100 Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded (Spotify + Deezer)

(As of 2020-08-07).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotazione modificata l'ultima volta il 2021-08-19 11:09 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Have I Told You Lately
produttore:
Bernard Edwards (American bassist and record producer) e Rod Stewart
batteria [Drums] :
Rave Calmer (drummer)
chitarra :
Jeff Golub
chitarra basso :
Bernard Edwards (American bassist and record producer)
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Chuck Kentis
voce principale:
Rod Stewart
arrangiatore archi :
Bruce Miller (US composer and arranger)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1991) e Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (nel 1995)
registrazione cover di:
Have I Told You Lately
paroliere e compositore:
Van Morrison
autore aggiunto:
Scott Wiseman
editore:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Intersong Music Ltd. (nel 1989)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Rod Stewart4:02
2What’s Love Got to Do With It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.153:47
3Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
4Is This Love
produttore:
Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
batteria e percussione :
Aynsley Dunbar
chitarra e voce di accompagnamento:
John Sykes
chitarra basso :
Neil Murray (British bass guitar player)
tastiera :
Don Airey
tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Whitesnake Productions (Overseas) Ltd. (nel 1987, nel 2008) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2008)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:44
5Easy
produttore:
Faith No More (dal 1992-01 al 1992-03) e Matt Wallace (US producer & engineer) (dal 1992-01 al 1992-03)
produttore aggiunto:
Faith No More (nel 1993) e Matt Wallace (US producer & engineer) (nel 1993)
basso elettrico :
Billy Gould (dal 1992-01 al 1992-03)
batteria :
Mike Bordin (American drummer) (dal 1992-01 al 1992-03)
chitarra elettrica :
Jim Martin (ex-Faith No More guitarist) (dal 1992-01 al 1992-03)
tastiera :
Roddy Bottum (dal 1992-01 al 1992-03)
tastiera aggiunto:
Billy Gould (nel 1993)
voce principale:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (dal 1992-01 al 1992-03)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!)
remix di:
Easy (1992 first version – with spoken word intro) di Faith No More
video musicali:
Easy di Faith No More
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 9)
registrazione cover di:
Easy (dal 1992-01 al 1993)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Faith No More4.53:08
6I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
7Tell Laura I Love Her
voce:
Ricky Valance
registrazione cover di:
Tell Laura I Love Her
paroliere:
Ben Raleigh
compositore:
Jeff Barry
editore:
E.B. Marks Music Corp. e Steeplechase Music
Ricky Valance2:40
8Sara
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
registrazione di:
Sara (nel 1985)
autore:
Ina Wolf e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc., Kikiko Music e Petwolf Music
Starship4.44:53
9Free (radio mix)
diritti fonografici (℗) detenuti da:
No Reserve (dal 2008 a oggi)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 2011)
registrazione di:
Free
paroliere e compositore:
Zac Brown (US country musician)
editore:
Weimerhound Publishing
Zac Brown Band13:46
10Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
11Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:12
12Power of Love
produttore:
David Kershenbaum
registrazione cover di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Laura Branigan5:25
13High Enough
registrazione di:
High Enough
autore:
Jack Blades (of Night Ranger), Ted Nugent e Tommy Shaw (of Styx)
Damn Yankees4:18
14I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.253:20
15Almaz
produttore:
Reggie Lucas
arrangiatore:
Reggie Lucas
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
è stato produttore per:
Kalisa, Inc.
