| # | Title | Artist | Rating | Length |
|---|
| 1 | Material Girl | Eliza Doolittle | | 2:59 |
| 2 | Poker Face | Lady Gaga | 4.15 | 3:58 |
| 3 | I Kissed a Girl- recording engineer:
- Mike Caffrey (drum machine [drum])
- miscellaneous support:
- Gary "G" Silver (task: production coordinated)
- programming:
- benny blanco and Dr. Luke
- engineer:
- Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes , Sam Holland , Tina Kennedy and Emily Wright
- additional producer:
- benny blanco and Mike Caffrey (drum machine [drum])
- producer:
- Dr. Luke
- assistant mixer:
- Tim Roberts
- mixer:
- Serban Ghenea
- bass guitar [bass] and guitar [guitars]:
- Dr. Luke
- drums (drum set) [drums]:
- benny blanco and Dr. Luke
- drums (drum set) [live drums]:
- Steven Wolf
- background vocals:
- Cathy Dennis
- lead vocals:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Music Group (in 2008)
- produced for:
- Kasz Money Productions, Inc.
- recorded at:
- Conway Recording Studio in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States, Legacy Recording Studios in Manhattan, New York, New York, United States and Monster Island in New York, New York, United States (drum machine [drum])
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2008 (number: 14) and BILLIONS CLUB
- recording of:
- I Kissed a Girl
- writer:
- Cathy Dennis, Lukasz Gottwald, Max Martin and Katy Perry
- publisher:
- EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing , Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. and When I’m Rich You’ll Be My Bitch
| Katy Perry | 3.95 | 3:00 |
| 4 | Whenever, Wherever (album version)- recording engineer:
- Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning
- programming:
- Tim Mitchell
- additional engineer:
- Freddy Piñero, Jr.
- assistant engineer:
- Oswald Bowe, Chris Carroll , Alex Dixon, Jorge Gonzalez , Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
- co-producer:
- Tim Mitchell
- producer:
- Shakira
- mixer:
- Javier Garza
- charango, quena and rondador:
- Gustavo Patiño
- drums (drum set):
- Brendan Buckley
- electric bass guitar:
- Paul Bushnell
- guitar:
- Tim Pierce and Brian Ray
- guitar and mandolin:
- Tim Mitchell
- percussion:
- Miriam Eli, Emilio Estefan, Jr. and Archie Peña
- background vocals:
- Rita Quintero
- background vocals and lead vocals:
- Shakira
- arranger:
- Tim Mitchell and Shakira
- phonographic copyright (℗) by:
- Sony Music Entertainment (Holland) B.V. (in 2001) and Sony Music Entertainment (Holland) B.V. (in 2021)
- co-produced for:
- Crescent Moon, Inc.
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
- mixed at:
- Crescent Moon Studios in Miami, Florida, United States
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 28)
- recording of:
- Whenever, Wherever
- lyricist:
- Gloria Estefan and Shakira
- composer:
- Tim Mitchell and Shakira
- publisher:
- Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
- translated version of:
- Suerte
| Shakira | 3.95 | 3:17 |
| 5 | Love at First Sight- recording engineer and programming:
- Martin Harrington, Ash Howes and Alvin Sweeney
- producer:
- Julian Gallagher and Richard “Biff” Stannard
- mixer:
- Ash Howes
- guitar:
- Martin Harrington
- keyboard:
- Martin Harrington and Ash Howes
- Rhodes piano:
- Julian Gallagher
- background vocals:
- Kylie Minogue and Richard “Biff” Stannard
- lead vocals:
- Kylie Minogue
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2001) and Kaydeebee Pty Ltd (in 2001)
- mixed at:
- Biffco Studios in Dublin, County Dublin, Leinster, Ireland
- recording of:
- Love at First Sight
- writer:
- Julian Gallagher , Martin Harrington, Ash Howes , Kylie Minogue and Richard “Biff” Stannard
- publisher:
- Biffco Music, Copyright Control , EMI Music Publishing , Mushroom Music International and Sony Music Publishing
| Kylie Minogue | 3.7 | 3:58 |
| 6 | Don’t Stop the Music (album version)- assistant recording engineer:
- Phillip Ramos and Tim Sturges
- recording engineer:
- Mikkel Storleer Eriksen and Al Hemberger
- producer:
- StarGate
- assistant mixer:
- Josh Houghkirk
- mixer:
- Phil Tan
- instruments:
- Mikkel Storleer Eriksen and Tor Erik Hermansen
- mixed for:
- RiotProof Productions, inc
- produced for:
- Delirious Blacksmith Management, Ltd.
- recorded at:
- Battery Studios in New York, New York, United States and Westlake Studios in West Hollywood, California, United States
- mixed at:
- Soapbox Studios in Atlanta, Georgia, United States
- samples:
- Wanna Be Startin’ Somethin’ by Michael Jackson
- music videos:
- Don’t Stop the Music by Rihanna
- part of:
- Billboard Year-End Hot 100 singles of 2008 (number: 17) and Pitchfork Presents: The 100 Best Tracks of 2008 (number: 70)
- recording of:
- Don’t Stop the Music
- writer:
- Mikkel Storleer Eriksen, Tor Erik Hermansen, Michael Jackson and Tawanna Dabney
- is based on:
- Wanna Be Startin’ Somethin’
| Rihanna | 4 | 4:29 |
| 7 | No One | Alicia Keys | 3.55 | 4:14 |
| 8 | Got ’Till It’s Gone- assistant recording engineer:
- Michael McCoy, Xavier Smith and Brad Yost
- recording engineer and engineer:
- Steve Hodge
- drum machine programming:
- Alex Richbourg
- producer:
- Janet Jackson, Jimmy Jam and Terry Lewis
- mixer:
- Steve Hodge and Steve Mac
- background vocals and lead vocals:
- Janet Jackson
- guest other vocals [rap] and other vocals [rap]:
- Q‐Tip
- guest vocals:
- Joni Mitchell
- instruments arranger and vocals arranger:
- Janet Jackson, Jimmy Jam and Terry Lewis
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1997)
- mixed for:
- Rokstone Productions
- produced for:
- Flyte Tyme Productions
- samples:
- Big Yellow Taxi by Joni Mitchell
- recording of:
- Got 'Til It's Gone
- writer:
- René Elizondo Jr., Janet Jackson, James Harris III , Kamaal Ibn John Fareed , Terry Lewis and Joni Mitchell
- publisher:
- Black Ice Publishing, EMI April Music Inc., Flyte Tyme Tunes and Siquomb Pub. Corp.
