100 Most Uplifting Songs Ever

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Shivers
recording engineer:
Dan Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) und Joe Rubel (songwriter and producer)
Programmierung:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) und Chris Laws (engineer, keyboardist & songwriter)
zusätzliche Programmierung:
Joe Rubel (songwriter and producer)
Techniker(in):
Graham Archer (engineer), Dan Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter), Johnny McDaid und Joe Rubel (songwriter and producer)
leitende(r) Produzent(in):
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid und Ed Sheeran (UK singer‐songwriter)
Produzent(in):
Graham Archer (engineer) (Aufgabe: vocal), FRED (UK producer, songwriter, multi-instrumentalist and DJ), Steve Mac (British pop producer/songwriter Steve McCutcheon) (Aufgabe: vocal), Steve Mac (British pop producer/songwriter Steve McCutcheon) und Ed Sheeran (UK singer‐songwriter)
assistierende(r) Mix:
Charlie Holmes (UK mix engineer / producer), Kieran Beardmorre (mixing engineer) und Matt Wolach
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
Geige / Violine [Pizzicato violin]:
Ed Sheeran (UK singer‐songwriter)
Gitarre:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid und Ed Sheeran (UK singer‐songwriter)
Keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Schlagzeug [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) und Chris Laws (engineer, keyboardist & songwriter)
vocals:
Ed Sheeran (UK singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2021, in 2024)
aufgenommen bei:
Fieldwork Studio in London (Greater London), England, Vereinigtes Königreich, Fieldwork Studio in Suffolk, England, Vereinigtes Königreich und Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2022 (Nummer: 5) und Billboard Hot 100: 2022-02-05 (Nummer: 6)
recording of:
Shivers
Verfasser(in):
Kal Lavelle (irish singer/songwriter), Steve Mac (British pop producer/songwriter Steve McCutcheon), Johnny McDaid und Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Rokstone Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Ed Sheeran33:28
2Levitating
recording engineer:
Lorna Blackwood (Sologesang [additional vocals])
drum machine [drum]-Programmierung:
Stuart Price
Programmierung:
Lorna Blackwood
assistierende(r) Techniker(in):
Phil Hotz
Techniker(in):
Cameron Gower Poole (Sologesang [vocal]) und Matt Snell (engineer)
Produzent(in):
Koz (a/k/a Koz), Koz (a/k/a Koz) (Aufgabe: vocal) und Stuart Price
assistierende(r) Mix:
Heidi Wang
Mix:
Josh Gudwin
Bass:
Stephen Kozmeniuk (a/k/a Koz) und Stuart Price
Gitarre und Synthesizer:
Stephen Kozmeniuk (a/k/a Koz)
Keyboard [keyboards]:
Russell Graham (engineer for Nile Rodgers) und Stuart Price
Talkbox:
Bosko Elecrospit Kante
Hintergrundgesang:
Todd Clark (Canadian singer/songwriter, member of Pilate/Pilot Speed), Clarence Coffee Jr., Sarah Hudson und Paul Phamous
vocals:
Dua Lipa
zusätzlich vocals:
DaBaby (US rapper Jonathan Lyndale Kirk)
phonographisches Urheberrecht (℗) von:
Dua Lipa Limited (in 2020)
aufgenommen bei:
Modulator Music in Toronto, Ontario, Kanada, Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich, Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (Sologesang [vocals]) und The Bunker at 13 in London (Greater London), England, Vereinigtes Königreich
mixed at:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Remix von:
Levitating von Dua Lipa
Teil von:
BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 261)
recording of:
Levitating (DaBaby remix)
Verfasser(in):
Clarence Coffee Jr., DaBaby (US rapper Jonathan Lyndale Kirk), Sarah Hudson, Stephen Kozmeniuk (a/k/a Koz) und Dua Lipa
publisher:
Best Coffee in Town, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Italians Do It Better, Prescription Songs, TaP Music Publishing Limited, UMPG, Unsub Pub und WB Music Corp. (1929–2019)
Version von:
Levitating
Dua Lipa, DaBaby3.653:23
3SUPERBLOOM
MisterWives3:34
4Viva La Vida
Produzent(in):
Markus Dravs, Brian Eno, Jon Hopkins und Rik Simpson
Mix:
Michael Brauer (engineer), Markus Dravs, Rik Simpson und Andy Wallace (engineer)
Bass:
Guy Berryman
Gitarre:
Jonny Buckland
Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Perkussion und Schlagzeug:
Will Champion
Saiteninstrumente:
Davide Rossi (Goldfrapp violinist)
Synthesizer:
Brian Eno
Hintergrundgesang:
Guy Berryman, Jonny Buckland, Will Champion und Brian Eno
Musikvideos:
Viva la Vida (Anton Corbijn version) von Coldplay und Viva la Vida von Coldplay
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 13), Billboard Year-End Hot 100 singles of 2009 (Nummer: 55), Indie 88: Top 500 Indie Rock Songs (Nummer: 71), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 144) und BILLIONS CLUB
recording of:
Viva la Vida
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
Universal Music Publishing MGB Ltd.
