Stan Getz Vol.2: Seven Classic Albums

~ Release by Stan Getz (see all versions of this release, 1 available)

Annotation

'Digitally remastered and enhanced for superior quality'

Annotation last modified on 2021-09-24 12:22 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Stan Getz - In Stockholm: Over the Rainbow
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1955-12-16)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Stan Getz5:25
2Stan Getz - In Stockholm: Get Happy
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
instrumental recording of:
Get Happy (on 1955-12-16)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Stan Getz5:14
3Stan Getz - In Stockholm: Jeepers Creepers
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
instrumental recording of:
Jeepers Creepers (on 1955-12-16)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
Stan Getz5:03
4At the Opera House: Billie’s Bounce
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
Stan Getz and J.J. Johnson7:57
5At the Opera House: My Funny Valentine
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-10-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Stan Getz and J.J. Johnson8:25
6At the Opera House: Crazy Rhythm
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
Stan Getz and J.J. Johnson7:47
7At the Opera House: Yesterdays
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Yesterdays (on 1957-10-25)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Stan Getz and J.J. Johnson3:42
8At the Opera House: It Never Entered My Mind
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
It Never Entered My Mind (on 1957-10-25)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Stan Getz and J.J. Johnson3:52
9At the Opera House: Blues in the Closet
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Blues in the Closet (on 1957-10-25)
composer:
Oscar Pettiford
Stan Getz and J.J. Johnson6:18
10Focus: I’m Late, I’m Late
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (American violist) (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
I’m Late, I’m Late
composer:
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
part of:
Focus
Stan Getz8:09
11Focus: Her
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (American violist) (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
Her (on 1961-07-14)
composer:
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
part of:
Focus
Stan Getz6:11
12Focus: Pan
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (American violist) (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
Pan
composer:
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
part of:
Focus
Stan Getz3:56
13Focus: I Remember When
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (American violist) (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
I Remember When
composer:
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
part of:
Focus
Stan Getz5:01
3▶CD
4▶CD