| # | Title | Artist | Rating | Length |
|---|
| 1 | Dinero | Trinidad Cardona | 3 | 2:40 |
| 2 | Alors on danse | Stromae | 3.45 | 3:28 |
| 3 | MMMBop (single version) | Hanson | 3.2 | 3:59 |
| 4 | Lifted | Lighthouse Family | 2 | 4:31 |
| 5 | In the Summertime- recording engineer:
- Dr. Marshall Harris and Sting Int'l
- miscellaneous support:
- Dennis Donald (task: track layed by), George Miller (task: track layed by), Robert Livingston (task: track layed by) and Paul Crosdale (task: track layed by)
- producer:
- Robert Livingston and Shaun "Sting Int'l" Pizzonia
- mixer:
- Lynford "Fatta" Marshall
- additional performer:
- Rayvon
- produced for:
- Big Yard Production
- recorded at:
- H.C.&F. Recording Studio, Long Island, N.Y. in Freeport, Hempstead, New York, United States (other vocals [vocals]) and Music Works Recording Studio in Kingston , Jamaica
- mixed at:
- Mixing Lab Recording Studio in Kingston , Jamaica
- cover recording of:
- In the Summertime
- lyricist and composer:
- Ray Dorset
- publisher:
- Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. , Copyright Control , EMI April Music Inc., Our Music Ltd. , Satellite Music Ltd., Sony Music Publishing , Sony/ATV Tunes LLC and Universal Music Publishing
| Shaggy | 2 | 3:58 |
| 6 | Dancing on My Own | Robyn | 4 | 4:48 |
| 7 | What Lovers Do- programming:
- Ben Billions, Jason Evigan and Gian Stone
- assistant engineer:
- John Armstrong and Eric Eylands
- engineer:
- John Hanes , Noah “Mailbox” Passovoy and Gian Stone
- additional producer:
- Sam Farrar and Noah “Mailbox” Passovoy
- co-producer:
- Ben Billions
- producer:
- Jason Evigan, Jason Evigan (task: vocals), Noah “Mailbox” Passovoy (task: vocals) and Gian Stone (task: vocals)
- mixer:
- Serban Ghenea
- editor:
- Sam Farrar and Noah “Mailbox” Passovoy
- additional percussion:
- Sam Farrar and Noah “Mailbox” Passovoy
- bass:
- Sam Farrar and Mickey Madden
- drums (drum set) [drums] and percussion:
- Matt Flynn
- guitar [guitars]:
- Jesse Carmichael and James Valentine
- keyboard [keys]:
- Ben Billions, PJ Morton and Noah “Mailbox” Passovoy
- additional vocals:
- Sam Farrar, Noah “Mailbox” Passovoy and Starrah
- vocals:
- Adam Levine and SZA
- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2017)
- recorded at:
- Chumba Meadows in Tarzana, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 89) and Billboard Year-End Hot 100 singles of 2017 (number: 97)
- recording of:
- What Lovers Do
- writer:
- Benjamin Diehl, Elina Stridh , Jason Evigan, Adam Levine , Oladayo Olatunji, Victor Rådström, Solána Rowe and Starrah
- publisher:
- Bad Robot Music, Billions Enterprises, BMG Platinum Songs, People Over Planes, Songs of Influence, Songs of Universal, Inc. , Sudgee 2 Music, TDE Publishing LLC, These Are Songs of Pulse , Universal Music Corp. , Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Ltd.