registrazione di:
Almaz
orchestratore:
Wil Malone
autore:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford44:07
16Hunting High and Low
programmazione degli strumenti:
Magne Furuholmen
produttore:
Tony Mansfield (producer & songwriter)
tecnico di missaggio:
John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
The Downloader’s Music Source Book (numero: 276)
registrazione di:
Hunting High and Low
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. (nel 1984)
a‐ha3.453:44
17Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54
18When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:56
19I’ll Be
registrazione di:
I'll Be
compositore:
Edwin McCain
Edwin McCain3.254:27
20Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Little Anthony & the Imperials2.52:17
21When the Children Cry
assistente tecnico:
Garth Richardson (Canadian music producer and engineer)
tecnico, produttore e tecnico di missaggio:
Michael Wagener
chitarra :
Vito Bratta
voce principale:
Mike Tramp
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987)
registrazione di:
When the Children Cry
paroliere e compositore:
Vito Bratta
autore:
Mike Tramp
White Lion3.54:24
22True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
23Rough Boy
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
registrazione di:
Rough Boy
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Ltd., Music of Stage Three, Songs of Mosaic e Hamstein Music Company (publisher) (nel 1985)
ZZ Top3:50
24I Need You
registrazione di:
I Need You
paroliere e compositore:
Eric Carmen
editore:
C.A.M.-USA, Inc., Eric Carmen Music e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Frankie Valli3:29
25You’ll Never Walk Alone
esecutore:
Gerry and the Pacemakers
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1963) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione cover di:
You’ll Never Walk Alone (Carousel)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
26Bridge Over Troubled Water
registrazione cover di:
Bridge Over Troubled Water
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Paul Simon (of Simon & Garfunkel) (nel 1969)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Cilla Black4:35
27Wishing on a Star
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce44:53
28Unchained Melody
registrazione di:
Unchained Melody
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Matt Monro3:15
29Wonderful World
registrazione cover di:
Wonderful World
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
The Flying Pickets2:48
30Desperado
tecnico:
John Haeny
produttore:
J.D. Souther
tecnico di missaggio:
Al Schmitt
basso :
Chris Ethridge
batteria :
Dennis St. John
chitarra elettrica :
J.D. Souther
pianoforte :
Spooner Oldham
tromba :
Darrell Leonard e Mac Johnson
trombone :
Gail Martin
voce di accompagnamento:
Clydie King, Sherlie Matthews (US vocalist) e Marti McCall (session vocalist)
arrangiatore corno e archi :
Jim Ed Norman
registrazione cover di:
Desperado
autore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) e Don Henley
editore:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Warner Bros. Music GmbH (publisher) (nel 1981)
Linda Ronstadt3:32
31Both Sides Now
registrazione di:
Both Sides Now
paroliere e compositore:
Joni Mitchell
arrangiatore:
Benedikt Jahnel
editore:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
32Nothing’s Gonna Change My Love for You
produttore:
Michael Masser
tecnico di missaggio:
Bill Schnee
batteria :
Carlos Vega
chitarra :
Dann Huff e Paul Jackson (jazz bassist)
chitarra basso :
Nathan East
chitarra solista e voce principale:
George Benson (jazz guitarist/singer)
tastiera :
Robbie Buchanan (Canadian producer)
voce di accompagnamento:
Richard Marx e Deborah Thomas (soul/disco singer)
arrangiatore:
Robbie Buchanan (Canadian producer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
mixata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
George Benson4:01
33Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:54
34To Know Him Is to Love Him
tecnico di registrazione e produttore:
George Massenburg
tecnico di mastering:
Doug Sax
assistente tecnico:
Sharon Rice (Los Angeles sound engineer)
basso acustico :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
batteria :
Russ Kunkel (session drummer)
chitarra :
Ry Cooder
chitarra acustica :
Albert Lee (guitarist)
chitarra hawaiiana e mandolino :
David Lindley
voce:
Emmylou Harris, Dolly Parton e Linda Ronstadt
registrazione cover di:
To Know Him Is to Love Him (dal 1986-01 al 1986-11)
paroliere e compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. e Vogue Music
Dolly Parton, Linda Ronstadt & Emmylou Harris3.653:50
35Waterfalls (acoustic version)
Stooshe3:41
36Gloria
The Cadillacs2:54
37Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:49
38Do Right Woman, Do Right Man
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
organo :
Spooner Oldham (il 1967-01-24)
pianoforte :
Aretha Franklin (dal 1967-01-24 al 1967-01)
voce:
Aretha Franklin (dal 1967-01-24 al 1967-01)
voce di accompagnamento:
Carolyn Franklin (il 1967-01-24), Erma Franklin (il 1967-01-24) e Cissy Houston (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1967-01) e Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 473)
