101 Housework Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Hot n Cold
miscellaneous support:
Gary "G" Silver (task: production coordinated)
programming:
benny blanco (producer Benjamin Levin) and Dr. Luke
engineer:
Nick Banns, Tatiana Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy and Emily Wright
additional producer:
benny blanco (producer Benjamin Levin)
producer:
Dr. Luke
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea
bass guitar [bass]:
Dr. Luke
drums (drum set) [drums]:
benny blanco (producer Benjamin Levin) and Dr. Luke
guitar [guitars]:
Dr. Luke and Max Martin (Swedish record producer)
lead vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States and Legacy Recording Studio (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 25), Billboard Year-End Hot 100 singles of 2008 (number: 36), BILLIONS CLUB and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 321)
recording of:
Hot n Cold
writer:
Łukasz Gottwald, Max Martin (Swedish record producer) and Katy Perry
publisher:
Kasz Money Publishing (ASCAP affiliated), Maratone, Maratone AB and When I’m Rich You’ll Be My Bitch
Katy Perry4.153:40
2So What
recording engineer:
Max Martin (Swedish record producer) (in 2008)
assistant engineer:
Tim Roberts (engineer)
engineer:
John Hanes (audio engineer, mixer)
producer:
Max Martin (Swedish record producer)
mixer:
Serban Ghenea
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2008)
recorded at:
House of Blues Studios in Encino, California, United States (in 2008) and Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 2008)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
So What (clean) by P!nk (American singer/songwriter)
recording of:
So What (in 2008)
writer:
Alecia Moore (American singer/songwriter), Johan Schuster and Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music, Maratone AB and P!nk Inside Publishing
P!nk43:34
3Work (Freemasons radio edit)
lead vocals:
Kelly Rowland
remixer:
Freemasons (English‐Irish dance/house group)
remix of:
Work by Kelly Rowland
edit of:
Work (Freemasons remix) by Kelly Rowland
recording of:
Work
writer:
Poo Bear (US producer, singer & songwriter; Jason Boyd), Kelly Rowland and Scott Storch (producer)
Kelly Rowland3.253:11
4Glamorous
recording of:
Glamorous
writer:
Christopher Bridges (Ludacris, US rapper & actor), Jamal Jones, Stacy Ferguson (American singer) and Elvis “Blac Elvis” Williams
Fergie2:54
5I Don’t Need a Man
programming and producer:
Rich Harrison
engineer:
J. D. Andrew, Scotty Beats, Tal Herzberg (task: pro tools) and Mike "Angry" Eleopoulos
additional producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) (task: incidental additional production by)
assistant mixer:
Mike Hogue
mixer:
Peter Mokran
bass:
Tal Herzberg
glockenspiel, piano and Wurlitzer electric piano:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
horn [horns]:
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) and Bill Reichenbach, Jr. (jazz trombonist)
horn arranger:
Jerry Hey
vocals arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
produced for:
Richcraft Inc.