- quotes music from:
- Sexual
| Maroon 5 | 3.45 | 3:19 |
| 8 | Hideaway | Kiesza | 3.7 | 4:12 |
| 9 | Habits (Stay High) | Tove Lo | 4 | 3:28 |
| 10 | Fancy | Iggy Azalea | 4 | 3:19 |
| 11 | Lola’s Theme- producer:
- The Shapeshifters
- bass:
- Simon Marlin
- keyboard:
- Simon Marlin and Max Reich
- background vocals:
- Nate James and Karen Poole
- lead vocals:
- Cookie
- phonographic copyright (℗) by:
- Nocturnal Groove Ltd. (in 2004)
- recording of:
- Lola’s Theme
- lyricist:
- Karen Poole
- writer:
- Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten , Fulvio Perniola, Karen Poole and Max Reich
- publisher:
- AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control , Éditer à Paris, EMI Music Publishing , EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France , Universal Music Publishing GmbH , Universal Music Publishing Group Japan , Universal Music Publishing Ltd. , シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 , 渡辺音楽出版 , フジパシフィック音楽出版 (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), フジパシフィックミュージック (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- is based on:
- What About My Love
- quotes lyrics from:
- Love Me Tonight
| The Shapeshifters | 3.5 | 3:27 |
| 12 | Back to Life | Soul II Soul | 4.15 | 3:48 |
| 13 | Let’s Get It Started (Spike mix)- programming:
- Lee Groves
- assistant engineer:
- Rob Haggett
- engineer:
- Dylan Dresdow (lead vocals [vocals]) and will.i.am
- producer:
- will.i.am
- assistant mixer:
- David Treahearn
- mixer:
- Mark “Spike” Stent
- bass guitar [bass]:
- Mike Fratantuno
- drums (drum set):
- Terence Yoshiaki
- guitar:
- George Pajon, Jr.
- background vocals:
- Dante Santiago and Noelle Scaggs
- vocals:
- apl.de.ap, Fergie , Taboo and will.i.am
- phonographic copyright (℗) by:
- Interscope Records (in 2004) and UMG Recordings, Inc. (in 2004)
- recorded at:
- The Stewchia in Los Feliz, Los Angeles, California, United States
- recording of:
- Let’s Get It Started
- writer:
- Allan Pineda, Mike Fratantuno, Jaime Gomez , George Pajon, Jr., William Adams and Terence Yoshiaki
- revision of:
- Let’s Get Retarded
| Black Eyed Peas | 3 | 3:37 |
| 14 | I’m Coming Out | Diana Ross | 3.9 | 5:25 |
| 15 | Bulletproof | La Roux | 4.1 | 3:25 |
| 16 | Summertime Sadness (Lana Del Rey vs. Cedric Gervais) (Cedric Gervais remix) | Lana Del Rey | 3.8 | 3:34 |
| 17 | I Want You Back- producer:
- The Corporation
- bass guitar:
- Wilton Felder (in 1969-07)
- drums (drum set):
- Gene Pello and Johnny Jackson (in 1969-07)
- guitar:
- Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
- guitar [lead guitar]:
- Louis Shelton (in 1969-07)
- keyboard:
- Clarence McDonald and Ronnie Rancifer (in 1969-07)
- percussion:
- Sandra Crouch and Marlon Jackson (in 1969-07)
- piano:
- Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
- background vocals:
- Jackie Jackson , Michael Jackson , Keith Washington, Jermaine Jackson (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
- lead vocals:
- Michael Jackson (in 1969-07)
- vocals:
- Jackie Jackson (in 1969-07)
- arranger:
- The Corporation
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1969)
- recorded at:
- The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
- music videos:
- I Want You Back by The Jackson 5
- part of:
- Billboard: The 500 Best Pop Songs (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (number: 120)
- recording of:
- I Want You Back (in 1969-07)
- lyricist and composer:
- The Corporation
- publisher:
- EMI April Music Inc. and Jobete Music Co., Inc.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- MJ: The Musical