registrazione di:
Do Right Woman, Do Right Man (dal 1967-01-24 al 1967-01)
autore:
Chips Moman e Dan Penn (songwriter, soul singer)
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Aretha Franklin53:17
39Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:45
40Only One Woman
registrazione cover di:
Only One Woman
paroliere e compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
Alien4:12
41Don’t Close Your Eyes
tecnico:
Duane Baron
produttore:
Tom Werman
tecnico di missaggio:
Duane Baron e John Purdell
batteria :
Jimmy Chalfant
chitarra :
Brian Forsythe e Ronnie Younkins
chitarra basso e tastiera :
Donnie Purnell
voce di accompagnamento:
Jimmy Chalfant e Donnie Purnell
voce principale:
Steve Whiteman
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988)
registrazione di:
Don't Close Your Eyes
autore:
Bob Halligan, Jr. (founder of Ceili Rain), John Palumbo e Donnie Purnell
Kix54:17
42All I Have to Do Is Dream (single version)
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:20
43Cats in the Cradle
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
44Love Will Save the Day
voce:
Keith Duffy (Member of Boyzone), Mikey Graham e Shane Lynch
voce principale:
Ronan Keating
registrazione di:
Love Will Save the Day
autore:
Jez Ashurst e Viktoria Hansen
Boyzone3:13
45Bad Day
tecnico di registrazione:
David Boucher e Jeff Dawson
programmazione:
Jeff Dawson
produttore:
Jeff Dawson e Mitchell Froom
tecnico di missaggio:
David Boucher
basso :
Davey Faragher e Darren Parris
batteria [drums] :
Matt Chamberlain (American drummer), Brendan Ostrander e Pete Thomas (drummer)
chitarra [guitars] :
Jeff Dawson e Val McCallum (guitarist & singer-songwriter)
tastiera [keyboards] :
Daniel Powter (Canadian singer-songwriter and pianist)
tastiera [keyboards] aggiunto:
Mitchell Froom
voce:
Daniel Powter (Canadian singer-songwriter and pianist)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2005) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Area A. in Los Angeles, California, Stati Uniti e Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Bad Day
paroliere e compositore:
Daniel Powter (Canadian singer-songwriter and pianist)
editore:
Song 6 Music
Daniel Powter3.153:55
46Twist in My Sobriety
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.454:51
47I’ll Be Standing By
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2016)
Foghat45:52
48Night Calls
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Jeff Lynne
altri strumenti [all other instruments] :
Jeff Lynne (nel 1991)
batteria :
Jim Keltner (nel 1991)
chitarra :
Mike Campbell (US funk guitarist for Change & M-Zee Band) (nel 1991)
voce di accompagnamento e voce di accompagnamento [backing vocals]:
Cydney Davis (nel 1991) e Maxine Sharp (nel 1991)
voce principale:
Joe Cocker (nel 1991)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1991)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti (nel 1991)
registrazione di:
Night Calls (nel 1991)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc.
Joe Cocker3.653:28
49Open My Heart (extended version)
Yolanda Adams4:45
50Fly High Michelle
assistente tecnico:
Dave Kent (engineer) e Michael Koppelman (Minneapolis producer and engineer)
tecnico:
Dan Harjung
tecnico aggiunto:
Rich Denhart (producer/engineer)
co-produttore:
Enuff Z’Nuff
produttore:
Enuff Z’Nuff e Ron Fajerstein
tecnico di missaggio:
Paul Lani
basso elettrico :
Chip Z’Nuff
batteria :
Vic "Vikki" Foxx (US hard rock drummer)
chitarra elettrica [lead guitar] :
Derek Frigo
voce principale:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrata presso e mixata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti
video musicali:
Fly High Michelle (music video) di Enuff Z’Nuff
registrazione di:
Fly High Michelle
paroliere e compositore:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
editore:
Enuff Z’Nuff Songs Inc., Fajerstein Music Inc. e Octa Music Inc.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Enuff Z’Nuff34:16
51Will You Love Me Tomorrow
Helen Shapiro3:26
52Lonely Avenue
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Roosevelt "Whiskey" Sheffield (il 1956-05-16)
batteria :
William Peeples (il 1956-05-16)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1956-05-16)
sassofono baritono [baritone sax] :
Emmott Dennis (il 1956-05-16)
sassofono tenore [tenor sax] solista :
David “Fathead” Newman (American jazz saxophonist) (il 1956-05-16)
tromba :
Joe Bridgewater (il 1956-05-16) e John Hunt (trumpeter) (il 1956-05-16)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1956-05-16)
voce di accompagnamento:
The Cookies (50s girl group) (il 1956-05-16)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-05-16)
registrazione di:
Lonely Avenue (il 1956-05-16)
paroliere e compositore:
Doc Pomus
editore:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles32:36
53Blue Velvet
The Clovers2:38
54Just When I Needed You Most
produttore:
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1979) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1979)
registrazione di:
Just When I Needed You Most
paroliere e compositore:
Randy VanWarmer
