100 Hits The Midnight Special

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Daten-CD
Nr.TitelKünstlerBewertungLänge
1The Midnight Special
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
The Midnight Special (CCR)
Komponist(in):
[traditional] (special purpose artist)
arranger:
John Fogerty
publisher:
Jondora Music und Prestige Music ltd.
Arrangement von:
Midnight Special
Creedence Clearwater Revival44:11
2Heart of the Country
Assistent recording engineer:
Ted Brosnan (am 1970-11-16)
recording engineer:
Tim Geelan (am 1970-11-16) und Jim Guercio (am 1970-11-16)
Produzent(in):
Linda McCartney und Paul McCartney (The Beatles)
Mix:
Eirik Wangberg (von 1971-03 bis 1971-04)
Akustikgitarre und Bassgitarre und Sologesang:
Paul McCartney (The Beatles) (am 1970-11-16)
Besen:
Denny Seiwell (US drummer) (am 1970-11-16)
E-Gitarre:
Hugh McCracken (am 1970-11-16)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1971, in 2012) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
aufgenommen bei:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1970-11-16)
mixed at:
Sunset Sound Recorders Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1971-03 bis 1971-04)
recording of:
Heart of the Country (am 1970-11-16)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul & Linda McCartney3.152:23
3I’ll Be Your Baby Tonight
recorded in:
Nashville, Tennessee, Vereinigte Staaten (in 1967-11)
Techniker(in):
Charlie Bragg
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Steel-Gitarre:
Pete Drake (steel guitar player) (in 1967-11)
Sologesang:
Bob Dylan (in 1967-11)
recording of:
I’ll Be Your Baby Tonight (in 1967-11)
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Dwarf Music (in 1968)
Bob Dylan42:38
4Take It Easy
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1972)
Banjo und E-Gitarre:
Bernie Leadon (in 1972)
Bassgitarre:
Randy Meisner (in 1972)
Schlagzeug:
Don Henley (in 1972)
Hintergrundgesang:
Don Henley (in 1972), Bernie Leadon (in 1972) und Randy Meisner (in 1972)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1972)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1972)
recording of:
Take It Easy (in 1972)
Verfasser(in):
Jackson Browne (American singer-songwriter) und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
publisher:
Swallow Turn Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Eagles4.13:31
5San Bernadino
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
recording of:
San Bernadino
Texter und Komponist(in):
Jeff Christie
Christie3:14
6Dream Baby (How Long Must I Dream)
cover recording of:
Dream Baby (How Long Must I Dream)
Texter und Komponist(in):
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. und Acuff-Rose (BMI) (in 1971)
Roy Orbison2:32
7That’s All Right
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre:
Elvis Presley (“The King of Rock and Roll”)
Bass und Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Elvis Presley2.91:56
8Cotton Fields
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
cover recording of:
Cotton Fields
Texter und Komponist(in):
Huddie William Ledbetter
Creedence Clearwater Revival42:54
9Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Lynn Anderson4.152:58
10Call Me the Breeze
recording engineer:
James Long (engineer) (von 1970-09-29 bis 1970-09-30)
Gitarre:
J.J. Cale
Steel-Gitarre:
Weldon Myrick
vocals:
J.J. Cale
aufgenommen bei:
Moss Rose Studio in Nashville, Tennessee, Vereinigte Staaten (von 1970-09-29 bis 1970-09-30)
recording of:
Call Me the Breeze (von 1970-09-29 bis 1970-09-30)
Texter und Komponist(in):
J.J. Cale
publisher:
Johnny Bienstock Music
sub-publisher:
Warner Chappell Music France
J.J. Cale42:39
11The Cover of Rolling Stone
Produzent(in):
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
Texter und Komponist(in):
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook & the Medicine Show2:54
12Plastic Jesus
Paul King4:12
13Workin’ on a Building
Techniker(in):
Russ Gary und Skip Shimmin
Produzent(in):
John Fogerty
arranger:
John Fogerty
recording of:
Working on the Building
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation
John Fogerty34:38
14You Don’t Have to Be in the Army to Fight in the War
Mungo Jerry3:12
15If Not for You
Techniker(in):
Peter Vince (engineer, producer)
Produzent(in):
John Farrar und Bruce Welch (English guitarist, singer, songwriter and producer)
Bass:
Herbie Flowers und Dave Richmond
Gitarre [all guitars]:
John Farrar
Keyboard [keyboards]:
Alan Hawkshaw (British pianist, composer and producer.)
