100 Hits: 80s Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cruel Summer
producer:
Steve Jolley and Tony Swain (songwriter, producer)
lead vocals:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
performer:
Bananarama (in 1983-04)
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) and London Records Ltd. (not release label) (in 1984)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 44) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 414)
recording of:
Cruel Summer (in 1983-04)
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
2Don’t Leave Me This Way
performer:
Sarah Jane Morris and The Communards (in 1986)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (in 1986)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris34:51
3Money’s Too Tight to Mention
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (drummer for Simply Red) (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (English soul and pop band) (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
later releases:
Money’s Too Tight (to Mention) by Simply Red (English soul and pop band)
part of:
Q50 – December 2005 (number: 29)
cover recording of:
Money’s Too Tight (to Mention) (in 1985)
writer:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4.54:14
4Suspicious Minds
cover recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Fine Young Cannibals3.153:58
5People Are Strange
producer:
Ray Manzarek
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
People Are Strange (in 1987)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
Echo & the Bunnymen4.653:38
6Cry Wolf
engineer:
Gerry Kitchingham
producer:
Alan Tarney
mixer:
John Hudson (producer, recording and mixing engineer) and Alan Tarney
drums (drum set):
Øystein Jevanord
performer:
a‐ha (Norwegian synth‐pop band) (in 1986)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
part of:
The Downloader’s Music Source Book (number: 273)
recording of:
Cry Wolf
lyricist and writer:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
composer:
Magne Furuholmen
publisher:
ATV Music
a‐ha3.854:03
7Say I’m Your Number 1
recording of:
Say I’m Your Number One
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music
Princess3:37
8New Song
engineer and producer:
Colin Thurston
lead vocals:
Howard Jones (English singer, songwriter)
part of:
Anti-Hit List: March 18, 1996 (number: 9)
recording of:
New Song
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones4.54:17
9Wild Thing
recording of:
Wild Thing
writer:
Anthony Smith, Matt Dike (American producer), Marvin Young and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc34:02
10Say No Go
co-producer:
De La Soul
producer:
Prince Paul (US hip hop DJ & producer)
mixer:
Posdnuos (US rapper/producer Kelvin Mercer, aka Pos)
arranger:
Posdnuos (US rapper/producer Kelvin Mercer, aka Pos)
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1989)
samples:
Baby Let Me Take You (in My Arms) by Detroit Emeralds, Crossword Puzzle by Sly Stone, I Can’t Go for That (No Can Do) by Daryl Hall & John Oates, I Can’t Go for That (No Can Do) (single version) by Daryl Hall & John Oates and I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) by The Turtles (late 60s US rock band)
recording of:
Say No Go
writer:
Sara Allen, Daryl Hall, Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), John Oates, Paul Huston (US hip hop DJ & producer), Steve Scipio, Abrim Tilmon and Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul2.94:21
11Come Into My Life
recording of:
Come Into My Life
lyricist and composer:
Joyce Sims
publisher:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos and Tawanne Lamont Music
Joyce Sims33:45
12I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:47
13Let’s Dance
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
recording of:
Let’s Dance
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea34:16
14Legs
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
edit of:
Legs by ZZ Top
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.353:36
15Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (guitarist and singer) (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (from 1988-03-22 until 1988-04-06)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) and Touchstone Pictures (in 1988)
music videos:
Kokomo by The Beach Boys (American rock band)
recording of:
Kokomo (from 1988-03-22 until 1988-04-06)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.253:36
16Frankie
producer:
Nile Rodgers
recording of:
Frankie
lyricist and composer:
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:16
17I Haven’t Stopped Dancing Yet
cover recording of:
I Haven’t Stopped Dancing Yet
composer:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Buckwheat Music, Old Eye Music and Wizard (Bahamas) Ltd.
Pat & Mick3:32
18Boys (Summertime Love)
producer:
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
lyricist:
Claudio Cecchetto (Italian record producer & talent scout) and Malcolm Charlton
composer:
Matteo Bonsanto and Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.63:56
19Pink Sunshine
recording of:
Pink Sunshine
writer:
Joanne Dunne, Margaret Dunne (Fuzzbox), Vickie Perks and Liam Sternberg
publisher:
Southern Music Publishing Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Fuzzbox3:45
20Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982) and Marc Durand Production (in 1983)
edit of:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
music videos:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 39) and Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance (from 1982-01 until 1982-03)
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats3.82:45
2▼CD
#TitleArtistRatingLength
1Why?
