Tag “opera”

Recordings tagged as “opera”

11,843 recordings found

• 1 - Der Tod und das Mädchen by Bacio di Tosca
• 1 - Der vierjährige Posten, D. 190: Overture by Haydn Sinfonietta Wien, Manfred Huss (conductor and pianist)
• 1 - Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren” by Fritz Wunderlich (operatic tenor), Münchner Rundfunkorchester (The Munich Radio Orchestra), Hans Moltkau
• 1 - Der Waffenschmied: Arie der Marie „Wir armen, armen Mädchen” by Gundula Janowitz (soprano), Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Christoph Stepp
• 1 - Der Wildschütz: "Fünftausend Taler! Träum oder wach ich?" by Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
• 1 - Der Wildschütz: "Laß Er doch hören!" - "Bei diesem schlimmen Fall" by Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
• 1 - Der Wildschütz: „Wie freundlich strahlt die holde Morgensonne” by Thomas Quasthoff (bass-baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Christian Thielemann (German conductor)
• 1 - Der Wildschütz: Aufzug III. Nr. 15. Trio „Komm, liebes Gretchen“ (Baron, Gretchen, Baculus) by Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Fritz Ollendorff (operatic bass), Lotte Schädle (German soprano), Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Robert Heger (conductor)
• 1 - Der Zarewitsch: "Mädel, wonniges Mädel" - "Komm' und mach' mich glücklich" - "Warum hat jeder Frühling, ach, nur einen Mai" by Fritz Wunderlich (operatic tenor)
• 1 - Der Zarewitsch: Einer wird kommen by Nadine Sierra (soprano), Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Riccardo Frizza (conductor)
• 1 - Der Zarewitsch: Wolgalied "Allein! Wieder allein!" by Fritz Wunderlich (operatic tenor)
• 1 - Der Zauberer, KV 472 by Elly Ameling (soprano), Dalton Baldwin (American pianist)
• 1 - Der Zigeunerbaron: Act I: Overture by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Des pas sur la neige by Krystian Zimerman (pianist)
• 1 - Des Teufels Lustschloss, D. 84: Overture by Haydn Sinfonietta Wien, Manfred Huss (conductor and pianist)
• 1 - Desert Rose by Sarah Brightman
• 1 - Desperation (Vissi D'Arte) by Patrizia (Canadian-Italian female rock singer)
• 1 - Dich, teure Halle (Tannhäuser) by Kiri Te Kanawa (soprano)
• 1 - Dichterliebe, op. 48: I. Im wunderschönen Monat Mai by Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
• 1 - Dichterliebe, op. 48: II. Aus meinen Tränen sprießen by Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
• 1 - Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh by Fritz Wunderlich (operatic tenor), Hubert Giesen (pianist)
• 1 - Dicitencello vuie by The 3 Tenors
• 1 - Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus) by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido & Aeneas: When I Am Laid in Earth by Susan Graham (mezzo-soprano), Le Concert d'Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
• 1 - Dido & Belinda: 'Whence could so much virtue spring?' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas Z. 626: Act III. “Thy hand, Belinda” – “When I am laid in earth” (Dido) by Lorraine Hunt (American soprano / mezzo), Philharmonia Baroque Orchestra, Nicholas McGegan
• 1 - Dido and Aeneas, "Dido's Lament", Part 1 by Emily Van Evera (soprano), The Consort of Musicke (British early-music group), Andrew Parrott (conductor)
• 1 - Dido and Aeneas, "Dido's Lament", Part 2 by Emily Van Evera (soprano), The Consort of Musicke (British early-music group), Andrew Parrott (conductor)
• 1 - Dido and Aeneas, Z 626: Act III "Thy Hand Belinda" / Dido's Lament "When I am Laid in Earth" by Barbara Bonney (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Dido and Aeneas, Z. 626, Act III: “Thy Hand, Belinda” … “When I Am Laid in Earth” by Sally-Anne Russell (Australian mezzo-soprano vocalist), Adelaide Symphony Orchestra, Nicholas Milton (conductor)
• 1 - Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment" (Dido) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Dido) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second Woman) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (First Witch) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. Prelude for the Witches - "Wayward sisters" (Sorceress) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome vales" (Belinda) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor) by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth" (Dido) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus) by St. Anthony Singers, English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors" (First Sailor) by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: Overture by English Chamber Orchestra, Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas, Z. 626: When I am laid in earth (Dido) by English Chamber Choir, Victoria de los Ángeles (Spanish soprano), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra, Sir John Barbirolli (conductor and cellist)
• 1 - Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus) by Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus) by Nathan Berg (operatic bass-baritone), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus) by Nathan Berg (operatic bass-baritone), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda) by Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches) by Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "In our deep vaulted cell" (Chorus) - Echo Dance by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus) by Claire Brua, Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus) by Claire Brua, Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus) by Nathan Berg (operatic bass-baritone), Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman) by Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas) by Nathan Berg (operatic bass-baritone), Jean-Paul Fouchécourt (tenor), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Then since our charmes have sped" (Chorus) - The Grove's Dance by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus) by Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene 2. “Thy hand, Belinda … When I am laid in earth” by José‐Luis García (violinist & conductor), Jessye Norman (soprano), Robert Aldwinkle, Adrian Beers (double bass player), Raymond Leppard (conductor and harpsichordist), Charles Tunnell, English Chamber Orchestra