Perkussion und Schlagzeug [drums]:
Brian Bennett (Shadows drummer/library music composer)
Interpret(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
Saiteninstrumente [string] arranger:
Alan Hawkshaw (British pianist, composer and producer.)
arranger:
John Farrar und Bruce Welch (English guitarist, singer, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Festival Records International Ltd. (company; do NOT use as release label) (in 1971)
cover recording of:
If Not for You
Texter und Komponist(in):
Bob Dylan
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Big Sky Music (publisher for Bob Dylan), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Group (SESAC)
Olivia Newton‐John32:56
16After Midnight
Produzent(in):
Delaney Bramlett
Bassgitarre:
Carl Radle
elektronische Orgel:
Bobby Whitlock
Gitarre:
Eric Clapton
Gitarre [rhythm guitar]:
Delaney Bramlett
Klavier:
Leon Russell
Saxophon:
Bobby Keys (American saxophonist)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Trompete:
Jim Price (horn session musician)
vocals:
Eric Clapton und Bobby Whitlock
arranger:
Delaney Bramlett
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1970), RSO Records Ltd. (in 1970) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
cover recording of:
After Midnight
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton33:08
17Love Is Strange
cover recording of:
Love Is Strange (in 1965-04)
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
The Everly Brothers2:49
18Act Naturally
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
zusätzliche(r) Techniker(in):
Phil McDonald (engineer and producer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre [rhythm guitar] und E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1965-06-17)
E-Bass und Hintergrundgesang:
Paul McCartney (The Beatles) (am 1965-06-17)
Schlagzeug und Sologesang:
Ringo Starr (The Beatles) (am 1965-06-17)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-06-17)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-06-18)
cover recording of:
Act Naturally (am 1965-06-17)
Verfasser(in):
Voni Morrison und Johnny Russell (US country singer, songwriter and comedian)
publisher:
Blue Book Music, Bluebook Music Publishing, Carlin, EMI Music Publishing Ltd. (PRS‐affiliated), Lark Music Ltd., Sony/ATV Tree Publishing und Tree Publishing Co., Inc.
The Beatles32:29
19Did I Ever Tell You
recording of:
Did I Ever Tell You
Verfasser(in):
Jerry Kennedy und Margie Singleton
Margie Singleton & George Jones2:07
20I Want You
aufgenommen bei:
Universal Amphitheatre in Universal City, California (Kalifornien), Vereinigte Staaten (am 1978-06-02)
live recording of:
I Want You (am 1978-06-02)
Texter und Komponist(in):
Bob Dylan (von 1966-02 bis 1966-03)
publisher:
Dwarf Music (vom 1966 bis heute)
adaptations:
Chambermaid
adaptations:
Hei tule takaisin
Bob Dylan3:06
21Mr. Spaceman
Produzent(in):
Allen Stanton
recording of:
Mr. Spaceman (am 1966-04-29)
Texter und Komponist(in):
Roger McGuinn
The Byrds3.82:09
22All I Have to Do Is Dream
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 141) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 323)
recording of:
All I Have to Do Is Dream (am 1958-03-06)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers42:24
23Hold Me Tight
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Hold Me Tight
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Johnny Nash2:44
24Me and Bobby McGee
cover recording of:
Me and Bobby McGee
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Kenny Rogers42:39
25In the Middle of a Heartache
recording of:
In the Middle of a Heartache (1960s song)
Verfasser(in):
Laurie Christenson (songwriter), Pat Franzese (songwriter) und Wanda Jackson (aka the Female Elvis)
Wanda Jackson2:28
26The Meanest Girl in Town
cover recording of:
The Meanest Girl in Town
Verfasser(in):
Joy Byers
Elvis Presley1:56
27The Birds and the Bees
vocals:
Jewel Akens
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 310)
recording of:
The Birds and the Bees (in 1964)
Texter und Komponist(in):