editore:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Randy VanWarmer4:02
55Baby, I Love Your Way
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Big Mountain34:10
56Through the Fire
registrazione di:
Through the Fire
autore:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) e Cynthia Weil
editore:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:18
57Love Hurts
tecnico e tecnico di missaggio:
Hugh Davies (US recording engineer)
produttore:
Gram Parsons
basso :
Emory Gordy (dal 1973-05 al 1973-09)
batteria :
Ron Tutt (drummer) (dal 1973-05 al 1973-09)
chitarra [rhythm guitar] :
Herb Pedersen (nel 1973)
chitarra acustica e voce principale:
Gram Parsons (dal 1973-05 al 1973-09)
chitarra elettrica :
James Burton (guitarist) (dal 1973-05 al 1973-09)
chitarra pedal steel :
Al Perkins (Texas born guitarist esp. steel guitar) (dal 1973-05 al 1973-09)
pianoforte :
Glen D. Hardin (dal 1973-05 al 1973-09)
voce:
Emmylou Harris (dal 1973-05 al 1973-09)
registrazione cover di:
Love Hurts (nel 1973)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:42
58Love Is
produttore:
Alan Parsons (of The Alan Parsons Project)
registrazione di:
Love Is
paroliere e compositore:
David Paton (of Pilot)
Pilot3:15
59Hold On
registrazione di:
Hold On
autore:
Kevin Savigar, Stephanie Tyrell, Steve Tyrell (American producer and vocalist) e Jamie Walters
Jamie Walters44:25
60Dream Lover
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1959)
registrazione di:
Dream Lover
paroliere e compositore:
Bobby Darin
editore:
Screen Gems–EMI Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:31
61Angel of Mine
registrazione di:
Angel of Mine
autore:
Rhett Lawrence e Travon Potts
editore:
Polygram Music, Rhettrhyme Music e Warner Chappell Music, Inc.
Eternal2.754:19
62Always
tecnico:
Rory Young
produttore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
63It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:03
64Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
65Lover of Mine
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Paul Lani
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
Lover of Mine
autore:
Kit Johnson, Alannah Myles, David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
Alannah Myles44:37
66Please Don’t Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC and the Sunshine Band43:50
67Think a Little Less
Michael Ray32:57
68Push
assistente tecnico di registrazione:
John Nielsen (engineer)
tecnico:
Jeff Tomei
produttore:
Matt Serletic
assistente tecnico di missaggio:
Malcolm Springer
tecnico di missaggio:
Greg Archilla e Matt Serletic
editor:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
batteria [drums] :
Paul Doucette (member of Matchbox Twenty)
chitarra [lead guitar] :
Kyle Cook (member of Matchbox Twenty)
chitarra [rhythm guitar] :
Adam Gaynor
chitarra basso [bass] :
Brian Yale
voce:
Rob Thomas (Matchbox Twenty)
voce di accompagnamento [BG’s]:
Kyle Cook (member of Matchbox Twenty) e Adam Gaynor
registrata presso:
Triclops Recording in Atlanta, Georgia, Stati Uniti
mixata presso:
House of Blues Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Push
autore:
Matt Serletic e Rob Thomas (Matchbox Twenty)
editore:
EMI Blackwood Music Inc., Melusic e U Rule Music
Matchbox Twenty3.353:59
69The Price
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer) e Greg Laney
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Price
paroliere e compositore:
Dee Snider
editore:
Universal Tunes
Twisted Sister3.63:49
70After the Love Has Gone
registrazione cover di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Damage4:35
71Everchanging Times (from “Baby Boom”)
Siedah Garrett4:35
72This Is Love
Dionne Warwick3:32
73If I Have to Wait
Toni Braxton43:57
74Love at First Sight
tecnico di registrazione e programmazione:
Martin Harrington, Ash Howes (British mixer, writer and musician) e Alvin Sweeney
produttore:
Julian Gallagher (songwriter, producer) e Richard “Biff” Stannard
tecnico di missaggio:
Ash Howes (British mixer, writer and musician)
chitarra :
Martin Harrington
piano Rhodes :
Julian Gallagher (songwriter, producer)
tastiera :
Martin Harrington e Ash Howes (British mixer, writer and musician)
voce di accompagnamento:
Kylie Minogue e Richard “Biff” Stannard
voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e Kaydeebee Pty Ltd (nel 2001)
mixata presso:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Love at First Sight
autore:
Julian Gallagher (songwriter, producer), Martin Harrington, Ash Howes (British mixer, writer and musician), Kylie Minogue e Richard “Biff” Stannard
editore:
Biffco Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Mushroom Music International e Sony Music Publishing (1995–2020)
Kylie Minogue3.73:58
75The Power of Love
tecnico di registrazione:
David Kosten e Mike Spencer (UK producer)
co-produttore:
Mike Spencer (UK producer)
produttore:
David Kosten
tecnico di missaggio:
Mike Spencer (UK producer)
basso , batteria , chitarra , percussione e pianoforte [additional piano] :
Mike Spencer (UK producer)
pianoforte [pianos] , voce di accompagnamento e voce principale:
Gabrielle Aplin
tastiera [keyboards] :
David Kosten e Mike Spencer (UK producer)
violoncello [cellos] :
