Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 1 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

1▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
2▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
3▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
4▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
5▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
6▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
7▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
8▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
9▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
10▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
11▶CD: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
12▶CD: Bach: St. John Passion, BWV 245 (Part II cont.)
13▶CD: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
14▶CD: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
15▶CD: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
16▶CD: Karl Richter Rehearses Bach's Christmas Oratorio
17▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
18▶CD: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
19▶CD: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
20▶CD: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
21▶CD: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
22▶CD: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
23▶CD: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
24▶CD: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
25▶CD: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
26▶CD: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
27▶CD: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
28▶CD: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
29▶CD: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
30▶CD: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
31▶CD: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
32▶CD: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
33▶CD: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
34▶CD: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
35▶CD: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
36▶CD: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
37▶CD: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
38▶CD: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
39▶CD: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
40▶CD: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
41▶CD: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
42▶CD: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
43▶CD: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
44▶CD: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
45▶CD: Bach: 20 Sacred Songs from Schemelli's Song-Book
46▶CD: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
47▶CD: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
48▶CD: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
49▶CD: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
50▶CD: Bach: Harpsichord Concertos, BWV 1052-1055
51▶CD: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
52▶CD: Bach: Harpsichord Concertos, BWV 1062-1065
53▶CD: Bach: Musical Offering, BWV 1079
54▶CD: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
55▶CD: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
56▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
57▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
58▶CD: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
59▶CD: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
60▶CD: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
61▶CD: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
62▶CD: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
63▶CD: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
64▶CD: Bach: Organ Concertos nos. 1-6, BWV 592-597
65▶CD: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
66▶CD: Beethoven: Mass in C major, op. 86
67▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
68▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
69▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
70▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
71▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
72▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
73▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
74▶CD: Handel: Samson, HWV 57 (Symfony, Act I)
75▶CD: Handel: Samson, HWV 57 (Act II)
76▶CD: Handel: Samson, HWV 57 (Act III)
77▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
78▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
79▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
80▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
81▶CD: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
82▶CD: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
83▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
84▶CD: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
85▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
86▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
87▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
88▶CD: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
