NOW 100 Hits: Sing‐A‐Long

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
2Digital Media
#TitleArtistRatingLength
1She’s So Lovely
programming, engineer, producer and mixer:
Andy Green (producer, engineer)
music videos:
She’s So Lovely by Scouting for Girls
recording of:
She’s So Lovely
lyricist and composer:
Roy Stride
Scouting for Girls3.353:42
2Naïve
assistant engineer:
Iain Dowling and Ben Mason (Independent filmmaker/musician)
engineer:
Todd Burke and Tony Hoffer
producer:
Tony Hoffer
assistant mixer:
Keith Gary and Will Hensley (engineer)
mixer:
Michael Brauer (engineer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006)
recording of:
Naïve
lyricist:
Luke Pritchard
composer:
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard and Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.553:24
3Complicated
recording engineer and producer:
The Matrix (songwriters/producers collective)
executive producer:
Antonio M. Reid
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
vocals:
Avril Lavigne
arranger:
The Matrix (songwriters/producers collective)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2002, in 2022)
recorded at:
Decoy Studios in Studio City, Los Angeles, California, United States
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
Complicated (Video) by Avril Lavigne
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 11) and BILLIONS CLUB
recording of:
Complicated
writer:
Avril Lavigne and The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Tix Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Avril Lavigne4.154:05
4Ghost
miscellaneous support:
Maxi Anderson (70s US funk/soul artist Maxi Anderson) (task: background vocals contractor)
programming and producer:
Ryan Tedder (American singer, songwriter, and producer) and Noel Zancanella
assistant engineer:
Big L (sound engineer)
engineer:
Francesco Cameli and Smith Carlson
mixer:
Joe Zook (engineer)
bass:
Tom Herbert (jazz bassist) and Ryan Tedder (American singer, songwriter, and producer)
drums (drum set) [drums]:
Homer Steinweiss and Ryan Tedder (American singer, songwriter, and producer)
guitar:
Alex Reeve (guitarist) and Ryan Tedder (American singer, songwriter, and producer)
piano and background vocals [BGVs]:
Ryan Tedder (American singer, songwriter, and producer)
background vocals:
Bridgette Bryant (American session backing vocalist), Carmel Echols (American singer, vocalist), Angie Fisher and Nikki Grier
background vocals arranger:
Maxi Anderson (70s US funk/soul artist Maxi Anderson)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2014)
recorded at:
Patriot Studios in Denver, Colorado, United States, Sphere Studios in London (Greater London), England, United Kingdom, Tritonus in Berlin, Germany and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
music videos:
Ghost by Ella Henderson
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 93)
recording of:
Ghost
writer:
Ella Henderson, Ryan Tedder (American singer, songwriter, and producer) and Noel Zancanella
publisher:
Blastronaut, Downtown Music UK Ltd., Patriot Games, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Write 2 Live
Ella Henderson43:34
5Best Day of My Life (single version)American Authors3.753:14
6Payphone
phonographic copyright (℗) by:
A&M/Octone Records (American label, 2007–2014) (in 2012)
edit of:
Payphone (Solo - Explicit Version) by Maroon 5 (American pop rock band)
recording of:
Payphone
lyricist:
Benjamin Levin (producer Benjamin Levin), Cameron Jibril Thomaz (US rapper) and Adam Levine (Maroon 5’s lead vocalist)
composer:
Benjamin Levin (producer Benjamin Levin), Daniel Thomas Omelio, Johan Karl Schuster and Ammar Malik
arranger:
Daniel Thomas Omelio and Johan Karl Schuster
publisher:
BMG Ruby Songs, E A R Entertainment Ltd., Kobalt Music Publishing Limited (UK), Lotzah Balls Soup, Maru Cha Cha, Matza Ball Music, Music Edition Discoton GmbH, MXM Music, Neue Welt Musikverlag GmbH & Co. KG. (– 2017), Sudgee Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Where da Kasz At and Wiz Khalifa Publishing
Maroon 53:43
7September Song
recording of:
September Song
writer:
Benjamin Hudson McIldowie, JP Cooper and Jon Cobbe Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer)
