The Very Best of Jimmy Smith

~ Release by Jimmy Smith (see all versions of this release, 1 available)

Annotation

Digital download

Annotation last modified on 2026-05-23 07:49 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Beggar for the Blues
recorded in:
New Jersey, United States (from 1962-03-26 until 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (from 1962-03-26 until 1962-03-28)
guitar:
Quentin Warren (from 1962-03-26 until 1962-03-28)
organ:
Jimmy Smith (US jazz organist) (from 1962-03-26 until 1962-03-28)
instrumental recording of:
Beggar for the Blues (from 1962-03-26 until 1962-03-28)
writer:
Raymond Rasch and Dottie Wayne
Jimmy Smith7:28
2In a Mellow Tone
recorded in:
New Jersey, United States (on 1962-03-26)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Jerry Dodgion (on 1962-03-26) and Phil Woods (US jazz woodwind player) (on 1962-03-26)
baritone saxophone:
George Barrow (on 1962-03-26)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1962-03-26)
double bass:
Milt Hinton (on 1962-03-26) and George Duvivier (from 1962-03-26 until 1962-03-28)
drums (drum set):
Ed Shaughnessy (on 1962-03-26)
guitar:
Barry Galbraith (on 1962-03-26)
organ:
Jimmy Smith (US jazz organist) (on 1962-03-26)
solo trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-26)
tenor saxophone:
Bob Ashton (on 1962-03-26) and Arthur Clarke (baritone saxophonist) (on 1962-03-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-03-26), Urbie Green (on 1962-03-26) and Britt Woodman (on 1962-03-26)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-26), Ernie Royal (on 1962-03-26), Doc Severinsen (on 1962-03-26) and Joe Wilder (on 1962-03-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (from 1962-03-26 until 1962-03-28)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
In a Mellow Tone (on 1962-03-26)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Jimmy Smith4:24
3Walk on the Wild Side
Jimmy Smith5:55
4Step Right Up
recorded in:
New Jersey, United States (on 1962-03-26)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Jerry Dodgion (on 1962-03-26) and Phil Woods (US jazz woodwind player) (on 1962-03-26)
baritone saxophone:
George Barrow (on 1962-03-26)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1962-03-26)
double bass:
George Duvivier (on 1962-03-26) and Milt Hinton (on 1962-03-26)
drums (drum set):
Ed Shaughnessy (on 1962-03-26)
guitar:
Barry Galbraith (on 1962-03-26)
organ:
Jimmy Smith (US jazz organist) (on 1962-03-26)
tenor saxophone:
Bob Ashton (on 1962-03-26) and Arthur Clarke (baritone saxophonist) (on 1962-03-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-03-26), Urbie Green (on 1962-03-26) and Britt Woodman (on 1962-03-26)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-26), Ernie Royal (on 1962-03-26), Doc Severinsen (on 1962-03-26) and Joe Wilder (on 1962-03-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1962-03-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Step Right Up (on 1962-03-26)
composer:
Oliver Nelson (saxophone, arranger, composer)
Jimmy Smith4:13
5Blueberry Hill
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-15) and Phil Woods (US jazz woodwind player) (on 1963-03-15)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-15)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-15)
double bass:
Milt Hinton (on 1963-03-15)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1963-03-15)
flute:
Danny Bank (reeds) (on 1963-03-15) and George Dorsey (on 1963-03-15)
organ:
Jimmy Smith (US jazz organist) (on 1963-03-15)
tenor saxophone:
Al Cohn (on 1963-03-15) and Zoot Sims (US jazz saxophonist) (on 1963-03-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-15), Urbie Green (on 1963-03-15) and Quentin Jackson (on 1963-03-15)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-15), Ernie Royal (on 1963-03-15) and Clark Terry (American swing trumpeter) (on 1963-03-15)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-15)
performer:
Jimmy Smith (US jazz organist) (in 1963-03)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Blueberry Hill (on 1963-03-15)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Jimmy Smith4:53
6Bashin'
recorded in:
New Jersey, United States (from 1962-03-26 until 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (from 1962-03-26 until 1962-03-28)
guitar:
Quentin Warren (from 1962-03-26 until 1962-03-28)
organ:
Jimmy Smith (US jazz organist) (from 1962-03-26 until 1962-03-28)
recording of:
Bashin' (from 1962-03-26 until 1962-03-28)
composer:
Jimmy Smith (US jazz organist)
Jimmy Smith6:13
7Meditation
organ:
Jimmy Smith (US jazz organist) (on 1963-03-15)
Jimmy Smith3:03
8I'm an Old Cowhand
Jimmy Smith6:07
9Ol' Man River
recorded in:
New Jersey, United States (on 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Babe Clark (saxophonist) (on 1962-03-28), Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
baritone saxophone:
George Barrow (on 1962-03-28)
bass guitar:
George Duvivier (on 1962-03-28)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1962-03-26 until 1962-03-28, on 1962-03-28)
double bass:
George Duvivier (on 1962-03-28) and Milt Hinton (on 1962-03-28)
drums (drum set) and percussion:
Ed Shaughnessy (on 1962-03-28)
flute:
Robert Ashton (saxophonist) (on 1962-03-28), George Barrow (on 1962-03-28), Babe Clark (saxophonist) (on 1962-03-28), Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
guitar:
Barry Galbraith (on 1962-03-28)
organ:
Jimmy Smith (US jazz organist) (on 1962-03-28)
solo alto saxophone:
Phil Woods (US jazz woodwind player) (on 1962-03-28)
tenor saxophone:
Bob Ashton (on 1962-03-28), Robert Ashton (saxophonist) (on 1962-03-28), George Barrow (on 1962-03-28), Arthur Clarke (baritone saxophonist) (on 1962-03-28), Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-03-28), Urbie Green (on 1962-03-28) and Britt Woodman (on 1962-03-28)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-28), Ernie Royal (on 1962-03-28), Doc Severinsen (on 1962-03-28) and Joe Wilder (on 1962-03-28)
orchestra:
Oliver Nelson’s Orchestra (on 1962-03-28)
conductor:
Oliver Nelson (saxophone, arranger, composer) (from 1962-03-26 until 1962-03-28, on 1962-03-28)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Ol’ Man River (Show Boat) (on 1962-03-28)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Jimmy Smith3:56
10Trouble in Mind
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-15) and Phil Woods (US jazz woodwind player) (on 1963-03-15)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-15)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-15)
double bass:
Milt Hinton (on 1963-03-15)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1963-03-15)
flute:
Danny Bank (reeds) (on 1963-03-15) and George Dorsey (on 1963-03-15)
organ:
Jimmy Smith (US jazz organist) (on 1963-03-15)
tenor saxophone:
Al Cohn (on 1963-03-15) and Zoot Sims (US jazz saxophonist) (on 1963-03-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-15), Urbie Green (on 1963-03-15) and Quentin Jackson (on 1963-03-15)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-15), Ernie Royal (on 1963-03-15) and Clark Terry (American swing trumpeter) (on 1963-03-15)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-15)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Trouble in Mind (on 1963-03-15)
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
Jimmy Smith4:21
11The Preacher
recorded in:
New York, New York, United States (on 1963-03-20)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-20) and Phil Woods (US jazz woodwind player) (on 1963-03-20)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-20)
double bass:
George Duvivier (on 1963-03-20)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1963-03-20)
flute:
Danny Bank (reeds) (on 1963-03-20) and George Dorsey (on 1963-03-20)
organ:
Jimmy Smith (US jazz organist) (on 1963-03-20)
tenor saxophone:
Al Cohn (on 1963-03-20) and Zoot Sims (US jazz saxophonist) (on 1963-03-20)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-20), Urbie Green (on 1963-03-20) and Quentin Jackson (on 1963-03-20)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-20), Ernie Royal (on 1963-03-20) and Clark Terry (American swing trumpeter) (on 1963-03-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
The Preacher (on 1963-03-20)
lyricist:
Babs Gonzales
composer:
Horace Silver
publisher:
Silhouette Music
Jimmy Smith6:12
12Walk Right In
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-15) and Phil Woods (US jazz woodwind player) (on 1963-03-15)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-15)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-15)
double bass:
Milt Hinton (on 1963-03-15)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1963-03-15)
flute:
Danny Bank (reeds) (on 1963-03-15) and George Dorsey (on 1963-03-15)
organ:
Jimmy Smith (US jazz organist) (in 1963-03, on 1963-03-15)
tenor saxophone:
Al Cohn (on 1963-03-15) and Zoot Sims (US jazz saxophonist) (on 1963-03-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-15), Urbie Green (on 1963-03-15) and Quentin Jackson (on 1963-03-15)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-15), Ernie Royal (on 1963-03-15) and Clark Terry (American swing trumpeter) (on 1963-03-15)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-15)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Walk Right In (on 1963-03-15)
writer:
Darling and Svanoe
composer:
Gus Cannon and Hosea Woods
publisher:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) and Southern Music Publishing Co. (publishing company)
Jimmy Smith3:29
13I Can't Stop Loving You
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-15) and Phil Woods (US jazz woodwind player) (on 1963-03-15)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-15)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-15)
double bass:
George Duvivier (on 1963-03-15)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1963-03-15)
flute:
Danny Bank (reeds) (on 1963-03-15) and George Dorsey (on 1963-03-15)
organ:
Jimmy Smith (US jazz organist) (in 1963-03, on 1963-03-15)
tenor saxophone:
Al Cohn (on 1963-03-15) and Zoot Sims (US jazz saxophonist) (on 1963-03-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-15), Urbie Green (on 1963-03-15) and Quentin Jackson (on 1963-03-15)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-15), Ernie Royal (on 1963-03-15) and Clark Terry (American swing trumpeter) (on 1963-03-15)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-15)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental cover recording of:
I Can’t Stop Lovin’ You (on 1963-03-15)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Jimmy Smith4:28
14You Came a Long Way From St. Louis
Jimmy Smith4:20
15The Ape Woman
Jimmy Smith3:21
16Them From "Any Number Can Win"
double bass:
Milt Hinton (on 1963-07-25)
drums (drum set):
Bobby Donaldson (on 1963-07-25)
electric bass guitar:
Bob Bushnell (on 1963-07-25)
guitar:
Kenny Burrell (on 1963-07-25), Billy Mure (on 1963-07-25) and Vince Gambella (on 1963-07-25)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-25)
percussion:
Artie Marotti (on 1963-07-25)
saxophone:
Jerome Richardson (on 1963-07-25)
tenor saxophone:
Budd Johnson (on 1963-07-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-07-25) and Jimmy Sedlar (on 1963-07-25)
Jimmy Smith2:11
17Ruby
double bass:
Milt Hinton (on 1963-07-25)
drums (drum set):
Bobby Donaldson (on 1963-07-25)
electric bass guitar:
Bob Bushnell (on 1963-07-25)
guitar:
Kenny Burrell (on 1963-07-25), Billy Mure (on 1963-07-25) and Vince Gambella (on 1963-07-25)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-25)
percussion:
Artie Marotti (on 1963-07-25)
saxophone:
Jerome Richardson (on 1963-07-25)
tenor saxophone:
Budd Johnson (on 1963-07-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-07-25) and Jimmy Sedlar (on 1963-07-25)
Jimmy Smith2:20
18Tubs
Jimmy Smith2:48
19Blues for C.A.