| Janet Jackson feat. Q‐Tip & Joni Mitchell | 3.35 | 4:04 |
| 9 | Get Your Freak On | Missy Elliott | 1 | 3:57 |
| 10 | Caught Out There (edited) | Kelis | 4.2 | 4:52 |
| 11 | Get the Party Started | P!nk | 4.4 | 3:12 |
| 12 | Baby One More Time (2009 remaster)- recording engineer, producer and mixer:
- Max Martin and Rami
- bass guitar:
- Tomas Lindberg
- guitar:
- Johan Carlberg
- background vocals:
- Nana Hedin , Max Martin and Britney Spears
- lead vocals:
- Britney Spears
- phonographic copyright (℗) by:
- Zomba Recording Corporation (in 1998) and Zomba Recording LLC (in 1999)
- mixed for and produced for:
- Cheiron Productions
- recorded at and mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden
- music videos:
- …Baby One More Time by Britney Spears, …Baby One More Time by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
- part of:
- Billboard: The 500 Best Pop Songs (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
- recording of:
- …Baby One More Time
- lyricist and composer:
- Max Martin
- publisher:
- Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. , Zomba Enterprises, Inc. and ヤマハミュージックEH(CM)
- part of:
- Freaky Friday
| Britney Spears | 3.8 | 3:31 |
| 13 | Beautiful- additional assistant engineer:
- Andrew Chavez
- additional engineer:
- David Guerrero
- assistant engineer:
- Rafael Serrano and Davy Vain
- engineer:
- Linda Perry and Davy Vain (task: Pro Tools)
- producer:
- Linda Perry
- assistant mixer:
- Ethan Willoughby
- mixer:
- Dave "Hard Drive" Pensado
- additional strings, bass guitar [bass], guitar [guitars] and piano:
- Linda Perry
- cello:
- Richard Dodd
- drums (drum set) [drums]:
- Brian MacLeod
- keyboard [keyboards]:
- Damon Fox
- strings:
- The Section
- viola:
- Shanti Randall
- violin:
- Eric Gorfain
- additional arranger:
- Linda Perry
- mixed for:
- Essential Arts Management, LTD
- additionally recorded at:
- The Enterprise Studios in Burbank, California, United States
- mixed at:
- The Enterprise Studios in Burbank, California, United States
- engineered at:
- Mad Dog Studios in Burbank, California, United States
- music videos:
- Beautiful by Christina Aguilera
- part of:
- CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (number: 17) and The Downloader’s Music Source Book (number: 260)
- recording of:
- Beautiful
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corp. and Stuck in the Throat
| Christina Aguilera | 4.2 | 4:00 |
| 14 | Buffalo Stance- programming and engineer:
- Mark Saunders
- producer and mixer:
- Tim Simenon
- lead vocals:
- Neneh Cherry
- arranger:
- Booga Bear, Neneh Cherry, Mark Saunders and Tim Simenon
- phonographic copyright (℗) by:
- Circa Records Ltd. (in 1988)
- recorded at:
- Hot nights Ltd in London , England, United Kingdom
- mixed at:
- Roundhouse Studios in London , England, United Kingdom
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 14), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 50), Billboard: The 500 Best Pop Songs (number: 238) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 412)
- recording of:
- Buffalo Stance
- writer:
- Neneh Cherry, Cameron McVey, Jamie J. Morgan and Phil Ramacon
- publisher:
- April Music Ltd., BMG VM Music Ltd. and Warner/Chappell Music Ltd.
- sub-publisher:
- BMG Rights Management (France) , EMI Songs France and Warner Chappell Music France
- is based on:
- Looking Good Diving With The Wild Bunch
| Neneh Cherry | 4 | 5:43 |
| 15 | Straight Up (single version) | Paula Abdul | 3.55 | 4:10 |
| 16 | Wannabe | Spice Girls | 3.85 | 2:53 |
| 17 | En rouge et noir | Jeanne Mas | | 4:02 |
| 18 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:42 |
| 19 | Love Is a Battlefield- producer:
- Neil Geraldo , Peter Coleman and Peter Coleman
- mixer:
- Neil Giraldo and Peter Coleman
- bass guitar:
- Roger Capps
- drums (drum set):
- Myron Grombacher
- electric guitar:
- Neil Giraldo
- keyboard:
- Charles Giordano
- lead vocals:
- Pat Benatar
- vocals:
- Pat Benatar
- phonographic copyright (℗) by:
- EMI Records , Capitol Records, LLC (in 1983), Chrysalis Records (in 1983) and Chrysalis Records, Inc. (in 1983, in 1984)
- recorded at:
- MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 4.1 | 4:10 |
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