JP Cooper33:42
8Faded
mixer:
Sören von Malmborg
vocals:
Iselin Solheim
phonographic copyright (℗) by:
MER musikk (Norwegian) (in 2016)
mixed at:
Basecamp Studios in Stockholm, Stockholms län (Stockholm county), Sweden and Cosmos Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 2016)
music videos:
Faded (official music video) by Alan Walker (Norwegian producer)
part of:
BILLIONS CLUB
recording of:
Faded
writer:
Jesper Borgen, Anders Frøen (Mood Melodies), Gunnar Greve and Alan Walker (Norwegian producer)
publisher:
Warner/Chappell Music Norway
is based on:
Fade
Alan Walker3.73:34
9King
additional producer:
Andy Smith (performs as Lxury)
producer:
Mark Ralph and Years & Years
assistant mixer:
Geoff Swan
mixer:
Mark “Spike” Stent (producer, engineer)
bass synthesizer [bass synth], hi-hat and percussion:
Michael Goldsworthy
drum machine [beats], effects [FX] and synthesizer [synth pads]:
Emre Turkmen
synthesizer [synth]:
Olly Alexander and Emre Turkmen
vocals:
Olly Alexander
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2022, in 2024)
recording of:
King
lyricist and composer:
Olly Alexander, Michael Goldsworthy, Mark Ralph, Andy Smith (performs as Lxury) and Emre Turkmen
publisher:
Imagem Music BV, Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Concord Music GmbH, Sony Music Publishing (Germany) GmbH and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Years & Years3.953:37
10Rockabye
additional drum machine programming:
Luke Patterson
programming:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Hal Ritson
additional sound engineer:
Hal Ritson
sound engineer:
Dann Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) and Anthony Leung (Hong Kong engineer)
audio engineer:
Drew Smith (engineer) and Tom AD Fuller
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
mixer:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
cello:
Grace Chatto
drums (drum set):
Luke Patterson
keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
piano:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
viola:
James Boyd (UK viola player)
violin:
Braimah Kanneh‐Mason and Beatrice Philips (violinist)
additional vocals:
Kelly Barnes
background vocals:
Caroline Ailin and Grace Chatto
lead vocals:
Anne‐Marie (British singer) and Sean Paul (Jamaican reggae/dancehall)
performer:
Clean Bandit
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 2016), Atlantic Records UK (company credits only; do not use as release label!) (in 2016) and Major Toms (in 2016)
recorded at:
Club Ralph in London (Greater London), England, United Kingdom, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom and The Crypt Studio in Crouch End, Haringey, London (Greater London), England, United Kingdom
mixed at:
Club Ralph in London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 44) and BILLIONS CLUB
recording of:
Rockabye
writer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Jack Patterson (British multi-instrumentalist , singer-songwriter), Sean Paul Henriques (Jamaican reggae/dancehall) and Ina Wroldsen
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. and Where Da Katz At
Clean Bandit feat. Sean Paul & Anne‐Marie3.454:11
11bad guy
recorded in:
Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
additional producer:
Billie Eilish
producer:
FINNEAS
assistant mixer:
Casey Cuayo
mixer:
Rob Kinelski
field recordings:
Billie Eilish
phonographic copyright (℗) by:
Darkroom (in 2019, in 2022) and Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
recorded at:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California, United States
music videos:
bad guy (music video) by Billie Eilish
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 4), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Grammy Award: Record of the Year nominees (number: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (number: 27), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2019), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 97), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 178) and BILLIONS CLUB
recording of:
bad guy
writer:
Billie Eilish O’Connell and Finneas O’Connell
publisher:
Drup, Last Frontier and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
Billie Eilish3.853:14
12La La La
recording engineer:
Shahid "Naughty Boy" Khan (British songwriter, record producer, musician and rapper)
programming and producer:
Al-Hakam "Komi" El-Kaubaisy and Shahid "Naughty Boy" Khan (British songwriter, record producer, musician and rapper)
mixer:
Wez Clarke
instruments:
Al-Hakam "Komi" El-Kaubaisy and Shahid "Naughty Boy" Khan (British songwriter, record producer, musician and rapper)
strings:
Jonny Coffer (songwriter and producer)
background vocals and lead vocals:
Sam Smith (English singer‐songwriter)
phonographic copyright (℗) by:
Naughty Boy Recordings Ltd. (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 82)
recording of:
La La La
writer:
Jonny Coffer (songwriter and producer), James Napier, Al-Hakam El Kaubaisy, Shahid Khan, Frobisher Mbabzi, James Murray (British electronic music composer & producer), Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad) and Sam Smith (English singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd (PRS‐affiliated), Naughty Words, Salli Isaak Songs Ltd (publisher; do NOT use as release label), Sony ATV Music Publishing Ltd, Stellar Songs Ltd and Universal Music Publishing Ltd (UK subsidiary of Universal Music Publishing Group)
Naughty Boy feat. Sam Smith3.453:40
13Old Town Road (remix)
recording engineer:
Cinco (engineer)
engineer:
Joe Grasso
additional producer:
Andrew “VoxGod” Bolooki and Jozzy (US singer-songwriter Jocelyn A. Donald)
producer:
Atticus Matthew Ross (English score composer), Michael Trent Reznor and YoungKio
mixer:
Andrew “VoxGod” Bolooki
background vocals:
Jocelyn ‘Jozzy’ Donald (US singer-songwriter Jocelyn A. Donald)
guest performer:
Billy Ray Cyrus
performer:
Lil Nas X (American rapper and singer)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2019)
remix of:
Old Town Road by Lil Nas X (American rapper and singer) (in 2019)
music videos:
Old Town Road by Lil Nas X (American rapper and singer)
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 1), Grammy Award: Record of the Year nominees (number: 2020), Billboard Decade End Chart: Streaming Songs (2010s) (number: 16), Billboard: Greatest of All Time Hot 100 Songs (number: 41), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020 winner), Spotify: Top Hits of 2019 (number: 73), Stereogum: The 200 Best Songs of the 2010s (number: 72), TheNeedleDrop: Top 100 Songs of the 2010s (number: 99), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 132) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 138)
recording of:
Old Town Road (remix) (Billy Ray Cyrus verse) (in 2019)
writer:
Atticus Matthew Ross (English score composer) (in 2019), Billy Ray Cyrus (in 2019), Jocelyn Donald (US singer-songwriter Jocelyn A. Donald) (in 2019), Kiowa Roukema (in 2019), Michael Trent Reznor (in 2019) and Montero Lamar Hill (American rapper and singer) (in 2019)
publisher:
Form and Texture Inc (in 2019) and Songs by MPA (in 2019)
version of:
Old Town Road
Lil Nas X feat. Billy Ray Cyrus4.252:37
14Put Your Records On
recording engineer, programming and producer:
Steve Chrisanthou
additional producer:
Jimmy Hogarth (producer and songwriter)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar and percussion and background vocals and lead vocals:
Corinne Bailey Rae
alto saxophone:
Jason Rae
bass guitar [bass]:
Samuel Dixon
classical guitar [spanish guitar], electric guitar and percussion:
Steve Chrisanthou
Hammond organ:
Joe Tatton
keyboard:
John Beck (Writer, producer & musician)
tenor saxophone:
Jim Corry
trumpet:
Malcolm Strachan
additional background vocals:
Cara Robinson
contains samples by:
Steve Chrisanthou (horn)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
music videos:
Put Your Records On by Corinne Bailey Rae
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 236)
recording of:
Put Your Records On
writer:
Corinne Bailey Rae, John Beck (Writer, producer & musician) and Steve Chrisanthou
Corinne Bailey Rae3.73:32
15I’m Like a Bird
programming:
Track & Field
producer:
Nelly Furtado and Track & Field
mixer:
Brad Haehnel
bass:
Mike Elizondo
drums (drum set):