| The Jackson 5 | 4.15 | 2:58 |
| 18 | Dynamite | Taio Cruz | 3.4 | 3:23 |
| 19 | Lovefool | twocolors | 3 | 3:10 |
| 20 | Ocean Drive | Duke Dumont | 3.65 | 3:26 |
| 21 | Spectrum (Say My Name) (Calvin Harris remix) | Florence + the Machine | 3.75 | 3:38 |
| 22 | I Don’t Feel Like Dancin’ | Scissor Sisters | 4 | 4:48 |
| 23 | Murder on the Dancefloor | Sophie Ellis‐Bextor | 4.15 | 3:50 |
| 24 | Next to Me- programming and producer:
- Craze & Hoax, James Murray and Mustafa Omer
- assistant mixer:
- Ben Baptie
- mixer:
- Tom Elmhirst
- electric bass guitar:
- Anup Paul
- instruments:
- Craze & Hoax, James Murray and Mustafa Omer
- piano:
- Neil Cowley
- background vocals:
- Abeeku "Beyku" Ribeiro
- choir vocals:
- Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons , Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones , Roxy Harris and Jack Vasiliou
- lead vocals:
- Emeli Sandé
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 88)
- recording of:
- Next to Me
- additional writer:
- Kendrick Lamar
- writer:
- A. K. Paul , Hugo Chegwin, Harry Craze and Emeli Sandé
- publisher:
- Stellar Songs Limited
| Emeli Sandé | 2.85 | 3:17 |
| 25 | Heart of Glass- assistant engineer:
- Grey Russell
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison
- drums (drum set):
- Clem Burke
- guitar:
- Frank Infante and Chris Stein
- keyboard:
- Jimmy Destri
- lead vocals:
- Deborah Harry
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1978), Capitol Records, Inc. (in 1978), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978-06)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- version of:
- Once I Had a Love
| Blondie | 4.3 | 4:10 |
| 26 | Stuck in the Middle With You | Stealers Wheel | 4.1 | 3:25 |
| 27 | (I Can’t Get No) Satisfaction (mono version)- engineer:
- David Hassinger
- producer:
- Andrew Loog Oldham
- additional guitar:
- Brian Jones (from 1965-05-11 until 1965-05-12)
- drums (drum set):
- Charlie Watts (from 1965-05-11 until 1965-05-12)
- electric bass guitar:
- Bill Wyman (from 1965-05-11 until 1965-05-12)
- guitar and background vocals:
- Keith Richards (from 1965-05-11 until 1965-05-12)
- tambourine:
- Jack Nitzsche (from 1965-05-11 until 1965-05-12)
- lead vocals:
- Mick Jagger (from 1965-05-11 until 1965-05-12)
- arranger:
- The Rolling Stones
- phonographic copyright (℗) by:
- ABKCO Music & Records, Inc. (in 1965)
- recorded at:
- RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-05-11 until 1965-05-12)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 2), SWR1 Hitparade 2003 (number: 4), SWR1 Hitparade 2006 (number: 4), SWR1 Hitparade 2004 der Männer (number: 9), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 31), NME: 50 Greatest Guitar Riffs of All Time (number: 33) and Billboard: The 500 Best Pop Songs (number: 119)
- recording of:
- (I Can’t Get No) Satisfaction (from 1965-05-11 until 1965-05-12)
- writer:
- Mick Jagger and Keith Richards
- publisher:
- ABKCO Music, Inc. , BMG VM Music Ltd. and Essex Music International
| The Rolling Stones | 4.05 | 3:42 |
| 28 | Somebody to You | The Vamps | 4 | 3:05 |
| 29 | Suddenly I See | KT Tunstall | 3.6 | 3:19 |
| 30 | Sailing on the Seven Seas | Orchestral Manoeuvres in the Dark | 3 | 3:45 |
| 31 | I Feel Love | Donna Summer | 3.9 | 5:51 |
| 32 | Hate Street Dialogue | The Avener | 1 | 4:19 |
| 33 | Funkytown (single version)- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1979), The Island Def Jam Music Group (in 1979) and UMG Recordings, Inc. (in 1980)
- edit of:
- Funkytown (12″ version) by Lipps, Inc.