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) und Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens1:54
28Mad Professor Blyth
The Hollies2:37
29Jambalaya (On the Bayou)
Techniker(in):
Russ Gary und Skip Shimmin
Produzent(in):
John Fogerty
arranger:
John Fogerty
cover recording of:
Jambalaya (On the Bayou)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
John Fogerty3:17
30Pins and Needles (In My Heart)
Produzent(in):
William E. McEuen
Banjo:
John McEuen (von 1971-08-06 bis 1971-08-11)
Fiddle:
Vassar Clements (von 1971-08-06 bis 1971-08-11)
Gitarre:
Earl Scruggs (von 1971-08-06 bis 1971-08-11)
kleine Trommel / Snare [snare]:
Jimmy Ibbotson (von 1971-08-06 bis 1971-08-11)
Kontrabass [bass]:
Junior Huskey (father of Roy Huskey, Jr.) (von 1971-08-06 bis 1971-08-11)
Mandoline:
Les Thompson (US country-rock guitar/mandolin, Nitty Gritty Dirt Band member) (von 1971-08-06 bis 1971-08-11)
Mundharmonika [harp]:
Jimmie Fadden (von 1971-08-06 bis 1971-08-11)
Resonatorgitarre [dobro]:
Pete "Oswald" Kirby (von 1971-08-06 bis 1971-08-11)
Sologesang:
Roy Acuff (von 1971-08-06 bis 1971-08-11)
aufgenommen bei:
Woodland Sound Studios in Nashville, Tennessee, Vereinigte Staaten (von 1971-08-06 bis 1971-08-11)
recording of:
Pins and Needles (in My Heart) (von 1971-08-06 bis 1971-08-11)
Texter und Komponist(in):
Floyd Jenkins (songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1943-01-28)
The Nitty Gritty Dirt Band2:54
31Give It Up (Or Let Me Go)
recording engineer:
Kendall "Do the Dog" Pacios
Techniker(in):
Nick Jameson und Kendall Pacios
Produzent(in):
Michael Cuscuna
akustische Bassgitarre [acoustic bass]:
Dave Holland (British jazz bassist and composer) (in 1972-06)
Klavier:
Lou Terriciano (in 1972-06)
Kornett:
Peter Eckland (in 1972-06)
Posaune:
Amos Garrett (in 1972-06)
Schlagzeug:
Chris Parker (American drummer) (in 1972-06)
Sopransaxophon:
John Payne (Saxophone/Clarinet) (in 1972-06)
Steel-Gitarre [bottleneck National steel guitar]:
Bonnie Raitt (in 1972-06)
Steel-Gitarre [National steel rhythm guitar]:
Jack Viertel (in 1972-06)
Tuba:
Freebo (in 1972-06)
vocals:
Bonnie Raitt (in 1972-06)
remixer:
Nick Jameson und Kendall Pacios
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (in 1972-06)
recording of:
Give It Up (or Let Me Go) (in 1972-06)
Texter und Komponist(in):
Bonnie Raitt
publisher:
Kokomo Music
Bonnie Raitt3.54:26
32What’s the Point
Bill Wyman2:32
33Clyde
recording engineer:
Joe Mills (engineer) (von 1970-10-02 bis 1970-10-04) und Jim Williamson (engineer) (von 1970-10-02 bis 1970-10-04)
Fiddle:
Shorty Lavender und Buddy Spicher (American country and bluegrass fiddle player)
Gitarre:
J.J. Cale
Klavier:
Bob Wilson (US keyboardist, songwriter, arranger & producer)
Mundharmonika:
Ed Colis
Resonatorgitarre [dobro]:
Walter Haynes (steel guitarist, producer and songwriter)
Schlagzeug:
Karl T. Himmel
vocals:
J.J. Cale
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (von 1970-10-02 bis 1970-10-04)
recording of:
Clyde (von 1970-10-02 bis 1970-10-04)
Texter und Komponist(in):
J.J. Cale
publisher:
Johnny Bienstock Music
J.J. Cale3.652:30
34Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:48
35If Not for You
recorded in:
New York, New York, Vereinigte Staaten (in 1970-07)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
recording of:
If Not for You (in 1970-07)
Texter und Komponist(in):
Bob Dylan
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Big Sky Music (publisher for Bob Dylan), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Group (SESAC)
Bob Dylan42:39
36Peaceful, Easy Feeling
Produzent(in):
Glyn Johns
Akustikgitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
E-Bass:
Randy Meisner
E-Gitarre:
Bernie Leadon
Schlagzeug und Perkussion:
Don Henley
Hintergrundgesang:
Bernie Leadon und Randy Meisner
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1972)
recording of:
Peaceful Easy Feeling
Texter und Komponist(in):
Jack Tempchin
Eagles3.94:19
37Never Ending Song of Love
Crystal Gayle2:35
38Tie a Yellow Ribbon 'round the Ole Oak Tree
Lawrence Welk2:57
39What Have They Done to My Song Ma
recording of:
What Have They Done to My Song, Ma?
