NOW That's What I Call a No.1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Someone Like You
tecnico:
Philip Allen
produttore:
Adele Laurie Blue Adkins (UK soul/jazz singer) e Dan Wilson (American singer/songwriter)
assistente tecnico di missaggio:
Dan Perry (British mix/recording engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
pianoforte :
Dan Wilson (American singer/songwriter)
voce principale:
Adele Laurie Blue Adkins (UK soul/jazz singer)
diritti fonografici (℗) detenuti da:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (nel 2011)
registrata presso:
Harmony Studios in Los Angeles, California, Stati Uniti
video musicali:
Someone Like You di Adele (UK soul/jazz singer)
parte di:
Grammy Award: Best Pop Solo Performance nominees (numero: 2012 winner), The Gummy Awards: Your Top 10 Tracks of 2011 (numero: 7), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 10), Billboard Year-End Hot 100 singles of 2011 (numero: 24), Stereogum: The 200 Best Songs of the 2010s (numero: 39), Billboard Year-End Hot 100 singles of 2012 (numero: 43), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 46), Rolling Stone: The 100 Best Songs of the 2010s (numero: 64), Pitchfork: The 200 Best Songs of the 2010s (numero: 71), BILLIONS CLUB e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 295)
registrazione di:
Someone Like You
autore:
Adele Adkins (UK soul/jazz singer) e Dan Wilson (American singer/songwriter)
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Melted Stone Music Ltd., Sugar Lake Music LLC e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adele4.14:43
2Careless Whisper
produttore:
George Michael
basso :
Deon Estus (nel 1984)
batteria :
Trevor Murrell (nel 1984)
chitarra :
Hugh Burns (nel 1984)
percussione :
Danny Cummings (British drummer and percussionist) (nel 1984)
tastiera :
Chris Parren (nel 1984)
voce:
George Michael (nel 1984)
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Careless Whisper (nel 1984)
autore:
George Michael e Andrew Ridgeley
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) e Wham! Music Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael4.355:02
3She’s the One (2004 remaster)
registrazione cover di:
She’s the One
paroliere e compositore:
Karl Wallinger
editore:
Universal/Polygram Music Publishing
Robbie Williams4:26
4Patience
assistente tecnico di registrazione:
Robin Baynton (archi), Andrew Dudman (UK recording engineer and mixer, early 21c) (archi), Mike Horner e Lewis Jones (engineer) (archi)
tecnico di registrazione e tecnico di missaggio:
Jeff Rothschild
supporto a vario titolo:
Shari Sutcliffe (incarico: production coordinator)
produttore:
John Shanks
basso , chitarra [guitars] e tastiera [keyboards] :
John Shanks
batteria [drums] :
Jeff Rothschild
pianoforte e voce principale:
Gary Barlow
voce:
Howard Donald, Jason Orange e Mark Owen (singer–songwriter)
orchestra:
London Session Orchestra
arrangiatore archi :
Wil Malone
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2006)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (archi), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti e RAK Recording Studios in London (Greater London), England, Regno Unito
mixata presso:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Patience (music video) di Take That
registrazione di:
Patience
autore:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e John Shanks
editore:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. e WB Music Corp. (1929–2019)
registrazione dal vivo di:
Patience
autore:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e John Shanks
editore:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. e WB Music Corp. (1929–2019)
Take That43:14
5Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:52
6My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:36
7No Matter What
registrata a:
London (Greater London), England, Regno Unito e Los Angeles, California, Stati Uniti
programmazione:
Simon Franglen (English score composer)
programmazione degli strumenti:
Lee McCutcheon
assistente tecnico:
Alex Black (engineer) e Tom (assistant engineeer)
tecnico:
Simon Franglen (English score composer), Steve Rinkoff e Robin Sellars (British recording engineer)