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
Why?
composer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
Bronski Beat3.254:05
2You’re History
music videos:
You're History by Shakespear's Sister
recording of:
You’re History
writer:
Marcella Detroit, Siobhan Fahey and Richard Feldman
Shakespears Sister24:28
3Hide and Seek
recording of:
Hide and Seek
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones5:28
4Don’t Call Me Baby
phonographic copyright (℗) by:
FFRR Records Limited (company name, NOT a label!) (in 1988)
recording of:
Don’t Call Me Baby
lyricist:
Tracey Bryn
composer:
Tracey Bryn and Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:06
5Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
mixer:
Doc Dougherty and “Little” Louie Vega (US house DJ/producer)
bass:
Gary Down
guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
tom-tom:
Billy Amendola
background vocals:
La‐Rita Gaskin and Norma Jean Wright
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 95) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 479)
recording of:
Only in My Dreams
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson43:50
6Forget Me Nots
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen54:05
7Jump to the Beat
recording of:
Jump to the Beat
writer:
Anukampa Lisa Walden and Narada Michael Walden
publisher:
Walden Music, Inc.
Stacy Lattisaw3.653:33
8The Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:20
9Gimme All Your Lovin’
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.054:00
10Just Like Paradise
programming:
Brett Tuggle
engineer:
Magic Moreno, Doug Parry and Steve Vai
co-producer:
Steve Vai
producer:
David Lee Roth
bass guitar:
Billy Sheehan
drums (drum set) and percussion:
Gregg Bissonette (US jazz & rock drummer)
guitar:
Steve Vai
keyboard:
Brett Tuggle
additional background vocals:
Tommy Funderburk and Tom Kelly (songwriter)
background vocals:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan and Brett Tuggle
lead vocals:
David Lee Roth
recording of:
Just Like Paradise
writer:
David Lee Roth and Brett Tuggle
David Lee Roth4.64:05
11Big in Japan
producer:
Orlando
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present) and wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
edit of:
Big in Japan (album version) by Alphaville (German synth pop band)
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.63:53
12Cry Little Sister
co-producer:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) and Bruce Martin (keyboards / production)
producer:
Mike Mainieri
lead vocals:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Cry Little Sister
writer:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) and Mike Mainieri
Gerard McMann4.654:44
13It’s a Mystery
recording of:
It’s a Mystery
lyricist and composer:
Keith Hale
Toyah4:01
14Heartache Avenue
recording of:
Heartache Avenue
lyricist and composer:
Lol Mason and Mark Tibenham
publisher:
ATV Music (in 1982) and Graduate (publisher) (in 1982)
The Maisonettes42:55
15Voyage, Voyage
recording engineer:
Antoine Cambourakis (engineer) and Gilbert Courtois (engineer)
producer:
Jean‐Michel Rivat
mixer:
Dominique Blanc-Francard
synthesizer:
Jean‐Michel Rivat
background vocals:
Claudie Fritsch-Mentrop and Daniel Glikmans (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Rivat Music (production company and copyrights holder) (in 1986)
recorded at:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, France
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France
recording of:
Voyage, voyage
lyricist:
Jean‐Michel Rivat
writer and composer:
Dominique Dubois and Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat and Editions Rivat Music (publisher) (in 1986)
Desireless4.354:24
16I’d Rather Jack
recording of:
I'd Rather Jack
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd (in 1988)
Reynolds Girls3:30
17Body Talk
executive producer:
Eliot M. Cohen
phonographic copyright (℗) by:
R&B Division Ltd (in 1981)
recording of:
Body Talk
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:28
18Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:00
19Personal Touch
Errol Brown3:50
20I Keep Forgettin’
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:32
3▼CD
#TitleArtistRatingLength
1I Want You Back
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:48
2Hit That Perfect Beat
engineer:
Tom Frederikse
producer:
Adam Williams
mixer:
Gareth Jones (UK producer/engineer)
lead vocals:
John Foster (John Jøn, Bronski Beat)
recording of:
Hit That Perfect Beat
writer:
Steve Bronski, John Foster (John Jøn, Bronski Beat) and Larry Steinbachek
Bronski Beat53:35
3Ever Fallen in Love
engineer:
John Potoker (producer/engineer aka Tokes)
co-producer:
Fine Young Cannibals and Jerry Harrison (Talking Heads & producer)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
cover recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Fine Young Cannibals3.23:55
4Hunting High and Low
bass programming:
Magne Furuholmen
producer:
Tony Mansfield (producer & songwriter)
mixer:
John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
The Downloader’s Music Source Book (number: 276)
recording of:
Hunting High and Low
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:43
5Wrote for Luck