Texter und Komponist(in):
Melanie Safka (US singer‐songwriter Melanie Safka)
Melanie44:04
40Sixteen Tons
Akustikgitarre:
Bobby Gibbons (am 1955-09-20)
Bassklarinette:
Darol Rice (am 1955-09-20)
Fingerschnippen und Sologesang:
Tennessee Ernie Ford (am 1955-09-20)
Klarinette:
Red Mandel (am 1955-09-20)
Kontrabass [bass]:
Rolly Bundock (am 1955-09-20)
Posaune:
George Bruns (am 1955-09-20)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-09-20)
Trompete:
Charlie Parlato (am 1955-09-20)
conductor:
Jack Fascinato (am 1955-09-20)
arranger:
Jack Fascinato
phonographisches Urheberrecht (℗) von:
Bacci Bros Records (in 2010) und Lucky Vintage (in 2014)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-20)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 12)
cover recording of:
Sixteen Tons (am 1955-09-20)
Texter und Komponist(in):
Merle Travis
arranger:
Paul Brody
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.652:41
41Charlie Brown
Interpret(in):
The Coasters
recording of:
Charlie Brown
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters3.52:20
42A Cowboy’s Work Is Never Done
Interpret(in):
Sonny Bono
recording of:
A Cowboy's Work Is Never Done
Texter und Komponist(in):
Sonny Bono
Sonny & Cher43:13
43I’m the Urban Spaceman
recording of:
I’m the Urban Spaceman
Texter und Komponist(in):
Neil Innes
publisher:
J. Albert & Son Pty. Ltd.
The Bonzo Dog Band2:21
44Prissy
Chet Atkins2:30
45Yellow River
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 83)
recording of:
Yellow River (in 1970)
Texter und Komponist(in):
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:45
46Lodi
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook (in 1969-03)
Gitarre:
John Fogerty (in 1969-03) und Tom Fogerty (in 1969-03)
Schlagzeug:
Doug Clifford (in 1969-03)
vocals:
John Fogerty (in 1969-03)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei:
Ernst‐Merck‐Halle in Hamburg, Deutschland (am 1971-09-17)
recording of:
Lodi (in 1969-03)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Wenaha Music
live recording of:
Lodi (am 1971-09-17)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Wenaha Music
Creedence Clearwater Revival43:07
47Whisky in My Jar
recording of:
Whisky in My Jar
Komponist(in):
Keith Ian Ellis, Micky Moody und Paul Williams (British blues bassist & singer, member of Juicy Lucy)
Juicy Lucy4:00
48You Better Leave That Whisky Alone
Mungo Jerry4:03
49Teach Your Children
recording engineer und Techniker(in):
Bill Halverson
Produzent(in):
David Crosby, Graham Nash, Stephen Stills und Neil Young (Canadian singer, songwriter & musician)
Bass und Gitarre:
Stephen Stills (am 1969-11-11)
Gitarre und Tamburin:
Graham Nash (am 1969-11-11)
Pedal-Steel-Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (am 1969-11-11)
Perkussion, Schlagzeug und Tamburin:
Dallas Taylor (drummer for Crosby, Stills, Nash & Young) (am 1969-11-11)
vocals:
David Crosby (am 1969-11-11), Graham Nash (am 1969-11-11) und Stephen Stills (am 1969-11-11)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1969-11-11)
recording of:
Teach Your Children (am 1969-11-11)
Texter und Komponist(in):
Graham Nash
publisher:
Giving Room Music, Nash Notes und Nashnotes, Inc.
