Just the Hits: Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rock and Roll All Nite
remix di:
Rock and Roll All Nite di KISS (US rock band)
registrazione di:
Rock and Roll All Nite
autore:
Gene Simmons (KISS bassist and vocalist) e Paul Stanley (KISS frontman)
editore:
KISS Songs Inc. (conclusa), Café Americana Inc., Hori Productions America Inc. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
大洋音楽 (Taiyō Music)
scritta presso:
Continental Hyatt House in West Hollywood, California, Stati Uniti
KISS4.52:58
2One Way or Another
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 298)
registrazione di:
One Way or Another (dal 1978-06 al 1978-07)
autore:
Nigel Harrison e Deborah Harry
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. e Rare Blue Music Inc (nel 1978)
Blondie4.153:33
3Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:47
4Bad to the Bone
tecnico:
Paul Mufson e John Nagy
assistente produttore:
Ken Irwin e John Nagy
produttore:
Terry Manning (US recording engineer) e The Delaware Destroyers (George Thorogood & the Destroyers)
tecnico di missaggio:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) e Terry Manning (US recording engineer) (nel 1992)
basso :
Bill Blough (dal 1981 al 1982)
batteria :
Jeff Simon (dal 1981 al 1982)
chitarra e voce principale:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (dal 1981 al 1982)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member)
sassofono :
Hank Carter (Hank "Hurricane" Carter) (dal 1981 al 1982)
tastiera :
Ian Stewart (piano/keyboard, Rolling Stones member) (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrata presso:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Stati Uniti (dal 1981 al 1982)
mixata presso:
The Mixing Lab in Newton, Massachusetts, Stati Uniti
registrazione di:
Bad to the Bone (dal 1981 al 1982)
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
editore:
Del Sound Music
George Thorogood & the Destroyers4.24:50
5If It Makes You Happy
assistente tecnico di registrazione:
Ron Black, S. “Husky” Höskulds, Cappy Japngie e John Paterno
tecnico di registrazione:
Tchad Blake, Blair Lamb, Bob Salcedo e Trina Shoemaker
produttore:
Sheryl Crow (American singer-songwriter and musician)
tecnico di missaggio:
Tchad Blake
basso elettrico [bass] :
Dan Rothchild
batteria :
Michael Urbano
chitarra [guitars] :
Jeff Trott
tastiera :
Sheryl Crow (American singer-songwriter and musician)
voce:
Sheryl Crow (American singer-songwriter and musician)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1996)
registrazione di:
If It Makes You Happy
autore:
Sheryl Crow (American singer-songwriter and musician) e Jeff Trott
editore:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (nel 1996), Trottsky Music (nel 1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1996)
registrazione dal vivo di:
If It Makes You Happy
autore:
Sheryl Crow (American singer-songwriter and musician) e Jeff Trott
editore:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (nel 1996), Trottsky Music (nel 1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1996)
Sheryl Crow4.15:24
6Lightning Crashes
tecnico:
Lou Giordano (Boston engineer)
produttore:
Jerry Harrison (Talking Heads & producer) e Live (US alt rock band)
produttore esecutivo:
Gary Kurfirst
tecnico di missaggio:
Tom Lord‐Alge
basso :
Patrick Dahlheimer
batteria :
Chad Gracey
chitarra elettrica [lead] :
Chad Taylor (US guitarist for Live)
chitarra elettrica [rhythm] :
Ed Kowalczyk
voce:
Ed Kowalczyk
diritti fonografici (℗) detenuti da:
Radioactive Records (US rock) (nel 1994) e Radioactive Records, J.V. (nel 1994)
registrata presso:
Pachyderm Recording Studio in Cannon Falls, Minnesota, Stati Uniti
mixata presso:
Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 476)
registrazione di:
Lightning Crashes
paroliere:
Ed Kowalczyk
compositore:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk e Chad Taylor (US guitarist for Live)
editore:
Universal Music Publishing MGB Australia
Lïve45:27
7Higher Ground
tecnico:
Garth Richardson (Canadian music producer and engineer)
tecnico aggiunto:
Michael Beinhorn
produttore:
Michael Beinhorn
tecnico di missaggio:
Dave Jerden e Garth Richardson (Canadian music producer and engineer)
basso :
Flea (US bassist)
batteria :
Chad Smith (drummer from Red Hot Chili Peppers)
chitarra :
John Frusciante
voce di accompagnamento:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Various Artists, add compilations to this artist) e Merrill Ward
voce principale:
Anthony Kiedis
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1989) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
è stato produttore per:
Demolition Sound
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Higher Ground
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Stein & Van Stock, Inc.
Red Hot Chili Peppers43:24
8Mr. Brightside
tecnico di registrazione:
Jeff Saltzman (music attorney and record producer)
produttore:
Jeff Saltzman (music attorney and record producer) e The Killers (American rock band)
tecnico di missaggio:
Mark Needham
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2004) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2017)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 4), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 378)
registrazione di:
Mr. Brightside
autore:
Brandon Flowers e Dave Keuning
editore:
The Killers Publishing e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:45
9Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:56
10Black Betty
assistente tecnico:
James Winans
tecnico:
Rich Veltrop
produttore:
Sylvia Massy Shivy
tecnico di missaggio:
Sylvia Massy Shivy e Rich Veltrop
diritti fonografici (℗) detenuti da:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 2004)
registrata presso:
Radiostar Studios in Weed, California, Stati Uniti
video musicali:
Black Betty di Spiderbait
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 90)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Spiderbait4.253:28
11White Noise
assistente tecnico:
Scott Altizio (engineer) e James Frazee
tecnico:
John Agnello (engineer & producer)
tecnico aggiunto:
Stewart Lerman e Ted Young (engineer)
produttore:
John Agnello (engineer & producer) e The Living End (Australian punk band)
assistente tecnico di missaggio:
Kory Aaron e DP Samuels (engineer)
tecnico di missaggio:
Brendan O’Brien (engineer)
tecnico di missaggio aggiunto:
Billy Bowers (US engineer)
diritti fonografici (℗) detenuti da:
Dew Process (nel 2008) e Universal Music Australia (see annotation before using) (nel 2008)
registrata presso:
Water Music Studios in Hoboken, New Jersey, Stati Uniti
mixata presso:
Silent Sound Studios in Atlanta, Georgia, Stati Uniti
parte di:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (numero: 23)
registrazione di:
White Noise
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
Universal Music Publishing Australia Pty Ltd (Australian subsidiary of Universal Music Publishing Group)
The Living End33:44
12Zombie
assistente tecnico e assistente produttore:
Julie Gardiner (engineer)
tecnico e produttore:
Stephen Street (famous producer, songwriter)
batteria e percussione :
Fergal Lawler
chitarra acustica e chitarra elettrica :
Noel Hogan e Dolores O’Riordan
chitarra basso :
Mike Hogan (bassist for The Cranberries)
tastiera e voce principale:
Dolores O’Riordan
voce di accompagnamento:
Noel Hogan
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (nel 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (dal 1993-11 al 1994-08) e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1993-11 al 1994-08)
mixata presso:
The Manor in Oxfordshire, England, Regno Unito e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1994) e Indie 88: Top 500 Indie Rock Songs (numero: 234)
registrazione di:
Zombie
paroliere e compositore:
Dolores O’Riordan
editore:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) e Universal–Songs of PolyGram International, Inc.
The Cranberries4.355:08
13You Do Something to Me
produttore:
Brendan Lynch (London producer) e Paul Weller (English singer‐songwriter and musician)
tecnico di missaggio:
Brendan Lynch (London producer)
altri strumenti [novatron] , chitarra , pianoforte e voce principale:
Paul Weller (English singer‐songwriter and musician)
batteria :
Steve White (Style Council drummer)
chitarra basso :
Yolanda Charles
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1995)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito e Finsbury Park in Haringey, London (Greater London), England, Regno Unito (il 1996-06-09)
registrazione dal vivo di:
You Do Something to Me (il 1996-06-09)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. e Stylist Music Ltd.
registrazione di:
You Do Something to Me
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. e Stylist Music Ltd.
Paul Weller43:39
14Gimme Some Lovin’ (1992 Remaster)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1992)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group2:56
15All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group)
produttore aggiunto:
John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free) (nel 1970)
basso elettrico e pianoforte :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke (nel 1970)
chitarra :
Paul Kossoff (nel 1970)
voce:
Paul Rodgers
voce principale:
Paul Rodgers (nel 1970)
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970)
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 27)
registrazione di:
All Right Now (nel 1970)
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:34
16Copperhead Road
tecnico di registrazione e tecnico di missaggio:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
produttore:
Tony Brown (US producer, pianist and keyboardist) e Steve Earle (US folk/rock singer/songwriter)
registrazione di:
Copperhead Road
inno di:
Tennessee, Stati Uniti
paroliere e compositore:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:31
17Bring Me Some Water (album version)
registrazione di:
Bring Me Some Water
paroliere e compositore:
Melissa Etheridge
editore:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:54
18Unskinny Bop (1996 Remaster)
tecnico e tecnico di missaggio:
Mike Fraser (Canadian record producer, engineer and mixer)
tecnico aggiunto:
Ken Lomas
co-produttore:
Mike Fraser (Canadian record producer, engineer and mixer)
produttore:
Bruce Fairbairn
batteria :
Rikki Rockett
chitarra :
C.C. DeVille
chitarra basso :
Bobby Dall
voce principale:
Bret Michaels
esecutore:
Poison (US glam metal band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990, nel 2006)
registrazione di:
Unskinny Bop
autore:
Bobby Dall, C.C. DeVille, Bret Michaels e Rikki Rockett
editore:
Cyanide Publishing
Poison4.253:49
19American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:08

Accreditamenti

Pubblicazione

fabbricata a:Australia
distribuito da e commercializzata da:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22)
copyright (©) detenuto da:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 2018)
Discogs:https://www.discogs.com/release/14624275 [info]

Gruppo di pubblicazioni

parte di:Just the Hits (Australian compilation series) (numero: Rock) (ordine: 6)