• 1 - Dido and Aeneas: Act III, Scene I. "Destruction's our delight" (Chorus) by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress) by Claire Brua, Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene II. "Great minds against themselves conspire" (Chorus) - "Thy hand, Belinda" (Dido) by Véronique Gens (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas) by Nathan Berg (operatic bass-baritone), Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III. “When I Am Laid in Earth” (Dido’s Lament) by Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg (violinist and conductor)
• 1 - Dido and Aeneas: Act the Third, Scene 2. “When I am laid in earth” (Dido) by Susan Graham (mezzo-soprano), Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
• 1 - Dido and Aeneas: Dido's Lament by Dame Janet Baker (mezzo‐soprano and alto), English Chamber Orchestra, Sir Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas: Dido’s Lament by Dame Janet Baker (mezzo‐soprano and alto), English Chamber Orchestra, Sir Anthony Lewis (conductor and composer)
• 1 - Dido and Aeneas: Overture by English Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
• 1 - Dido and Aeneas: Overture by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: When I am laid into earth by Anne Sofie von Otter (mezzo-soprano), The English Concert, Trevor Pinnock (conductor / harpsichord)
• 1 - Dido, Belinda & Aeneas: 'Your counsel all is urg'd in vain' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido: 'Ah! Belinda, I am press'd with torment' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido: 'Thy hand, Belinda; darkness shades me' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Die Csárdásfürstin: Akt I. Lied "Heia, heia, in den Bergen ist mein Heimatland" by Anna Netrebko (soprano), Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), Prague Philharmonia, Emmanuel Villaume (conductor)
• 1 - Die Dreigroschenoper: Act II (Beginning) by Wolfgang Neuss, Chor des Senders Freies Berlin, Trude Hesterberg, Johanna von Koczian, Lotte Lenya, Wolfgang Grunert, Inge Wolffberg, Erich Schellow, Willy Trenk-Trebitsch, Orchester des Senders Freies Berlin, Wilhelm Brückner-Rüggeberg (German conductor)
• 1 - Die Entführung aus dem Serai: "Martern aller Arten" (Akt II) by Anneliese Rothenberger (soprano)
• 1 - Die Entführung aus dem Serai: "O, wie will ich triumphieren" (Akt III) by Gottlob Frick (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail - Ach ich liebte (Constanze) by Kathleen Battle (soprano), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
• 1 - Die Entführung aus dem Serail, K. 384, Act I (Live): No. 1, Arie, "Hier soll ich dich denn sehen" - "Aber wie soll ich in den Palast kommen?" by Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Act I (Live): No. 4, Rezitativ und Arie, "Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig" by Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Act II (Live): No. 15, Arie, "Wenn der Freude Tränen fließen" by Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Act III (Live): No. 17, Arie, "Ich baue ganz auf deine Stärke" by Rolando Villazón (tenor), Chamber Orchestra of Europe, Yannick Nézet‐Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384, Pt. 1: I. Overture by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Die Entführung aus dem Serail, K. 384: "Durch Zärtlichkeit und Schmeicheln" by Anna Prohaska (soprano), The Chamber Orchestra of Europe, Yannick Nézet-Séguin (Canadian conductor)
• 1 - Die Entführung aus dem Serail, K. 384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte) by Nicolai Gedda (tenor), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "Martern aller Arten" by Kiri Te Kanawa (soprano), English Chamber Orchestra, Jeffrey Tate (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: "Martern aller Arten" by Cheryl Studer (soprano), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze) by Anneliese Rothenberger (soprano), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin) by Gottlob Frick (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "Vivat Bacchus" (Osmin & Pedrillo) by Gottlob Frick (operatic bass), Gerhard Unger (tenor), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde) by Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
• 1 - Die Entführung aus dem Serail, K. 384: Act 1. "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig" by Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Eugen Jochum (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze) by Yvonne Kenny (Australian soprano), Orchester der Oper Zürich (aka Philharmonia Zürich), Nikolaus Harnoncourt (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: Act 3. "Ich baue ganz auf deine Stärke" by Fritz Wunderlich (operatic tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Eugen Jochum (conductor)
• 1 - Die Entführung aus dem Serail, K. 384: Act I - “Hier soll ich dich denn sehen” by Peter Schreier (German tenor and conductor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Otmar Suitner (conductor)