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman e Nigel Wright (British producer, orchestrator and songwriter)
produttore aggiunto:
Simon Franglen (English score composer) e Lupino
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Jim Steinman
tecnico di missaggio:
Mick Guzauski e Steve Rinkoff
basso :
Angela Lupino
chitarra :
Fridrik Karlsson
chitarra acustica [acoustic guitars] e chitarra elettrica [electric guitars] :
Michael Thompson (session guitarist)
tastiera [keyboards] :
Simon Franglen (English score composer) e Nigel Wright (British producer, orchestrator and songwriter)
voce:
Keith Duffy (Member of Boyzone), Mikey Graham e Shane Lynch
voce di accompagnamento [backing vocals]:
Tracy Ackerman e Andy Caine
voce principale:
Stephen Gately e Ronan Keating
arrangiatore:
Simon Franglen (English score composer) e Lupino
diritti fonografici (℗) detenuti da:
Polydor Ireland (nel 1998)
registrata presso:
FLM Studios in Hollywood, Los Angeles, California, Stati Uniti, Metropolis Studios (London) in London (Greater London), England, Regno Unito, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Skratch Studios in Surrey, England, Regno Unito
lavorazione tecnica effettuata presso:
Barking Dog Studios in New York, New York, Stati Uniti
video musicali:
No Matter What di Boyzone
registrazione cover di:
No Matter What
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (conclusa), Universal–Songs of PolyGram International, Inc. (conclusa), Lost Boys Music Inc. (BMI affiliated) e The Really Useful Group Limited (not for release label use!)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
registrazione di:
No Matter What
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (conclusa), Universal–Songs of PolyGram International, Inc. (conclusa), Lost Boys Music Inc. (BMI affiliated) e The Really Useful Group Limited (not for release label use!)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:36
8Crazy
tecnico:
Ben H. Allen
produttore:
Danger Mouse (Brian Burton)
tecnico di missaggio:
Ben H. Allen e Danger Mouse (Brian Burton)
tecnico di missaggio aggiunto:
Kennie Takahashi
video musicali:
Crazy di Gnarls Barkley
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 355) e Indie 88: Top 500 Indie Rock Songs (numero: 357)
registrazione di:
Crazy (Gnarls Barkley song)
paroliere:
Thomas DeCarlo Callaway
autore:
Gian Franco Reverberi e Gian Piero Reverberi
compositore:
Brian Burton
Gnarls Barkley4.22:57
9Never Ever
registrazione di:
Never Ever
autore:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis e Sean Mather (US DJ and producer Sean Mather)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. e STL Songs Ltd.
All Saints3.653:52
10Pure & Simple
diritti fonografici (℗) detenuti da:
Polydor Ltd. (not for release label use; fka Polydor Records Ltd.) (nel 2001)
video musicali:
Pure & Simple di Hearsay
registrazione di:
Pure & Simple
autore:
Alison Clarkson (British dance music singer-songwriter), Tim Hawes (songwriter) e Pete Kirtley (songwriter, producer)
editore:
Strongsongs e Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
Hear’Say33:45
11…Baby One More Time
tecnico di registrazione, produttore e tecnico di missaggio:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
chitarra :
Johan Carlberg
chitarra basso :
Tomas Lindberg (Swedish bass player)
voce di accompagnamento:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) e Britney Spears
voce principale:
Britney Spears
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1998) e Zomba Recording LLC (nel 1999)
mixata per e è stato produttore per:
Cheiron Productions
registrata presso e mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
video musicali:
…Baby One More Time di Britney Spears, …Baby One More Time (official music video) di Britney Spears, …Baby One More Time (Angle 1) di Britney Spears e …Baby One More Time (Angle 2) di Britney Spears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 205) e BILLIONS CLUB
registrazione di:
…Baby One More Time
paroliere e compositore:
Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Freaky Friday (2003)
Britney Spears3.83:31
12Wannabe (radio edit)
assistente tecnico di registrazione:
Patrick McGovern
tecnico di registrazione:
Adrian Bushby