recording of:
W.F.L. (Think About the Future)
composer:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder and Gary Whelan
publisher:
London Music
Happy Mondays3:39
6April Skies
producer:
Bill Price (UK producer/engineer)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1987)
recording of:
April Skies
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain43:12
7This Corrosion
producer:
Jim Steinman
drum machine:
Doktor Avalanche
guest choir vocals:
The New York Choral Society
vocals:
Andrew Eldritch
recording of:
This Corrosion
lyricist and composer:
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4:18
8Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.34:06
9Cry Boy Cry
recording of:
Cry Boy Cry
writer:
Andy O (member of Blue Zoo) and Tim Parry (guitarist)
Blue Zoo3:58
10Big Area
recording of:
Big Area
lyricist:
Mark Shaw
composer:
Rob Downes, Alex Mungo, Mark Shaw, Jasper Stainthorpe, Scott Taylor (UK artist) and Steve Wren (drummer)
Then Jerico4:47
11Lean on Me (ah‐li‐ayo)
recording of:
Lean on Me (Ah-li-ayo)
lyricist and composer:
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box4:20
12Since Yesterday
engineer:
David Motion and Trig
producer:
David Motion
guitar:
Jill Bryson and Rose McDowall
background vocals and lead vocals:
Rose McDowall
vocals:
Jill Bryson
arranger:
David Motion
phonographic copyright (℗) by:
A Korova Recording and WEA Records Ltd. (holding company based in the UK)
recording of:
Since Yesterday
writer:
Jill Bryson and Rose McDowall
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Zoo Music Publishing
version of:
Dance
Strawberry Switchblade4.652:58
13Electric Youth
recording engineer:
Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Fred Zarr
mixer:
Bob Rosa, Tom Vercillo and Fred Zarr
acoustic guitar and electric guitar:
Ira Siegel
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Carrie Johnson and Libby Johnson
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Electric Youth
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson3.54:56
14Get Out of Your Lazy Bed
engineer:
John Buckley (British production music composer)
producer:
Peter Collins (producer)
mixer:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
drums (drum set) and percussion:
Peter Ross
keyboard:
Danny White (keyboardist)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco2.653:28
15What Becomes of the Broken Hearted
performer:
Colin Blunstone
cover recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Dave Stewart with Colin Blunstone33:51
16I Won’t Let You Down
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
Ph.D.44:06
17Just an Illusion
recording of:
Just an Illusion
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination3:41
18Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Chicago44:44
19Bird of Paradise
recording of:
Bird of Paradise
lyricist and composer:
Snowy White (guitarist)
publisher:
Campbell Connolly Ltd. and Novello & Co. Ltd.
Snowy White4:06
20I’ll Keep On Loving You
recording of:
I’ll Keep On Loving You
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Princess4:05
4▼CD
#TitleArtistRatingLength
1Never Can Say Goodbye
additional producer and additional mixer:
Shep Pettibone
producer:
Stephen Hague
mixer:
Steve Peck (producer and engineer)
mixed for:
Master Mix Productions Ltd.
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
The Communards34:27
2Loving You Is Sweeter Than Ever
cover recording of:
Loving You Is Sweeter Than Ever
lyricist:
Ivy Jo Hunter
composer:
Ivy Jo Hunter and Stevie Wonder
publisher:
Black Bull Music Ltd., Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., 大洋音楽 (Taiyō Music) and Screen Gems-Columbia (publisher) (in 1967)
Nick Kamen23:46
3International Rescue
engineer:
Richard Manwaring (Producer)
recording of:
International Rescue
writer:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill and Liam Sternberg
Fuzzbox3:31
4Roadblock
recording of:
Roadblock
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Stock Aitken Waterman3:10
5Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (from 1981 until 1982) and John Kovarek (from 1981 until 1982)
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 448)
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:50
6Yeh‐Yeh
cover recording of:
Yeh, Yeh
lyricist:
Jon Hendricks
composer:
Rodgers Grant and Pat Patrick (American jazz musician)
publisher:
Mongo Music
Matt Bianco3:17
7I Say Nothing
recording of:
I Say Nothing
composer:
Tracey Bryn and Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:26
8Don’t You Want Me Baby
cover recording of:
Don’t You Want Me (Human League song)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mandy Smith3:29
9Lean on Me
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
cover recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.353:58
10In Your Car
recording of:
In Your Car
writer:
Stephen McIntosh (UK keyboardist/songwriter/production music)
The Cool Notes3:47
11Casanova
recording of:
Casanova
lyricist and composer:
Reggie Calloway
publisher:
Calloco Music and Hip Trip Music (publisher)
LeVert4:23
12Turn Your Love Around
producer:
Jay Graydon
bass synthesizer:
David Paich
cymbal [Cymbals (payette)]:
Mike Baird (drummer)
drums (drum set):
Jeff Porcaro
flute and saxophone:
Gary Herbig
guitar:
Jay Graydon
piano and Rhodes piano [Fender Rhodes]:
Jai Winding (pianist, composer, vocal)
synthesizer:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals:
Bill Champlin, Vennette Gloud and Carmen Twillie
vocals:
George Benson (jazz guitarist/singer)
horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recording of:
Turn Your Love Around
writer:
Bill Champlin, Jay Graydon and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
George Benson43:51
13Move Closer
phonographic copyright (℗) by:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1984)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson24:34
14This Is My Night
recording of:
This Is My Night
writer:
David Frank (American keyboardist, producer, writer; The System) and Mic Murphy
Chaka Khan44:41
15Superwoman
recording of:
Superwoman
writer:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) and Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) and Kear Music (publisher)
Karyn White4:32
16History
recording of:
History
lyricist and composer:
Jochem Fluitsma and Eric van Tijn
Mai Tai3:50
17Go Deh Yaka (Go to the Top)
recording of:
Go Deh Yaka
writer:
Errol Moore
Monyaka3:56
18Feel So Real
recording of:
Feel So Real
writer:
India Arrington and Steve Arrington
Steve Arrington3:58
19Body Work
Hot Streak4:13
20Bass (How Low Can You Go)
Simon Harris33:21
5▼CD
#TitleArtistRatingLength
1London Nights
London Boys3:52
2Let’s All Chant
cover recording of:
Let’s All Chant
writer:
Alvin Fields and Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Pat & Mick3:06
3Funky Cold Medina
engineer:
Mario Caldato Jr.
producer and mixer:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
arranger:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographic copyright (℗) by:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1989)
samples:
Hot Blooded by Foreigner (British/American rock band)
part of:
Grammy Award: Best Rap Performance nominees (number: 1990)
recording of:
Funky Cold Medina
lyricist:
Marvin Young
composer:
Matt Dike (American producer), Marvin Young and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc3.84:06
4Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.44:45
5Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:51
6The Clapping Song
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
cover recording of:
The Clapping Song
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation and EMI Al Gallico Music Corp.
The Belle Stars3:14
7Stainsby Girls
recording of:
Stainsby Girls
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:06
8The Right Thing
recording of:
The Right Thing
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:20
9The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.255:48
10The Motive
recording of:
The Motive
lyricist:
Mark Robert Tiplady
composer:
Alex Mungo, Jasper Stainthorpe, Scott Taylor (UK artist), Mark Robert Tiplady and Steve Wren (drummer)
publisher:
DeJamus Ltd. and Then Songs Ltd.
Then Jerico6:14
11Hallelujah
recording of:
Hallelujah
composer:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder and Gary Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Happy Mondays2:39
12I Am the Beat
engineer:
Martin Russell (recording engineer, producer, composer & musician)
producer:
Alan Shacklock
bass guitar:
Gus Goad
drums (drum set), percussion, saxophone and timpani:
Trevor Walter
guitar [lead] and keyboard:
Mick Bass
guitar [rhythm] and lead vocals:
Jonny Whetstone
background vocals:
The Look (UK new wave band)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom
recording of:
I Am the Beat
writer:
Mick Bass and Jonny Whetstone
The Look3:04
13Body and Soul
recording of:
Body and Soul
writer:
Jochem Fluitsma and Eric van Tijn
Mai Tai3:46
14Love Pains
Hazell Dean4:07
15Spend the Night
The Cool Notes33:00
16Let’s Go Round Again
recording of:
Let’s Go Round Again
writer:
Alan Gorrie
publisher:
Hit & Run Music (Publishing) Ltd
Average White Band54:08
17For America
producer:
David Motion
recording of:
For America
lyricist and composer:
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box53:44
18Can’t Stop the Music
producer:
Jacques Morali
lead vocals:
Ray Simpson (singer for Village People)
recording of:
Can’t Stop the Music (English)
lyricist:
Henri Belolo
composer:
Jacques Morali
translator:
Phil Hurtt and Beauris Whitehead
publisher:
EMI Music (do not use as release label! this is a music publisher) and Scorpio Music (work publisher of "Scorpio Music")
translated version of:
La musique n’a pas de fin
Village People53:34
19Give Me the Night
producer:
Quincy Jones
bass:
Abraham Laboriel
bass synthesizer [synthesizer bass]:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Michael Boddicker
trumpet:
Jerry Hey
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
lead vocals:
George Benson (jazz guitarist/singer)
horn arranger and strings arranger:
Jerry Hey
arranger:
Quincy Jones and Rod Temperton
vocals arranger:
Rod Temperton
edit of:
Give Me the Night by George Benson (jazz guitarist/singer)
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.53:41
20Love Is Contagious
recording of:
Love Is Contagious
lyricist and composer:
Taja Sevelle
Taja Sevelle4:37

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 19) (order: 51)