Russ Miller (US session drummer)
guitar synthesizer:
Field (Canadian producer, songwriter & musician)
shakers:
Brad Haehnel
vibraphone:
Allan Molnar
background vocals and lead vocals:
Nelly Furtado
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
music videos:
I’m Like a Bird by Nelly Furtado
recording of:
I’m Like a Bird
lyricist and composer:
Nelly Furtado
publisher:
Nelstar Publishing
Nelly Furtado4.44:03
16Royals
engineer, producer and mixer:
Joel Little
instruments:
Joel Little
lead vocals:
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand (in 2013) and Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
recorded at:
Golden Age in Auckland, Auckland (Auckland Region), North Island, New Zealand
music videos:
Royals by Lorde (New Zealand singer‐songwriter) and Royals by Lorde (New Zealand singer‐songwriter)
part of:
Grammy Award: Best Pop Solo Performance nominees (number: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 11), Billboard Year-End Hot 100 singles of 2013 (number: 15), Billboard Year-End Hot 100 singles of 2014 (number: 20), Stereogum: The 200 Best Songs of the 2010s (number: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 30), Billboard Decade End Chart: Streaming Songs (2010s) (number: 35), Billboard: Greatest of All Time Hot 100 Songs (number: 77), Indie 88: Top 500 Indie Rock Songs (number: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 111) and Pitchfork: The 200 Best Songs of the 2010s (number: 129)
recording of:
Royals
writer:
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter) and Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Matuschkes Lieblinge 2013 and APRA Silver Scroll Awards Winners (number: 2013)
Lorde3.83:10
17Just Give Me a Reason
recording engineer:
Tyler Johnson (US producer and songwriter), Pawel Sek and John X. Volaitis
programming and producer:
Jeff Bhasker
assistant mixer:
Justin Hergett (US mixer and engineer) and James Krausse
mixer:
Tony Maserati (engineer / mixer)
guitar:
Anders Mouridsen (guitarist)
keyboard and synthesizer:
Jeff Bhasker
guest performer:
Nate Ruess
recorded at:
Earthstar Creation Center in Venice, Los Angeles, California, United States and Enormous Studios in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 7), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2014) and Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 18)
recording of:
Just Give Me a Reason (in 2012)
writer:
Alecia Moore (American singer/songwriter), Jeffrey Bhasker and Nathaniel Ruess
P!nk feat. Nate Ruess3.954:03
18She’s the One
recording engineer and mixer:
Steve Power
additional programming:
Richard Flack (producer/engineer), Nick Hannan and James Brumby (UK engineer)
programming:
Steve McNichol and Steve Power
additional engineer:
Stuart Epps, Richard Flack (producer/engineer), James Brumby (UK engineer), Matt Oliver (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistant engineer:
Richard Hinton and Nick Kirkland
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
acoustic guitar and electric guitar:
Steve McEwan (Scottish-born South African songwriter, artist and musician)
bass guitar:
David Catlin‐Birch (UK bassist and guitarist)
drums (drum set):
Chris Sharrock
piano:
Guy Chambers (English songwriter and record producer)
background vocals:
Steve McEwan (Scottish-born South African songwriter, artist and musician) and Gary Nuttall
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
orchestrator:
Nick Ingman
cover recording of:
She’s the One
lyricist and composer:
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams2.654:18
19China in Your Hand
engineer:
Norman Goodman
producer:
Tim Burgess (T'Pau drummer) and Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
edit of:
China in Your Hand by T’Pau
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:03
20Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
21Impossible
guitar:
James Arthur (British winner of X Factor) and Adam Phillips (British guitarist and singer)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2012)
cover recording of:
Impossible
writer:
Arnthor Birgisson and Ina Wroldsen
publisher:
Kobalt Music Publishing Ltd. (UK) and Reservoir Reverb Music Ltd.