Jimmy Smith3:43
20G'Won Train
Jimmy Smith4:21
21Georgia on My Mind
Jimmy Smith2:28
22What'd I Say
organ:
Jimmy Smith (US jazz organist) (on 1963-07-10)
instrumental cover recording of:
What’d I Say (on 1963-07-10)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jimmy Smith2:52
23The Sermon
bass guitar:
George Duvivier (on 1963-07-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1963-07-29)
guitar:
Kenny Burrell (on 1963-07-29)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-29)
recording of:
The Sermon (on 1963-07-29)
composer:
Jimmy Smith (US jazz organist)
Jimmy Smith7:42
24Blue Bash
recording of:
Blue Bash (in 1963-07)
writer:
Jimmy Smith (US jazz organist)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Jimmy Smith5:07
25Travelin'
producer:
Creed Taylor
drums (drum set):
Mel Lewis (American jazz drummer) (on 1963-07-25)
guitar:
Kenny Burrell (on 1963-07-25)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-25)
recording of:
Travelin’ (on 1963-07-25)
writer:
Kenny Burrell
publisher:
Blue Ribbon Music Ltd.
Kenny Burrell & Jimmy Smith5:29
26Fever
producer:
Creed Taylor
double bass [bass]:
Milt Hinton (on 1963-07-25)
drums (drum set):
Bill English (US jazz drummer) (on 1963-07-25)
guitar:
Kenny Burrell (on 1963-07-25)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-25)
performer:
Jimmy Smith (US jazz organist)
instrumental recording of:
Fever (on 1963-07-25)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Kenny Burrell & Jimmy Smith5:35
27Blues for Del
producer:
Creed Taylor
double bass [bass]:
Milt Hinton (on 1963-07-25)
drums (drum set):
Bill English (US jazz drummer) (on 1963-07-25)
guitar:
Kenny Burrell (on 1963-07-25)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-25)
recording of:
Blues for Del (on 1963-07-25)
composer:
Kenny Burrell
Kenny Burrell & Jimmy Smith6:16
28I Got a Woman
organ:
Jimmy Smith (US jazz organist) (in 1965-12)
recording of:
Got My Mojo Working (Muddy Waters arrangement) (in 1965-12)
additional writer:
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Dare Music Co.
version of:
Got My Mojo Working (original version)
Jimmy Smith8:01
29Hobo Flats
recorded in:
New York, New York, United States (on 1963-03-20)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-20) and Phil Woods (US jazz woodwind player) (on 1963-03-20)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-20)
double bass:
George Duvivier (on 1963-03-20)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1963-03-20)
flute:
Danny Bank (reeds) (on 1963-03-20) and George Dorsey (on 1963-03-20)
harmonica:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1963-03-20)
organ:
Jimmy Smith (US jazz organist) (on 1963-03-20)
tenor saxophone:
Al Cohn (on 1963-03-20) and Zoot Sims (US jazz saxophonist) (on 1963-03-20)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-20), Urbie Green (on 1963-03-20) and Quentin Jackson (on 1963-03-20)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-20), Ernie Royal (on 1963-03-20) and Clark Terry (American swing trumpeter) (on 1963-03-20)
orchestra:
Oliver Nelson’s Orchestra (on 1963-03-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Hobo Flats (from 1963-03-15 until 1963-03-20)
composer:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Hobo Flats (on 1963-03-20)
composer:
Oliver Nelson (saxophone, arranger, composer)
Jimmy Smith4:38
30Won't You Come Home Bill Bailey
recording engineer:
Rudy van Gelder (on 1956-06-18)
producer:
Alfred Lion
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1956-06-18)
guitar:
Thornel Schwartz (on 1956-06-18)
organ:
Jimmy Smith (US jazz organist) (on 1956-06-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-18)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1956-06-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Jimmy Smith6:35
31The Champ
live recording of:
The Champ (on 1963-05-31)
composer:
Dizzy Gillespie
publisher:
Skyview Music
Jimmy Smith6:44
32Theme From 'Joy House'
Jimmy Smith4:38
33Soft Winds
producer:
Creed Taylor
double bass [bass]:
George Duvivier (on 1963-07-25)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1963-07-25)
guitar:
Kenny Burrell (on 1963-07-25)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-25)
recording of:
Soft Winds (also attributed to Fletcher Henderson) (on 1963-07-25)
composer:
Benny Goodman (clarinetist and bandleader)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Twenty-Eighth Street Music
Kenny Burrell & Jimmy Smith5:44
34Kenny's Sound
producer:
Creed Taylor
double bass [bass]:
George Duvivier (on 1963-07-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1963-07-16)
guitar:
Kenny Burrell (on 1963-07-16)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-16)
recording of:
Kenny’s Sound (on 1963-07-16)
writer:
Kenny Burrell
publisher:
Blue Ribbon Music Ltd.