89▶CD: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
90▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
91▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
92▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
93▶CD: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
94▶CD: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
95▶CD: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
96▶CD: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
97▶CD: In dulci jubilo: 18 European Christmas Carols
98▼Blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Matthäus-Passion, BWV 244: Part I. 1. Chorus with Chorale: “Kommt, ihr Töchter, helft mir klagen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Chorknaben (from 1958-06 until 1958-08) and Munich Bach Choir (from 1958-06 until 1958-08)
soprano vocals [Soprano in ripieno]:
Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach9:49
2Matthäus-Passion, BWV 244: Part I. 2. Recitative: “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:03
3Matthäus-Passion, BWV 244: Part I. 3. Chorale: “Herzliebster Jesu, was hast du verbrochen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1958-06 until 1958-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:09
4Matthäus-Passion, BWV 244: Part I. 4. Recitative: “Da versammleten sich die Hohenpriester” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:36
5Matthäus-Passion, BWV 244: Part I. 5. Chorus: “Ja nicht auf das Fest”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:18
6Matthäus-Passion, BWV 244: Part I. 6. Recitative: “Da nun Jesus war zu Bethanien” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:39
7Matthäus-Passion, BWV 244: Part I. 7. Chorus: “Wozu dienet dieser Unrat?”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:35
8Matthäus-Passion, BWV 244: Part I. 8. Recitative: “Da das Jesus merkete” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach2:06
9Matthäus-Passion, BWV 244: Part I. 9. Recitative: “Du lieber Heiland du” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:05
10Matthäus-Passion, BWV 244: Part I. 10. Aria: “Buß und Reu” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:29
11Matthäus-Passion, BWV 244: Part I. 11. Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:43
12Matthäus-Passion, BWV 244: Part I. 12. Aria: “Blute nur, du liebes Herz!” (soprano)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:24
13Matthäus-Passion, BWV 244: Part I. 13. Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:19
14Matthäus-Passion, BWV 244: Part I. 14. Chorus: “Wo willst du, dass wir dir bereiten”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:33
15Matthäus-Passion, BWV 244: Part I. 15. Recitative: “Er sprach: Gehet hin in die Stadt” (Evangelist, Jesus) / Chorus: “Herr, bin ich's?”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:14
16Matthäus-Passion, BWV 244: Part I. 16. Chorale: “Ich bin's, ich sollte büßen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:09
17Matthäus-Passion, BWV 244: Part I. 17. Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:23
18Matthäus-Passion, BWV 244: Part I. 18. Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:34
19Matthäus-Passion, BWV 244: Part I. 19. Aria: “Ich will dir mein Herze schenken” (soprano)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:56
20Matthäus-Passion, BWV 244: Part I. 20. Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:29
21Matthäus-Passion, BWV 244: Part I. 21. Chorale: “Erkenne mich, mein Hüter”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
22Matthäus-Passion, BWV 244: Part I. 22. Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Peter, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:11
23Matthäus-Passion, BWV 244: Part I. 23. Chorale: “Ich will hier bei dir stehen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
24Matthäus-Passion, BWV 244: Part I. 24. Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:32
25Matthäus-Passion, BWV 244: Part I. 25. Recitative with Chorale: “Oh Schmerz! Hier zittert das gequälte Herz” (tenor)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:07
26Matthäus-Passion, BWV 244: Part I. 26. Aria with Chorus: “Ich will bei meinem Jesu wachen” (tenor)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:23
27Matthäus-Passion, BWV 244: Part I. 27. Recitative: “Und ging hin ein wenig” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:55
28Matthäus-Passion, BWV 244: Part I. 28. Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
29Matthäus-Passion, BWV 244: Part I. 29. Aria: “Gerne will ich mich bequemen” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:43
30Matthäus-Passion, BWV 244: Part I. 30. Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:42
31Matthäus-Passion, BWV 244: Part I. 31. Chorale: “Was mein Gott will, das g'scheh allzeit”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:06
32Matthäus-Passion, BWV 244: Part I. 32. Recitative: “Und er kam und fand sie aber schlafend” (Evangelist, Jesus, Judas)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:09
33Matthäus-Passion, BWV 244: Part I. 33. Duet with Chorus: “So ist mein Jesus nun gefangen” (soprano, alto) / Chorus: “Sind Blitze, sind Donner in Wolken verschwunden?”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:00