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
- recording of:
- Funkytown
- lyricist and composer:
- Steven Greenberg
- publisher:
- Copyright Control , Intersong Music, Red Sea Songs, Rick S. Music , Steven Greenberg Music, Warner Chappell, Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Lipps, Inc. | 4.1 | 3:54 |
| 34 | Walking on a Dream | Empire of the Sun | 4 | 3:16 |
| 35 | This Girl (Kungs vs. Cookin’ on 3 Burners) | Kungs | 4.15 | 3:15 |
| 36 | Put Your Records On | Corinne Bailey Rae | 3.7 | 3:35 |
| 37 | Regulate | Warren G | 4.45 | 4:10 |
| 38 | Lonely | Akon | 4.75 | 3:55 |
| 39 | Whatta Man | Salt‐N‐Pepa | 5 | 5:08 |
| 40 | Love Me Again | John Newman | 4.25 | 4:00 |
| 41 | Sorry | Justin Bieber | 4 | 3:20 |
| 42 | Happier | Marshmello | 3.25 | 3:34 |
| 43 | Breaking Me | Topic | 3.5 | 2:46 |
| 44 | Believer- engineer and producer:
- Mattman & Robin
- mixer:
- John Hanes
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- a cappella versions:
- Believer (Live at Dolby Studios) by Tufts Beelzebubs
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 9), Billboard Year-End Hot 100 singles of 2018 (number: 100) and Indie 88: Top 500 Indie Rock Songs (number: 401)
- recording of:
- Believer
- writer:
- Robin Fredriksson , Justin Drew Tranter , Mattias Larsson , Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG , Universal MCA Music Publishing , Warner Bros., Inc. , Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. and Wolf Cousins
| Imagine Dragons | 3.4 | 3:24 |
| 45 | I Will Survive | Gloria Gaynor | 3.25 | 4:56 |
| 46 | Grace Kelly- recording engineer:
- Joe Chiccarelli
- producer:
- MIKA and Greg Wells
- mixer:
- Greg Wells
- drums (drum set) and guitar:
- Greg Wells
- guitar:
- Lyle Workman
- keyboard and background vocals:
- MIKA
- recorded at:
- Rocket Carousel Studio in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- Rocket Carousel Studio in Los Angeles, California, United States
- music videos:
- Grace Kelly by MIKA
- recording of:
- Grace Kelly
- writer:
- Jodi Marr , John Merchant, MIKA and Dan Warner
- publisher:
- Famous Publishing Co. Ltd., Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd.
| MIKA | 3.35 | 3:07 |
| 47 | Good Enough | Dodgy | 4 | 4:01 |
| 48 | Happy Now | Zedd | 3.4 | 3:27 |
| 49 | Hot in Herre- assistant recording engineer and assistant engineer:
- Nick Howard
- recording engineer and engineer:
- Brian Garten
- producer:
- The Neptunes
- assistant mixer:
- Dan Milazzo and Jeff Robinette
- associate mixer:
- Jamie Duncan
- mixer:
- Rich Travali
- other vocals [female vocals]:
- Dani Stevenson
- vocals:
- Nelly
- phonographic copyright (℗) by:
- Universal Records (in 2002) and Universal Records Inc. (in 2002)
- recorded at and engineered at:
- Right Track Recordings in Manhattan, New York, New York, United States
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States and The Village in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 3) and Billboard: The 500 Best Pop Songs (number: 195)
- recording of:
- Hot in Herre
- lyricist:
- Charles Brown and Nelly
- writer:
- Charles Brown
- composer:
- Chad Hugo and Pharrell Williams
- publisher:
- BMG Songs, Inc. (ended), Chase Chad Music (ended), EMI April Music Inc. (ended), EMI Blackwood Inc. (ended), Ascent Music Inc., EMI Pop Music Publishing, Jackie Frost Music, Nouveau Music Company, Swing T Publishing, Universal Music–MGB Songs and Waters of the Nazareth Publishing
- quotes lyrics from:
- Bustin’ Loose
| Nelly | 3.95 | 3:48 |
| 50 | Don’t Call Me Up | Mabel | 4 | 2:58 |
| 51 | Ily (I Love You Baby) | Surf Mesa | 3.45 | 3:01 |