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
instrumental versions:
I Don't Need a Man (instrumental) by Pussycat Dolls
recording of:
I Don't Need a Man
writer:
Vanessa Louise Brown, Kara DioGuardi, Rich Harrison and Nicole Scherzinger
publisher:
Damrich Music (Publishing entity associated with Rich Harrison), K’Stuff Publishing and She Rights Music
Pussycat Dolls2.753:40
6Like It Like That
edit of:
Like It Like That by Guy Sebastian
recording of:
Like It Like That (in 2009)
writer:
David Ryan Harris, Sean Hurley (American bassist and songwriter) and Guy Sebastian
Guy Sebastian3:49
7Not Fair
recording engineer, programming, audio engineer, producer and mixer:
Greg Kurstin
bass, guitar and keyboard:
Greg Kurstin
lead vocals:
Lily Allen
mixed for:
SK1 Productions
recorded at:
Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States, Lypiatt Park in Gloucestershire, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Premises Studios in Hoxton, Hackney, London (Greater London), England, United Kingdom
mixed at:
Echo Studio in Los Feliz, Los Angeles, California, United States
music videos:
Not Fair (promo video) by Lily Allen
recording of:
Not Fair
lyricist and composer:
Lily Allen and Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen43:21
8Suddenly I See
assistant engineer:
Graham Deas
engineer:
Bruno Ellingham
producer:
Steve Osborne (producer)
mixer:
Ren Swan
baritone guitar and bass:
Arnulf Lindner
cajón, drums (drum set) and percussion:
Luke Bullen
guitar:
KT Tunstall
vocals:
KT Tunstall
phonographic copyright (℗) by:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, United Kingdom
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, United Kingdom
recording of:
Suddenly I See
lyricist and composer:
KT Tunstall
publisher:
Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:20
9Can’t Fight the Moonlight
miscellaneous support:
Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
additional engineer:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach and Tim Weidner (engineer)
engineer and mixer:
Steve MacMillan
producer:
Trevor Horn
bass:
Lee Sklar (bassist, session musician) and Jamie Muhoberac
drums (drum set) [drums]:
Curt Bisquera and John Robinson (session drummer)
guitar:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
piano:
Alan Pasqua
background vocals:
Sue Ann Carwell and Niki Harris (US singer and dancer)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) and Curb Records, Inc. (holding company - do not use as release label) (in 2020)
recorded at:
Royal Tone Studios in North Hollywood, Los Angeles, California, United States and Sarm West Coast in Los Angeles, California, United States
music videos:
Can't Fight the Moonlight (longer version) by LeAnn Rimes (US country & pop singer)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 56)
recording of:
Can’t Fight the Moonlight
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs and Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:34
10AliveNatalie Bassingthwaighte3:33
11I’m a Slave for You
recording engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Brian Garten (Engineer)
assistant engineer:
Tim Roberts (engineer) and Ryan Smith (NY, US-based engineer/mastering)
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
mixer:
Serban Ghenea
instruments:
Chad Hugo and Pharrell Williams
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
recorded at:
Master Sound Studios (Virginia) in Virginia Beach, Virginia, United States and Right Track Studios in Manhattan, New York, New York, United States
mixed at:
Windmark Recording in Virginia Beach, Virginia, United States
music videos:
I’m a Slave 4 U by Britney Spears, I’m a Slave 4 U (Angle 1) by Britney Spears, I’m a Slave 4 U (Angle 2) by Britney Spears and I’m a Slave 4 U (Angle 3) by Britney Spears
recording of:
I’m a Slave 4 U
writer:
Chad Hugo and Pharrell Williams
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Songs MP and Waters of Nazareth
Britney Spears3.553:24
12Telephone
assistant recording engineer:
Takayuki Matsushima
recording engineer:
Mike “Handz” Donaldson, Paul Foley (engineer) and Hisashi Mizoguchi
co-producer:
Lady Gaga
producer:
Rodney Jerkins
assistant mixer:
Matty Green (mix engineer)
mixer:
Rodney Jerkins and Mark “Spike” Stent (producer, engineer)
other instruments:
Mike “Handz” Donaldson
guest vocals:
Beyoncé
vocals:
Lady Gaga
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2009)
recorded at:
2nd Floor Studios in Los Angeles, California, United States (lead vocals [vocals by Lady Gaga]) and Studio Groove in Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (lead vocals [vocals by Beyoncé])
produced at:
2nd Floor Studios in Los Angeles, California, United States (background vocals [additional vocals])
music videos:
Telephone (music video) by Lady Gaga feat. Beyoncé
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 16) and Stereogum: The 200 Best Songs of the 2010s (number: 88)
recording of:
Telephone
writer:
Beyoncé Knowles, LaShawn Daniels (US contemporary R&B songwriter), Lazonate Franklin, Rodney Jerkins and Lady Gaga
publisher:
B‐Day Publishing, EMI April Music Inc., EMI Blackwood Music Inc., GloJoe Music Inc., House of Gaga Publishing Inc. and Sony/ATV Songs LLC
Lady Gaga4.153:41
13I Don’t Think So
recording of:
I Don't Think So
writer:
Łukasz Gottwald, Kelis and Max Martin (Swedish record producer)
Kelis3:03
14Superstar
programming:
Joe Belmaati
producer:
Joe Belmaati and Mich Hansen
cover recording of:
Superstar
writer:
Joe Belmaati, Mich Hansen and Remee (Danish producer, composer and songwriter)
publisher:
Cutfather & Joe Music Ltd., Remee Songs, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell (Warner/Chappell Music, Inc.)
