The Skeleton Key

~ Release by Edward Shearmur (see all versions of this release, 4 available)

Tracklist

1Medium
#TitleRatingLength
1Opening Titles
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering and Lyle Workman
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
trombone:
Bill Booth (US trombonist), Alan Kaplan and Phil Teele
valve trombone:
Bill Reichenbach, Jr. (jazz trombonist)
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
Opening Titles (The Skeleton Key)
orchestrator:
Bob Elhai
composer:
Edward Shearmur (English score composer)
3:00
2Ben Escapes
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
valve trombone:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) and Phil Teele
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
Ben Escapes
orchestrator:
Bob Elhai
composer:
Edward Shearmur (English score composer)
3:12
3Violet's Story
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering and Lyle Workman
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
valve trombone:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) and Phil Teele
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
Violet's Story
orchestrator:
Bob Elhai
composer:
Edward Shearmur (English score composer)
2:28
4Hoodoo Woman
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering and Lyle Workman
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
valve trombone:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) and Phil Teele
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
Hoodoo Woman
orchestrator:
Bob Elhai
composer:
Edward Shearmur (English score composer)
2:45
5Saving Ben
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering and Lyle Workman
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
trombone:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) and Phil Teele
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
Saving Ben
orchestrator:
Bob Elhai
composer:
Edward Shearmur (English score composer)
4:41
6The Conjure Room
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering and Lyle Workman
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
valve trombone:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) and Phil Teele
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
The Conjure Room
orchestrator:
Bob Elhai
composer:
Edward Shearmur (English score composer)
5:53
7Thank You Child
recording engineer and mixer:
Chris Fogel (engineer)
producer:
Edward Shearmur (English score composer)
editor:
Daryl Kell
bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter and Susan Ranney (double bass)
bassoon:
Rose Corrigan, David Riddles and Allen Savedoff
cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) and John Walz
clarinet:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor and Steve L. Roberts (clarinet player)
flute:
Geri Rotella (flutist) and Steve Kujala
guitar:
George Doering and Lyle Workman
horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd and Phil Yao
percussion:
Alan Estes, Gregory Goodall, Brian Kilgore and Mike Fisher (percussionist)
shofar:
David Zasloff
valve trombone:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) and Phil Teele
viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann and Shanti Randall
violin:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade and Roger Wilkie (violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California, United States
recording of:
Thank You Child
orchestrator:
Bob Elhai
lyricist:
Philip Frazier ("Tuba" Phil Fraizer) and Joan Marie Johnson (Joan Marie Johnson Faust)
composer:
Philip Frazier ("Tuba" Phil Fraizer), Joan Marie Johnson (Joan Marie Johnson Faust) and Edward Shearmur (English score composer)
2:04