Augusta Harris (cellist)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2012)
registrazione cover di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Gabrielle Aplin3.54:05
76Letter to My Daughters
chitarra e tastiera :
Michael Bradford
chitarra resofonica [Dobro] , mandolino e violino folk :
Wanda Vick
contrabbasso :
Larry Paxton
Uncle Kracker23:08
77It’s Been Awhile
produttore:
Josh Abraham
tecnico di missaggio:
Andy Wallace (engineer)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2001)
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (numero: 2001), My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001) e My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001)
registrazione di:
It's Been Awhile
autore:
Johnny April (bassist in Staind), Aaron Lewis (lead vocalist for Staind), Mike Mushok (lead guitarist in Staind) e Jon Wysocki (drummer)
Staind44:25
78Love Is on the Way
tecnico e tecnico di missaggio:
Ronny Lahti (Swedish musician, songwriter)
produttore:
Jason Bieler
batteria e percussione :
Phil Varone (dal 1992-02 al 1992-03)
chitarra e tastiera :
Jason Bieler (dal 1992-02 al 1992-03)
chitarra basso :
Tom DeFile (dal 1992-02 al 1992-03)
voce:
Jason Bieler (dal 1992-02 al 1992-03) e Matt Kramer (dal 1992-02 al 1992-03)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e Third Stone Records (nel 1992)
registrata presso e mixata presso:
Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia (dal 1992-02 al 1992-03)
registrazione di:
Love Is on the Way (dal 1992-02 al 1992-03)
paroliere e compositore:
Jason Bieler
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), Baron von Bielski Music, Love Tribe Music, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Saigon Kick34:24
79Nothing Compares 2 U
Anthony Ventura4:09
80Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
81When I Need You
registrazione cover di:
When I Need You
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Buck Owens3:19
82Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
83If You Needed Somebody
assistente tecnico di registrazione:
Derek McCartney
tecnico di registrazione:
Tony Harris (UK producer/engineer) e Andrew Scarth
produttore:
Terry Thomas (Member of Charlie)
assistente tecnico di missaggio:
Karen Down
tecnico di missaggio:
Rafe McKenna e Terry Thomas (Member of Charlie)
batteria :
Simon Kirke
chitarra :
Mick Ralphs e Terry Thomas (Member of Charlie)
chitarra basso :
Felix Krish
organo Hammond e percussione :
Terry Thomas (Member of Charlie)
voce:
Brian Howe
voce di accompagnamento:
Lea Hart, Terry Thomas (Member of Charlie) e Tina Egan (Member of If Only)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1990) e WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1990)
registrata presso:
The Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
mixata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione di:
If You Needed Somebody
autore:
Brian Howe e Terry Thomas (Member of Charlie)
editore:
Phantom Music, Phantom Records, Inc. (Phantom Music Division), T.J.T. Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Bad Company54:21
84Missing You
Tyler Hilton3:36
85Only Women Bleed
produttore:
Bob Ezrin
batteria :
Whitey Glan
chitarra :
Steve Hunter (rock guitarist) e Dick Wagner
chitarra basso :
Prakash John
clavinet :
Jozef Chirowski
tastiera :
Jozef Chirowski e Bob Ezrin
voce di accompagnamento:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir e Dick Wagner
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arrangiatore:
Bob Ezrin e Allan MacMillan
diritti fonografici (℗) detenuti da:
Anchor Records Ltd. (nel 1975), Atlantic (Warner Music imprint) (nel 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1975) e Atlantic Records (do not use as release label, use “Atlantic” instead) (nel 1975)
remix di:
Only Women Bleed di Alice Cooper (the singer, active as a solo artist 1975‐present)
edit di:
Only Women Bleed di Alice Cooper (the singer, active as a solo artist 1975‐present)
registrazione di:
Only Women Bleed
autore:
Alice Cooper (the singer, active as a solo artist 1975‐present) e Dick Wagner
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Early Frost Music Corp. (, dal 1975 al ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1975 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.53:30
86Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:26
87I’ve Grown Accustomed to His Face
registrazione cover di:
I’ve Grown Accustomed to Her Face (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
Shelby Flint2:01
88How Deep Is Your Love
The Antonelli Orchestra3:46
89Crying in the Chapel
registrazione cover di:
Crying in the Chapel (il 1953-06-30)
paroliere e compositore:
Artie Glenn (nel 1953)
editore:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) e Mijac Music
The Orioles3:02
90It Must Have Been Love
Sanne Salomonsen4:25
91Stay With Me
produttore:
Jerry Ragovoy
direttore d'orchestra:
Garry Sherman (mid-20th century composer, arranger & conductor)
arrangiatore:
Jerry Ragovoy e Garry Sherman (mid-20th century composer, arranger & conductor)
registrazione di:
Stay With Me (nel 1966-07)
autore:
Jerry Ragovoy e George David Weiss
editore:
TRO Essex Music Ltd.