programmazione e produttore:
Richard Stannard e Matt Rowe
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
tastiera :
Richard Stannard e Matt Rowe
editore:
SSO
video musicali:
Wannabe (video) di Spice Girls
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 36)
registrazione di:
Wannabe
autore:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls3.852:50
13Tragedy
tecnico:
Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Dan Frampton (engineer) e Paul Waterman
basso e chitarra :
Mark Topham
batteria [drums] :
Chris McDonnell (engineer)
tastiera :
Karl Twigg
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1998)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione cover di:
Tragedy
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) e Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:29
14Heart of Glass (2002 remaster)
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.33:42
15Dancing Queen
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
basso :
Rutger Gunnarsson (dal 1976-08-04 al 1976-08-05)
batteria :
Roger Palm (dal 1976-08-04 al 1976-08-05, il 1976-12-03)
clavinet e tastiera :
Benny Andersson (ABBA) (dal 1976-08-04 al 1976-08-05)
viola :
Åke Arvinder (Swedish violist) (il 1976-09-12), Lars Brolin (il 1976-09-12) e Håkan Roos (Swedish violist) (il 1976-09-12)
violino :
Martin Bylund (Swedish violinist) (il 1976-09-12), Anders Dahl (Swedish violinist) (il 1976-09-12), Lars Stegenberg (Swedish violinist) (il 1976-09-12), Gunnar Michols (Swedish violinist) (il 1976-09-12), Claes Nilsson (Swedish violinist) (il 1976-09-12), Bertil Orsin (Swedish violinist) (il 1976-09-12), Sixten Strömvall (Swedish violinist) (il 1976-09-12), Harry Teike (il 1976-09-12) e Krzysztof Zdrzalka (Swedish violinist) (il 1976-09-12)
violoncello :
Hans‐Göran Eketorp (Swedish cellist) (il 1976-09-12) e Åke Olofsson (Swedish cellist) (il 1976-09-12)
voce principale:
Agnetha Fältskog (nel 1976-09) e Frida (Swedish singer and member of ABBA) (nel 1976-09)
arrangiatore archi :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Polar Music International AB (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1976), Glen Studio in Stockholms län (Stockholm county), Svezia (dal 1976-08-04 al 1976-08-05) e KMH Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 9), Q50 – December 2005 (numero: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 171) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 286)
registrazione di:
Dancing Queen (nel 1976)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
ABBA4.053:46
16I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:10
17Ride on Time
produttore:
Groove Groove Melody
tecnico di missaggio:
Daniele Davoli, Mirko Limoni e Valerio Semplici (Black Box)
chitarra [rhythm guitar] :
Sauro Malavasi
chitarra basso :
Raimondo Violi
direttore d'orchestra:
Daniele Davoli, Mirko Limoni e Valerio Semplici (Black Box)
arrangiatore:
Daniele Davoli, Mirko Limoni e Valerio Semplici (Black Box)
diritti fonografici (℗) detenuti da:
ZYX Music (nel 1989)
campionamenti:
Love Sensation (LP version) di Loleatta Holloway
registrazione di:
Ride on Time
autore:
Daniele Davoli, Dan Hartman, Mirko Limoni e Valerio Semplici (Black Box)
editore:
Discomagic Records e Lombardoni Edizioni Musicali
cita i testi di:
Love Sensation
Black Box3.254:31
18West End Girls (2001 remaster)
tecnico:
David Jacob
produttore:
Stephen Hague
voce aggiuntiva:
Helena Springs
voce di accompagnamento, voce parlata e voce principale:
Neil Tennant
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985, nel 1991)
video musicali:
West End Girls di Pet Shop Boys
registrazione di:
West End Girls (nel 1985)
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (dal 1984 a oggi) e CBS, Inc. (US broadcasting company; file no releases here!) (dal 1984 a oggi)
Pet Shop Boys3.84:02
19Don’t You Want Me (2012 remaster)
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
20(Is This the Way to) Amarillo
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1972) e JTC Music (nel 2001)
registrazione di:
Is This the Way to Amarillo
autore:
Howard Greenfield e Neil Sedaka
editore:
Kirshner-Warner Bros Music
Tony Christie23:12
2▼CD
#TitoloArtistaValutazioneDurata
1Umbrella
voce ospite:
Jay-Z (US rapper)
registrazione di:
Umbrella
paroliere:
Terius Nash (US singer, songwriter & RnB producer Terius Youngdell Nash)
compositore:
Christopher Stewart (producer, C. “Tricky” Stewart), Terius Nash (US singer, songwriter & RnB producer Terius Youngdell Nash) e Thaddis Harrell
Rihanna feat. Jay‐Z3.654:02
2Somebody That I Used to Know
tecnico di registrazione:
Wally De Backer (chitarra basso)
produttore:
Wally De Backer
assistente tecnico di missaggio:
Wally De Backer
tecnico di missaggio:
François Tétaz (Australian film composer)
campionatore [guitar, flutes, percussion and synth samples] :
Wally De Backer
chitarra basso :
Lucas Taranto
voce di accompagnamento e voce principale:
Kimbra (New Zealand singer-songwriter) e Wally De Backer
diritti fonografici (℗) detenuti da:
Samples ’n’ Seconds Records (nel 2011) e Samples ’n’ Seconds Records Pty Ltd (nel 2011)
registrata presso:
Lucas' Loungeroom in Melbourne, Victoria, Australia (basso) e The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australia (basso)
mixata presso:
Moose Mastering in Richmond, Queensland, Australia
campionamenti:
Seville di Luiz Bonfá
video musicali:
Somebody That I Used to Know di Gotye feat. Kimbra (New Zealand singer-songwriter)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 10), Billboard Year-End Hot 100 singles of 2012 (numero: 1), MIA Award: Song of the Year (numero: 2011), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 8), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2013 winner), Triple J’s Hottest 100: Twenty Years (2013) (numero: 9), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 24), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2011), Billboard: Greatest of All Time Hot 100 Songs (numero: 36), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 49), Stereogum: The 200 Best Songs of the 2010s (numero: 161) e Indie 88: Top 500 Indie Rock Songs (numero: 404)
registrazione di:
Somebody That I Used to Know
paroliere:
Walter De Backer
compositore:
Luiz Bonfá e Walter De Backer
editore:
J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
parte di:
Matuschkes Lieblinge 2011
Gotye feat. Kimbra4.154:02
3Just the Way You Are
tecnico:
Ari Levine
produttore:
Needlz (hip hop producer) e The Smeezingtons
assistente tecnico di missaggio:
Erik Madrid (engineer) e Christian Plata
tecnico di missaggio:
Manny Marroquin
strumenti:
Ari Levine e Bruno Mars (US singer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2010)
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
lavorazione tecnica effettuata presso:
Levcon Studios in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Just the Way You Are di Bruno Mars (US singer)
parte di:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 5), Billboard Year-End Hot 100 singles of 2011 (numero: 15), Billboard Year-End Hot 100 singles of 2010 (numero: 18) e BILLIONS CLUB
registrazione di:
Just the Way You Are
autore:
Khari Cain (hip hop producer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) e Khalil Walton
editore:
Art for Art's Sake Music, BMG Gold Songs, BMG Onyx Songs, Bughouse, Dry Rain Entertainment, Mars Force Music, Music Famamanem LP, Roc Nation Music, Round Hill Harmonies, Toy Plane Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Upper Deck, Warner Geo‐Met‐Ric Music, WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bruno Mars4.13:34
4California Gurls
programmazione:
benny blanco (producer Benjamin Levin) (nel 2010), Dr. Luke (nel 2010) e Max Martin (Swedish record producer) (nel 2010)
assistente tecnico:
Aniela Gottwald e Tim Roberts (engineer)
tecnico:
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) e Emily Wright
produttore:
benny blanco (producer Benjamin Levin), Dr. Luke e Max Martin (Swedish record producer)
tecnico di missaggio:
Serban Ghenea
altri strumenti :
Tamra Natisin (nel 2010)
batteria e tastiera :
benny blanco (producer Benjamin Levin) (nel 2010), Dr. Luke (nel 2010) e Max Martin (Swedish record producer) (nel 2010)
voce:
Katy Perry (nel 2010)
voce ospite:
Snoop Dogg (US rapper) (nel 2010)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2012)
registrata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 2010)
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 4) e BILLIONS CLUB