34Matthäus-Passion, BWV 244: Part I. 34. Recitative: “Und siehe, einer aus denen, die mit Jesu waren” (Evangelist, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:20
35Matthäus-Passion, BWV 244: Part I. 35. Chorale: “O Mensch, bewein dein Sünde groß”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
soprano vocals [Soprano in ripieno]:
Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:48
36Matthäus-Passion, BWV 244: Part II. 36. Aria with Chorus: “Ach, nun ist mein Jesus hin!” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals and contralto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:59
37Matthäus-Passion, BWV 244: Part II. 37. Recitative: “Die aber Jesum gegriffen hatten” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
38Matthäus-Passion, BWV 244: Part II. 38. Chorale: “Mir hat die Welt trüglich gericht'”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08) and Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1958-06 until 1958-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
39Matthäus-Passion, BWV 244: Part II. 39. Recitative: “Und wiewohl viel falsche Zeugen herzutraten” (Evangelist, 2 Witnesses, High Priest)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals and bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:28
40Matthäus-Passion, BWV 244: Part II. 40. Recitative: “Mein Jesus schweight zu falschen Lügen stille” (tenor)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
41Matthäus-Passion, BWV 244: Part II. 41. Aria: “Geduld! Wenn mich falsche Zungen stechen” (tenor)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:45
42Matthäus-Passion, BWV 244: Part II. 42. Recitative: “Und der Hohepriester antwortete” (Evangelist, High Priest, Jesus) / Chorus: “Er ist des Todes schuldig”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:46
43Matthäus-Passion, BWV 244: Part II. 43. Recitative: “Da speieten sie aus” (Evangelist) / Chorus: “Weissage uns, Christe”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:42
44Matthäus-Passion, BWV 244: Part II. 44. Chorale: “Wer hat dich so geschlagen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:00
45Matthäus-Passion, BWV 244: Part II. 45. Recitative: “Petrus aber saß draußen” (Evangelist, 1st Maid, 2nd Maid, Peter)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
soprano vocals [1st Maid]:
Antonia Fahberg (soprano) (from 1958-06 until 1958-08)
soprano vocals [2nd Maid]:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:57
46Matthäus-Passion, BWV 244: Part II. 46. Chorus: “Wahrlich, du bist auch einer von denen” / Recitative: “Da hub er an, sich zu verfluchen” (Evangelist, Peter)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:40
47Matthäus-Passion, BWV 244: Part II. 47. Aria: “Erbarme dich, mein Gott” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1958-06 until 1958-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:45
48Matthäus-Passion, BWV 244: Part II. 48. Chorale: “Bin ich gleich von dir gewichen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1958-06 until 1958-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
49Matthäus-Passion, BWV 244: Part II. 49. Recitative: “Des Morgens aber hielten alle Hohenpriester” (Evangelist, Judas) / Chorus: “Was gehet uns das an?”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:12
50Matthäus-Passion, BWV 244: Part II. 50. Recitative: “Und er warf die Silberlinge in den Tempel” (Evangelist, High Priest)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:48
51Matthäus-Passion, BWV 244: Part II. 51. Aria: “Gebt mir meinen Jesum wieder” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:11
52Matthäus-Passion, BWV 244: Part II. 52. Recitative: “Sie hielten aber einen Rat” (Evangelist, Pilate, Jesus)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
53Matthäus-Passion, BWV 244: Part II. 53. Chorale: “Befiehl du deine Wege”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:27
54Matthäus-Passion, BWV 244: Part II. 54. Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Pilate, Pilate's Wife) / Chorus: “Lass ihn kreuzigen!”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
soprano vocals [Pilate's Wife]:
Antonia Fahberg (soprano) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:44
55Matthäus-Passion, BWV 244: Part II. 55. Chorale: “Wie wunderbarlich ist doch diese Strafe!”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1958-06 until 1958-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
56Matthäus-Passion, BWV 244: Part II. 56. Recitative: “Der Landpfleger sagte” (Evangelist, Pilate)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
57Matthäus-Passion, BWV 244: Part II. 57. Recitative: “Er hat uns allen wohlgetan” (soprano)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
58Matthäus-Passion, BWV 244: Part II. 58. Aria: “Aus Liebe will mein Heiland sterben” (soprano)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:29
59Matthäus-Passion, BWV 244: Part II. 59. Recitative: “Sie schrien aber noch mehr” (Evangelist) / Chorus: “Lass ihn kreuzigen!” / Recitative: “Da aber Pilatus sahe” (Evangelist, Pilate) / Recitative: “Da gab er ihnen Barrabam los” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:09
