Straight From the Heart: Timeless Music From the ’60s & ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Tie a Yellow Ribbon Round the Old Oak Tree
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1973)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 52)
registrazione di:
Tie a Yellow Ribbon Round the Ole Oak Tree
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. e peermusic (“Peermusic—the global independent”)
Tony Orlando & Dawn53:27
2Love Will Keep Us Together
tecnico di registrazione e tecnico di missaggio:
Dennis Dragon
produttore:
The Captain
produttore associato:
Toni Tennille
basso elettrico [Fender] , campane a vento , celesta , clavinet , minimoog [Mini-moog] , organo Hammond , piano elettrico Wurlitzer , pianoforte , sintetizzatore [Arp String Ensemble] , sintetizzatore [Odyssey] e tastiera [Clavietta] :
The Captain
batteria , congas e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
violino :
Kenneth Yerke
voce di accompagnamento:
Melissa Tennille e Toni Tennille
arrangiatore archi :
Kenneth Yerke
arrangiatore:
The Captain
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), A&M Records, Inc. (nel 1975) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1975)
è stato produttore per:
Moonlight and Magnolia Productions
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 337)
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
3Before the Next Teardrop Falls
registrazione cover di:
Before the Next Teardrop Falls
autore:
Vivian Keith e Ben Peters (country music songwriter)
editore:
Shelby Singleton Music Inc.
Freddy Fender2:36
4I Honestly Love You
co-tecnico:
Alan Rouse
tecnico:
Tony Clark (engineer, Abbey Road)
produttore:
John Farrar
arrangiatore:
Alan Hawkshaw (British pianist, composer and producer.)
diritti fonografici (℗) detenuti da:
Festival Records International Ltd. (company; do NOT use as release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
I Honestly Love You (nel 1974)
paroliere:
Jeff Barry
compositore:
Peter Allen (Australian singer‐songwriter)
arrangiatore:
Alan Hawkshaw (British pianist, composer and producer.)
editore:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:38
5Sarah Smile
produttore:
Chris Bond (producer, active circa 1970s) e Daryl Hall & John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrazione di:
Sara Smile
paroliere:
Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Unichappell Music, Inc.
Hall & Oates4.253:09
6Baby Come Back
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
registrazione di:
Baby Come Back (Player song) (nel 1977)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player53:36
7So Into You
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1976) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1976)
registrazione di:
So in to You
autore:
Buddy Buie, Dean Daughtry e Robert Nix (drummer)
editore:
Low-Sal, Inc.
Atlanta Rhythm Section54:23
8An Old Fashioned Love Song
registrazione di:
An Old Fashioned Love Song (1971 song)
paroliere e compositore:
Paul Williams (US songwriter/soft rock vocalist)
editore:
Campbell Connelly & Co. Ltd., Rondor Music e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Three Dog Night53:47
9The Things We Do for Love
assistente tecnico e assistente tecnico di missaggio:
Tony Spath
tecnico, tecnico di missaggio e editor:
Eric Stewart
produttore:
10cc, Graham Gouldman, Mastermix Music Limited e Eric Stewart
batteria, gong, battimani e tamburello :
Paul Burgess (UK rock drummer) (nel 1976)
chitarra acustica, chitarra basso, chitarra elettrica, battimani e tamburello :
Graham Gouldman (nel 1976)
chitarra, organo e pianoforte e voce di accompagnamento e voce principale:
Eric Stewart (nel 1976)
voce di accompagnamento:
Graham (nel 1976)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1976, nel 1977, nel 1997), Mercury Records Ltd. (London) (for copyrights use only) (nel 1976), Phonogram Ltd. (not for release label use!) (nel 1976, nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1977)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1976)
video musicali:
The Things We Do for Love di 10cc e The Things We Do for Love di 10cc
registrazione di:
The Things We Do for Love (nel 1976)
autore:
Graham Gouldman e Eric Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. e Man-Ken Music Ltd. (nel 1977)
10cc4.553:32
10Can’t Take My Eyes Off You
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 151)
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Valli3.753:23
11Cherish
registrazione di:
Cherish
paroliere e compositore:
Terry Kirkman
editore:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Association3:28
12The Morning After
tecnico:
Arnie Rosenberg
produttore:
Carl Maduri
arrangiatore:
Joe Hudson (US composer, string arranger and conductor)
diritti fonografici (℗) detenuti da:
20th Century-Fox Record Corporation (nel 1972) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
The Morning After (from "The Poseidon Adventure")
autore:
Joel Hirschhorn (songwriter) e Al Kasha (composer, songwriter and arranger)
editore:
Fox Fanfare Music e Twentieth Century Music Corp.