registrazione di:
California Gurls (nel 2010)
autore:
Benjamin Levin (producer Benjamin Levin), Calvin Broadus (aka Snoop Dogg), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee e Katy Perry
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Copyrights SARL, MXM Music AB, My Own Chit Publishing, Prescription Songs, Bonnie McKee Music (nel 2010), CYP Two Publishing (nel 2010), EMI Blackwood Music Inc. (nel 2010), Kasz Money Publishing (ASCAP affiliated) (nel 2010), Maratone AB (nel 2010), Matza Ball Music (nel 2010), When I’m Rich You’ll Be My Bitch (nel 2010) e Where da Kasz At (nel 2010)
Katy Perry feat. Snoop Dogg43:52
5Dance With Me Tonight
programmazione:
Darren Lewis e Iyiola Babalola (drum n bass producer Iyiola Babalola)
programmazione aggiuntiva:
Steve Fitzmaurice (Irish mixer, songwriter and producer) e Darren Heelis (music engineer, producer, programming, additional production)
produttore:
Future Cut e Steve Robson (English songwriter, record producer & multi-instrumentalist)
assistente tecnico di missaggio:
Darren Heelis (music engineer, producer, programming, additional production)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
altri strumenti [all other instruments] :
Steve Robson (English songwriter, record producer & multi-instrumentalist)
chitarra e tastiera :
Darren Lewis
percussione e sintetizzatore [synths] :
Iyiola Babalola (drum n bass producer Iyiola Babalola)
voce di accompagnamento [backing vocals]:
Claude Kelly
mixata per:
365 Artists at the Pierce Rooms
video musicali:
Dance With Me Tonight di Olly Murs
registrazione di:
Dance With Me Tonight
autore:
Claude Kelly, Oliver Murs e Stephen Robson (English songwriter, record producer & multi-instrumentalist)
editore:
Concord Simp Ltd., Imagem CV, Salli Isaak Music Publishing Ltd. (publisher; do NOT use as release label), Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Olly Murs2.53:20
6Titanium
produttore:
Afrojack (dutch DJ and producer), David Guetta e Giorgio Tuinfort
tecnico di missaggio:
Afrojack (dutch DJ and producer) e David Guetta
voce principale ospite:
Sia (Australian singer‐songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 240) e BILLIONS CLUB
registrazione di:
Titanium
paroliere:
Sia Furler (Sia, Australian singer‐songwriter)
compositore:
David Guetta, Sia Furler (Sia, Australian singer‐songwriter), Giorgio Tuinfort e Nick van de Wall
David Guetta feat. Sia43:53
7Hot Right Now (radio edit)
tecnico di registrazione:
The Invisible Men (songwriting/production collective: Jason Pebworth, George Astasio, Jon Shave)
programmazione aggiuntiva:
Wez Clarke
tecnico:
DJ Fresh (UK drum & bass DJ Dan Stein)
produttore:
DJ Fresh (UK drum & bass DJ Dan Stein) e The Invisible Men (songwriting/production collective: Jason Pebworth, George Astasio, Jon Shave)
tecnico di missaggio:
Wez Clarke
registrazione di:
Hot Right Now
autore:
The Invisible Men (songwriting/production collective: Jason Pebworth, George Astasio, Jon Shave) e Daniel Stein (DJ Fresh: English Drum & Bass and Dubstep producer)
editore:
Bucks, Sony/ATV e Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
DJ Fresh feat. Rita Ora3.52:57
8Fight for This Love
tecnico:
Mark Vinten
produttore:
Steve Kipner e Wayne Wilkins
assistente tecnico di missaggio:
Matty Green (mix engineer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
drum machine e tastiera :
Steve Kipner e Wayne Wilkins
voce di accompagnamento:
RaVaughn Brown
voce principale:
Cheryl (formerly Cheryl Cole)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2009)
registrata presso:
Subzero Studios in Santa Monica, California, Stati Uniti
registrazione di:
Fight for This Love
autore:
Steve Kipner, Andre Merritt e Wayne Wilkins
editore:
Blow the Speakers LLC
Cheryl2.753:32
9Domino
assistente tecnico di registrazione:
Clint Gibbs
programmazione e produttore:
Cirkut e Dr. Luke
assistente tecnico:
Phil Seaford (incarico: engineered for mix)
tecnico:
John Hanes (audio engineer, mixer) (incarico: engineered for mix) e Emily Wright
tecnico di missaggio:
Serban Ghenea
voce aggiuntiva:
Claude Kelly
diritti fonografici (℗) detenuti da:
Universal Republic Records (2006–2012) (nel 2011)
è stato produttore per:
Kasz Money Productions, Inc.