Kenny Burrell & Jimmy Smith4:22
35The Cat
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1964-04-29)
bass:
George Duvivier (on 1964-04-29)
bass trombone:
Tony Studd (on 1964-04-29)
drums (drum set):
Grady Tate (on 1964-04-29)
French horn:
Ray Alonge (french horn) (on 1964-04-29), Earl Chapin (on 1964-04-29), Bill Corea (on 1964-04-29), Bill Correa (Hornist) (on 1964-04-29) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-29)
guitar:
Kenny Burrell (on 1964-04-29)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-29)
percussion:
Phil Kraus (on 1964-04-29)
trombone:
Billy Byers (on 1964-04-29), Jimmy Cleveland (US jazz trombonist) (on 1964-04-29) and Urbie Green (on 1964-04-29)
trumpet:
Bernie Glow (on 1964-04-29), Thad Jones (American jazz trumpeter) (on 1964-04-29), Marky Markowitz (on 1964-04-29), Jimmy Maxwell (Trumpet) (on 1964-04-29), Ernie Royal (on 1964-04-29) and Snooky Young (on 1964-04-29)
tuba:
Don Butterfield (on 1964-04-29)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-29)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-04-29)
recording of:
The Cat (original music (no lyrics) by Lalo Schifrin) (on 1964-04-29)
composer:
Lalo Schifrin (pianist & composer)
Jimmy Smith3:21
36Easy Living
producer:
Creed Taylor
double bass [bass]:
George Duvivier (on 1963-07-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1963-07-29)
guitar:
Kenny Burrell (on 1963-07-29)
organ:
Jimmy Smith (US jazz organist) (on 1963-07-29)
instrumental recording of:
Easy Living (on 1963-07-29)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Kenny Burrell & Jimmy Smith2:56
37If I Were a Bell
engineer and producer:
Creed Taylor
drums (drum set):
Billy Hart (US jazz drummer aka “Jabali” Billy Hart) (on 1963-05-31)
guitar:
Quentin Warren (on 1963-05-31)
Hammond organ and organ:
Jimmy Smith (US jazz organist) (on 1963-05-31)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (on 1963-05-31)
live instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1963-05-31)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
Jimmy Smith Trio9:03
38Basin Street Blues
Jimmy Smith4:01
39Main Title From 'The Carpetbaggers'
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
George Duvivier (on 1964-04-27)
bass trombone:
Tony Studd (on 1964-04-27)
drums (drum set):
Grady Tate (on 1964-04-27)
French horn:
Ray Alonge (french horn) (on 1964-04-27), Earl Chapin (on 1964-04-27), Bill Corea (on 1964-04-27) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-27)
guitar:
Kenny Burrell (on 1964-04-27)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-27)
percussion:
Phil Kraus (on 1964-04-27)
trombone:
Billy Byers (on 1964-04-27), Jimmy Cleveland (US jazz trombonist) (on 1964-04-27) and Urbie Green (on 1964-04-27)
trumpet:
Bernie Glow (on 1964-04-27), Thad Jones (American jazz trumpeter) (on 1964-04-27), Marky Markowitz (on 1964-04-27), Jimmy Maxwell (Trumpet) (on 1964-04-27), Ernie Royal (on 1964-04-27) and Snooky Young (on 1964-04-27)
tuba:
Don Butterfield (on 1964-04-27)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-27)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-04-27)
recording of:
Main Title From “The Carpetbaggers” (on 1964-04-27)
composer:
Lalo Schifrin (pianist & composer)
Jimmy Smith3:55
40Chicago Serenade
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