parte di:
The 45th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1972 winner)
Maureen McGovern52:21
13Sharing the Night Together
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione cover di:
Sharing the Night Together
autore:
Ava Aldridge e Eddie Struzick
editore:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. e Leosong (publisher)
registrazione di:
Sharing the Night Together
autore:
Ava Aldridge e Eddie Struzick
editore:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. e Leosong (publisher)
Dr. Hook2:54
14She’s a Lady
diritti fonografici (℗) detenuti da:
Decca Records Co. Ltd. (Decca Records) (nel 1971) e Tom Jones Enterprises Ltd. (nel 1971)
registrazione cover di:
She’s a Lady (nel 1971)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
registrazione di:
She’s a Lady
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
Tom Jones3.92:52
15Jackie Blue
registrazione di:
Jackie Blue
autore e compositore:
Steve Cash e Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
The Ozark Mountain Daredevils4:11
16Traces
Classics IV2:47
17Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
18You Are So Beautiful
assistente tecnico:
David Gallo (engineer) e David Roberts (engineer)
tecnico:
Guy Charbonneau
produttore:
Michael Lang (Producer)
tecnico di missaggio:
Chris Lord‐Alge
basso :
Dave McDaniel (bass)
pianoforte :
Nicky Hopkins (pianist and organist)
voce principale:
Joe Cocker
esecutore:
Joe Cocker
arrangiatore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1973)
registrata presso:
Memorial Auditorium in Lowell, Massachusetts, Stati Uniti (il 1989-10-05)
registrazione cover di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:44
19Theme From Love Story
Henry Mancini2:52
20All by Myself
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
edit di:
All by Myself di Eric Carmen
registrazione di:
All by Myself
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:31
2▼CD
#TitoloArtistaValutazioneDurata
1Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:21
2Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:19
3Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.153:16
4Easy to Be Hard
registrazione di:
Easy to Be Hard
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
parte di:
Hair (1967 musical)
Three Dog Night4.653:13
5You Light Up My Life
produttore:
Joseph Brooks (US songwriter/film director)
arrangiatore:
Joseph Brooks (US songwriter/film director)
è stato produttore per:
Mike Curb Productions
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 3) e Billboard: Greatest of All Time Hot 100 Songs (numero: 12)
registrazione di:
You Light Up My Life
paroliere e compositore:
Joseph Brooks (US songwriter/film director)
editore:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 電通ミュージック・アンド・エンタテインメント PR第3事業部
parte di:
The 50th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1977 winner)
Debby Boone53:39
6The Most Beautiful Girl
tecnico di registrazione:
Lou Bradley (American producer, engineer, also songwriter) (il 1973-02-09)
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce:
Charlie Rich (US country singer) (il 1973-02-09)
voce di accompagnamento:
The Nashville Edition (il 1973-02-09)
voce principale:
Charlie Rich (US country singer) (il 1973-02-09)
arrangiatore archi :
Bill McElhiney
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1973-02-09)
registrazione cover di:
The Most Beautiful Girl (il 1973-02-09)
autore:
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) e Norris “Norro” Wilson (singer, songwriter and producer)
editore:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) e Gallico Music Ltd.