James Arthur3.83:28
22All of Me
co-executive producer:
Eddie Blackmon (A&R)
executive producer:
Kanye West (Ye, formerly Kanye West), John Legend and Dave Tozer
keyboard:
Dave Tozer
piano:
John Legend
music videos:
All of Me by John Legend
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 3), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 13) and Billboard Decade End Chart: Streaming Songs (2010s) (number: 27)
recording of:
All of Me
writer:
Toby Gad (German songwriter, producer, pianist) and John Legend
dedicated to:
Chrissy Teigen
John Legend3.54:33
23Dancing on My Own
recording engineer and mixer:
John McIntyre (Engineer, producer)
producer:
John McIntyre (Engineer, producer) and John McIntyre (Engineer, producer) (task: recording producer)
background vocals:
Calum Scott
vocals:
Calum Scott
recorded at and mixed at:
Deborah-J Studios (Hull, UK) in United Kingdom
cover recording of:
Dancing on My Own (in 2016)
writer:
Patrik Berger and Robyn (Swedish singer and songwriter Robin Carlsson)
publisher:
Robynsongs and Universal Music Publishing AB (Sweden)
Calum Scott4.54:19
24I’m Not the Only One
producer:
Steve Fitzmaurice (Irish mixer, songwriter and producer) and Jimmy Napes
electric bass guitar:
Jodi Milliner
guitar:
Ben Thomas (UK guitar player)
piano:
Reuben James
conductor:
Simon Hale
strings arranger:
Simon Hale
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
I’m Not the Only One
writer:
James Napier and Sam Smith (English singer‐songwriter)
Sam Smith3.13:24
25Killing Me Softly With His Song (radio edit)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1996)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Fugees4.54:06
26Red Red Wine (edit) (remastered)
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:02
27Karma Chameleon
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club44:14
28Mamma Mia
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
additional guitar and guitar:
Janne Schaffer (on 1975-03-16)
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1975-03-12)
cello:
Kjell Bjurling (Swedish cellist) (on 1975-03-15) and Olle Gustafsson (cellist) (on 1975-03-15)
drums (drum set):
Roger Palm (on 1975-03-12)
electric guitar:
Finn Sjöberg (on 1975-03-12)
marimba:
Benny Andersson (ABBA) (in 1975-03)
oboe:
Lars-Erik Rönn (on 1975-03-15)
viola:
Nils Heie (on 1975-03-15) and Håkan Roos (Swedish violist) (on 1975-03-15)
violin:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (on 1975-03-15), Inge Lindstedt (on 1975-03-15), Gunnar Michols (Swedish violinist) (on 1975-03-15), Sixten Strömvall (Swedish violinist) (on 1975-03-15), Harry Teike (on 1975-03-15) and Krzysztof Zdrzalka (Swedish violinist) (on 1975-03-15)
lead vocals:
Agnetha Fältskog (on 1975-03-12) and Frida (Swedish singer and member of ABBA) (on 1975-03-12)
cello, viola and violin arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1975) and Polar Music International AB (in 2001, in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1975-03-12, on 1975-03-15, on 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Mamma Mia (from 1975-03-12 until 1975-03-16)
written in:
Lidingö municipality, Stockholms län (Stockholm county), Sweden
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Union Songs AB (publisher) (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
translator:
Buddy McCluskey (translator) and Mary McCluskey (translator)
translated version of:
Mamma Mia
ABBA3.83:31
29I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:11
30American Pie, Pt. 1
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
31Rehab
assistant recording engineer:
Jesse Gladstone and Mike Makowski
recording engineer:
Vaughan Merrick and Mark Ronson (British DJ and producer)
miscellaneous support:
Isobel Griffiths (task: contractor / orchestra)
engineer:
Dom Morley
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Matt Paul
mixer:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) and Ian Hendrickson-Smith