George Duvivier (on 1964-04-29)
bass trombone:
Tony Studd (on 1964-04-29)
drums (drum set):
Grady Tate (on 1964-04-29)
French horn:
Ray Alonge (french horn) (on 1964-04-29), Earl Chapin (on 1964-04-29), Bill Corea (on 1964-04-29) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-29)
guitar:
Kenny Burrell (on 1964-04-29)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-29)
percussion:
Phil Kraus (on 1964-04-29)
trombone:
Billy Byers (on 1964-04-29), Jimmy Cleveland (US jazz trombonist) (on 1964-04-29) and Urbie Green (on 1964-04-29)
trumpet:
Bernie Glow (on 1964-04-29), Thad Jones (American jazz trumpeter) (on 1964-04-29), Marky Markowitz (on 1964-04-29), Jimmy Maxwell (Trumpet) (on 1964-04-29), Ernie Royal (on 1964-04-29) and Snooky Young (on 1964-04-29)
tuba:
Don Butterfield (on 1964-04-29)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-29)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-04-29)
instrumental cover recording of:
Chicago Serenade (on 1964-04-29)
writer:
Eddie Harris (saxophone, piano, vocals)
publisher:
Seventh House, Ltd.
recording of:
Chicago Serenade (on 1964-04-29)
writer:
Eddie Harris (saxophone, piano, vocals)
publisher:
Seventh House, Ltd.
Jimmy Smith3:53
41St. Louis Blues
Jimmy Smith3:19
42Blues in the Night
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1964-04-29)
bass and bass guitar:
George Duvivier (on 1964-04-29)
bass trombone:
Tony Studd (on 1964-04-29)
drums (drum set):
Grady Tate (on 1964-04-29)
French horn:
Ray Alonge (french horn) (on 1964-04-29), Earl Chapin (on 1964-04-29), Bill Corea (on 1964-04-29), Bill Correa (Hornist) (on 1964-04-29) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-29)
guitar:
Kenny Burrell (on 1964-04-29)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-29)
percussion:
Phil Kraus (on 1964-04-29)
trombone:
Billy Byers (on 1964-04-29), Jimmy Cleveland (US jazz trombonist) (on 1964-04-29) and Urbie Green (on 1964-04-29)
trumpet:
Bernie Glow (on 1964-04-29), Thad Jones (American jazz trumpeter) (on 1964-04-29), Marky Markowitz (on 1964-04-29), Jimmy Maxwell (Trumpet) (on 1964-04-29), Ernie Royal (on 1964-04-29) and Snooky Young (on 1964-04-29)
tuba:
Don Butterfield (on 1964-04-29)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-29)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-04-29)
instrumental recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1964-04-29)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Jimmy Smith4:43
43Slaughter on Tenth Avenue
recorded in:
New York, United States (on 1964-01-20)
recording engineer:
Rudy van Gelder (on 1964-01-20)
producer:
Creed Taylor
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1964-01-20)
guitar:
Kenny Burrell (on 1964-01-20)
organ:
Jimmy Smith (US jazz organist) (on 1964-01-20)
reeds:
Romeo Penque (on 1964-01-20), Jerome Richardson (on 1964-01-20) and Phil Woods (US jazz woodwind player) (on 1964-01-20)
trombone:
Urbie Green (on 1964-01-20)
trumpet:
Ernie Royal (on 1964-01-20) and Snooky Young (on 1964-01-20)
arranger:
Oliver Nelson (saxophone, arranger, composer) and Claus Ogerman
recording of:
Slaughter on Tenth Avenue (on 1964-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
arranger:
Sammy Nestico
part of:
On Your Toes
Jimmy Smith7:07
44Who's Afraid of Virginia Woolf?