Crosby, Stills, Nash & Young4.22:59
50Hillbilly Willy
recording of:
Hillbilly Willy
Texter und Komponist(in):
Dolly Parton
Dolly Parton41:57
51If You Ain’t Lovin’
Faron Young2:19
52You’re the Reason
Techniker(in):
Russ Gary und Skip Shimmin
Produzent(in):
John Fogerty
arranger:
John Fogerty
cover recording of:
You’re the Reason
Verfasser(in):
Bobby Edwards (American country music singer), Terry Fell, Fred Henley und Mildred Imes
publisher:
Vogue Music
John Fogerty23:14
53Chung-a-Lung
recording of:
Chug-a-Lug
Texter und Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Roger Miller2:02
54Bird Dog
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
recording of:
Bird Dog (am 1958-07-10)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
recording of:
Bird Dog (in 1958)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers12:18
55Do the Best You Can
recording of:
Do the Best You Can
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
The Hollies2:47
56You’ll Come
Shocking Blue32:05
57Jeanie
Produzent(in):
Phil Wainman
produced for:
New Dawn Productions Ltd.
recording of:
Jeanie
Verfasser(in):
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) und Mick Tucker (drummer for The Sweet)
The Sweet52:55
58Yakety Yak
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 7)
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters51:47
59You Ain’t Going Nowhere
Techniker(in):
Charlie Bragg und Roy Halee
Produzent(in):
Gary Usher
Hintergrundgesang:
Chris Hillman (am 1968-03-09)
vocals:
Roger McGuinn (am 1968-03-09)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
Samples von:
Sweetheart of the Rodeo (stereo) von The Byrds (American rock band) (am 1968-08-30)
cover recording of:
You Ain’t Goin’ Nowhere (am 1968-03-09)
Texter und Komponist(in):
Bob Dylan (in 1967)
zusätzlicher Texter:
Bob Dylan (in 1971)
publisher:
Dwarf Music (vom 1967 bis heute)
The Byrds3.52:33
60Rocky Raccoon
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (am 1968-08-15)
Bassgitarre:
John Lennon (The Beatles) (am 1968-08-15) und Paul McCartney (The Beatles) (am 1968-08-15)
Harmonium und Mundharmonika:
John Lennon (The Beatles) (am 1968-08-15)
Klavier:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1968-08-15)
Hintergrundgesang:
George Harrison (The Beatles) (am 1968-08-15) und John Lennon (The Beatles) (am 1968-08-15)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1968-08-15)
recording of:
Rocky Raccoon (am 1968-08-15)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles3.753:32
61Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:00
62Too Much Love
recording of:
Too Much Love
Verfasser(in):
James Griffin (soft rock singer/songwriter/guitarist) und Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
Bread2:46
63Texan Love Song
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Akustikgitarre und Mandoline:
Davey Johnstone
Bassgitarre:
Dee Murray
Harmonium und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Texan Love Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John23:33
64Darlin’
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:01
65Sweet Sir Galahad (live)
Gitarre:
Joan Baez (US folk singer), Richard Festinger und Jeffrey Shurtleff
vocals:
Joan Baez (US folk singer) und Jeffrey Shurtleff
aufgenommen bei:
Yasgur’s Farm in Bethel, New York, Vereinigte Staaten (am 1969-08-15)
live recording of:
Sweet Sir Galahad
Verfasser(in):
Joan Baez (US folk singer) (in 1969)
publisher:
Chandos Music Company und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Joan Baez3:38
66Flowers Never Bend With the Rainfall
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Mix:
Vic Anesini
recording of:
Flowers Never Bend With the Rainfall (am 1965-12-22)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
Simon & Garfunkel42:13
67Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:31
68500 Miles
cover recording of:
500 Miles
Texter und Komponist(in):
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Peter, Paul & Mary2:42
69Mystery Train
recording engineer und Mix:
Danny Kopelson
Produzent(in):
Tom Fogerty, David Hayes (US bassist, guitarist, producer, singer and songwriter) und Mark Springer (vocalist)
Bass:
David Hayes (US bassist, guitarist, producer, singer and songwriter)
Gitarre:
John Blakeley, Tom Fogerty und Mark Springer (vocalist)
Keyboard:
John Allair (Pianist)
Schlagzeug:
Jeff Myer
arranger:
Tom Fogerty, David Hayes (US bassist, guitarist, producer, singer and songwriter) und Mark Springer (vocalist)
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
cover recording of:
Mystery Train
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
Tom Fogerty2:32
70Dream Lover
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1981)
cover recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Glen Campbell & Tanya Tucker2:59
71White Lightning
recording of:
White Lightnin’
Komponist(in):
Bill Wyman
Bill Wyman2:42
72Tell It Like It Is
cover recording of:
Tell It Like It Is (in 1980-09)
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Heart13:55
73More Than I Can Say
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:38
74I Fall to Pieces
Produzent(in):
Owen Bradley
Akustikgitarre:
Randy Hughes
akustische Bassgitarre:
Bob Moore (U.S. bassist and bandleader)
Bass:
Harold Bradley
E-Gitarre:
Hank Garland
Klavier:
Hargus “Pig” Robbins
Schlagzeug:
Doug Kirkham
Steel-Gitarre:
Ben Keith
vocals:
Patsy Cline
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-11-16)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 40) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 72)
cover recording of:
I Fall to Pieces (am 1960-11-16)
Komponist(in):
Hank Cochran (Nashville singer and songwriter) und Harlan Howard
Patsy Cline & Jim Reeves52:51
75After You’ve Gone
Produzent(in):
Chet Atkins und David Hungate
Bass:
David Hungate
guitar family:
Chet Atkins und Pat Bergeson
Keyboard:
Darryl Dybka, Randy Goodrum und John Jarvis (American pianist, keyboardist and songwriter)
membranophone:
Lonnie Wilson (drummer, songwriter, and producer)
vocals:
Suzy Bogguss
cover recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Chet Atkins3:29
76Changes
recording of:
Changes (O Lucky Man!)