Coldplay4.14:02
5Broke Boy
Produzent(in):
JR Rotem
recording of:
Broke Boy
Verfasser(in):
Malia Civetz, Nate Cyphert, Ross Golan, Jacob Kasher Hindlin (American songwriter, producer) und Jonathan Rotem
Malia Civetz2:54
6Ride
Programmierung:
Tyler Joseph und Ricky Reed
assistierende(r) Techniker(in):
Alex Gruszecki
Techniker(in):
Drew Kapner und Joe Viers
Koproduzent(in):
Tyler Joseph
Produzent(in):
Ricky Reed
assistierende(r) Mix:
Scott Skrzynski
Mix:
Neal Avron (American engineer)
Bass:
Ricky Reed
Orgel [organs]:
Tyler Joseph
Schlagzeug:
Josh Dun
phonographisches Urheberrecht (℗) von:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2015) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2015)
aufgenommen bei:
Serenity West Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sonic Lounge Studios in Grove City, Ohio, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 20), Indie 88: Top 500 Indie Rock Songs (Nummer: 258) und Indie 88: Top 500 Indie Rock Songs (Nummer: 447)
recording of:
Ride
Texter und Komponist(in):
Tyler Joseph
publisher:
Fueled by Ramen, Stryker Joseph Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
twenty one pilots4.53:35
7I'm Yours
Assistent recording engineer:
Iain Hill (UK engineer)
recording engineer:
Dyre Gormsen
Produzent(in):
Martin Terefe
Mix:
Tony Maserati (engineer / mixer)
Bass:
Martin Terefe
Gitarre:
Jason Mraz
Keyboard:
Nikolaj Torp Larsen
Schlagzeug:
Kristoffer Sonne
Hintergrundgesang:
Toca Rivera
vocals:
Jason Mraz
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
aufgenommen bei:
Kensaltown Recording Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Canaan Road Studios in New York, New York, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 7), Billboard Year-End Hot 100 singles of 2008 (Nummer: 27) und BILLIONS CLUB
recording of:
I’m Yours
Texter und Komponist(in):
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz3.454:02
8Acapulco
Jason Derulo42:20
9Feel It Still
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
Musikvideos:
Feel It Still von Portugal. The Man
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 33), Billboard Year-End Hot 100 singles of 2018 (Nummer: 33), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (Nummer: 45), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 386)
recording of:
Feel It Still
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist und Asa Taccone
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Please Mr. Postman
Portugal. The Man4.252:42
10These Days
phonographisches Urheberrecht (℗) von:
Asylum Records UK (company credits only; do not use as release label!) (in 2017)
Teil von:
BILLIONS CLUB
recording of:
These Days
Verfasser(in):
Piers Aggett, Amir Amor, Ben Haggerty, Julian Bunetta, Dan Caplen (British R&B singer/songwriter and musician), Kesi Dryden, Jamie Scott (UK singer-songwriter), John Ryan (American pop singer/producer a/k/a “John the Blind”) und Leon “Locksmith” Rolle
Rudimental, Jess Glynne, Macklemore,Dan Caplen43:32
11Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:22
12Head & Heart
recording engineer:
Kolidescopes (Yeah Boy/Johnny Courtidis (AU) & Dan Dare (GB)) (Hintergrundgesang)
Techniker(in):
Neave Applebaum, Kolidescopes (Yeah Boy/Johnny Courtidis (AU) & Dan Dare (GB)) und Lewis Thompson
Produzent(in):
Neave Applebaum, Joel Corry, Kolidescopes (Yeah Boy/Johnny Courtidis (AU) & Dan Dare (GB)), MNEK (Aufgabe: vocal) und Lewis Thompson
Mix:
Kevin Grainger (DJ and mastering engineer)
vocals:
MNEK
phonographisches Urheberrecht (℗) von:
Perfect Havoc (in 2020)
mixed at:
Wired Masters in Balham, Wandsworth, London (Greater London), England, Vereinigtes Königreich
Teil von:
BILLIONS CLUB
recording of:
Head & Heart
Verfasser(in):
Neave Applebaum, Joel Corry, Dan Dare, Robert Harvey (singer, musician, DJ and songwriter from England), John Courtidis, Leo Kalyan, Lewis Thompson und Uzoechi Emenike
publisher:
Minds on Fire (independent publishing company based in London, UK), Sony/ATV Music Publishing, Spirit B Unique (publisher; do NOT use as release label), Universal Music Publishing (use ONLY if no country‐specific information is available) und Warner Chappell Publishing
Joel Corry, MNEK3.32:46
1324K Magic
recording engineer:
Charles Moniz
assistierende(r) Techniker(in):
Jacob Dennis (engineer)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Shampoo Press & Curl (production group)
zusätzliche(r) Produzent(in):
The Stereotypes (R&B/hip hop/dance production team)
Mix:
Serban Ghenea
Gitarre:
Dave Foreman
Talkbox:
Byron “Mr. Talkbox” Chambers und Bruno Mars (US singer)
Hintergrundgesang:
Christopher Brody Brown, James Fauntleroy, Philip Lawrence (urban songwriter/producer, of The Smeezingtons) und Bruno Mars (US singer)
aufgenommen bei:
Glenwood Place Studios in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
a cappella versions:
24k Magic von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 2018 winner) und Billboard Year-End Hot 100 singles of 2017 (Nummer: 16)
recording of:
24K Magic
Verfasser(in):
Christopher Brody Brown, Philip Lawrence (urban songwriter/producer, of The Smeezingtons) und Bruno Mars (US singer)
publisher:
BMG Rights Management (see annotation) (vom 2016 bis heute), Late 80’s Music (vom 2016 bis heute), Mars Force Songs, LCC (vom 2016 bis heute), Universal Music Publishing (use ONLY if no country‐specific information is available) (vom 2016 bis heute), WB Music Corp. (1929–2019) (vom 2016 bis heute) und ZZR Music, LCC (vom 2016 bis heute)
Bruno Mars3.83:46
14Light Switch
Produzent(in):
Charlie Puth
assistierende(r) Mix:
Zach Pereyra, Trey Station und Anthony Vilchis
Mix:
Manny Marroquin und Charlie Puth
Gitarre:
Jan Ozveren
phonographisches Urheberrecht (℗) von:
Atlantic Records Group LLC (not for release label use!) (in 2022)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Light Switch
Verfasser(in):
Jacob Kasher Hindlin (American songwriter, producer), Charlie Puth und Jake Torrey
publisher:
Artist 101 Publishing Group, Charlie Puth Music Publishing, Prescription Songs, Rap Kingpin Music und Songs of Brill Building
Charlie Puth3.83:06
15Feel Good Inc
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
zusätzlich Gitarre:
Simon Tong (The Verve)
Sologesang:
De La Soul
Musikvideos:
Feel Good Inc. von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 40) und BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. und Underground Animals
Gorillaz43:43
16Love Grows (Where My Rosemary Goes)
SMYLES32:20
17Smile
Techniker(in):
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Mike Pelanconi
Produzent(in):
Darren Lewis, Future Cut und Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistierende(r) Mix:
Dan Porter
Mix:
Future Cut und Mike Pelanconi
Bassgitarre:
Clive Hunte
Keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) und Iyiola Babalola (drum n bass producer Iyiola Babalola)
Posaune:
Trevor Edwards
Saxophon:
Michael Rose (Saxophonist)
Schlagzeug:
Paul Powell
Trompete:
Eddie Thornton
Sologesang:
Lily Allen
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 6)
recording of:
Smile
Texter:
Lily Allen, Darren Lewis und Iyiola Babalola (drum n bass producer Iyiola Babalola)
zusätzliche(r) Verfasser(in):
Clement “Coxsone” Dodd
Komponist(in):
Jackie Mittoo
publisher:
Sparta Florida Music Group und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
basiert auf:
Free Soul
Lily Allen3.73:17
18Glad You Exist
Teil von:
Grammy Award: Best Country Duo/Group Performance nominees (Nummer: 2022) und Billboard Year-End Hot 100 singles of 2021 (Nummer: 64)
recording of:
Glad You Exist
Verfasser(in):
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Shay Mooney, Tayla Parx, Jordan Reynolds (US country music songwriter) und Dan Smyers (American country music singer and songwriter, born 1987)
Dan + Shay32:25
19Move on Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
20Butterflies
Produzent(in):
MAX (US singer and actor, aka Max Schneider) und Johnny Simpson
Mix:
John Sinclair (engineer)
vocals:
Ali Gatie und MAX (US singer and actor, aka Max Schneider)
phonographisches Urheberrecht (℗) von:
Colour Vision Records (in 2021, in 2024)
recording of:
Butterflies
Verfasser(in):
Ali Gatie, Jacob Casey Torrey, Jonathan Ray Simpson, Maxwell “MAX” Schneider (US singer and actor, aka Max Schneider) und Tia Marie Scola
Max, Ali Gatie33:11
21High Hopes
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) und Steve Genewick
sonstige Unterstützung:
Ron Cabiltes und Danny Zook
Programmierung:
Jonny Coffer (songwriter and producer) und Cook Classics
Techniker(in):
Suzy Shinn
Produzent(in):
Jake Sinclair
Mix:
Claudius Mittendorfer (engineer, producer, mixer)
Bass:
Jake Sinclair
Bratsche / Viola:
Robert Brophy (violist), Zach Dellinger, Brian Dembow, Peter Lale (violist), Shawn Mann (violist) und Bruce White (violist)
Cello:
Jacob Braun (American cellist), Eric Byers (cellist), Caroline Dale (cellist), Steve Erdody und Tim Gill (cellist)
Geige / Violine:
Charlie Bisharat (US violinist), Thomas Bowes (violinist), Bruce Dukov, Julie Gigante, Peter Hanson (violinist), Jackie Hartley (violinist), Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning (violinist), Serena McKinney, Helen Nightengale, Tom Pigott‐Smith (violinist), Katia Popov, Emlyn Singleton (violinist), Tereza Stanislav (violinist), Cathy Thompson (violinist) und Warren Zielinski (violinist)
Gitarre:
Kenneth Harris (former touring guitarist for Panic! at the Disco) und Jake Sinclair
Klavier, Schlagzeug und Sologesang:
Brendon Urie
Saxophon:
Ryan Dragon (American trombonist), Jason Fabus, Morgan Jones (saxophone) und Peter Slocombe (saxophonist)
Trompete:
Jonathan Bradley (trumpet) und Mike Rocha (trumpeter)
Hintergrundgesang:
Kenneth Harris (former touring guitarist for Panic! at the Disco), Ilsey Juber (US | pop singer), Suzy Shinn, Jake Sinclair und Brendon Urie
conductor:
Rob Mathes
arranger:
Rob Mathes
concertmaster:
Lori Casteel und Mike Casteel
phonographisches Urheberrecht (℗) von:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2018) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 11), Spotify: Top Hits of 2019 (Nummer: 47) und BILLIONS CLUB
recording of:
High Hopes
Verfasser(in):
Sam Hollander (writer, producer, songwriter, programming, composer), Ilsey Juber (US | pop singer), Jonas Jeberg, Tayla Parx, Lauren Pritchard (American singer), Jake Sinclair, Brendon Urie, William Lobbin Bean und Jenny Owen Youngs
Panic! at the Disco3.53:12
22My Head & My Heart
recording of:
My Head & My Heart
basiert auf:
Around the World (La La La La La)
Ava Max3.52:55
23Take on Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:45
24Tongue Tied
recording engineer, Techniker(in) und Produzent(in):
Ryan Rabin
assistierende(r) Techniker(in):
Ryan McMahon (LA-based producer and songwriter)
assistierende(r) Mix:
Ryan Gilligan
Interpret(in):
Sean Gadd, Hannah Hooper, Ryan Rabin, Andrew Wessen und Christian Zucconi
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Captain Cuts Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 412)
recording of:
Tongue Tied
Verfasser(in):
Sean Gadd, Hannah Hooper, Ryan Rabin, Andrew Wessen und Christian Zucconi
Grouplove4.253:38
25Summer Feelings
Lennon Stella, Charlie Puth3.752:40
26Hymn for the Weekend (Seeb remix)
remixer:
Seeb
Interpret(in):
Coldplay
Remix von:
Hymn for the Weekend von Coldplay
recording of:
Hymn for the Weekend
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
Reach Music Songs
Coldplay3.53:33
27Bad Day
recording engineer:
David Boucher und Jeff Dawson
Programmierung:
Jeff Dawson
Produzent(in):
Jeff Dawson und Mitchell Froom
Mix:
David Boucher
Bass:
Davey Faragher und Darren Parris
Gitarre [guitars]:
Jeff Dawson und Val McCallum (guitarist & singer-songwriter)
Keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
Schlagzeug [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander und Pete Thomas (drummer)
zusätzlich Keyboard [keyboards]:
Mitchell Froom
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Area A. in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bad Day
Texter und Komponist(in):
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.153:55
28I Wish
phonographisches Urheberrecht (℗) von:
Joel Corry Limited (in 2023)
recording of:
I Wish
Joel Corry, Mabel33:02
29Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:59
30Good Feeling
Samples:
Something’s Got a Hold on Me von Etta James
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 16)
recording of:
Good Feeling
Verfasser(in):
Arash Pournouri (music manager, songwriter and record label owner), Tim Bergling, Cirkut, Dr. Luke, Flo Rida (American rapper), Breyan Isaac, Etta James, Leroy Kirkland und Pearl Woods (60s R&B)
