Double Shot: New Wave

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1New Moon on Monday
engineer:
Peter Wade-Schwier (producer, mixing and recording engineer) and Phil Thornalley
producer:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) and Alex Sadkin
arranger:
Duran Duran (English rock band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
New Moon on Monday
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.94:17
2Reap the Wild Wind
assistant engineer:
Jon Jacobs (UK producer/engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982, in 2025)
produced for:
AIR Studios Ltd.
additionally recorded at and additionally mixed at:
AIR Studios Montserrat in Saint Peter, Montserrat (from 1982-06 until 1982-08)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
edit of:
Reap the Wild Wind by Ultravox
music videos:
Reap the Wild Wind by Ultravox
recording of:
Reap the Wild Wind
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox53:44
3It's My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:55
4Hyperactive
recorded in:
Brussels (Brussels-Capital Region), Belgium (in 1983-06)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
electronic drum set and percussion:
Clif Brigden (in 1983-06)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
percussion:
Matthew Salt (in 1983-06)
piano:
Thomas Dolby (in 1983-06)
trombone:
Peter Thoms (trombone) (in 1983-06)
additional vocals:
Louise Ulfstedt (in 1983-06)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) and Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:14
5Lawnchairs
Our Daughter’s Wedding3:21
6Too Much Pressure
recording of:
Too Much Pressure
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter3:51
7Tenderness
producer:
Colin Fairley, General Public and Gavin MacKillop
guest bassoon:
Bob Porter (American record producer)
additional guest vocals and guest vocals:
Justine Carpenter
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 77)
recording of:
Tenderness
writer:
Micky Billingham, Roger Charlery and Dave Wakeling
publisher:
I.R.S. Music, Inc. and In General, Inc
General Public2.253:38
8Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl (Irish saxophonist)
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
9Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music and Plangent Visions Music
Fun Boy Three3.22:53
10Tell That Girl to Shut Up
producer:
Richard Gottehrer (American songwriter and music executive)
recording of:
Tell That Girl to Shut Up
lyricist and composer:
Holly Beth Vincent
Holly and the Italians4.53:01
11One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:29
12Good Girls Don't
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2013)
recording of:
Good Girls Don’t
lyricist and composer:
Doug Fieger (in The Knack)
The Knack43:10
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