Tracklist

1Hybrid SACD (SACD layer, multichannel)
#TitleArtistRatingLength
1Canticum ad beatam Virginem Mariam - Canticum in honorem Beate Virginis Mariae inter homines et angelos (H.400)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Canticum in honorem Beatae Virginis Mariae inter homines et angelos, H. 400
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 400)
Marc‐Antoine Charpentier11:04
2Canticum ad beatam Virginem Mariam - Symphonie devant Regina (coeli) : Prélude à 3 (H.509)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Symphonie devant Regina, H. 509
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 509)
Marc‐Antoine Charpentier0:44
3Canticum ad beatam Virginem Mariam - Pour la conception de la Vierge (H.313)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Pour la conception de la Vierge, H. 313
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 313)
Marc‐Antoine Charpentier2:54
4Canticum ad beatam Virginem Mariam - Nativité de la Vierge (H.309)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Nativité de la Vierge, H. 309
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 309)
Marc‐Antoine Charpentier4:54
5Canticum ad beatam Virginem Mariam - Prélude pour Salve Regina à 3 (H.23a)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Prélude pour Salve Regina à 3, H. 23a
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 23a)
Marc‐Antoine Charpentier1:05
6Canticum ad beatam Virginem Mariam - Salve Regina à trois voix pareilles (H.23)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Salve Regina à trois voix pareilles, H. 23
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 23)
Marc‐Antoine Charpentier7:17
7Canticum ad beatam Virginem Mariam - Pour la fête de l'Épiphanie (H.395)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Pour la fête de l'Epiphanie, H. 395
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 395)
Marc‐Antoine Charpentier7:03
8Canticum ad beatam Virginem Mariam - Prélude pour le Magnificat à quatre voix (H.533)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Prélude pour le Magnificat à quatre voix, H. 533
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 533)
Marc‐Antoine Charpentier1:06
9Canticum ad beatam Virginem Mariam - [Magnificat] (H.80)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Magnificat, H 80
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 80)
Marc‐Antoine Charpentier8:22
10Canticum ad beatam Virginem Mariam - Stabat mater pour les religieuses (H.15)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Stabat mater pour des religieuses, H. 15
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 15)
Marc‐Antoine Charpentier13:02
11Canticum ad beatam Virginem Mariam - Litanies de la Vierge à 6 voix et deux dessus de violes (H.83)
recording engineer:
Maria Bernstein (audio engineer) and Michel Bernstein (French record producer)
editor:
Pierre Deschamps (French sound engineer)
bass viol:
Eunice Brandão (Classical viol & viola da gamba player)
harpsichord and organ:
Pierre Hantaï (harpsichordist and organist)
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
treble viol [dessus de viole]:
Sergi Casademunt (classical viol and double bass player) and Jordi Savall (viol player, conductor and composer)
violone:
Lorenz Duftschmid (Austrian viol player and conductor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Maite Arruabarrena (Spanish / Basque mezzo-soprano), Montserrat Figueras (soprano) and María Cristina Kiehr (soprano)
tenor vocals:
John Elwes (tenor)
vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
orchestra:
Le Concert des Nations
conductor:
Jordi Savall (viol player, conductor and composer)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1989-02)
edited at:
Studio Pierre Verany Numérique in Paris, Île-de-France, France
recording of:
Litanies de la Vierge, H. 83
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 83)
Marc‐Antoine Charpentier17:17
2Hybrid SACD (SACD layer, multichannel)
3DVD-Video