bass guitar:
Nick Movshon
cello:
John Heley (cellist), Joely Koos (cellist) and Anthony Pleeth (cellist)
drums (drum set):
Homer Steinweiss
electric piano, handclaps and piano and piano:
Victor Axelrod
guitar:
Thomas Brenneck and Binky Griptite
handclaps:
Vaughan Merrick and Mark Ronson (British DJ and producer)
harp:
Helen Tunstall
percussion:
Frank Ricotti (percussionist)
tenor saxophone:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman and Jamie Talbot (English jazz alto saxophonist)
trombone:
Richard Edwards (trombonist)
trumpet:
Dave Guy and Steve Sidwell (English composer & wind instrumentalist)
viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) and Katie Wilkinson (violist)
violin:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) and Warren Zielinski (violinist)
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
wind instruments arranger:
Gabriel Roth and Mark Ronson (British DJ and producer)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
recorded at:
Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis (London) in London (Greater London), England, United Kingdom
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
recording of:
Rehab
lyricist and composer:
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:34
32New Rules
programming and engineer:
Ian Kirkpatrick (producer/songwriter)
producer:
Ian Kirkpatrick (producer/songwriter) (task: and vocal)
mixer:
Josh Gudwin
vocals:
Dua Lipa
phonographic copyright (℗) by:
Dua Lipa Limited (in 2017)
miscellaneous support:
Warner Music UK Limited (not for release label use!) (task: under exclusive license to)
recorded at:
Atlantic Recording Studios in Hollywood, Los Angeles, California, United States, NRG Studios in North Hollywood, Los Angeles, California, United States, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, United Kingdom, TaP Studio in London (Greater London), England, United Kingdom and Zenseven Studios in Woodland, California, United States
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 1), Billboard Year-End Hot 100 singles of 2018 (number: 16), Stereogum: The 200 Best Songs of the 2010s (number: 114) and BILLIONS CLUB
recording of:
New Rules
writer:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) and Emily Warren
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Waterfall Music
sub-publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3.63:30
33SorryJustin Bieber43:20
34Perfect Strangers
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2016)
recording of:
Perfect Strangers
writer:
Alex James Smith (English songwriter and producer), JP Cooper and Guy James Robin
Jonas Blue feat. JP Cooper43:17
35Ciao Adios
additional recording engineer:
Cameron Gower Poole
recording engineer:
Tom Meredith
drum machine [drum] programming and synthesizer [synth] programming:
MdL and Tom Meredith
assistant engineer:
Bill Zimmerman
producer:
MdL, Tom Meredith and Tom Meredith (task: vocals)
mixer:
Phil Tan (Malaysian-American audio engineer)
bass, guitar and keyboard [keyboards]:
MdL and Tom Meredith
vocals:
Anne‐Marie (British singer)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 2017) and Major Toms (in 2017)
additionally recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom and The Pool in Southwark, London (Greater London), England, United Kingdom
recorded at:
Rustic Road
mixed at:
Callanwolde Fine Arts Center in Atlanta, Georgia, United States
recording of:
Ciao Adiós
writer:
Anne-Marie Nicholson (British singer), Jennifer Decilveo, Mason Levy and Tom Meredith
publisher:
Artist Publishing Group West, Barb & Al Publishing, BMG Monarch, BMG Platinum Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Mason Levy Productions and Miss Unini Music
Anne‐Marie3.53:21
36Dynamite (radio edit)
assistant recording engineer:
Tatiana Gottwald
programming:
benny blanco (producer Benjamin Levin), Taio Cruz and Dr. Luke
engineer:
Emily Wright
producer:
benny blanco (producer Benjamin Levin) and Dr. Luke
mixer:
Serban Ghenea
drums (drum set) and keyboard:
benny blanco (producer Benjamin Levin) and Dr. Luke
background vocals and lead vocals:
Taio Cruz
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2010)
music videos:
Dynamite by Taio Cruz
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 9), Billboard Year-End Hot 100 singles of 2011 (number: 44) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 338)
recording of:
Dynamite
writer:
Benjamin Levin (producer Benjamin Levin), Taio Cruz, Łukasz Gottwald, Max Martin (Swedish record producer) and Bonnie McKee
publisher:
Bonnie McKee Music, Songs of Pulse Recording (BMI) and Where da Kasz At
Taio Cruz3.43:23
37Meet Me Halfway (radio edit)
recording of:
Meet Me Halfway
writer:
Allan Pineda, Jean Baptiste, Printz Board, Brian Chase (drummer and songwriter), Sylvia Gordon, Keith Harris (00s US producer & musician), Jaime Gomez (member of Black Eyed Peas), Karen Orzolek, Stacy Ferguson (American singer), William Adams (American rapper and producer) and Nick Zinner (US guitarist, composer, and producer)
The Black Eyed Peas33:46
38One Kiss
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
part of:
Billboard Year-End Hot 100 singles of 2018 (number: 68) and BILLIONS CLUB
recording of:
One Kiss
writer:
Dua Lipa, Jessie Reyez (Colombian‐Canadian singer‐songwriter) and Adam Wiles
Calvin Harris & Dua Lipa3.653:32
39Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:57
40Cheap Thrills
additional recording engineer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin) (lead vocals)
engineer:
Julian Burg, Greg Kurstin and Alex Pasco
producer:
Greg Kurstin
assistant mixer:
Chris Galland and Ike Schultz
mixer:
Manny Marroquin
bass, guitar, keyboard and membranophone [drums]:
Greg Kurstin
additional lead vocals:
Sean Paul (Jamaican reggae/dancehall)
lead vocals:
Sia (Australian singer‐songwriter)
additionally recorded at:
Hot Closet Studios in Los Angeles, California, United States (lead vocals)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
engineered at:
Echo Studio in Los Feliz, Los Angeles, California, United States
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2017)
recording of:
Cheap Thrills (featuring Sean Paul)
additional writer:
Sean Paul Henriques (Jamaican reggae/dancehall)
writer:
Greg Kurstin and Sia Furler (Sia, Australian singer‐songwriter)
publisher:
Dutty Rock Music, EMI April Music Inc., Kurstin Music and Pineapple Lasagne (ASCAP-affiliated)
version of:
Cheap Thrills
Sia feat. Sean Paul2.93:41
41Work From Home
assistant recording engineer and assistant editor:
Dexter Randall
recording engineer and editor:
Andrew Bolooki
programming:
Ammo (American musician, songwriter and producer Joshua Coleman) and DallasK (Dallas Koehlke)
producer:
Ammo (American musician, songwriter and producer Joshua Coleman), DallasK (Dallas Koehlke) and Victoria Monét
assistant mixer:
Daniela Rivera (engineer)
mixer:
Phil Tan (Malaysian-American audio engineer)
instruments:
Ammo (American musician, songwriter and producer Joshua Coleman) and DallasK (Dallas Koehlke)
guest vocals and guest performer:
Ty Dolla $ign
vocals:
Ally Brooke, Camila Cabello, Dinah Jane, Lauren Jauregui and Normani (American singer, formerly of Fifth Harmony)
performer:
Fifth Harmony
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2016)
recorded at:
The Mothership in Hollywood, Los Angeles, California, United States and Windmark Recording in Virginia Beach, Virginia, United States
mixed at:
Callanwolde Fine Arts Center in Atlanta, Georgia, United States
part of:
Billboard Year-End Hot 100 singles of 2016 (number: 16) and Rolling Stone: The 100 Best Songs of the 2010s (number: 86)
recording of:
Work From Home
writer:
Daniel Bedingfield (singer- songwriter), Dallas Koehlke (Dallas Koehlke), Jude Demorest, Alexander Izquierdo, Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Brian Lee (Korean American songwriter) and Tyrone Griffin Jr.