Flo Rida3.64:08
31Good Ones
Programmierung und Produzent(in):
Oscar Holter
Techniker(in):
Lionel Crasta (sonstiger Gesang [bridge vocals]), John Hanes (audio engineer, mixer), Oscar Holter und Thomas Warren
assistierende(r) Mix:
Bryce Bordone
Mix:
Serban Ghenea
Bass, Keyboard [keys] und Schlagzeug [drums]:
Oscar Holter
Hintergrundgesang:
Caroline Ailin
vocals:
Charli xcx
phonographisches Urheberrecht (℗) von:
Warner Records UK Limited (not for release label use!) (in 2021)
produced for:
Wolf Cousins Productions
aufgenommen bei:
House Mouse Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Stellar House in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Good Ones
Verfasser(in):
Caroline Ailin, Noonie Bao, Charlotte Aitchison (Charli xcx), Robin Fredriksson (of Mattman & Robin), Oscar Holter und Mattias Larsson (of Mattman & Robin)
Charli XCX42:17
32Pack Up
Produzent(in):
Matt Prime
Gast vocals:
Lloyd Wade
Musikvideos:
Pack Up von Eliza Doolittle (Eliza, formerly Eliza Doolittle)
recording of:
Pack Up
Verfasser(in):
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime und Tim Woodcock
quotes lyrics from:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3.53:11
33Rockabye
Programmierung:
Jack Patterson (British multi-instrumentalist , singer-songwriter) und Hal Ritson
zusätzliche drum machine-Programmierung:
Luke Patterson
Sound-Engineering:
Dann Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) und Anthony Leung (Hong Kong engineer)
zusätzliches Sound-Engineering:
Hal Ritson
Audio-Engineering:
Drew Smith (engineer) und Tom AD Fuller
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) und Mark Ralph
Mix:
Jack Patterson (British multi-instrumentalist , singer-songwriter) und Mark Ralph
Bratsche / Viola:
James Boyd (UK viola player)
Cello:
Grace Chatto
Geige / Violine:
Braimah Kanneh‐Mason und Beatrice Philips (violinist)
Keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Klavier:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
Schlagzeug:
Luke Patterson
Hintergrundgesang:
Caroline Ailin und Grace Chatto
Sologesang:
Anne‐Marie (British singer) und Sean Paul (Jamaican reggae/dancehall)
zusätzlich vocals:
Kelly Barnes
Interpret(in):
Clean Bandit
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 2016), Atlantic Records UK (company credits only; do not use as release label!) (in 2016) und Major Toms (in 2016)
aufgenommen bei:
Club Ralph in London (Greater London), England, Vereinigtes Königreich, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich und The Crypt Studio in Crouch End, Haringey, London (Greater London), England, Vereinigtes Königreich
mixed at:
Club Ralph in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 44) und BILLIONS CLUB
recording of:
Rockabye
Verfasser(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Jack Patterson (British multi-instrumentalist , singer-songwriter), Sean Paul Henriques (Jamaican reggae/dancehall) und Ina Wroldsen
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. und Where Da Katz At
Clean Bandit, Sean Paul, Anne‐Marie3.454:10
34Go Your Own Way (2018 remaster)
recording of:
Go Your Own Way
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. und Now Sounds Music
Fleetwood Mac33:39
35Handclap
Produzent(in):
Ricky Reed
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead)
recording of:
HandClap
Komponist(in):
Eric Frederic, Fitz & the Tantrums und Sam Hollander (writer, producer, songwriter, programming, composer)
Fitz and the Tantrums3.63:13
36Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
Texter und Komponist(in):
Gary Kemp
Spandau Ballet3.53:51
37I Feel Good
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2021)
Pink Sweat$2:16
38Cool Kids
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (vom 2014 bis heute)
recording of:
Cool Kids
Verfasser(in):
Jeffery David, Jesiah Dzonek, Sydney Quiseng (from Echosmith), Graham Sierota, Jamie Sierota und Noah Sierota
publisher:
Echosmith Songs, Jeffery David Songs, Round Hill Songs Jeffery David, Upcast Music Recordings und WB Music Corp. (1929–2019)
Echosmith43:36
39Keeping Your Head Up
Techniker(in):
Dann Pursey (UK engineer) und Chris Laws (engineer, keyboardist & songwriter)
Koproduzent(in):
Birdy (UK singer Jasmine van den Bogaerde)
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
aufgenommen bei:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Keeping Your Head Up
Verfasser(in):
Wayne Hector, Jasmine Van Den Bogaerde (UK singer Jasmine van den Bogaerde) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Good Soldier Songs Ltd. und Rokstone Music Ltd.
Birdy3.53:28
40Castle on the Hill
Programmierung:
benny blanco (producer Benjamin Levin)
Techniker(in):
Joe Rubel (songwriter and producer) und Chris Sclafani
Produzent(in):
benny blanco (producer Benjamin Levin) und Ed Sheeran (UK singer‐songwriter)
assistierende(r) Mix:
Michael Freeman (UK engineer and recording professional) und Geoff Swan
Mix:
Mark “Spike” Stent (producer, engineer)
Bass:
Pino Palladino
Gitarre, Mandoline, Hintergrundgesang und Sologesang:
Ed Sheeran (UK singer‐songwriter)
Keyboard:
benny blanco (producer Benjamin Levin) und Thomas Bartlett
Klavier:
Thomas Bartlett
Schlagzeug:
Leo Taylor (UK drummer, producer, and DJ, active since 2000s)
phonographisches Urheberrecht (℗) von:
Asylum Records UK (company credits only; do not use as release label!) (in 2017) und Warner Music UK Limited (not for release label use!) (in 2024)
aufgenommen bei:
Gingerbread Man Studios (Suffolk) in Suffolk, England, Vereinigtes Königreich, Gingerbread Man Studios (London) in London (Greater London), England, Vereinigtes Königreich, Matza Ball Studio in New York, New York, Vereinigte Staaten, RAK Recording Studios in London (Greater London), England, Vereinigtes Königreich und The Dwelling in New York, New York, Vereinigte Staaten
mixed at:
The Mix Suite in London (Greater London), England, Vereinigtes Königreich und The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 40)
recording of:
Castle on the Hill
Verfasser(in):
Benjamin Levin (producer Benjamin Levin) und Ed Sheeran (UK singer‐songwriter)
publisher:
Ed Sheeran Limited, Please Don't Forget to Pay Me Music und Sony/ATV Music Publishing (UK) Ltd.