| 52 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:40 |
| 53 | Burn- programming and producer:
- Greg Kurstin
- engineer:
- Jesse Shatkin and Greg Kurstin
- mixer:
- Serban Ghenea
- guitar and keyboard [keyboards]:
- Greg Kurstin
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- produced at:
- Echo Studio in Los Feliz, Los Angeles, California, United States
- music videos:
- Burn by Ellie Goulding
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 39)
- recording of:
- Burn
- writer:
- Ellie Goulding, Greg Kurstin, Brent Kutzle, Ryan Tedder and Noel Zancanella
- publisher:
- Blastronaut Publishing, EMI April Music Inc., Global Talent Publishing , KMR II Songs of GT Publishing and Kurstin Music
| Ellie Goulding | 4.2 | 3:51 |
| 54 | Superstition (single version) | Stevie Wonder | 4.65 | 4:04 |
| 55 | Never Really Over- programming:
- Leah Haywood, Daniel James and Zedd
- assistant engineer:
- Brian Cruz
- engineer:
- Ryan Shanahan
- producer:
- Dreamlab and Zedd
- additional mixer:
- Ryan Shanahan
- mixer:
- Zedd
- background vocals:
- Gino Barletta, Leah Haywood and Hayley Warner
- lead vocals:
- Katy Perry
- vocals:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2019)
- recorded at:
- Studios 301 in Sydney, New South Wales, Australia, UnSub Studios in Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Zedd 1 Studio in Los Angeles, California, United States
- engineered at:
- Westlake Recording Studios in West Hollywood, California, United States
- part of:
- Spotify: Top Hits of 2019 (number: 7)
- recording of:
- Never Really Over
- writer:
- Anton Zaslavski , Gino Barletta, Dagny Norvoll Sandvik, Jason Gill, Leah Haywood, Daniel James , Michelle Buzz , Katy Perry and Hayley Warner
- publisher:
- Copyright Control , Marquise Cut Publishing, Sony/ATV Songs LLC, Spirit B Unique , Universal Music Corp. , WC Music Corp., Buzz Recordings (in 2019), Daniel James Publishing Designee (in 2019), Gino Barletta Music (in 2019), Leah Haywood Publishing Designee (in 2019), Spirit B-Unique JV (in 2019), Warner–Tamerlane Publishing Corp. (in 2019), Warner/Chappell Music Scandinavia AB (in 2019), WB Music Corp. (in 2019), When I’m Rich You’ll Be My Bitch (in 2019) and Zedd Music Empire (in 2019)
| Katy Perry | 2.9 | 3:43 |
| 56 | Younger (Kygo remix) | Seinabo Sey | 4 | 5:54 |
| 57 | Tie Me Down | Gryffin | 1 | 3:38 |
| 58 | Ain’t Nobody (Loves Me Better) | Felix Jaehn feat. Jasmine Thompson | 3.55 | 3:06 |
| 59 | Perfect Strangers | Jonas Blue | 4 | 3:16 |
| 60 | bad guy- recorded in:
- Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
- additional producer:
- Billie Eilish
- producer:
- FINNEAS
- assistant mixer:
- Casey Cuayo
- mixer:
- Rob Kinelski
- field recordings:
- Billie Eilish
- phonographic copyright (℗) by:
- Darkroom (in 2019, in 2022) and Interscope Records (in 2019, in 2022)
- recorded at:
- FINNEAS’ bedroom studio in Highland Park, Los Angeles, California, United States
- music videos:
- bad guy by Billie Eilish
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 4), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Grammy Award: Record of the Year nominees (number: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (number: 27), triple j’s Hottest 100 (number: 2019), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (number: 97), Billboard: The 500 Best Pop Songs (number: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 178) and BILLIONS CLUB
- recording of:
- bad guy
- writer:
- Billie Eilish O’Connell and Finneas O’Connell
- publisher:
- Drup, Last Frontier and Universal Music Corp.