Lorraine Ellison43:30
92Falling
tecnico di registrazione:
Art Polhemus
co-produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
tecnico di missaggio:
Jay Healy
batteria :
Grady Tate
chitarra elettrica :
Vinnie Bell e Eddie Dixon
clarinetto e flauto :
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) e Al Regni
pianoforte :
Angelo Badalamenti (American score composer)
sassofono tenore :
Al Regni
sintetizzatore :
Angelo Badalamenti (American score composer) e Kinny Landrum
voce:
Julee Cruise (US singer and actress)
arrangiatore e orchestratore:
Angelo Badalamenti (American score composer)
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1990)
registrata presso:
Excalibur Sound in New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Falling (Twin Peaks theme song)
paroliere:
David Lynch (filmmaker)
compositore:
Angelo Badalamenti (American score composer)
editore:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
versione di:
Theme from Twin Peaks
parte di:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
93Ever Since the World Began
Tommy Shaw4:09
94I Don’t Want to Wait
tecnico di registrazione e tecnico di missaggio:
Roger Moutenot
produttore:
Paula Cole
voce:
Paula Cole
registrazione di:
I Don’t Want to Wait
paroliere e compositore:
Paula Cole
editore:
Ensign Music Publishing (nel 1996) e Hingface Music (nel 1996)
Paula Cole3.25:20
95Rise to the Occasion
tecnico:
John Gallen (UK music producer, recording & mix engineer.) e David Jacob
produttore:
Climie Fisher e Stephen Hague
percussione aggiunto:
Frank Ricotti (percussionist)
voce di accompagnamento:
View From the Hill
registrazione di:
Rise to the Occasion
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
Climie Fisher24:46
96I Remember You
tecnico di registrazione, produttore e tecnico di missaggio:
Michael Wagener
tecnico aggiunto:
Dave Kent (engineer)
batteria :
Rob Affuso
chitarra :
Scotti Hill e Dave “The Snake” Sabo
chitarra basso :
Rachel Bolan
voce di accompagnamento:
Rachel Bolan, Scotti Hill e Dave “The Snake” Sabo
voce principale:
Sebastian Bach (Canadian metal singer)
registrata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti (nel 1988)
registrazione di:
I Remember You
autore:
Rachel Bolan e Dave “The Snake” Sabo
Skid Row3.95:14
97If Love Don’t Come to Me
Freida Parton3:49
98Without You
diritti fonografici (℗) detenuti da:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (nel 1991)
registrazione cover di:
Without You
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Air Supply4:33
99(Everything I Do) I Do It for You
registrazione cover di:
(Everything I Do) I Do It for You
autore:
Bryan Adams (Canadian singer/songwriter) (il 1991-04-10), Michael Kamen (American score composer) (il 1991-04-10) e Robert John “Mutt” Lange (Robert John Lange) (il 1991-04-10)
editore:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Miracle Creek Music, Inc. (nel 1991), Zachary Creek Music Inc. (nel 1991) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (nel 1991)
parte di:
The 64th Academy Award for Best Original Song (numero: 2)
Brandy44:10
100I Swear
produttore:
David Foster (Canadian music producer, arranger and composer)
parte di:
The Downloader’s Music Source Book (numero: 389)
registrazione cover di:
I Swear
autore:
Gary Baker (songwriter) e Frank J. Meyers (country music singer, songwriter, record producer)
editore:
MorganActive Songs, Inc. e Rick Hall Music, Inc.
All‐4‐One44:20

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Group – X5 Music Group (nel 2020)
streaming gratuito:https://open.spotify.com/album/03KCaaQwWW2j52kJ4gKkxS [info]
https://www.deezer.com/album/134727062 [info]
pagina di streaming:Amazon Music US [info]
https://tidal.com/album/133279692 [info]