Ed Sheeran3.754:21
41Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:54
42La da Dee
Cody Simpson3.53:17
43The Best (edit)
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
44Can't Get You Out of My Head
drum machine-Programmierung:
Rob Davis (songwriter/producer was in Mud)
Techniker(in) und Mix:
Tim Orford
Produzent(in):
Rob Davis (songwriter/producer was in Mud) und Cathy Dennis
E-Gitarre und Keyboard:
Rob Davis (songwriter/producer was in Mud)
Hintergrundgesang und Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und KDB Pty Limited (in 2001)
produced for:
19 Productions
Musikvideos:
Can’t Get You Out of My Head von Kylie Minogue
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 27), Billboard Year-End Hot 100 singles of 2002 (Nummer: 45) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 207)
recording of:
Can’t Get You Out of My Head
Texter:
Cathy Dennis
Komponist(in):
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kylie Minogue43:51
45Good Times (7" edit 2018 remaster)
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:46
46All Summer Long
recording engineer und Mix:
Rob Cavallo, Kid Rock (American singer/rapper) und Al Sutton
Programmierung und Produzent(in):
Kid Rock (American singer/rapper)
Techniker(in):
Al Sutton
Koproduzent(in):
Rob Cavallo
Bassgitarre [bass]:
Aaron Julison
Gitarre [guitars]:
Marlon Young
Klavier:
Billy Powell
Hintergrundgesang:
Thornetta Davis (Detroit, MI R&B vocalist), Andre Jones und Barbara Payton
Sologesang:
Kid Rock (American singer/rapper)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
aufgenommen bei und mixed at:
The Allen Roadhouse in Clarkston, Michigan, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 85)
recording of:
All Summer Long
Verfasser(in):
Kid Rock (American singer/rapper) und Uncle Kracker
basiert auf:
Sweet Home Alabama
basiert auf:
Werewolves of London
Kid Rock3.24:58
47Riptide
Produzent(in):
John Castle, James Keogh (Australian singer-songwriter) und Edwin White (Australian musician and producer)
vocals:
Vance Joy (Australian singer-songwriter)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 48), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2013), Billboard Year-End Hot 100 singles of 2015 (Nummer: 71), Indie 88: Top 500 Indie Rock Songs (Nummer: 72) und BILLIONS CLUB
recording of:
Riptide
Texter und Komponist(in):
James Keogh (Australian singer-songwriter)
publisher:
Mushroom Music Pty. Ltd. und WB Music Corp. (1929–2019)
Vance Joy3.63:24
48Love Shack (edit)
Produzent(in):
Don Was
Bearbeitung von:
Love Shack von The B‐52s
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s3.654:18
49Juice
Programmierung und Produzent(in):
Ricky Reed
assistierende(r) Techniker(in):
Rouble Kapoor
Techniker(in):
Bill Malina und Ethan Shumaker
zusätzliche(r) Produzent(in):
Nate Mercereau (US guitarist and songwriter)
assistierende(r) Mix:
Scott Desmarais und Robin Florent
Mix:
Manny Marroquin
Bassgitarre [bass] und Gitarre:
Nate Mercereau (US guitarist and songwriter) und Ricky Reed
Keyboard [keyboards]:
Ricky Reed
Perkussion und Schlagzeug [drums]:
Victor Indrizzo
Posaune:
Lemar Guillary
Saxophon:
Jesse McGinty
Trompete:
Michael Cordone
Hintergrundgesang:
Asha Maura, Shelby Swain, Theron Thomas und Quinn Wilson (creative and film director)
Sologesang:
Lizzo (American rapper, singer and actress)
Interpret(in):
Rouble Kapoor
aufgenommen bei:
Elysian Park in Echo Park, Los Angeles, California (Kalifornien), Vereinigte Staaten und United Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
TheNeedleDrop: Top 50 Singles of 2019 (Nummer: 14)
recording of:
Juice
Verfasser(in):
Eric Frederic, Melissa “Lizzo” Jefferson (American rapper, singer and actress), Sean Small (American songwriter, producer, engineer), Sam Sumser und Theron Thomas
publisher:
BMG Gold Songs, Frederic and Ried Music, Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Prescription Songs, Sam Sum Music, Sean Small Music, Songs from the Boardwalk, Sony/ATV Music Publishing, LLC (1995–2020), Sumser Music und TNT Explosive Publishing
Lizzo3.353:15
50I Love You So
phonographisches Urheberrecht (℗) von:
The Walters (Chicago) (in 2014)
Musikvideos:
I Love You So (music video) von The Walters (Chicago)
Teil von:
BILLIONS CLUB
recording of:
I Love You So
Verfasser(in):
The Walters (Chicago)
The Walters3.452:40
51Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede, Björn Skifs4.052:53
52Hold My Hand
Schlagzeug [drum]-Programmierung:
Starsmith
zusätzliche Programmierung:
Wez Clarke
zusätzliche Schlagzeug [drum]-Programmierung:
Wez Clarke und TIEKS
Techniker(in):
Mike Horner
Koproduzent(in):
Jack Patterson (British multi-instrumentalist , singer-songwriter)
Produzent(in):
Starsmith
Mix:
Wez Clarke
Bass:
Dominic Grant
Klavier:
Starsmith und Anthony Strong
Perkussion:
Jack Dow-Smith
Schlagzeug:
Anthony "Sweetstix" Lewis (drummer)
Synthesizer [synthesizers] und Tenorsaxophon:
Starsmith
Trompete:
Jon Eades
Sologesang:
Jess Glynne
Horn arranger:
Starsmith
phonographisches Urheberrecht (℗) von:
Atlantic Records UK Ltd (in 2015)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich, RAK Studios in London (Greater London), England, Vereinigtes Königreich und The Estate in London (Greater London), England, Vereinigtes Königreich
engineered at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Hold My Hand
Verfasser(in):
Jess Glynne, Jin Jin (Janée Bennett), Jack Patterson (British multi-instrumentalist , singer-songwriter) und Ina Wroldsen
publisher:
Black Butter Music Publishing Ltd, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Reverb America Music, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Jess Glynne3.653:47
53I'm Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:05
54The Business
Programmierung:
HIGHTOWER (producer) und Tiësto (Dutch DJ and record producer)
Koproduzent(in):
HIGHTOWER (producer)
Produzent(in):
Julia Karlsson (Aufgabe: Vocal) und Tiësto (Dutch DJ and record producer)
Interpret(in):
Tiësto (Dutch DJ and record producer)
Teil von:
BILLIONS CLUB
recording of:
The Business
Verfasser(in):
James Bell (Production music composer), Julia Christine Karlsson, Anton Rundberg und Tijs Verwest (Dutch DJ and record producer)
Tiësto3.42:44
55Fuck You
Remix von:
Fuck You (Bart B More mix) von CeeLo Green
Musikvideos:
F**k You (lyric video) (explicit) von CeeLo Green und Fuck You von CeeLo Green
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 7)
recording of:
Fuck You
Verfasser(in):
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine und Bruno Mars (US singer)
