Lady Sings the Blues: Night & Day

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Don't Know Why
assistierende(r) Techniker(in):
Mark Birkey
Techniker(in):
Jay Newland (producer, engineer and mixer)
Produzent(in):
Norah Jones und Jay Newland (producer, engineer and mixer)
zusätzliche(r) Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland (producer, engineer and mixer)
Akustikgitarre und E-Gitarre:
Jesse Harris (in 2000-10)
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
Klavier und Sologesang:
Norah Jones (in 2000-10)
Schlagzeug:
Dan Rieser (in 2000-10)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten (in 2000-10) und Sorcerer Sound in New York, New York, Vereinigte Staaten (in 2000-10)
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Don’t Know Why (in 2000-10)
Texter und Komponist(in):
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.153:06
2Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:47
3All Night Long
recorded in:
New York, New York, Vereinigte Staaten (am 1960-11-17)
Produzent(in):
John Hammond (producer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-11-17)
Gitarre:
Lord Westbrook (am 1960-11-17)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1960-11-17)
Posaune:
Quentin Jackson (am 1960-11-17)
Schlagzeug:
Sticks Evans (am 1960-11-17)
Tenorsaxophon:
Al Sears (am 1960-11-17)
arranger:
J. Leslie McFarland (composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
All Night Long (am 1960-11-17)
Verfasser(in):
Curtis Reginald Lewis (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Aretha Franklin33:05
4The Man I Love
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Peggy Lee3:44
5I Wish I Knew How It Would Feel to Be Free
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Mix:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe (trumpeter, arranger and conductor)
arranger:
Sammy Lowe (trumpeter, arranger and conductor)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-06-15)
Teil von:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (am 1967-06-15)
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nina Simone43:06
6Lover Man
cover recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:58
7It's Only a Paper Moon
recorded in:
New York, New York, Vereinigte Staaten (am 1945-03-27)
Gitarre:
Hy White
Klavier:
René DeKnight
Kontrabass [string bass]:
Haig Stephens
Schlagzeug:
George Wettling
vocals:
The Delta Rhythm Boys (vocal harmony group) (am 1945-03-27) und Ella Fitzgerald (American jazz singer) (am 1945-03-27)
cover recording of:
It’s Only a Paper Moon (am 1945-03-27)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald2:36
8Go Slow
Produzent(in):
Bobby Troup
vocals:
Julie London
Orchester:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Go Slow
Texter:
Ned Kronk
Komponist(in):
Russell Garcia
Julie London42:15
9The Closeness of You
Nancy Wilson2:58
10Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Billie Holiday3:19
11Baby Won't You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:07
12Light My Fire
cover recording of:
Light My Fire
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Erma Franklin52:42
13You Don't Have to Say You Love Me
Produzent(in):
John Franz
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 491)
recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Dusty Springfield3.72:49
14First Cut Is the Deepest
Produzent(in):
Mike Hurst (musician and record producer from London, England)
vocals:
P.P. Arnold
arranger:
Art Greenslade
recording of:
The First Cut Is the Deepest
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. und Salafa Ltd.
P.P. Arnold43:06
15I Can't Stand the Rain
Teil von:
Cachitos Nochevieja 2022 (Nummer: 24) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 197)
recording of:
I Can’t Stand the Rain (in 1973)
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Ann Peebles4.252:29
16Time Is on My Side
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
cover recording of:
Time Is on My Side
zusätzlicher Texter:
Jimmy Norman
Komponist(in):
Norman Meade
publisher:
Rittenhouse Music Corp., TRO Essex Music Ltd. und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Version von:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
Irma Thomas42:53
17How Blue Can You Get
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
vocals:
Esther Phillips (Little Esther)
arranger:
Pee Wee Ellis
cover recording of:
How Blue Can You Get?
Verfasser(in):
Jane Feather
Komponist(in):
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. und Modern Age Music
Esther Phillips5:10
18What a Difference a Day MakesErnestine Anderson4:44
19At Last
Dianne Reeves & Lou Rawls3:40
20In the Wee Small Hours of the Morning
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
In the Wee Small Hours of the Morning (in 1960-08)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Julie London52:50
21Time After Time
recording engineer:
Danny Kopelson (von 1998-05 bis 1998-09)
Akustikgitarre:
Marvin Sewell (von 1998-05 bis 1998-09)
Bouzouki und E-Gitarre:
Kevin Breit (von 1998-05 bis 1998-09)
Kontrabass:
Lonnie Plaxico (von 1998-05 bis 1998-09)
Perkussion:
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (von 1998-05 bis 1998-09)
vocals:
Cassandra Wilson (von 1998-05 bis 1998-09)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1998-05 bis 1998-09)
cover recording of:
Time After Time (von 1998-05 bis 1998-09)
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:08
22Need Your Love So Bad
baritone saxophone, Horn und Tenorsaxophon:
Leigh Pilzer
Bass:
Chris Biondo (guitarist, producer with Eva Cassidy Band)
Gitarre [soloist]:
Keith Grimes
Hybrid-Piano:
Kent Wood
Orgel:
Lenny Williams (pianist, keyboardist)
Pedal-Steel-Gitarre und Sologesang:
Eva Cassidy
Posaune:
Dan Haverstock
Schlagzeug:
William 'JuJu' House
Trompete:
Chris Walker (trumpet)
Gast vocals:
Chuck Brown (jazz guitarist/singer "The Godfather of Go-Go")
arranger:
Eva Cassidy
cover recording of:
Need Your Love So Bad
Texter und Komponist(in):
Little Willie John und Mertis John Jr. (older brother of Little Willie John)
publisher:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. und Trio Music Co., Inc.
Eva Cassidy44:39
23Night & Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Keely Smith3:53
2CD

Nennungen

Veröffentlichung

ASIN:UK: B00006JC7N [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/vtdcd499 [Info]