Hale (trombone) (from 1979-02 until 1979-04), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1979-02 until 1979-04) and Bob Lewin (from 1979-02 until 1979-04)
vocals:
The Carter Family (later generations of the family after 1943) (from 1979-02 until 1979-04), Johnny Cash (country music legend) (from 1979-02 until 1979-04) and Jan Howard (from 1979-02 until 1979-04)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (from 1979-02 until 1979-04)
lyricist and composer:
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (on 1948-06-05)
publisher:
Prophecies Publishing, Revega Music and WB Music Corp. (1929–2019)
version of:
Spookrijder in de nacht
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (on 1979-03-27)
lyricist and composer:
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (on 1948-06-05)
publisher:
Prophecies Publishing, Revega Music and WB Music Corp. (1929–2019)
version of:
Spookrijder in de nacht
Johnny Cash4.253:46
85Everything’s the Same (Ain’t Nothing Changed)
recording of:
Everything's The Same (Ain't Nothing Changed)
lyricist and composer:
Billy Swan
Billy Swan2:31
86Foreplay / Long Time
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar [on Foreplay], bass guitar [on Long Time], clavinet, guitar, guitar [lead guitar on Foreplay] and organ:
Tom Scholz (from 1975 until 1976)
bass guitar [on Foreplay]:
Fran Sheehan (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
guitar [lead guitar on Long Time] and guitar [rhythm guitar]:
Barry Goudreau (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
medley including a recording of:
Foreplay (from 1975 until 1976)
composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. and Pure Songs (in 1978)
medley including a recording of:
Long Time (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. and Pure Songs (in 1978)
recording of:
Foreplay
composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. and Pure Songs (in 1978)
recording of:
Long Time
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. and Pure Songs (in 1978)
Boston4.357:48
87Two Dozen Roses
Shenandoah33:44
88American Heartbeat
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
American Heartbeat
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Figs. D Music, Rude Music (publisher; do NOT use as release label), Sony/ATV Harmony UK and Sony/ATV Melody
Survivor3.654:09
89Highwayman
recorded in:
Nashville, Tennessee, United States (on 1984-10-03)
assistant engineer:
Ken Criblez and Larry Greenhill
engineer:
David Cherry and Chips Moman
producer:
Chips Moman
bass:
Mike Leech (Nashville session musician and arranger) (on 1984-10-03) and Jimmy Tittle (on 1984-10-03)
drums (drum set):
Gene Chrisman (on 1984-10-03)
guitar:
Paul Davis (American singer) (on 1984-10-03), Waylon Jennings (US country musician) (on 1984-10-03), Kris Kristofferson (on 1984-10-03), Chips Moman (on 1984-10-03), Willie Nelson (on 1984-10-03) and Johnny Rodriguez (country singer & songwriter) (on 1984-10-03)
harmonica:
Mickey Raphael (on 1984-10-03)
keyboard:
Paul Davis (American singer) (on 1984-10-03), Bobby Emmons (on 1984-10-03) and Bobby Wood (American pianist, keyboard player and songwriter) (on 1984-10-03)
mandolin:
Marty Stuart (on 1984-10-03)
background vocals:
Johnny Cash (country music legend) (on 1984-10-03), Paul Davis (American singer) (on 1984-10-03), Waylon Jennings (US country musician) (on 1984-10-03), Kris Kristofferson (on 1984-10-03), Chips Moman (on 1984-10-03), Willie Nelson (on 1984-10-03) and Johnny Rodriguez (country singer & songwriter) (on 1984-10-03)
vocals:
Johnny Cash (country music legend) (on 1984-10-03), Waylon Jennings (US country musician) (on 1984-10-03), Kris Kristofferson (on 1984-10-03) and Willie Nelson (on 1984-10-03)
performer:
Johnny Cash (country music legend), Waylon Jennings (US country musician), Kris Kristofferson and Willie Nelson
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1985), CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985, in 2003)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1984-10-03) and Woodland Sound Studios in Nashville, Tennessee, United States (on 1984-10-03)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1986)
cover recording of:
The Highwayman (on 1984-10-03)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
White Oak Songs
recording of:
The Highwayman
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
White Oak Songs
The Highwaymen, Willie Nelson, Johnny Cash, Waylon Jennings & Kris Kristofferson4.453:02
90We Danced
recording of:
We Danced
writer:
Chris DuBois (US country songwriter and music publisher) and Brad Paisley
publisher:
Sea Gayle Music LLC
Brad Paisley43:45
91This Is the One (remastered)
The Stone Roses4:59
92You’ve Got Another Thing Coming
engineer:
Louis Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (in 1982)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (in 1982)
electric guitar:
Kenneth Downing (in 1982) and Glenn Tipton (in 1982)
lead vocals:
Rob Halford (in 1982)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
recorded at:
Ibiza Sound Studio in Ibiza Town, Illes Balears (Balearic Islands), Spain (in 1982)
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States and Beejay Recording Studios in Orlando, Florida, United States
music videos:
You’ve Got Another Thing Comin’ (music video) by Judas Priest
recording of:
You’ve Got Another Thing Comin’ (in 1982)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
Judas Priest4.35:09
93Meet Virginia
recording of:
Meet Virginia
writer:
Train (US pop rock band)
Train43:55
94How Forever Feels
recording of:
How Forever Feels
writer:
Wendell Mobley (American country music songwriter) and Tony Mullins
composer:
Skip Ewing (American country singer/songwriter and producer)
Kenny Chesney3.353:07
95Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
96Born Country
recording of:
Born Country
writer:
Byron Hill and John Sweers
composer:
Byron Hill and John Schweers
Alabama43:17
97John Deere Green
Joe Diffie34:33
98Stranglehold
recording of:
Stranglehold
lyricist and composer:
Ted Nugent
additional writer:
Rob Grange
publisher:
Magicland Music
parody version of:
Strangest Folks
Ted Nugent4.258:24
99There’s Your Trouble
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, United States
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop (Nashville, TN) in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1999 winner)
recording of:
There’s Your Trouble (from 1997-03 until 1997-08)
writer:
Mark Selby and Tia Sillers
The Chicks4.253:13
100Chasin’ That Neon Rainbow
recording of:
Chasin' That Neon Rainbow
writer:
Alan Jackson (US country singer/songwriter) and Jim McBride (US country songwriter)
Alan Jackson33:05
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Credits

Release

phonographic copyright (℗) by:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2024)
stream for free:https://open.spotify.com/album/2kEesqe4S3mXAo0Hr7uTPc [info]
https://www.deezer.com/album/569872511 [info]
streaming page:Amazon Music UK [info]
https://music.apple.com/us/album/1739876482 [info]