- part of:
- Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
| Billie Eilish | 3.85 | 3:14 |
| 61 | Don’t You Worry Child (radio edit) | Swedish House Mafia | 3.3 | 3:31 |
| 62 | I Took a Pill in Ibiza (Seeb remix) | Mike Posner | 4.35 | 3:22 |
| 63 | Love Myself | Hailee Steinfeld | 3.5 | 3:40 |
| 64 | Solo Dance | Martin Jensen | | 2:54 |
| 65 | Of the Night- programming and producer:
- Mark Crew and Dan Smith
- assistant mixer:
- Geoff Swan
- mixer:
- Mark “Spike” Stent
- keyboard [keyboards]:
- Mark Crew
- keyboard [keyboards] and piano:
- Dan Smith
- background vocals [backing vocals]:
- Dan Priddy
- vocals:
- Dan Smith
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 2013)
- recorded at:
- Unit 24 in London , England, United Kingdom
- recording of:
- Of the Night
- lyricist:
- Thea Austin, Benito Benites, Francesco Bontempi, Annerley Gordon, John Garrett III and Giorgio Spagna
- composer:
- Francesco Bontempi, Annerley Gordon, Michael Gaffey and Peter Wilfred Glenister
- publisher:
- Rightsong Music Inc., Songs of Logic and Universal Music Careers
- is based on:
- Rhythm Is a Dancer
- is based on:
- The Rhythm of the Night
- medley including a partial cover recording of:
- Rhythm Is a Dancer
- writer:
- Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
- is based on:
- Automan
- medley including a cover recording of:
- The Rhythm of the Night
- lyricist:
- Francesco Bontempi, Annerley Gordon and Giorgio Spagna
- writer:
- M. Gaffey and P. Glenister
- composer:
- Francesco Bontempi and Annerley Gordon
- publisher:
- Extravaganza Publishing Srl and Intersongs Music
| Bastille | 3.65 | 3:34 |
| 66 | Party Rock Anthem | LMFAO | 4.05 | 4:24 |
| 67 | Heroes (We Could Be)- recording engineer and mixer:
- Alesso
- producer:
- Alessandro Lindblad
- vocals:
- Tove Lo
- recorded at:
- Alefune Studios in Stockholm, Stockholms län , Sweden
- edit of:
- Heroes (We Could Be) (extended mix) by Alesso feat. Tove Lo
- music videos:
- Heroes (We Could Be) by Alesso featuring Tove Lo
- recording of:
- Heroes (We Could Be)
- writer:
- Alessandro Lindblad, David Bowie , Brian Eno and Tove Lo
- publisher:
- EMI Music Pub. Ltd. , Refune Music Rights AB , Screen Gems EMI Music, Inc. , Tintoretto Music, Universal Music MGB Ltd., Universal Music–MGB Songs and Warner/Chappell Music Scandinavia
- is based on:
- “Heroes”
| Alesso | 4.2 | 3:31 |
| 68 | Regardless | RAYE | 4.35 | 3:18 |
| 69 | Despacito (remix) | Luis Fonsi | 3.15 | 3:50 |
| 70 | Pass the Dutchie | Musical Youth | 4 | 3:23 |
| 71 | You Don’t Know Me (radio edit) | Jax Jones feat. RAYE | 3.5 | 3:32 |
| 72 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2002, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control , EMI Virgin Music Ltd. , EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. , Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 4 | 4:13 |
| 73 | All Star | Smash Mouth | 4.6 | 3:20 |
| 74 | Cake by the Ocean | DNCE | | 3:54 |
| 75 | Counting Stars- assistant recording engineer:
- Matthew Tryba
- recording engineer:
- Smith Carlson
- producer:
- Ryan Tedder and Noel Zancanella
- assistant mixer:
- Ryan Lipman
- mixer:
- Joe Zook
- bass:
- Brent Kutzle
- drums (drum set):
- Eddie Fisher
- guitar:
- Drew Brown and Zachary Filkins
- harp:
- HarpEri
- keyboard and lead vocals:
- Ryan Tedder
- background vocals:
- Bobbie Gordon, Brent Kutzle, David McGlohon and Zach Filkins
- additionally recorded at:
- Patriot Studios in Denver, Colorado, United States
- recorded at:
- Black Rock Studios in Santorini, Notio Aigaio , Greece and RAK Studios in London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 5), Billboard Decade End Chart: Adult Contemporary Songs (number: 35) and Billboard Year-End Hot 100 singles of 2013 (number: 63)
- recording of:
- Counting Stars
- lyricist and composer:
- Ryan Tedder
- publisher:
- Midnite Miracle Music, Sony/ATV Music LLC, Sony/ATV Pop Music Publishing and ソニー・ミュージックパブリッシング A事業部
| OneRepublic | 4.35 | 4:16 |
| 76 | The Nights | Avicii | 4 | 2:58 |
| 77 | The Way I Are- recording engineer:
- Demacio "Demo" Castellon
- co-producer:
- Danja
- producer:
- Timbaland
- mixer:
- Marcella "Ms. Lago" Araica
- editor:
- Ron Taylor
- keyboard:
- Danja
- membranophone:
- Danja and Timbaland
- guest vocals:
- Keri Hilson
- vocals:
- D.O.E.