Texter, Komponist(in) und arranger:
Alan Price
Alan Price3:34
77Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:43
78Ballad of Bonnie and Clyde
recording of:
The Ballad of Bonnie and Clyde
Texter:
Peter Callander
Komponist(in):
Mitch Murray
publisher:
Intune Ltd. (publisher)
Georgie Fame3:10
79(Find a) Reason to Believe
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
cover recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
Carpenters43:04
80Delta Lady
Bassgitarre:
Alan Spenner
Sologesang:
Joe Cocker
recording of:
Delta Lady (in 1969)
Texter und Komponist(in):
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416 und Skyhill Pub. Co., Inc.
adaptations:
Fille de la nuit
Joe Cocker12:51
81It Wasn’t God Who Made Honky Tonk Angels
Gast vocals:
Kitty Wells
vocals:
Loretta Lynn, Dolly Parton und Tammy Wynette
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1993)
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
Dolly Parton, Loretta Lynn & Tammy Wynette52:51
82Don’t It Make My Brown Eyes Blue
recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle2:34
83Always on My Mind
Produzent(in):
Chips Moman
Bass:
Mike Leech (Nashville session musician and arranger) (am 1981-10-11)
Gitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (guitarist and songwriter) (am 1981-10-11)
Keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
Mundharmonika:
Mickey Raphael (am 1981-10-11)
Schlagzeug:
Gene Chrisman (am 1981-10-11)
vocals:
Willie Nelson (am 1981-10-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-10-11)
recording of:
Always on My Mind (am 1981-10-11)
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Willie Nelson4.73:33
84So Sad
Hank Williams, Jr. & Lois Johnson2:51
85Hearts of Stone
Techniker(in):
Russ Gary und Skip Shimmin
Produzent(in):
John Fogerty
arranger:
John Fogerty
cover recording of:
Hearts of Stone
Verfasser(in):
Rudy Jackson (1950s-60s R&B vocalist) und Eddie Ray (US record company executive, producer & songwriter)
publisher:
Regent Music (BMI)
John Fogerty2:14
86Sunshine on My Shoulders
recording of:
Sunshine on My Shoulders
Texter:
John Denver
Komponist(in):
John Denver, Dick Kniss und Michael Taylor (Guitarist & former member of the John Denver Band)
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs und Reservoir Media Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4:58
87Crippled Inside
Produzent(in):
John Lennon (The Beatles), Yoko Ono (Japanese‐American musician and artist) und Phil Spector
Akustikgitarre:
Rod Linton, John Tout und Ted Turner (of Wishbone Ash)
E-Gitarre:
John Lennon (The Beatles)
Klavier:
Nicky Hopkins (pianist and organist)
Kontrabass:
Steve Brendell und Klaus Voormann
Resonatorgitarre [dobro]:
George Harrison (The Beatles)
Interpret(in):
Flux Fiddlers (New York Philharmonic) und Plastic Ono Band
aufgenommen bei:
Tittenhurst Park in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (am 1971-05-26)
recording of:
Crippled Inside (am 1971-05-26)
Texter und Komponist(in):
John Lennon (The Beatles)
John Lennon3.53:49
88You Win Again
Techniker(in):
Bobby Bradley
Produzent(in):
Mark Linnet und Andy Paley (songwriter, musician, sound engineer)
Mix:
Mark Linnet
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten
cover recording of:
You Win Again
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1952-09-03)
Mandy Barnett & The Jordanaires3:59
89(Ghost) Riders in the Sky
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1979-03-27)
Produzent(in):
Brian Ahern
Banjo [banjo-lute] und Mandocello:
Bob Johnson (American banjo player from Chattanooga, Tennessee) (von 1979-02 bis 1979-04)
E-Bass:
Marshall Grant (von 1979-02 bis 1979-04)
E-Gitarre:
Bob Wootton (von 1979-02 bis 1979-04)