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1964-01-21)
guitar:
Kenny Burrell (on 1964-01-21)
reeds:
Romeo Penque (on 1964-01-21), Jerome Richardson (on 1964-01-21) and Phil Woods (US jazz woodwind player) (on 1964-01-21)
trombone:
Urbie Green (on 1964-01-21)
trumpet:
Ernie Royal (on 1964-01-21) and Snooky Young (on 1964-01-21)
recording of:
Who’s Afraid of Virginia Woolf? (on 1964-01-21)
writer:
Don Kirkpatrick (jazz pianist) and Keith Knox (executive producer at Silkheart Records)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Jimmy Smith4:58
45Women of the World
recorded in:
New York, United States (on 1964-01-27)
recording engineer:
Rudy van Gelder (on 1964-01-27)
producer:
Creed Taylor
organ:
Jimmy Smith (US jazz organist) (on 1964-01-27)
arranger:
Oliver Nelson (saxophone, arranger, composer) and Claus Ogerman
recording of:
Women of the World (on 1963-01-27)
composer:
Riz Ortolani (songwriter, film music composer and music director)
Jimmy Smith5:47
46Wives and Lovers
recorded in:
New York, United States (on 1964-01-27)
recording engineer:
Rudy van Gelder (on 1964-01-27)
producer:
Creed Taylor
organ:
Jimmy Smith (US jazz organist) (on 1964-01-27)
arranger:
Oliver Nelson (saxophone, arranger, composer) and Claus Ogerman
instrumental recording of:
Wives and Lovers (on 1964-01-27)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Jimmy Smith3:18
47Who's Afraid of Virginia Woolf?
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1964-01-21)
guitar:
Kenny Burrell (on 1964-01-21)
reeds:
Romeo Penque (on 1964-01-21), Jerome Richardson (on 1964-01-21) and Phil Woods (US jazz woodwind player) (on 1964-01-21)
trombone:
Urbie Green (on 1964-01-21)
trumpet:
Ernie Royal (on 1964-01-21) and Snooky Young (on 1964-01-21)
recording of:
Who’s Afraid of Virginia Woolf? (on 1964-01-21)
writer:
Don Kirkpatrick (jazz pianist) and Keith Knox (executive producer at Silkheart Records)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Jimmy Smith4:27
48John Brown's Body
recorded in:
New York, United States (on 1964-01-27)
recording engineer:
Rudy van Gelder (on 1964-01-27)
producer:
Creed Taylor
organ:
Jimmy Smith (US jazz organist) (on 1964-01-27)
arranger:
Jimmy Smith (US jazz organist)
instrumental recording of:
John Brown’s Body (Glory, Glory, Hallelujah) (on 1964-01-27)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 771)
Jimmy Smith5:14
49Delon's Blues
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
George Duvivier (on 1964-04-27)
bass trombone:
Tony Studd (on 1964-04-27)
drums (drum set):
Grady Tate (on 1964-04-27)
French horn:
Ray Alonge (french horn) (on 1964-04-27), Earl Chapin (on 1964-04-27), Bill Corea (on 1964-04-27) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-27)
guitar:
Kenny Burrell (on 1964-04-27)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-27)
percussion:
Phil Kraus (on 1964-04-27)
trombone:
Billy Byers (on 1964-04-27), Jimmy Cleveland (US jazz trombonist) (on 1964-04-27) and Urbie Green (on 1964-04-27)
trumpet:
Bernie Glow (on 1964-04-27), Thad Jones (American jazz trumpeter) (on 1964-04-27), Marky Markowitz (on 1964-04-27), Jimmy Maxwell (Trumpet) (on 1964-04-27), Ernie Royal (on 1964-04-27) and Snooky Young (on 1964-04-27)
tuba:
Don Butterfield (on 1964-04-27)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-27)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-04-27)
recording of:
Delon’s Blues (on 1964-04-27)
composer:
Jimmy Smith (US jazz organist)
Jimmy Smith4:47
50Bluesette
Jimmy Smith3:41
51Baby It's Cold Outside
congas:
Ray Barretto (on 1966-09-28)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1966-09-28)
drums (drum set):
Grady Tate (on 1966-09-28)
guitar:
Wes Montgomery (on 1966-09-28)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-28)