Jamelia3.653:33
15Candyman
programming:
Marc Jameson
additional engineer:
Kristofer Kaufman and Chris Wonzer
engineer, producer and mixer:
Linda Perry (rock singer‐songwriter & producer)
audio engineer:
Andrew Chavez (engineer)
bass, mellotron and piano:
Linda Perry (rock singer‐songwriter & producer)
membranophone:
Nathan Wetherington
saxophone:
Glen Berger (saxophonist) and Ray Herrmann
trombone:
Jim McMillen (arranger & trombonist)
trumpet:
Chris Tedesco
horn arranger:
Linda Perry (rock singer‐songwriter & producer)
samples:
Tarzan and Jane Swingin' on a Vine by US Marines (United States Marine Corps)
music videos:
Candyman by Christina Aguilera
recording of:
Candyman
writer:
Christina Aguilera and Linda Perry (rock singer‐songwriter & producer)
Christina Aguilera3.53:14
16Love Today
recording of:
Love Today
lyricist and composer:
MIKA (Lebanese-born English pop singer)
MIKA2.653:23
17Pack Up
recording of:
Pack Up
writer:
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime and Tim Woodcock
quotes lyrics from:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3:09
18Why Don’t You
recording of:
Why Don't You
lyricist and composer:
Kansas Joe McCoy
version of:
Why Don’t You Do Right?
Gramophonedzie32:49
19Miss Independent
recording of:
Miss Independent
writer:
Babyface (R&B musician Kenny Edmonds), Kelly Clarkson, Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs) and Damon Thomas
Kelly Clarkson3:34
20Superwoman
drums (drum set) programming:
Kerry Brothers
additional engineer:
Zach Hancock, Seth Waldmann and Stuart White
engineer:
Ann Mincieli
mixer:
Manny Marroquin
bass:
Steve Mostyn
drums (drum set):
Trevor Lawrence, Jr. (R&B/hip hop drummer/musician)
electric piano:
Alicia Keys
recording of:
Superwoman
writer:
Alicia Keys, Linda Perry (rock singer‐songwriter & producer) and Steve Mostyn
Alicia Keys3.354:32
21Put Your Records On
recording engineer, programming and producer:
Steve Chrisanthou
additional producer:
Jimmy Hogarth (producer and songwriter)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar and percussion and background vocals and lead vocals:
Corinne Bailey Rae
alto saxophone:
Jason Rae
bass guitar [bass]:
Samuel Dixon
classical guitar [spanish guitar], electric guitar and percussion:
Steve Chrisanthou
Hammond organ:
Joe Tatton
keyboard:
John Beck (Writer, producer & musician)
tenor saxophone:
Jim Corry
trumpet:
Malcolm Strachan
additional background vocals:
Cara Robinson
contains samples by:
Steve Chrisanthou (horn)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
music videos:
Put Your Records On by Corinne Bailey Rae
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 236)
recording of:
Put Your Records On
writer:
Corinne Bailey Rae, John Beck (Writer, producer & musician) and Steve Chrisanthou
Corinne Bailey Rae3.73:34
2CD
#TitleArtistRatingLength
1Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 63)
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:50
2One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:32
3My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.23:59
4A Little Less Conversation
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
recording of:
A Little Less Conversation
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs JXL3.43:33
5The Shoop Shoop Song (It’s in His Kiss)
producer:
Peter Asher
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1990)
music videos:
The Shoop Shoop Song (It’s in His Kiss) by Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Cher3.352:49
6These Boots Are Made for Walkin’
cover recording of:
These Boots Are Made for Walkin’
lyricist and composer:
Lee Hazlewood
publisher:
Lorna Music and Criterion Music Corp. (in 1966)
version of:
Boots (original melody)
Jessica Simpson3:40
7Neutron Dance
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Reek Havoc (in 1983), Bob Mithoff (in 1983) and Howie Rice (in 1983)
synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
producer:
Richard Perry (producer)
Minimoog, drum machine, guitar, organ, piano and synthesizer:
Howie Rice (in 1983)
tambourine:
Paulinho da Costa (Brazilian percussionist) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1983) and Geffen Records (in 1984)
recording of:
Neutron Dance (in 1983)
writer:
Danny Sembello and Allee Willis
publisher:
MCA Music Ltd.