Teil von:
Matuschkes Lieblinge 2010
CeeLo Green4.13:43
56We Are Young
drum machine [drum]-Programmierung:
Jeff Bhasker
zusätzliche Programmierung:
Ken Lewis (recording engineer and mixer)
Techniker(in):
Andrew Dawson (US mix engineer), Sonny Pinnar (UK producer/engineer John Simpson, aka Sonny Pinna) (Saiteninstrumente) und Stuart White
Produzent(in):
Jeff Bhasker und TommyD (Aufgabe: orchestral producer)
assistierende(r) Mix:
Stuart White
Mix:
Jeff Bhasker
Bratsche / Viola:
Natalie Cavey und Emma Owens (violist, violinist, strings)
Cello:
Rosie Danvers und Jane Oliver (cellist)
flute:
Chloe Vincent
Geige / Violine:
Natalia Bonner (violinist), Stephanie Cavey, Sally Jackson (violinist) und Jenny Sacha
Keyboard [keyboards] und Hintergrundgesang:
Jeff Bhasker
Kontrabass:
Lucy Shaw (double bassist)
Posaune:
Mark Frost (trombone), Pat Hartley und Trevor Mires
Saiteninstrumente:
Wired Strings
Waldhorn:
Richard Ashton, Corinne Bailey (British hornist) und Richard Bissel (British horn player and composer)
Chorgesang:
Ky'lee Abrams, Boyce Buchanan, Marley Mulvihill, Lowell Novitch, Renata Robins, Skye Saltzman, Finn Snyder, Genevieve Thomas, West Los Angeles Children’s Choir und Janet Yang
conductor:
Barbara Klaskin Silberg
Orchestrator(in):
Jeff Bhasker und Rosie Danvers
phonographisches Urheberrecht (℗) von:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2011)
aufgenommen bei:
Enormous Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Jungle City in New York, New York, Vereinigte Staaten, Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (Chorgesang)
a cappella versions:
We Are Young von The Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 3), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2013), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 276), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 420)
recording of:
We Are Young
Verfasser(in):
Jeff Bhasker und Fun. (American indie pop band)
publisher:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music und WB Music Corp. (1929–2019)
fun., Janelle Monáe3.854:11
57Song 2
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre:
Damon Albarn und Graham Coxon
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
E-Gitarre, Theremin und Hintergrundgesang:
Graham Coxon
Hammond-Orgel, Keyboard, Klavier und Sologesang:
Damon Albarn
Perkussion:
Dave Rowntree
Schlagzeug:
Graham Coxon und Dave Rowntree
Herausgeber:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
Musikvideos:
Song 2 (music video) von Blur (UK alternative rock band)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 8), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 15), Indie 88: Top 500 Indie Rock Songs (Nummer: 57) und BILLIONS CLUB
recording of:
Song 2
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) und 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:02
58Rather Be
Techniker(in):
Liam Nolan und Brett Shaw
Audio-Engineering:
Liam Nolan
Produzent(in):
Grace Chatto und Jack Patterson (British multi-instrumentalist , singer-songwriter)
Mix:
Wez Clarke und Jack Patterson (British multi-instrumentalist , singer-songwriter)
Bratsche / Viola:
Asher Zaccardelli (viola player)
Cello:
Grace Chatto
Geige / Violine:
Neil Amin-Smith und Beatrice Philips (violinist)
Keyboard und Klavier:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
Klavier:
Anthony Strong
Schlagzeug:
Luke Patterson
Hintergrundgesang:
Florence Rawlings (British pop soul singer, signed to Dramatico)
Sologesang:
Jess Glynne
phonographisches Urheberrecht (℗) von:
Atlantic Records UK Ltd (in 2013), Warner Music UK Ltd. (not for release label use!) (vom 2014 bis heute) und Atlantic Records UK (company credits only; do not use as release label!) (in 2014)
aufgenommen bei:
123 Studios in Peckham, Southwark, London (Greater London), England, Vereinigtes Königreich und Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2015 winner), Billboard Year-End Hot 100 singles of 2014 (Nummer: 41), BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 451)
recording of:
Rather Be
Verfasser(in):
Grace Chatto, Jimmy Napes, Nicole Marshall und Jack Patterson (British multi-instrumentalist , singer-songwriter)
publisher:
Saali Isaak Songs Ltd. (publisher; do NOT use as release label) und Sony/ATV Music Publishing LLC (1995–2020)
Clean Bandit, Jess Glynne4.253:48
59That's the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:05
60Euphoria
Techniker(in):
Linn Fijal
Produzent(in):
Peter Boström und Thomas G:son
Saiteninstrumente:
Stockholm Session Strings
Hintergrundgesang:
Johanna Beijbom
Saiteninstrumente arranger:
Henrik Janson und Ulf Janson
recording of:
Euphoria
Verfasser(in):
Peter Boström und Thomas G:son
publisher:
Peer Music (“Peermusic—the global independent”) und Warner/Chappell Music Scandinavia AB
Loreen3:33
61Love's Train
recording engineer:
Cody Cichowski (Saiteninstrumente)
Produzent(in):
D’Mile (Dernst Emile II) und Bruno Mars (US singer)
Bass:
Jamareo Artis
Bratsche / Viola [violas]:
Jonathan Kim und Yoshihiko Nakano
Cello:
Glenn Fischbach
Conga:
Eric Hernandez
Geige / Violine [violins]:
Gared Crawford (Violinist), Blake Espy (Violinist), Ghislaine Fleischmann, Emma Kummrow (violinist), Charlene Kwas und Luigi Mazzocchi (violinist)
Gitarre [fuzz]:
Mateus Asato
Gitarre [rhythm guitar]:
Ella Feingold
Klavier:
John Fossitt
Posaune und Hintergrundgesang:
Kameron Whalum
Saxophon [sax]:
Dwayne Dugger
Schlagzeug:
Anderson .Paak (American rapper and producer)
Tamburin:
Jimmy King (American trumpeter)
Trompete:
Maurice Brown (US jazz trumpeter, producer, and composer)
vocals:
Anderson .Paak (American rapper and producer) und Bruno Mars (US singer)
conductor:
Larry Gold
Saiteninstrumente arranger:
Larry Gold
Saiteninstrumente co-arranger:
Steve Tirpak
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2021) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2021)
cover recording of:
Love's Train
Verfasser(in):
Michael Cooper (founding member of funk/soul band Con Funk Shun) und Felton C. Pilate II (American singer, songwriter, multi-instrumentalist and record producer)
publisher:
BMG Platinum Songs US und Bravo and Encore Music
Silk Sonic3.55:07
62Everywhere (2018 remaster)
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:43
63Treasure
recording engineer:
Ari Levine
zusätzliche(r) Techniker(in):
Charles Moniz
Produzent(in):
The Smeezingtons
Mix:
Manny Marroquin
vocals:
Bruno Mars (US singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2012) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2012)
mixed at:
Larrabee Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Levcon Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 30)
recording of:
Treasure
Verfasser(in):
Phredley Brown, Christopher Irfane Khan, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) und Thibaut Berland
publisher:
Because Éditions, BMG Gold Songs, Headbangers Publishing, Lickshot, Mars Force Music, Music Famamanem LP, Northside Independent Music Publishing LLC, Roc Nation Music, Toy Plane Music, Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
basiert auf:
Greedy for Treasure (mash up of 'Greedy' by Ariana Grande and 'Treasure' by Bruno Mars)
Bruno Mars3.552:56
64I'm a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.62:46
65Follow Me
Techniker(in):
Mike Bradford
Produzent(in):
Kid Rock (American singer/rapper)
zusätzliche(r) Produzent(in):
Mike Bradford
Mix:
Kid Rock (American singer/rapper) und Mike Bradford
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
aufgenommen bei:
Outside the Tsongas Arena in Lowell, Massachusetts, Vereinigte Staaten
recording of:
Follow Me
Verfasser(in):
Michael Bradford und Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker3.653:38
66December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3:20
67Iris
assistierende(r) Techniker(in):
Greg Burns (engineer) (Aufgabe: second engineer) und Rafa Sardina (Aufgabe: second engineer)
Techniker(in):
Allen Sides
Produzent(in):
Rob Cavallo und Goo Goo Dolls
Mix:
Jack Joseph‐Puig
Bass:
Robby Takac
Gitarre:
John Rzeznik
Klavier:
Jamie Muhoberac
Mandoline:
Tim Pierce (US session guitarist)
Schlagzeug und Perkussion:
Mike Malinin
vocals:
John Rzeznik
Saiteninstrumente [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Musikvideos:
Iris von Goo Goo Dolls
recording of:
Iris
Texter und Komponist(in):
John Rzeznik
publisher:
EMI Virgin Songs, Inc. und Scrap Metal Music
The Goo Goo Dolls4.14:50
68Fidelity
Techniker(in), Produzent(in) und Mix:
David Kahne
zusätzliche(r) Techniker(in):
Craig Bishop
Koproduzent(in):
Regina Spektor
assistierende(r) Mix:
Will Hensely
membranophone:
Shawn Pelton
vocals:
Regina Spektor
Musikvideos:
Fidelity von Regina Spektor
recording of:
Fidelity
Texter und Komponist(in):
Regina Spektor
Regina Spektor4.453:48
69The Motto
phonographisches Urheberrecht (℗) von:
Musical Freedom, LLC (in 2021)
recording of:
The Motto
Verfasser(in):
Ava Max, Sarah Blanchard, Pablo Bowman, LOSTBOY, Tiësto (Dutch DJ and record producer) und Claudia Valentina (London, England)
Tiësto, Ava Max3.152:45
70Only Wanna Be With You
assistierende(r) Techniker(in):
Wade Norton
Techniker(in), Produzent(in) und Mix:
Don Gehman
assistierende(r) Mix:
Liz Sroka
Akustikgitarre und Perkussion:
Mark Bryan und Darius Rucker
Bassgitarre, Clavinet und Klavier:
Dean Felber
E-Gitarre und Mandoline:
Mark Bryan
Schlagzeug [drums]:
Jim “Soni” Sonefeld
vocals:
Mark Bryan, Dean Felber und Jim “Soni” Sonefeld
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
aufgenommen bei:
N.R.G. Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideo für:
Only Wanna Be With You von Hootie & the Blowfish
recording of:
Only Wanna Be With You
Verfasser(in):
Mark Bryan, Dean Felber, Darius Rucker und Jim Sonefeld
Hootie & the Blowfish43:50
71You're Beautiful
assistierende(r) Techniker(in):
John Morrical
Techniker(in):
Mike Tarantino
Produzent(in) und Mix:
Tom Rothrock (American musician, composer and record producer)
Akustikgitarre:
J. Blunt
Bassgitarre [bass]:
S. Krivtsov
E-Gitarre:
M. Tarantino
Klavier:
Mr Nau
Saiteninstrumente:
E. Gorfain und The Section
Schlagzeug [drums]:
C. Paxon
vocals:
J. Blunt
Musikvideos:
You’re Beautiful (music video) von James Blunt
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 45)
recording of:
You’re Beautiful
Verfasser(in):
James Blunt, Amanda Ghost und Sacha Skarbek
publisher:
David Platz Music Inc., EMI Blackwood Music Inc. und Universal–Songs of PolyGram International, Inc.
James Blunt4.153:29
72Feel Like Makin' Love (2015 remaster)
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
73Don't
zusätzlich recording engineer:
Eric Lynn, Sean Oakley und Joshua Smith (recording engineer)
Programmierung:
benny blanco (producer Benjamin Levin), Rick Rubin (US record producer, former co‐president of Columbia Records) und Ed Sheeran (UK singer‐songwriter)
Techniker(in):
Chris "Anger Management" Sclafani, Matty Green (mix engineer), William Hicks (editor), Jason Lader und Geoff Swan
assistierende(r) Produzent(in):
Johnnie Burik (engineer) und Ricardo Kim
Koproduzent(in):
Andrew "McMuffin" Luftman, Dave Hanych und Seif "Mageef" Hussain
Produzent(in):
benny blanco (producer Benjamin Levin) und Rick Rubin (US record producer, former co‐president of Columbia Records)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Eric Caudieux, Christian 'Leggy' Langdon und Sean Oakley
Bass:
Jason Lader
Gitarre:
Ed Sheeran (UK singer‐songwriter)
Instrumente:
benny blanco (producer Benjamin Levin), Rick Rubin (US record producer, former co‐president of Columbia Records) und Ed Sheeran (UK singer‐songwriter)
Keyboard:
Jason Lader und Adam MacDougall
Perkussion:
Lenny Castro und Luis Conte (percussionist)
vocals:
Ed Sheeran (UK singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Asylum Records UK (company credits only; do not use as release label!) (in 2014), Warner Music UK Ltd. (not for release label use!) (in 2014) und Warner Music UK Limited (not for release label use!) (in 2024)
mixed at:
Mixsuite UK in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 52) und Billboard Year-End Hot 100 singles of 2015 (Nummer: 92)
recording of:
Don’t
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Ali Shaheed Muhammad, Conesha Owens, Dawn Robinson, Raphael Saadiq und Ed Sheeran (UK singer‐songwriter)
publisher:
Cool Abdul Music, Ed Sheeran Limited, Ensign Music, Matza Ballzack Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Stratinum Songs, Ugmoe Music, Universal Music–Z Tunes LLC, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Music UK (formerly Warner Records Ltd., a branch of WEA International), Watermelon Girl Music und Where da Kasz At
quotes music from:
Don't Mess With My Man
Ed Sheeran3.63:40
74Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.154:09
75Fly Away
Koproduzent(in):
Dann Hume und Tones and I
Mix:
Dann Hume
recording of:
Fly Away
Verfasser(in):
Tones and I
Tones and I42:58
76Love, Love, Love
cover recording of:
Love, Love, Love
Komponist(in):
J.R. Bailey (singer and songwriter) und Ken Williams (songwriter)
publisher:
A Dish A Tunes LLC und Chrysalis Standards Inc.
