Gold

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Down the Line
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Produzent(in):
Norman Petty
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
Instrumente:
The Fireballs (USA 1960s surf rock band) (in 1964-06)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (in 1964-06)
recording of:
Down the Line (von 1954 bis 1964-06)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Bob Montgomery (USA) und Norman Petty
publisher:
Wren Music Co.
32:05
2Soft Place in My Heart
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Produzent(in):
Norman Petty
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
Instrumente:
The Fireballs (USA 1960s surf rock band) (in 1964-06)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (in 1964-06)
recording of:
Soft Place in My Heart (von 1954 bis 1964-06)
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
32:15
3Holly Hop
recorded in:
Lubbock, Texas, Vereinigte Staaten (in 1956)
Produzent(in):
Norman Petty
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1956)
Instrumente:
The Fireballs (USA 1960s surf rock band) (in 1968-08)
Schlagzeug:
Jerry Allison (in 1956)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1956)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (in 1968-08)
recording of:
Holly Hop (von 1956 bis 1968-08)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
41:44
4Blue Days
recording of:
Blue Days, Black Nights
Texter und Komponist(in):
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:06
5Love Me
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre [lead guitar]:
Sonny Curtis (am 1956-01-26)
Gitarre [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
Love Me (Buddy Holly Song) (am 1956-01-26)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
2:09
6Midnight Shift
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre:
Sonny Curtis (am 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26) und Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (am 1956-01-26)
Verfasser(in):
Jimmie Ainsworth und Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) und Sony Tree Publishing Co., Inc.
42:13
7Baby, Won’t You Come Out Tonight
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1956-02 bis 1956-04)
Produzent(in):
Norman Petty
Bass:
Don Guess (best known for his association with Buddy Holly) (von 1956-01 bis 1956-04, von 1956-02 bis 1956-04)
Gitarre:
Sonny Curtis (von 1956-01 bis 1956-04, von 1956-02 bis 1956-04) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-01 bis 1956-04, von 1956-02 bis 1956-04)
Schlagzeug:
Jerry Allison (von 1956-01 bis 1956-04, von 1956-02 bis 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-01 bis 1956-04, von 1956-02 bis 1956-04)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-01 bis 1956-04)
recording of:
Baby, Won't You Come Out Tonight (von 1956-01 bis 1956-04)
Texter und Komponist(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
recording of:
Baby, Won't You Come Out Tonight (von 1956-02 bis 1956-04)
Texter und Komponist(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
51:57
8Changing All Those Changes
recording engineer:
Norman Petty (von 1956-01 bis 1956-04)
Produzent(in):
Norman Petty
Bass:
Don Guess (best known for his association with Buddy Holly) (von 1956-01 bis 1956-04)
Gitarre:
Sonny Curtis (von 1956-01 bis 1956-04) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-01 bis 1956-04)
Schlagzeug:
Jerry Allison (von 1956-01 bis 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-01 bis 1956-04)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-01 bis 1956-04)
recording of:
I’m Changing All These Changes (von 1956-01 bis 1956-04)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music und Cedarwood Pub. Co., Inc.
51:42
9I’m Gonna Set My Foot Down
Produzent(in):
Norman Petty
Bass:
Don Guess (best known for his association with Buddy Holly) (von 1956-01 bis 1956-04)
Gitarre:
Sonny Curtis (von 1956-01 bis 1956-04) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-01 bis 1956-04)
Schlagzeug:
Jerry Allison (von 1956-01 bis 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-01 bis 1956-04)
recording of:
I’m Gonna Set My Foot Down (von 1956-01 bis 1956-04)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
42:19
10Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
recording of:
Rock Around With Ollie Vee (am 1956-07-22)
Verfasser(in):
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
52:14
11Girl on My Mind
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recording of:
Girl on My Mind (am 1956-07-22)
Verfasser(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
42:19
12Ting-a-Ling
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
cover recording of:
Ting-a-Ling (am 1956-07-22)
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
Verfasser(in):
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music und Unichappell Music, Inc.
52:43
13Modern Don Juan
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-11-15)
Produzent(in):
Owen Bradley
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1956-11-15)
Schlagzeug:
Farris Coursey (am 1956-11-15)
Tenorsaxophon:
Boots Randolph (am 1956-11-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-11-15)
recording of:
Modern Don Juan (am 1956-11-15)
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Jack Neal
publisher:
Cedarwood Music und Universal Cedarwood Publishing
42:43
14Brown Eyed Handsome Man
recording engineer:
Norman Petty (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01)
cover recording of:
Brown Eyed Handsome Man (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:06
15That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
4.62:18
16I’m Looking for Someone to Love
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (am 1957-02-25)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (am 1957-02-25)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und Wren Music Co.
1:59
17Words of Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-04-08)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
Schlagzeug:
Jerry Allison (am 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (am 1957-04-08)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
recording of:
Words of Love (Buddy Holly song)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
41:57
18Not Fade Away
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-27)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Schlagzeug:
Jerry Allison (am 1957-05-27, am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 107)
recording of:
Not Fade Away (am 1957-05-27)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
recording of:
Not Fade Away (am 1957-05-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
4.652:23
19Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:10
20Tell Me How
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Tell Me How (von 1957-05 bis 1957-07)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
BMG Platinum Songs US und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:01
21Ready Teddy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Klavier:
Vi Petty (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
Ready Teddy (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
51:34
22Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
3.52:23
23Oh Boy!
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
42:09
24It’s Too Late
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
It’s Too Late (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
42:25
25Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:29
2▶CD

Nennungen

Veröffentlichung

Teil von:Gold (Universal Records) (Reihenfolge: 62)
Discogs:https://www.discogs.com/release/3619948 [Info]
ASIN:US: B000ATJZ4S [Info]