The Pointer Sisters34:12
8Sisters Are Doin’ It for Themselves
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
remaster of:
Sisters Are Doin’ It for Themselves by Eurythmics and Aretha Franklin
recording of:
Sisters Are Doin’ It for Themselves
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.54:55
9Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:56
10Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:32
11Dancing on the Ceiling
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1986)
recording of:
Dancing on the Ceiling
lyricist:
Lionel Richie
composer:
Michael Frenchik, Lionel Richie and Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music and Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie44:20
12Simply Irresistible
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:13
139 to 5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton3.552:45
14Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
15Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry3.352:59
16You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:03
17Ladies Night
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Atomic Kitten feat. Kool & the Gang3:07
18Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:57
19Get Down Tonight
recording of:
Get Down Tonight
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music and Southern Music (publisher)
KC and the Sunshine Band4.23:10
20Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce4.63:15
21I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:17
3CD
#TitleArtistRatingLength
1The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
2Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl (Irish saxophonist)
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:54
3She Works Hard for the Money
guitar [guitars]:
Marty Walsh
saxophone [sax]:
Gary Herbig
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1983)
recording of:
She Works Hard for the Money (in 1983)
writer:
Michael Omartian and Donna Summer (soul/disco diva)
publisher:
Warner Chappell, See This House Music (from 1983 to present) and Sweet Summer Night Music (from 1983 to present)
Donna Summer4.355:19
4Holding Out for a Hero
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:21
5Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
lyricist and composer:
Gary Kemp
Spandau Ballet3.53:52
6You Keep Me Hangin’ On
recorded in:
England, United Kingdom
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kim Wilde3.454:15
7Searchin’ (I Gotta Find a Man)
recording of:
Searchin’ (I Gotta Find a Man) (in 1983)
lyricist and composer:
Ian Anthony Stephens
Hazell Dean3:39
8Body Rock
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company)
recording of:
Body Rock
writer:
John Bettis and Sylvester Levay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:39
9When the Going Gets Tough, the Tough Get Going
executive producer:
Robert John “Mutt” Lange (Robert John Lange)
producer:
Barry J. Eastmond and Wayne Brathwaite
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
music videos:
When the Going Gets Tough, the Tough Get Going by Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:08
10It’s My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
11Rio
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4.154:45
12It Ain’t What You Do It’s the Way You Do It
producer:
Fun Boy Three and Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three & Bananarama3.652:48
13It’s a Miracle
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
It’s a Miracle by Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.63:24
14Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
15Wired for Sound
producer:
Alan Tarney
vocals:
Cliff Richard
recording of:
Wired for Sound
lyricist and composer:
B.A. Robertson and Alan Tarney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Cliff Richard53:36
16A Good Heart
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Shelly Yakus
arranger:
Feargal Sharkey and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
lyricist and composer:
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:40
17Love Is a Battlefield
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984)
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar44:09
18Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
19Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:50
20Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:36
4CD
