| # | Title | Artist | Rating | Length |
|---|
| 1 | All Night Long (All Night) | Lionel Richie | 3.4 | 4:19 |
| 2 | Never Too Much- recording engineer and mixer:
- Michael H. Brauer
- assistant engineer:
- Lincoln Clapp , Gregg Mann , Andy Hoffman , Nicky Kalliongos and Don Wershba
- engineer:
- Carl Beatty
- executive producer:
- Larkin Arnold
- producer:
- Luther Vandross
- bass:
- Marcus Miller
- congas:
- Bashiri Johnson
- drums (drum set):
- Buddy Williams
- guitar:
- Georg Wadenius
- horn [horns] and strings:
- Paul Riser
- keyboard [keyboards]:
- Nat Adderley, Jr.
- percussion:
- Crusher Bennett
- background vocals [female backup vocals]:
- Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
- background vocals [male backup vocals] and lead vocals:
- Luther Vandross
- arranger:
- Nat Adderley, Jr. and Paul Riser
- vocals arranger:
- Luther Vandross
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), CBS, Inc. (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Mediasound Studios in New York, New York, United States
- music videos:
- Never Too Much by Luther Vandross
- part of:
- Billboard: The 500 Best Pop Songs (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466)
- recording of:
- Never Too Much
- lyricist and composer:
- Luther Vandross
- publisher:
- April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs , SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
| Luther Vandross | 3.9 | 3:41 |
| 3 | Give Me the Night | George Benson | 4.5 | 3:42 |
| 4 | Ain’t Nobody | Chaka Khan | 3.7 | 4:38 |
| 5 | Teardrops | Womack & Womack | 3 | 3:46 |
| 6 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.15 | 3:43 |
| 7 | It Started With a Kiss | Hot Chocolate | 3 | 4:00 |
| 8 | Solid | Ashford & Simpson | | 3:42 |
| 9 | Outstanding | The Gap Band | 3 | 3:13 |
| 10 | All Around the World | Lisa Stansfield | | 4:18 |
| 11 | My One Temptation | Mica Paris | | 4:34 |
| 12 | Midnight at the Oasis | The Brand New Heavies | 4 | 3:44 |
| 13 | Nightshift- associate producer:
- Peter Wolfe and Jeremy Smith
- producer:
- Dennis Lambert
- arranger:
- Peter Wolfe
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1984)
- edit of:
- Nightshift by Commodores
- recording of:
- Nightshift
- writer:
- Franne Golde, Dennis Lambert and Walter Orange
- arranger:
- Peter Wolf
- publisher:
- BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. and Zomba Enterprises, Inc.
| Commodores | 4.35 | 4:18 |
| 14 | Sexual Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 3:57 |
| 15 | Sign Your Name | Terence Trent D’Arby | 3.6 | 4:34 |
| 16 | If You Were Here Tonight | Alexander O’Neal | | 3:42 |
| 17 | Sweet Love | Anita Baker | 3.55 | 4:21 |
| 18 | Save the Best for Last- producer:
- Keith Thomas
- additional arranger:
- Vanessa Williams
- arranger:
- Keith Thomas
- recording of:
- Save the Best for Last
- writer:
- Phil Galdston, Jon Lind and Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:38 |
| 19 | Un‐Break My Heart | Toni Braxton | | 4:04 |
| 20 | Saving All My Love for You- engineer:
- Michael Mancini and Russell Schmitt
- producer:
- Michael Masser
- mixer:
- Bill Schnee
- bass guitar:
- Nathan East
- guitar:
- Dann Huff, Paul Jackson, Jr. and Louie Shelton
- keyboard:
- Robbie Buchanan , Randy Kerber and Richard Marx
- solo saxophone:
- Tom Scott
- background vocals:
- Debbie Thomas, Julia Waters, Maxine Waters and Oren Waters
- lead vocals:
- Whitney Houston
- publisher:
- Prince Street Productions, Inc.
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1985)
- cover recording of:
- Saving All My Love for You
- lyricist:
- Gerry Goffin
- composer:
- Michael Masser
- publisher:
- Prince Street Music , Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc.
- sub-publisher:
- Universal Music Corporation , シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング フジパシフィック事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Whitney Houston | 3.5 | 3:56 |
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