60Matthäus-Passion, BWV 244: Part II. 60. Recitative: “Erbarm es Gott!” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
61Matthäus-Passion, BWV 244: Part II. 61. Aria: “Können Tränen meiner Wangen” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:02
62Matthäus-Passion, BWV 244: Part II. 62. Recitative: “Da nahmen die Kriegsknechte” (Evangelist) / Chorus: “Gegrüßet seist du, Judenkönig!” / Recitative: “Und speieten ihn an” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:17
63Matthäus-Passion, BWV 244: Part II. 63. Chorale: “O Haupt voll Blut und Wunden”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:59
64Matthäus-Passion, BWV 244: Part II. 64. Recitative: “Und da sie ihn verspottet hatten” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:11
65Matthäus-Passion, BWV 244: Part II. 65. Recitative: “Ja, freilich will in uns das Fleisch und Blut” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:41
66Matthäus-Passion, BWV 244: Part II. 66. Aria: “Komm, süßes Kreuz” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:26
67Matthäus-Passion, BWV 244: Part II. 67. Recitative: “Und da die an die Stätte kamen” (Evangelist) / Chorus: “Der du den Tempel Gottes zerbrichst” / Recitative: “Desgleichen auch die Hohenpriester” (Evangelist) / Chorus: “Andern hat er geholfen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:37
68Matthäus-Passion, BWV 244: Part II. 68. Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:20
69Matthäus-Passion, BWV 244: Part II. 69. Recitative: “Ach Golgatha, unselges Golgatha!” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:41
70Matthäus-Passion, BWV 244: Part II. 70. Aria with Chorus: “Schet, Jesus hat die Hand” (alto)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:51
71Matthäus-Passion, BWV 244: Part II. 71. Recitative: “Und von der sechsten Stunde an” (Evangelist, Jesus) / Chorus: “Der rufet dem Elias!” / Recitative: “Und bald lief einer unter ihnen” (Evangelist) / Chorus: “Halt, lass schen” / Recitative: “Aber Jesus schrie abermal laut” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach2:59
72Matthäus-Passion, BWV 244: Part II. 72. Chorale: “Wenn ich einmal soll scheiden”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:02
73Matthäus-Passion, BWV 244: Part II. 73a. Recitative: “Und siehe da, der Vorhang im Tempel zerriss” (Evangelist) / Chorus: “Wahrlich, dieser ist Gottes Sohn gewesen”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach2:33
74Matthäus-Passion, BWV 244: Part II. 73b. Recitative: “Und es waren viel Weiber da” (Evangelist)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:33
75Matthäus-Passion, BWV 244: Part II. 74. Recitative: “Am Abend, da es kühle war” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:15
76Matthäus-Passion, BWV 244: Part II. 75. Aria: “Mache dich, main Herze, rein” (bass)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:08
77Matthäus-Passion, BWV 244: Part II. 76. Recitative: “Und Joseph nahm den Leib” (Evangelist) / Chorus: “Herr, wir haben gedacht” / Recitative: “Pilatus sprach zu ihnen” (Evangelist, Pilate)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
78Matthäus-Passion, BWV 244: Part II. 77. Recitative with Chorus: “Nun ist der Herr zur Ruh gebracht” (soloists)
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (soprano) (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
79Matthäus-Passion, BWV 244: Part II. 78. Chorus: “Wir setzen uns mit Tränen nieder”
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:26
80Johannes-Passion, BWV 245: Part I. 1. Chorus: “Herr, unser Herrscher”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach11:10
81Johannes-Passion, BWV 245: Part I. 2. Recitative: “Jesus ging mit seinen Jüngern” (Evangelist, Jesus) / 3. Chorus: “Jesum von Nazereth!” / 4. Recitative: “Jesus spricht zu ihnen” (Evangelist, Jesus) / 5. Chorus: “Jesus von Nazereth!” / 6. Recitative: “Jesus antwortete” (Evangelist, Jesus)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:24
82Johannes-Passion, BWV 245: Part I. 7. Chorale: “O große Lieb”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" (from 1964-02 until 1964-03)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 168)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:18
83Johannes-Passion, BWV 245: Part I. 8. Recitative: “Auf dass das Wort erfüllet würde” (Evangelist, Jesus)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:28
84Johannes-Passion, BWV 245: Part I. 9. Chorale: “Dein Will gescheh, Herr Gott, zugleich”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" (from 1964-02 until 1964-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 317)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:03
85Johannes-Passion, BWV 245: Part I. 10. Recitative: “Die Schar aber und der Oberhauptmann” (Evangelist)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:53
86Johannes-Passion, BWV 245: Part I. 11. Aria: “Von den Stricken meiner Sünden” (alto)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:56
87Johannes-Passion, BWV 245: Part I. 12. Recitative: “Simon Petrus aber folgete Jesu nach” (Evangelist)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:20