#TitleArtistRatingLength
1Dressed for Success
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (from 1988-06 until 1988-08)
classical guitar:
Erik Borelius (from 1988-06 until 1988-08)
drums (drum set):
Pelle Alsing (from 1988-06 until 1988-08)
guitar:
Jonas Isacsson (from 1988-06 until 1988-08)
keyboard:
Clarence Öfwerman (from 1988-06 until 1988-08)
saxophone:
Erik Häusler (from 1988-06 until 1988-08)
slide guitar:
Janne Oldaeus (from 1988-06 until 1988-08)
background vocals:
Marie Fredriksson (from 1988-06 until 1988-08), Per Gessle (Swedish singer and guitarist) (from 1988-06 until 1988-08) and Clarence Öfwerman (from 1988-06 until 1988-08)
lead vocals:
Marie Fredriksson (from 1988-06 until 1988-08) and Per Gessle (Swedish singer and guitarist) (from 1988-06 until 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!) (in 1988, in 1989)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1988-06 until 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Dressed for Success (from 1988-06 until 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette2.54:11
2Maniac
producer:
Phil Ramone and Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1983 nominee)
Michael Sembello4.154:03
3I Want That Man
recording of:
I Want That Man
lyricist and composer:
Tom Bailey (Thompson Twins) and Alannah Currie
publisher:
BMG Music, Point Music Ltd. and Point Music America Inc. (in 1989)
Deborah Harry3:37
4Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks44:00
5You Get What You Give
mixer:
Michael Brauer (engineer)
drums (drum set):
Gary Ferguson (Session drummer)
electric bass guitar:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
keyboard and background vocals:
Rick Nowels
percussion:
Juliet Prater
lead vocals:
Gregg Alexander
additional vocals arranger:
Richie Podler
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1998)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals3.654:40
6Sexual Revolution
recording of:
Sexual Revolution
writer:
Natalie Hinds (American singer and actor), Jeremy Ruzumna (composer, lyricist, keyboardist), Darryl Swann and Dave Wilder
Macy Gray34:47
7Power of a Woman
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recording of:
Power of a Woman
writer:
Evan Rogers (musician/producer) and Carl Sturken
publisher:
MCA Music Ltd. and Universal/MCA Music Ltd. (not for release label use!)
Eternal3:53
8Renaissance
recording of:
Renaissance
writer:
Paul Heard and Mike Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and EMI Music Ltd.
M People2.653:56
9Give It Up
phonographic copyright (℗) by:
EMI‐Medley (Danish division of EMI Music Group) (in 1994)
cover recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
Cut ’n’ Move54:23
10Good Life
engineer:
Ben Grosse (American producer and engineer)
producer:
Kevin Saunderson
mixer:
Ben Grosse (American producer and engineer) and Kevin "Master Reese" Saunderson
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City3.253:56
11Forever Your Girl
producer:
Oliver Leiber
recording of:
Forever Your Girl
lyricist and composer:
Oliver Leiber
Paula Abdul34:13
12Shackles (Praise You)Mary Mary43:16
13No Scrubs
assistant recording engineer:
Ty Hudson
recording engineer:
Carlton Lynn
sound engineer:
Shekspere
producer:
Kevin “She’kspere” Briggs
assistant mixer:
Vernon J. Mungo
mixer:
Leslie Brathwaite
background vocals:
Chilli (Rozonda Thomas, member of TLC), Tameka “Tiny” Cottle, Kandi (US R&B singer-songwriter, actress & record producer Kandi Burruss) and Debra Killings
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 303)
recording of:
No Scrubs
additional writer:
Lisa “Left Eye” Lopes
writer:
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss), Kevin Briggs and Tameka Cottle
TLC4.13:38
14Step by Step
cover recording of:
Step by Step
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
Whitney Houston3.54:12
15Paid My Dues
recording engineer:
“Young” Dave Scheuer (in 2001) and Thomas R. Yezzi (in 2001: lead vocals)
miscellaneous support:
Marc Russell (task: production coordinator)
drums (drum set) [drum] programming:
Richie Jones (in 2001)
additional producer:
Richie Jones
producer:
Ric Wake
assistant mixer:
Jim Annunziato
mixer:
Dan Hetzel and Richie Jones
bass guitar:
Marc Russell (in 2001)
guitar [guitars] and keyboard [keyboards]:
Eric Kupper (in 2001)
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2001), LaMenga Kafi (in 2001), Danny Madden (in 2001) and Nicki Richards (in 2001)