Fiddle:
Ricky Skaggs (von 1979-02 bis 1979-04)
Gitarre:
Johnny Cash (country music legend) (von 1979-02 bis 1979-04), Jack Clement (von 1979-02 bis 1979-04), Jerry Hensley (von 1979-02 bis 1979-04) und Jack Routh (von 1979-02 bis 1979-04)
Hackbrett:
Alisa Jones (US hammered dulcimer player) (von 1979-02 bis 1979-04)
Klavier:
Earl Poole Ball (US country pianist) (von 1979-02 bis 1979-04)
Perkussion:
Mark Morris (drummer & percussionist) (von 1979-02 bis 1979-04)
Schlagzeug:
W.S. Holland (von 1979-02 bis 1979-04)
Trompete:
Jack Hale (trombone) (von 1979-02 bis 1979-04), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
Waldhorn:
Jack Hale (trombone) (von 1979-02 bis 1979-04) und Bob Lewin (von 1979-02 bis 1979-04)
vocals:
The Carter Family (later generations of the family after 1943) (von 1979-02 bis 1979-04), Johnny Cash (country music legend) (von 1979-02 bis 1979-04) und Jan Howard (von 1979-02 bis 1979-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (von 1979-02 bis 1979-04)
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (am 1979-03-27)
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
Johnny Cash4.253:44
90City of New Orleans
Produzent(in):
Chips Moman
alto saxophone:
Jon Marett (in 1983-10)
baritone saxophone:
Donald Sanders (saxophonist) (in 1983-10)
Bass:
Mike Leech (Nashville session musician and arranger) (in 1983-10)
Gitarre:
J. R. Cobb (in 1983-10), Chips Moman (in 1983-10), Willie Nelson (in 1983-10) und Reggie Young (guitarist and songwriter) (in 1983-10)
Keyboard:
Bobby Emmons (in 1983-10) und Bobby Wood (American pianist, keyboard player and songwriter) (in 1983-10)
Mundharmonika:
Mickey Raphael (in 1983-10)
Saiteninstrumente:
The “A” Strings (in 1983-10)
Schlagzeug:
Gene Chrisman (in 1983-10)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1983-10)
Hintergrundgesang:
Andy Black (vocalist, worked with Willie Nelson) (in 1983-10), Chips Moman (in 1983-10), Sherrill Parks (in 1983-10), Toni Wine (in 1983-10), Bobby Wood (American pianist, keyboard player and songwriter) (in 1983-10) und Rick Yancey (backing vocalist) (in 1983-10)
vocals:
Willie Nelson (in 1983-10)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
cover recording of:
City of New Orleans (in 1983-10)
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
live cover recording of:
City of New Orleans
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
recording of:
City of New Orleans
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Willie Nelson44:49
91I’m Gonna Be a Wheel Someday
recording engineer:
Peter Henderson (English sound engineer) (am 1987-07-20)
Produzent(in):
Paul McCartney (The Beatles)
Bass und Sologesang:
Paul McCartney (The Beatles) (am 1987-07-20)
Gitarre:
Mick Green (English guitarist) (am 1987-07-20)
Klavier:
Mick Gallagher (UK hammond organ player) (am 1987-07-20)
Schlagzeug:
Chris Whitten (am 1987-07-20)
aufgenommen bei:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-22)
cover recording of:
I'm Gonna Be a Wheel Some Day (am 1987-07-20)
Verfasser(in):
Antoine Dominique Domino (Fats Domino), Dave Bartholomew und Roy Hayes
Paul McCartney4:11
92You Can’t Hurry Love
Produzent(in):
Dave Edmunds
cover recording of:
You Can’t Hurry Love
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Stray Cats33:46
93Against the Wind
recording engineer, Techniker(in), Produzent(in) und Mix:
Bill Szymczyk
Akustikgitarre, Gitarre und Sologesang:
Bob Seger
Bass und Bassgitarre:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
E-Gitarre und Solo-Gitarre:
Drew Abbott
Gast-Orgel, Klavier, Orgel und Solo-Klavier:
Paul Harris (American keyboardist/pianist session player)
Saxophon:
Alto Reed
Schlagzeug und Schlagzeug und Perkussion:
David Teegarden