video musicali:
Domino (video mix) di Jessie J (English singer-songwriter) e Domino di Jessie J (English singer-songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 46)
registrazione di:
Domino
autore:
Łukasz Gottwald, Henry Walter, Jessica Cornish (English singer-songwriter), Claude Kelly e Max Martin (Swedish record producer)
editore:
Kasz Money Publishing (ASCAP affiliated), KMR Music Royalties II SCSp, MXM Music AB, Oneirology Publishing, Prescription Songs, Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present) e Sony Music Publishing (Germany) GmbH
Jessie J3.33:49
10Poker Face
tecnico di registrazione, programmazione e produttore:
RedOne
tecnico:
Dave Russell (British engineer, producer)
tecnico di missaggio:
Robert Orton
voce di accompagnamento:
RedOne
voce di accompagnamento e voce principale:
Lady Gaga
esecutore:
RedOne
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2008, nel 2009)
video musicali:
Poker Face di Lady Gaga
parte di:
Billboard Year-End Hot 100 singles of 2009 (numero: 2), Grammy Award: Best Dance/Electronic Recording nominees (numero: 2010 winner) e BILLIONS CLUB
registrazione di:
Poker Face
autore:
Nadir Khayat e Stefani Germanotta
editore:
GloJoe Music Inc., House of Gaga Publishing Inc., RedOne Productions LLC, Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lady Gaga4.153:56
11Pass Out (radio edit)
DJ mixer:
Richard Northen
registrazione di:
Pass Out
autore:
Patrick Okogwu, Timothy McKenzie (UK singer-songwriter and record producer) e Marc Williams
Tinie Tempah23:56
12It Wasn’t Me
tecnico di registrazione e tecnico di missaggio:
Shaun Pizzonia
produttore:
Shaun Pizzonia e Sting International
chitarra :
R. Zapata
membranofono e percussione [drums] :
Shaun Pizzonia
ottoni :
Kevin Bachelor e Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
tastiera :
Nigel Staff
violino :
Gwen Laster
voce e esecutore:
Ricardo “Rik Rok” Ducent
voce di accompagnamento:
Brian & Tony Gold e Shaun Pizzonia
voce principale:
Ricardo Ducent e Shaggy (Orville Richard Burrell, dancehall and reggae singer)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 2000, nel 2001)
è stato produttore per:
Big Yard Music Group
registrata presso e mixata presso:
Ranch Recording Studio in New York, Stati Uniti
video musicali:
It Wasn't Me di Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 273)
registrazione di:
It Wasn’t Me
autore:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia e Ricardo Ducent
editore:
Livingsting Music
si basa su:
Smile Happy
Shaggy feat. Ricardo “Rik Rok” Ducent3.553:46
13Gangsta’s Paradise
produttore:
Doug Rasheed
voce:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
voce di accompagnamento:
Trinna Simmons
campionamenti:
Pastime Paradise di Stevie Wonder
video musicali:
Gangsta’s Paradise di Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 98) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 166)
registrazione di:
Gangsta’s Paradise
autore:
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed e Stevie Wonder
editore:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) e Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
si basa su:
Pastime Paradise
Coolio feat. L.V.3.953:56
14Killing Me Softly With His Song
registrazione cover di:
Killing Me Softly With His Song
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC e Fox-Gimbel Productions Inc. (nel 1972)
Fugees4:46
15I Gotta Feeling (edit)
registrazione di:
I Gotta Feeling
paroliere:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) e William Adams (American rapper and producer)
compositore:
David Guetta e Frédéric Riesterer
The Black Eyed Peas3.14:04
16Can’t Get You Out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 27), Billboard Year-End Hot 100 singles of 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue43:38
17I Believe I Can Fly (radio edit)
registrazione di:
I Believe I Can Fly
paroliere e compositore:
R. Kelly
editore:
Imagem Music (conclusa), R. Kelly Publishing Inc., Zomba Music Publ. Ltd. e Zomba Songs Inc.