arranger:
Richie Jones and Ric Wake
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
produced for:
W&R Group
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States (in 2001) and Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States (in 2001)
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
music videos:
Paid My Dues by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Paid My Dues (in 2001)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Greg Lawson (US songwriter), LaMenga Kafi and Damon Sharpe
publisher:
Annotation Music, BMG Platinum Songs US, Connotation Music, Damon Sharpe Music, GQ Romeo Music, Locoriya’s Songs, Poho Productions, Universal Music Corp. (USA, affiliated with ASCAP), VMG Notation Copyrights, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp (1929–2019)
Anastacia3.53:21
16Keep on Movin’
recording engineer:
Adrian Bushby
additional programming:
Chris Laws (engineer, keyboardist & songwriter)
additional producer and additional mixer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
assistant mixer:
Daniel Pursey (UK engineer), Conal Markey and Alvin Sweeney
mixer:
Adrian Bushby, Jake Davies and Matt Howe (producer and engineer)
performer:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") and Scott (British singer/performer/songwriter)
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
recorded at:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Keep On Movin’
writer:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd and Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:18
17Leave a Light On
producer:
Rick Nowels
phonographic copyright (℗) by:
Artist Management Services Ltd. (in 1989)
recording of:
Leave a Light On
writer:
Rick Nowels and Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs, Inc. (in 1989)
Belinda Carlisle24:15
18You Gotta Be
drum machine programming:
Kevin Clarke (in 1999)
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram (in 1999)
strings arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
writer:
Des’ree and Ashley Ingram
Des’ree2.94:00
19Woman
miscellaneous support:
Booga Bear (task: sequenced by), Tony Cousins (mastering engineer) (task: cut by), Johnny Dollar (UK producer & songwriter) (task: sequenced by; task: cut by) and Crispin Murray (task: additional digital noodling)
programming:
Johnny Dollar (UK producer & songwriter)
engineer:
Chris Dibble (engineer) and Johnny Dollar (UK producer & songwriter)
additional producer:
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Wil Malone
producer and mixer:
Booga Bear and Johnny Dollar (UK producer & songwriter)
assistant mixer:
Tristin "Nine Iron" Norwell and Lee Phillips (Engineer)
editor:
Tony Cousins (mastering engineer) and Johnny Dollar (UK producer & songwriter)
French horn:
Jeff Bryant (horn player) and Mike Butler (engineer)
instruments:
Johnny Dollar (UK producer & songwriter)
other instruments [beats]:
Booga Bear, Johnny Dollar (UK producer & songwriter) and Mickey P
strings arranger:
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra and Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1996)
engineered at:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusia), Spain, CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom, Eastcote in London (Greater London), England, United Kingdom, El Curtiju in San Pedro, Albacete (Province of Albacete), Castilla-La Mancha (Castile-La Mancha), Spain, Mayfair (England) in London (Greater London), England, United Kingdom, Power Play in New York, New York, United States, Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Soundtrade in Solna City, Stockholms län (Stockholm county), Sweden and Westside in London (Greater London), England, United Kingdom
edited at:
Metropolis Mastering in London (Greater London), England, United Kingdom
recording of:
Woman
writer:
Neneh Cherry, Cameron McVey and Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4.34:31
5CD

Credits

Release

printed in:Australia
manufactured by, licensed to and marketed by:EMI Music Australia Pty. Limited (not for release label use!)
distributed by:EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyrighted (©) by and phonographic copyright (℗) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2011)
Discogs:https://www.discogs.com/release/18568147 [info]
ASIN:UK: B004LGPBSA [info]

Release group

part of:101 Hits (Australian compilation series) (number: Housework Songs) (order: 14)