Gast Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Bob Seger
vocals:
Bob Seger
phonographisches Urheberrecht (℗) von:
Hideout Records & Distributors, Inc. (in 1980)
aufgenommen bei und mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, Vereinigte Staaten
recording of:
Against the Wind
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) und Gear Publishing Co (in 1980)
Bob Seger3.255:28
94Heart of Gold
Produzent(in):
Chips Moman
Bass und Mandoline:
Mike Leech (Nashville session musician and arranger) (in 1984)
Fiddle:
Johnny Gimble (in 1984)
Gitarre:
J. R. Cobb (in 1984), Chips Moman (in 1984), Willie Nelson (in 1984) und Reggie Young (guitarist and songwriter) (in 1984)
Keyboard:
Bobby Emmons (in 1984) und Bobby Wood (American pianist, keyboard player and songwriter) (in 1984)
Mundharmonika:
Mickey Raphael (in 1984)
Saiteninstrumente:
The “A” Strings (in 1984)
Schlagzeug:
Gene Chrisman (in 1984)
Synclavier:
Bobby Emmons (in 1984)
Hintergrundgesang:
J. R. Cobb, Paul Davis (American singer) (in 1984), David Mayo (in 1984), Willie Nelson (in 1984), Rebecca Evans Russell (in 1984), Sam Shoup (in 1984), Stephony Smith (American singer/songwriter) (in 1984), Toni Wine (in 1984) und Rick Yancey (backing vocalist) (in 1984)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (in 1984) und Pedernales Recording Studio in Spicewood, Texas, Vereinigte Staaten (in 1984)
cover recording of:
Heart of Gold (in 1984)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Hipgnosis Songs Fund Limited, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und Silver Fiddle Music (in 1971)
Willie Nelson13:09
95Knockin’ on Heaven’s Door
Techniker(in):
Dan Wallin
Produzent(in):
Gordon Carroll (producer)
Bassgitarre:
Terry Paul (in 1973-02)
Gitarre:
Bob Dylan (in 1973-02) und Roger McGuinn (in 1973-02)
Harmonium, Orgel und Spinet:
Carl Fortina (in 1973-02)
Schlagzeug:
Jim Keltner (in 1973-02)
Hintergrundgesang:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) und Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan4.72:29
96Blowin’ in the Wind
Peter, Paul & Mary2:56
97Gentle on My Mind
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor) (am 1967-05-17)
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
cover recording of:
Gentle on My Mind (am 1967-05-17)
Texter und Komponist(in):
John Hartford
publisher:
Acuff Rose Publications Ltd. und Ensign Music Corp.
Glen Campbell42:59
98Honey Don’t
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (von 1955-12 bis 1966-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
recording of:
Honey, Don’t! (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins42:54
99Midnight Special
recording engineer:
Peter Henderson (English sound engineer) (am 1987-07-20)
Produzent(in):
Paul McCartney (The Beatles)
Bass und Sologesang:
Paul McCartney (The Beatles) (am 1987-07-20)
Gitarre:
Mick Green (English guitarist) (am 1987-07-20)
Klavier:
Mick Gallagher (UK hammond organ player) (am 1987-07-20)
Schlagzeug:
Chris Whitten (am 1987-07-20)
aufgenommen bei:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-22)
cover recording of:
Midnight Special (am 1987-07-20)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Union Songs AB (publisher)
Paul McCartney3:57
100Riders in the Sky
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend
Texter und Komponist(in):
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (am 1948-06-05)
publisher:
Prophecies Publishing, Revega Music und WB Music Corp. (1929–2019)
Version von:
Spookrijder in de nacht
Roy Clark2:42

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/6490433 [Info]
bestellen:OZON.ru [Info]

Veröffentlichungsgruppe

Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 29)