instrumental cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (on 1966-09-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Jimmy Smith & Wes Montgomery5:57
52We Three Kings
Jimmy Smith3:44
53The Christmas Song
engineer:
Rudy van Gelder
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1964-09-29) and Thomas Mitchell (US jazz trombonist) (on 1964-09-29)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1964-09-29)
drums (drum set):
Grady Tate (on 1964-09-29)
flugelhorn:
Joe Newman (US jazz trumpeter) (on 1964-09-29)
French horn:
Earl Chapin (on 1964-09-29), Don Corrado (on 1964-09-29), Jim Buffington (US jazz, studio and classical hornist) (on 1964-09-29) and Morris Secon (on 1964-09-29)
guitar:
Kenny Burrell (on 1964-09-29)
harp:
Margret Ross (on 1964-09-29)
organ:
Jimmy Smith (US jazz organist) (on 1964-09-29)
percussion:
George Devens (on 1964-09-29)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-09-29) and Chauncey Welsch (on 1964-09-29)
trumpet:
Bernie Glow (on 1964-09-29), Ernie Royal (on 1964-09-29), Danny Stiles (trumpet) (on 1964-09-29) and Joe Wilder (on 1964-09-29)
tuba:
Harvey Philips (on 1964-09-29)
conductor:
Billy Byers
arranger:
Billy Byers
instrumental recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1964-09-29)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
Jimmy Smith4:31
54God Rest Ye Merry Gentlemen
engineer:
Rudy van Gelder
guitar:
Quentin Warren (on 1964-04-20)
membranophone:
Bill Hart (on 1964-04-20)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-20)
arranger:
Jimmy Smith (US jazz organist)
instrumental cover recording of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here) (on 1964-04-20)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 394)
Jimmy Smith6:03
55Jingle Bells
engineer:
Rudy van Gelder
drums (drum set):
Bill Hart (on 1964-04-20)
guitar:
Quentin Warren (on 1964-04-20)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-20)
arranger:
Jimmy Smith (US jazz organist)
instrumental recording of:
Jingle Bells (from 1964-04-20 until 1964-04-29)
lyricist and composer:
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
composed at and lyrics written at:
Simpson Tavern in Medford, Massachusetts, United States (in 1850)
Jimmy Smith3:11
56White Christmas
engineer:
Rudy van Gelder
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1964-09-29) and Thomas Mitchell (US jazz trombonist) (on 1964-09-29)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1964-09-29)
drums (drum set):
Grady Tate (on 1964-09-29)
flugelhorn:
Joe Newman (US jazz trumpeter) (on 1964-09-29)
French horn:
Earl Chapin (on 1964-09-29), Don Corrado (on 1964-09-29), Jim Buffington (US jazz, studio and classical hornist) (on 1964-09-29) and Morris Secon (on 1964-09-29)
guitar:
Kenny Burrell (on 1964-09-29)
harp:
Margret Ross (on 1964-09-29)
organ:
Jimmy Smith (US jazz organist) (on 1964-09-29)
percussion:
George Devens (on 1964-09-29)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1964-09-29) and Chauncey Welsch (on 1964-09-29)
trumpet:
Bernie Glow (on 1964-09-29), Ernie Royal (on 1964-09-29), Danny Stiles (trumpet) (on 1964-09-29) and Joe Wilder (on 1964-09-29)
tuba:
Harvey Philips (on 1964-09-29)
conductor:
Billy Byers
arranger:
Billy Byers
instrumental cover recording of:
White Christmas (on 1964-09-29)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Jimmy Smith2:50
57Silent Night
Jimmy Smith4:02
58Santa Clause Is Coming to Town
engineer:
Rudy van Gelder
guitar:
Quentin Warren (on 1964-04-20)
membranophone:
Bill Hart (on 1964-04-20)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-20)
arranger:
Jimmy Smith (US jazz organist)
recording of:
Santa Claus Is Coming to Town (on 1964-04-20)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Jimmy Smith5:22