quotes music from:
Gotta Get Thru This
Fifth Harmony feat. Ty Dolla $ign4.23:37
42Don’t Kill My Vibe
recording of:
Don't Kill My Vibe
writer:
Sigrid Solbakk Raabe (Norwegian singer) and Martin Sjølie (Norwegian songwriter & producer)
Sigrid43:02
43Love Me Like You Do
recording of:
Love Me Like You Do
writer:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami and Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB and Wolf Cousins
Ellie Goulding44:01
44Story of My Life
assistant engineer:
Ian Franzino
engineer:
Julian Bunetta, Ben “Bengineer” Chang, Alex Oriet and John Ryan (American pop singer/producer a/k/a “John the Blind”)
producer:
Julian Bunetta, John Ryan (American pop singer/producer a/k/a “John the Blind”) and Jamie Scott (UK singer-songwriter) (task: vocal)
assistant mixer:
Ryan Lipman
mixer:
Joe Zook (engineer)
instruments:
Julian Bunetta, John Ryan (American pop singer/producer a/k/a “John the Blind”) and Jamie Scott (UK singer-songwriter)
strings:
Christine Wu
background vocals:
Damon Bunetta, Julian Bunetta, Peter Bunetta, Ian Franzino, John Ryan (American pop singer/producer a/k/a “John the Blind”) and Jamie Scott (UK singer-songwriter)
strings arranger:
Christine Wu
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2013)
recorded at:
Angel Face Studios (in Churt, UK) in United Kingdom and Enemy Dojo in Calabasas, California, United States
music videos:
Story of My Life by One Direction (English‐Irish pop boy band)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 24), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 40) and Rolling Stone: The 100 Best Songs of the 2010s (number: 57)
recording of:
Story of My Life
writer:
Julian Bunetta, Niall Horan, Liam Payne, John Ryan (American pop singer/producer a/k/a “John the Blind”), Jamie Scott (UK singer-songwriter), Harry Styles, Louis Tomlinson and Zain Malik (ZAYN, British singer)
publisher:
Bob Erotik Music, Holy Cannoli Music, PPM Music Ltd. and Sony/ATV Music Publishing
One Direction3.54:03
45Back for Good (radio mix)
programming:
Gary Barlow and Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistant engineer:
Steve McNichol
producer:
Gary Barlow and Chris Porter (engineer and producer)
guitar:
Phil Palmer (guitarist)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1995) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd and EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:01
46…Baby One More Time
recording engineer, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
recording of:
…Baby One More Time
lyricist and composer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Freaky Friday (2003)
Britney Spears3.83:31
47U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:14
48Shotgun
programming:
Cam Blackwood, Matthew Racher (drummer) and Liam Thorne
engineer:
Liam Thorne
producer:
Cam Blackwood
assistant mixer:
Joel Davies (engineer) and Charles Haydon Hicks
mixer:
Dan Grech‐Marguerat
additional percussion:
Liam Thorne
bass guitar [bass]:
George Ezra and FRED (UK producer, songwriter, multi-instrumentalist and DJ)
brass:
The Atlantic Horns
drums (drum set) [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Jaleesa Gemerts and Matthew Racher (drummer)
guitar:
Cam Blackwood and George Ezra
keyboard and lead vocals:
George Ezra
keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
organ:
James Wyatt
percussion:
Matthew Racher (drummer)
saxophone [sax]:
Mark Brown (London based saxophonist and keyboardist)
synthesizer [synths]:
Cam Blackwood
trombone:
Mike Kearsey
trumpet:
Ben Edwards (trumpet and flugelhorn player)
background vocals [backing vocals]:
Cam Blackwood, Florrie Arnold (Florence Arnold), Ollie Hodge and Joel Pott
additional brass arranger:
Emma Corby
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
recorded at:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Shotgun
writer:
George Ezra and Joel Pott
George Ezra33:19
49Don’t You Want Me (remastered)
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
50Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow (in 1986-10)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (on 1987-01-01)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1986-10)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) and Suzanne Rhatigan (in 1986-10)
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987–1996) (from 1987 to present), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) and PWL (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:29

Credits

Release

phonographic copyright (℗) by:NOW That’s What I Call Music LLP (British holding company) (in 2019)
purchase for download:https://itunes.apple.com/gb/album/id1486615189 [info]

Release group

part of:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (order: 11)