101 Number Ones

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
#TitleArtistRatingLength
1Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.853:31
2Tomorrow
recording engineer and mixer:
Kevin Shirley (producer & mixer)
producer:
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
recorded at:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
mixed at:
Eclipse Studio in Sydney, New South Wales, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 17)
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4.14:25
3I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
4Hazard (edit)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1992)
recording of:
Hazard
lyricist and composer:
Richard Marx
publisher:
Chi‐Boy Music and EMI Songs Ltd.
Richard Marx4:46
5Mouth
other vocals [percussion]:
Jason Catherine
phonographic copyright (℗) by:
BMG Australia (use with caution, be prepared to prove your edit!) (in 1994), Gotham Records (AU label associated with John Farnham) (in 1994) and Gotham Multimedia (in 1995)
recording of:
Mouth
writer:
Merril Bainbridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Merril Bainbridge43:25
6Love… Thy Will Be Done (single version)
additional producer:
Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Love… Thy Will Be Done (in 1991)
writer:
Martika (American singer‐songwriter and actress) and Prince (“The Artist Formerly Known as…”)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (, in 1991), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1991), Girlsongs (publisher) (in 1991) and Tika Tunes (publisher) (in 1991)
Martika24:20
7All I Wanna Do Is Make Love to You
recording engineer:
Phil Kaffel (in 1989)
producer:
Richie Zito
mixer:
Phil Kaffel
additional keyboard:
Kim Bullard (in 1989)
drums (drum set):
Denny Carmassi (in 1989)
electric bass guitar [bass]:
Mark Andes (in 1989)
guitar:
Nancy Wilson (guitarist/singer of “Heart”) (in 1989)
background vocals and lead vocals:
Ann Wilson (lead singer of Heart) (in 1989)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1989) and One on One Studios in North Hollywood, Los Angeles, California, United States (in 1989)
recording of:
All I Wanna Do Is Make Love to You (version first recorded by Heart) (in 1989)
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
publisher:
Zomba Enterprises, Inc. (ended), Imagem London Ltd., Out-of-Pocket Productions Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (from 1979 to ????)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
version of:
All I Want to Do Is Make Love to You (original version as recorded by Dobie Gray)
Heart3.85:06
8I’d Do Anything for Love (But I Won’t Do That) (radio edit)
producer:
Jim Steinman
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf35:22
9Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:06
10The Horses (2007 remaster)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1990) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 30)
cover recording of:
The Horses
writer:
Walter Becker and Rickie Lee Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Universal/MCA Music Publishing Pty Ltd and Easy Money Music (in 1989)
Daryl Braithwaite4:13
11I’ve Been Thinking About You
producer and mixer:
Martyn Phillips (producer, engineer, multi-instrumentalist)
bass guitar:
William Henshall (Londonbeat)
electric guitar:
John Turnbull
piano and synthesizer:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat)
background vocals:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), William Henshall (Londonbeat) and John Turnbull
lead vocals:
Jimmy Helms (soul singer)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1990)
recording of:
I’ve Been Thinking About You
writer:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) and William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat43:47
12Opposites Attract (7ʺ edit)
producer:
Oliver Leiber
recording of:
Opposites Attract
lyricist and composer:
Oliver Leiber
Paula Abdul43:46
13(I Can’t Help) Falling in Love With You
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB403.253:22
14Ice Ice Baby (edit)
producer:
Vanilla Ice
vocals:
Vanilla Ice
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1990) and SBK Records (in 1990)
samples:
Under Pressure by Queen (UK rock group) & David Bowie (English singer‐songwriter)
music videos:
Ice Ice Baby by Vanilla Ice
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 49)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.254:31
15U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:13
16Rush
assistant engineer:
Serge Glanzberg and Dave Mercer
engineer:
Andre Shapps
producer:
Mick Jones (The Clash/Big Audio Dynamite), Olimax and DJ Shapps
bass:
Gary Stonadge
drums (drum set):
Chris Kavanagh
guitar:
Nick Hawkins and Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh and Gary Stonadge
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite II4.54:18
17Don’t Go Now
recording of:
Don’t Go Now
writer:
Simon Day (Australian musician, member of Ratcat) and Robyn St. Clare
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Ratcat3:12
18I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:36
19Swing the Mood
cover recording of:
Swing the Mood
writer:
Jive Bunny (Jive Bunny)
medley of:
Let’s Twist Again
medley of:
In the Mood
medley of:
Rock Around the Clock (Bill Haley’s version)
medley of:
Rock‐a‐Beatin’ Boogie
medley of:
Tutti Frutti
medley of:
Wake Up Little Susie
medley of:
C’mon Everybody
medley of:
Hound Dog
medley of:
Shake, Rattle and Roll
medley of:
All Shook Up
medley of:
Jailhouse Rock
medley of:
At the Hop
Jive Bunny & the Mastermixers44:45
4Digital Media
5Digital Media

Credits

Release

manufactured by and marketed by:EMI Music Australia Pty. Limited (not for release label use!)
copyrighted (©) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2012)
phonographic copyright (℗) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2012)
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2012)
stream for free:https://open.spotify.com/album/01vvr0fW0U3Sxm0CYwItxW [info]

Release group

part of:101 Hits (Australian compilation series) (number: Number Ones) (order: 21)