sub-editore:
BMG Music Publishing Hong Kong Ltd
R. Kelly44:42
18Don’t Look Back in Anger
tecnico di registrazione:
Owen Morris
produttore:
Noel Gallagher e Owen Morris
batteria e percussione :
Alan White (Oasis drummer)
chitarra basso :
Paul McGuigan (Oasis)
chitarra elettrica [lead guitar] e voce principale:
Noel Gallagher
chitarra elettrica [rhythm guitar] e organo Hammond :
Paul Arthurs ("Bonehead", Oasis)
pianoforte :
Paul Arthurs ("Bonehead", Oasis) e Noel Gallagher
tamburello :
Liam Gallagher (English musician, lead singer of Oasis)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
video musicali:
Don’t Look Back in Anger di Oasis (Noel & Liam Gallagher)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 14) e Indie 88: Top 500 Indie Rock Songs (numero: 45)
registrazione di:
Don’t Look Back in Anger
paroliere e compositore:
Noel Gallagher
Oasis4.354:46
19The Drugs Don’t Work (radio edit)
registrazione di:
The Drugs Don’t Work
paroliere e compositore:
Richard Ashcroft
editore:
EMI Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
The Verve4:31
20Paradise (radio edit)
registrazione di:
Paradise
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
compositore aggiunto:
Brian Eno
Coldplay2.354:10
3▼CD
#TitoloArtistaValutazioneDurata
1Uptown Girl
assistente tecnico:
Scott James (US recording engineer) e Mike Mairé
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas) (nel 1983)
batteria :
Liberty DeVitto (US drummer) (nel 1983)
chitarra elettrica :
David Brown (guitarist for Billy Joel) (nel 1983)
pianoforte e voce principale:
Billy Joel (American singer‐songwriter and pianist) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1987)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Uptown Girl di Billy Joel (American singer‐songwriter and pianist)
parte di:
BILLIONS CLUB e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 443)
registrazione di:
Uptown Girl (nel 1983)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
EMI Songs Ltd., CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:15
2Good Vibrations (2001 remaster)
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:36
3Jailhouse Rock
registrazione di:
Jailhouse Rock
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley2:35
4Let’s Dance (single version) (2002 remaster)
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
chitarra solista :
Stevie Ray Vaughan
voce principale:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1983)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1982-12 al 1983-01)
registrazione di:
Let’s Dance (dal 1982-12 al 1983-01)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie44:06
5I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:10
6Maggie May
produttore:
Rod Stewart
registrazione di:
Maggie May
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4:57
7I’m Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:43
8Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
9Do You Really Want to Hurt Me (2002 remaster)
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:22
10Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
11Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:06
12Going Underground
produttore:
Vic Coppersmith‐Heaven
basso :
Bruce Foxton (il 1980-01-16)
batteria :
Rick Buckler (il 1980-01-16)
chitarra :
Paul Weller (English singer‐songwriter and musician) (il 1980-01-16)
voce:
Bruce Foxton (il 1980-01-16) e Paul Weller (English singer‐songwriter and musician) (il 1980-01-16)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1980)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-01-16)
registrazione di:
Going Underground (il 1980-01-16)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.252:52
13Hit Me With Your Rhythm Stick
produttore:
Laurie Latham
basso elettrico :
Norman Watt-Roy (nel 1978)
batteria :
Charley Charles (UK drummer) (nel 1978)
chitarra :
John Turnbull (nel 1978)
organo Hammond :
Mick Gallagher (UK hammond organ player) (nel 1978)
pianoforte :
Chaz Jankel (English musician and songwriter) (nel 1978)
sassofono :
Davey Payne (UK saxophonist) (nel 1978)
voce principale:
Ian Dury (nel 1978)
diritti fonografici (℗) detenuti da:
Templemill Music Ltd (nel 1979)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1978)
registrazione di:
Hit Me With Your Rhythm Stick (nel 1978)
paroliere:
Ian Dury
compositore:
Chaz Jankel (English musician and songwriter)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury and the Blockheads3.93:42
14Stand and Deliver
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
video musicali:
Stand and Deliver di Adam and the Ants (English new wave band)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 10)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:33
15Nothing Compares 2 U (edit)
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.34:59
16Wuthering Heights (edit)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrazione di:
Wuthering Heights
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3:26
17The House of the Rising Sun (2002 Remaster)
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:28
18A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
19Bridge Over Troubled Water
tecnico di registrazione:
Ted Brosnan (il 1969-11-09)
tecnico:
Roy Halee
produttore:
Arthur Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
archi :
Ernie Freeman (il 1969-11-09) e Jimmie Haskell (il 1969-11-09)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1969-11-09)
chitarra :
Fred Carter, Jr. (il 1969-11-09) e Paul Simon (of Simon & Garfunkel) (il 1969-11-09)
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter) (il 1969-11-09)
tastiera :
Larry Knechtel (il 1969-11-09)
voce:
Art Garfunkel (il 1969-11-09) e Paul Simon (of Simon & Garfunkel) (il 1969-11-09)
diritti fonografici (℗) detenuti da:
Paul Simon (of Simon & Garfunkel) (nel 1969)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 1), The Co-Op: Top 10 British Funeral Songs (numero: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 58) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 66)
registrazione di:
Bridge Over Troubled Water (il 1969-11-09)
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Paul Simon (of Simon & Garfunkel) (nel 1969)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:52
20What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:20

Accreditamenti

Pubblicazione

ASIN:UK: B008B4RBFE [info]

Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 23)
Wikidata:Q7065814 [info]