Donny Hathaway3:22
77Mind Over Matter
Young the Giant3:51
78B-A-B-Y
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:53
79One Week
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
sonstige Unterstützung:
Ed (Aufgabe: Dans la Maison) und Tyler (Aufgabe: Dans la Maison)
Techniker(in):
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Charlie Brocco (von 1998-03 bis 1998-04) und Kevin Szymanski (von 1998-03-04 bis 1998-04-04)
Mix:
David Leonard (US producer and engineer) (von 1998-03 bis 1998-04)
Akustikgitarre:
Ed (von 1998-02 bis 1998-03)
E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Kevin (von 1998-02 bis 1998-03)
E-Kontrabass [electric double bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [dans la maison]:
Ed (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [vocals]:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, Vereinigte Staaten (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:50
80The Lazy Song
sonstige Unterstützung:
DJ Dizzy (Aufgabe: Scratches)
Techniker(in):
Ari Levine
Produzent(in):
The Smeezingtons
assistierende(r) Mix:
Erik Madrid (engineer)
Mix:
Manny Marroquin
Instrumente:
Ari Levine
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2010)
aufgenommen bei:
Levcon Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
The Lazy Song (chimpanzee video) von Bruno Mars (US singer)
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 26)
recording of:
The Lazy Song
Verfasser(in):
K’naan (Somali Canadian poet, rapper, singer, songwriter and instrumentalist), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine und Bruno Mars (US singer)
Bruno Mars4.153:10
81Edge of Seventeen (2016 remaster)
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine
Bassgitarre [bass]:
Bob Glaub
Gitarre:
Waddy Wachtel
Klavier:
Roy Bittan
Orgel:
Benmont Tench
Perkussion:
Bobbye Hall
Schlagzeug:
Russ Kunkel (session drummer)
Sologesang:
Stevie Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 217)
recording of:
Edge of Seventeen
Texter und Komponist(in):
Stevie Nicks
gewidmet:
John Lennon (The Beatles)
Stevie Nicks4.055:29
82Missing Piece
recording of:
Missing Piece
Verfasser(in):
Vance Joy (Australian singer-songwriter)
Vance Joy33:37
83I Believe in a Thing Called Love
Assistent recording engineer:
Will Bartle
Techniker(in), Produzent(in) und Mix:
Pedro Ferreira
assistierende(r) Mix:
Nick Taylor (UK recording engineer)
Bass:
Frankie Poullain
Gitarre:
Dan Hawkins (member of The Darkness and Stone Gods) und Justin Hawkins
Schlagzeug:
Ed Graham
Sologesang:
Justin Hawkins
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
mixed at:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 94)
recording of:
I Believe in a Thing Called Love
Verfasser(in):
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham und Justin Hawkins
The Darkness4.13:38
84We'll Be Alright
Travie McCoy23:17
85Feel Like Makin' Love
recorded in:
New York, New York, Vereinigte Staaten (am 1973-06-13)
Produzent(in):
Eugene McDaniels und Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist) (am 1973-06-13)
arranger:
Roberta Flack (singer and pianist) und L. Leon Pendarvis
recording of:
Feel Like Makin’ Love (am 1973-06-13)
Texter und Komponist(in):
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Roberta Flack2:55
86I Like That
phonographisches Urheberrecht (℗) von:
Atlantic Records Group LLC (not for release label use!) (in 2021)
Bazzi32:38
87Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
88New Shoes
Programmierung:
Matt Benbrook
zusätzliche(r) Techniker(in):
Richard Wilkinson (production music)
Produzent(in):
Matt Benbrook und Jim Duguid
zusätzliche(r) Produzent(in):
Tom Elmhirst (mixing engineer)
Mix:
Tom Elmhirst (mixing engineer)
Bassgitarre:
Matt Benbrook
Gitarre:
Matt Benbrook und Donny Little (guitar player)
Keyboard:
Matt Benbrook und Jim Duguid
Schlagzeug:
Jim Duguid
Sologesang:
Paolo Nutini
recording of:
New Shoes
Verfasser(in):
Matt Benbrook, Jim Duguid und Paolo Nutini
Paolo Nutini3.253:24
89One Call Away
recording engineer:
DJ Frank E (Justin Franks), Matt Prime und Charlie Puth
Produzent(in):
DJ Frank E (Justin Franks) und Matt Prime
Gitarre und Schlagzeug:
Luke Potashnick (British guitarist)
Musikvideos:
One Call Away von Charlie Puth
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 43)
recording of:
One Call Away
Verfasser(in):
Blake Anthony Carter, Breyan Isaac, Justin Franks (Justin Franks), Maureen McDonald (pop singer/songwriter, active from the mid–2000s), Matt Prime und Charlie Puth
publisher:
Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Charlie Puth Music Publishing, EMI April Music Inc., J Franks Publishing, Mo Zella Mo Music, Primary Wave Brian, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) und You Want How Much of What Publishing
Charlie Puth3.43:14
90You're the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago53:49
91This Is Me
Techniker(in):
Derik Lee (engineer)
Produzent(in):
Adam Gubman (US songwriter, arranger & composer) und Greg Wells
vocals:
Keala Settle
arranger:
Rob Mathes
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
This Is Me
Verfasser(in):
Benj Pasek und Justin Paul
Teil von:
The 90th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Greatest Showman (2017 musical film)
Keala Settle, The Greatest Showman Ensemble2.53:55
92Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
93Lighter
recording of:
Lighter
Nathan Dawe, KSI3:02
94Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
95Turn Me On
Interpret(in):
Spragga Benz
recording of:
Turn Me On (Spragga Benz version)
Texter:
Carlton Grant (dancehall reggae musician who performs as Spragga Benz), Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker und Courtney Sills
Komponist(in):
Carlton Grant (dancehall reggae musician who performs as Spragga Benz), Arnold Hennings, Kevin Lyttle und Courtney Sills
basiert auf:
Turn Me On (Lyttle original)
Kevin Lyttle43:22
96Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:12
97Saturday
leitende(r) Produzent(in):
Tyler Joseph und Chris Woltman
Produzent(in):
Tyler Joseph und Greg Kurstin
zusätzliche(r) Produzent(in):
Matt Pauling
Mix:
Adam Hawkins (US mix engineer)
zusätzlich Sprecher:
Jenna Joseph
recording of:
Saturday
Texter und Komponist(in):
Tyler Joseph
twenty one pilots42:52
98I'm Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
99Cupid's Chokehold / Breakfast in America
Interpret(in):
Patrick Stump
recording of:
Cupid’s Chokehold
Verfasser(in):
Roger Hodgson und Travie McCoy
basiert auf:
Breakfast in America
Gym Class Heroes4.354:04
100Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Mix:
Ed Barton (engineer)
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:11