88Johannes-Passion, BWV 245: Part I. 13. Aria: “Ich folge dir gleichfalls” (soprano)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
soprano vocals:
Evelyn Lear (soprano) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:51
89Johannes-Passion, BWV 245: Part I. 14. Recitative: “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Maid, Peter, Jesus, Servant)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
baritone vocals and bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
bass vocals [Peter]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
soprano vocals [Maid]:
Evelyn Lear (soprano) (from 1964-02 until 1964-03)
tenor vocals [Evangelist] and tenor vocals [Servant]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:11
90Johannes-Passion, BWV 245: Part I. 15. Chorale: “Wer hat dich so geschlagen”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (from 1964-02 until 1964-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:03
91Johannes-Passion, BWV 245: Part I. 16. Recitative: “Und Hannas sandte ihn gebunden” (Evangelist) / 17. Chorus: “Bist du nicht seiner Jünger einer?” / 18. Recitative: “Er leugnete aber und sprach” (Evangelist, Peter, Servant)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Peter]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03) and Münchener Chorknaben (from 1964-02 until 1964-03)
tenor vocals [Evangelist] and tenor vocals [Servant]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
chorus master:
Fritz Rothschuh (chorus master) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:33
92Johannes-Passion, BWV 245: Part I. 19. Aria: “Ach, mein Sinn” (tenor)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
tenor vocals:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:06
93Johannes-Passion, BWV 245: Part I. 20. Chorale: “Petrus, der nicht denkt zurück”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03) and Münchener Chorknaben (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
chorus master:
Fritz Rothschuh (chorus master) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (from 1964-02 until 1964-03)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:17
94Johannes-Passion, BWV 245: Part II. 21.Chorale: “Christus, der uns selig macht”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (from 1964-02 until 1964-03)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:09
95Johannes-Passion, BWV 245: Part II. 22. Recitative: “Da führeten sie Jesum” (Evangelist, Pilate) / 23. Chorus: “Wäre dieser nicht ein Übeltäter” / 24. Recitative: “Da sprach Pilatus zu ihnen” (Evangelist, Pilate) / 25. Chorus: “Wir dürfen niemand töten” / 26. Recitative: “Auf dass erfüllet würde das Wort Jesu” (Evangelist, Pilate, Jesus)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
bass vocals [Pilate]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:02
96Johannes-Passion, BWV 245: Part II. 27. Chorale: “Ach, großer König”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (from 1964-02 until 1964-03)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:54
97Johannes-Passion, BWV 245: Part II. 28. Recitative: “Da sprach Pilatus zu ihm” (Evangelist, Pilate, Jesus) / 29. Chorus: “Nicht diesen, sondern Barrabam” / 30. Recitative: “Barrabas aber war ein Mörder” (Evangelist)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
bass vocals [Pilate]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:37
98Johannes-Passion, BWV 245: Part II. 31. Arioso: “Betrachte, meine Seel” (bass)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:00
99Johannes-Passion, BWV 245: Part II. 32. Aria: “Erwäge, wie sein blutgefärbter Rücken” (tenor)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
tenor vocals:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:46
100Johannes-Passion, BWV 245: Part II. 33. Recitative: “Und die Kriegsknechte flochten eine Krone” (Evangelist) / 34. Chorus: “Sei gegrüßet, lieber Judenkönig!” / Recitative: “Und gaben ihm Backensteiche” (Evangelist, Pilate) / Chorus: “Kreuzige, kreuzige!” / 37. Recitative: “Pilatus sprach zu ihnen” (Evangelist, Pilate) / 38. Chorus: “Wir haben ein Gesetz” / 39. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilate, Jesus)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
bass vocals [Jesus]:
Hermann Prey (baritone) (from 1964-02 until 1964-03)
bass vocals [Pilate]:
Kieth Engen (operatic bass) (from 1964-02 until 1964-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1964-02 until 1964-03)
tenor vocals [Evangelist]:
Ernst Haefliger (tenor) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:50
This medium has too many tracks to load at once; currently showing 100 out of 222 total. Load all tracks...
99▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
100▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

Credits

Release

photography:Siegfried Lauterwasser
Werner Neumeister (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Martin Dirnberger (project manager) (task: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
purchase for mail-order:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]