Moonlight Recordings, Volume 05 (2004/05)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.33:44
2Too YoungPhoenix4.53:19
3Head Over Heals
producer:
Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
music videos:
Head Over Heels (music video) by Tears for Fears
recording of:
Head Over Heels
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
Tears for Fears44:16
4Let's Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:17
5Dry the Rain
recording of:
Dry the Rain
writer:
Gordon Anderson (Lone Pigeon/The Aliens), Steve Duffield, Richard Greentree, Robin Jones (member of The Beta Band and The Aliens), John Maclean (former member of The Beta Band.) and Steve Mason (ex‐Beta Band / King Biscuit Time / Black Affair)
The Beta Band4.46:07
6Island in the Sun
recording of:
Island in the Sun (Weezer)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
publisher:
E.O. Smith Music
Weezer3:21
7Payback
recording engineer:
Lowell Dorn
producer:
James Brown (The Godfather of Soul)
mixer:
Bob Both
lead vocals:
James Brown (The Godfather of Soul)
performer:
Fred Wesley and The J.B.’s
arranger:
James Brown (The Godfather of Soul)
recorded at:
International Recording in Augusta, Georgia, United States
mixed at:
Advantage Sound in New York, New York, United States
recording of:
The Payback
lyricist and composer:
James Brown (The Godfather of Soul), John Starks and Fred Wesley
James Brown3.97:41
8Paid in Full
engineer:
Patrick Adams (US disco, soul, boogie songwriter and producer) and Elai Tubo
producer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1987)
recorded at and mixed at:
Power Play Studios in New York, New York, United States
samples:
Ashley’s Roachclip by The Soul Searchers and Change the Beat (French Rap) by Beside
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 132)
recording of:
Paid in Full
writer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
Eric B. & Rakim4.653:53
9#1 Crush
additional programming:
Marius de Vries
engineer:
Jim Abbiss
additional producer:
Nellee Hooper
producer:
Garbage (US rock band)
mixer:
Nellee Hooper
bass:
Daniel Shulman (bass guitarist)
remixer:
Nellee Hooper
recording of:
#1 Crush
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
Garbage3.64:47
10Beautiful Day
EELS4:00
11The Stomp
The Hives1:56
12Oh Yeah
producer:
Yello (Swiss electronica duo)
guest drums (drum set):
Beat Ash
guest guitar:
Chico Hablas
phonographic copyright (℗) by:
Phonogram GmbH (in 1985)
recorded at:
Yello Studio in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 48)
recording of:
Oh Yeah
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. and Neue Welt (in 1985)
Yello43:07
13Don't You Forget About Me
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:22
14You're Nobody Until Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.352:15
15A Childs Claim to Fame
recording engineer:
Jim Messina (in 1967) and Brian Ross-Myring (on 1967-06-21)
producer:
Richie Furay
bass:
Bruce Palmer (from 1967-06-21 until 1967)
drums (drum set):
Dewey Martin (from 1967-06-21 until 1967)
guitar:
Richie Furay (from 1967-06-21 until 1967), Stephen Stills (from 1967-06-21 until 1967) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-21 until 1967)
resonator guitar [dobro]:
James Burton (guitarist) (from 1967-06-21 until 1967)
lead vocals:
Richie Furay (from 1967-06-21 until 1967)
vocals:
Stephen Stills (from 1967-06-21 until 1967) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-21 until 1967)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States (in 1967) and Columbia Recording Studios in Hollywood, Los Angeles, California, United States (on 1967-06-21)
recording of:
A Child's Claim to Fame (from 1967-06-21 until 1967)
lyricist and composer:
Richie Furay
publisher:
Cotillion Music Inc. (BMI), Greene Knight Music (BMI), Richie Furay Music (BMI), Sound Harmonics (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield42:14
16Glory Box
programming:
Geoff Barrow
engineer:
Dave McDonald (sound engineer for Portishead)
co-producer:
Adrian Utley
producer:
Portishead
Hammond organ [Hammond] and guitar:
Adrian Utley
lead vocals:
Beth Gibbons
samples:
Ike’s Rap II by Isaac Hayes and Medley: Ike’s Rap II / Help Me Love by Isaac Hayes
music videos:
Glory Box (music video) by Portishead
recording of:
Glory Box
writer:
Geoff Barrow, Beth Gibbons, Isaac Hayes and Adrian Utley
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
Ike’s Rap II
Portishead3.955:07
17Waiting in Line
producer and mixer:
Zero 7
compiler:
Aurore Leblanc
bass:
Pete Trotman
drums (drum set):
Jeremy Stacey
guitar:
Dedi Madden
vocals:
Sophie Barker (UK electronic vocalist)
phonographic copyright (℗) by:
Ultimate Dilemma Records (in 2001)
mixed at:
Shabang Studios
produced at:
Shabang Studios
music videos:
In the Waiting Line (Music video) by Zero 7
recording of:
In the Waiting Line
writer:
Sophie Barker (UK electronic vocalist), Henry Binns and Sam Hardaker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 74.64:34
18Somersault
Decoder Ring2:39