- guest performer:
- D.O.E. and Keri Hilson
- recorded at:
- Thomas Crown Studio in Virginia Beach, Virginia, United States
- mixed at:
- Pacifique Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- The Way I Are
- writer:
- Garland Mosley , Keri Hilson, John Maultsby , Balewa Muhammad, Nate Hills , Candice Nelson and Timothy Mosley
- publisher:
- Boootleggerstop, Danjahandz Muzik, Jerry Lee Publishing, Keriokey Music, Universal Music Publishing , Virginia Beach Music and Warner Chappell Publishing
| Timbaland | 4.3 | 2:59 |
| 78 | Don’t You Want Me | The Human League | 3.9 | 3:56 |
| 79 | Don’t Cha | The Pussycat Dolls | 3.9 | 4:32 |
| 80 | Finally | CeCe Peniston | 4.2 | 4:05 |
| 81 | More Than a Woman (SG’s Paradise edit) | Bee Gees | 3 | 5:57 |
| 82 | Swimming Pool Summer | Capital Cities | 2.5 | 3:34 |
| 83 | Push the Button | Sugababes | 3.35 | 3:38 |
| 84 | Poker Face | Lady Gaga | 4.15 | 3:58 |
| 85 | Island in the Sun | Weezer | 4.25 | 3:20 |
| 86 | Maneater- additional recording engineer and additional mixer:
- Marcella "Ms. Lago" Araica
- recording engineer and mixer:
- Demacio "Demo" Castellon
- engineer:
- Vadim Chislov, Demacio "Demo" Castellon, Ben Jost , James Roach and Kobla Tetey
- producer:
- Jim Beanz (lead vocals), Danja and Timbaland
- drums (drum set) [drums] and keyboard [keyboards]:
- Danja
- background vocals:
- Jim Beanz, Nelly Furtado and Timbaland
- phonographic copyright (℗) by:
- Mosley Music Group LLC and Geffen Records (in 2006)
- mixed for:
- Storm Circle Entertainment
- produced for:
- Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
- recorded at:
- The Hit Factory Miami in Miami, Florida, United States
- mixed at:
- Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
- recording of:
- Maneater
- additional lyricist:
- Jim Beanz
- lyricist:
- Nelly Furtado
- composer:
- Nelly Furtado, Nate Hills and Timothy Mosley
- publisher:
- Danjahandz Muzik, Millennium Kid Music Publishing, Nelstar Publishing and Virginia Beach Music
| Nelly Furtado | 3.85 | 4:25 |
| 87 | Roxanne (remastered 2003) | The Police | 4.3 | 3:11 |
| 88 | Escape (The Pina Colada Song) | Rupert Holmes | 3.55 | 4:37 |
| 89 | Wouldn’t It Be Nice (stereo / remastered)- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Mark Linett and Brian Wilson
- mixer:
- Mark Linett (in 1996)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bell, percussion and timpani:
- Frank Capp (on 1966-01-22)
- double bass:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22)
- electric bass guitar [Dano Bass]:
- Ray Pohlman (on 1966-01-22)
- guitar:
- Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- tack piano:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- lead vocals:
- Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- mixed at:
- Your Place or Mine Recording in Glendale, California, United States (in 1996)
- remix of:
- Wouldn’t It Be Nice by The Beach Boys
- recording of:
- Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
- lyricist:
- Tony Asher , Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp. , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 4.7 | 2:33 |
| 90 | Without You | Avicii | 4.25 | 3:01 |
| 91 | I Got You (I Feel Good)- recorded in:
- Miami, Florida, United States (on 1965-05-06)
- producer:
- James Brown
- alto saxophone:
- Nat Jones (on 1965-05-06) and Maceo Parker (on 1965-05-06)
- bass:
- Bernard Odum (on 1965-05-06)
- drums (drum set):
- Melvin Parker (on 1965-05-06)
- guitar:
- Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
- organ:
- Nat Jones (on 1965-05-06)
- tenor saxophone:
- Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
- trombone:
- Levi Rasbury (on 1965-05-06)
- trumpet:
- Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
- lead vocals:
- James Brown (on 1965-05-06)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1965), Universal Records Inc. (in 1965) and PolyGram Inc. (in 1988)
- recorded at:
- Criteria Studios in Miami, Florida, United States (on 1965-05-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 78) and Billboard: The 500 Best Pop Songs (number: 359)
- cover recording of:
- I Found You (on 1965-05-06)
- lyricist and composer:
- James Brown
- publisher:
- Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
| James Brown | 4.55 | 2:48 |
| 92 | Slave to the Rhythm (7″ edit) | Grace Jones | 3 | 4:22 |
| 93 | Come On Eileen | Dexys Midnight Runners | 4 | 4:47 |
| 94 | Chiquitita | ABBA | 3.45 | 5:25 |
| 95 | In My Blood- programming:
- Teddy Geiger
- artist & repertoire support:
- Ziggy Chareton , David Massey , James Petronio and Gabrielle Rosen
- assistant engineer:
- Kaushlesh “Garry” Purohit
- engineer:
- George Seara
- producer:
- Teddy Geiger and Shawn Mendes
- assistant mixer:
- Harry Burr
- mixer:
- Andrew Maury
- additional guitar:
- Nate Mercereau
- bass, drums (drum set), keyboard, piano and background vocals:
- Teddy Geiger
- guitar:
- Teddy Geiger, Scott Harris , Shawn Mendes and Geoff Warburton
- lead vocals:
- Shawn Mendes
- performer:
- Shawn Mendes
- phonographic copyright (℗) by:
- Island Records (in 2018)
- recorded at:
- Geejam Hotel Recording Studios in Port Antonio, Portland , Jamaica and Woodshed Recording Studios in Malibu, California, United States
- mixed at:
- Douglass Recording in Brooklyn, New York, New York, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 46)
- recording of:
- In My Blood
- writer:
- Teddy Geiger, Scott Harris , Shawn Mendes and Geoff Warburton
| Shawn Mendes | 3.25 | 3:31 |
| 96 | Scars to Your Beautiful- assistant recording engineer:
- Todd Bergman
- recording engineer:
- Oak
- miscellaneous support:
- Tanisha Broadwater and Donnie Meadows
- drum machine programming:
- Pop Wansel
- programming:
- Sebastian Kole, Oak and Pop Wansel
- assistant producer:
- Kevin “Batos” Guardado
- producer:
- @Oakwud , @Pop Wansel and Sebastian Kole
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- keyboard:
- Sebastian Kole and Oak
- phonographic copyright (℗) by:
- Def Jam Recordings (in 2016)
- recorded at:
- Glenwood Place Studios in Burbank, California, United States (in 2015)
- mixed at:
- Ninja Beat Club in Atlanta, Georgia, United States (in 2015)
- part of:
- Canada’s Drag Race Lip Sync Performances (number: 6), Billboard Year-End Hot 100 singles of 2017 (number: 30), Billboard Decade End Chart: Adult Contemporary Songs (number: 44) and BILLIONS CLUB
- recording of:
- Scars to Your Beautiful
- writer:
- Alessia Caracciolo, Andrew Wansel, Coleridge Tillman and Warren Felder
| Alessia Cara | 3.85 | 3:50 |
| 97 | What a Time | Julia Michaels | 4 | 2:53 |
| 98 | Middle | DJ Snake | 3.55 | 3:40 |
| 99 | September Song | JP Cooper | 3 | 3:40 |
| 100 | The Grease Megamix | John Travolta | 3.55 | 4:48 |
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