versione di:
Hey Mister
Charlie Rich4.352:44
7Baby Don’t Get Hooked on Me
Mac Davis3:06
8Rose Garden
registrazione cover di:
Rose Garden (nel 1970)
paroliere e compositore:
Joe South
editore:
BMG Music Publishing Ltd. e Sony/ATV Songs LLC
Lynn Anderson4.152:50
9Wichita Lineman
produttore:
Al De Lory
voce principale:
Glen Campbell (US country singer, guitarist & actor)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968) e Capitol Records Nashville (nel 2016)
registrata in aggiunta presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1968-08-14)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1968-05-27)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 192) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 206)
registrazione di:
Wichita Lineman (il 1968-05-27)
paroliere:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (nel 1968)
Glen Campbell3.653:07
10I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:38
11At Seventeen
tecnico:
Larry Alexander (producer/engineer), Brooks Arthur e Russ Payne
produttore:
Brooks Arthur
batteria e percussione :
Barry Lazarowitz
chitarra acustica :
Al Gorgoni (guitarist, composer, arranger, and producer), Janis Ian e Dave Snider (guitarist)
chitarra classica :
Sal DiTroia e Janis Ian
contrabbasso :
Richard Davis (American jazz bassist)
flicorno soprano :
Burt Collins
trombone a pistoni :
Alan Raph
voce principale:
Janis Ian
arrangiatore corno :
Janis Ian
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1975)
registrazione di:
At Seventeen
paroliere e compositore:
Janis Ian (nel 1974)
editore:
EMI Blackwood Music Inc. e Mine Music Ltd.
Janis Ian4.254:43
12Feelings
Morris Albert3:45
13(Last Night) I Didn’t Get to Sleep at All
tecnico audio e produttore:
Bones Howe
assistente tecnico:
Ed Barton (engineer) e John Golden (mastering engineer)
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
voce:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore e Ron Townson
voce solista:
Marilyn McCoo
arrangiatore:
Bill Holman e Bones Howe
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1972)
registrata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
(Last Night) I Didn’t Get to Sleep at All
paroliere e compositore:
Tony Macaulay
editore:
PolyGram Music Publishing
The 5th Dimension33:11
14Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
15You and Me Against the World
Helen Reddy3:12
16Through the Years
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
registrazione di:
Through the Years
autore:
Steve Dorff (composer) e Marty Panzer (songwriter)
editore:
SwaneeBravo! Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers34:23
17The Look of Love
Dusty Springfield3:36
18Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship46:54
19You’ve Made Me So Very Happy
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
batteria e percussione :
Bobby Colomby (dal 1968-10-07 al 1968-10-22)
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
flauto dolce e trombone :
Jerry Hyman (trombone player) (dal 1968-10-07 al 1968-10-22)
flauto, organo, pianoforte e trombone :
Dick Halligan (dal 1968-10-07 al 1968-10-22)
flicorno soprano e tromba :
Lew Soloff (dal 1968-10-07 al 1968-10-22) e Chuck Winfield (dal 1968-10-07 al 1968-10-22)
sassofono contralto e pianoforte :
Fred Lipsius (dal 1968-10-07 al 1968-10-22)
voce:
Bobby Colomby (dal 1968-10-07 al 1968-10-22), Dick Halligan (dal 1968-10-07 al 1968-10-22) e Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
voce principale:
David Clayton‐Thomas (dal 1968-10-07 al 1968-10-22)
arrangiatore:
Blood, Sweat & Tears, Al Kooper e Fred Lipsius
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (dal 1968-10-07 al 1968-10-22)
registrazione cover di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
registrazione di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
Blood, Sweat & Tears54:18
20He Ain’t Heavy, He’s My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:14
3▼CD
#TitoloArtistaValutazioneDurata
1Worst That Could Happen
The Brooklyn Bridge3:08
2Raindrops Keep Falling on My Head
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas3:02
3The Fool on the Hill
Sérgio Mendes3:14
4Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:38
5This Girl Is a Woman Now
Gary Puckett & the Union Gap3:09
6More Today Than Yesterday
produttore:
Sonny Knight (Columbia Records West Coast A&R rep)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 431)
registrazione di:
More Today Than Yesterday
paroliere e compositore:
Pat Upton
editore:
Regent Music Corporation (BMI)
Spiral Starecase2:57
7When Will I Be Loved?
registrazione cover di:
When Will I Be Loved?
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Linda Ronstadt2:08
8Don’t It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:37
9Times of Your Life
Paul Anka3:17
10On and On
tecnico audio:
Henry Lewy
assistente tecnico:
Leslie Jones (recording engineer) e Helen Silvani
produttore:
Stephen Bishop (American singer-songwriter) e Henry Lewy
batteria :
Larry Brown (US producer, engineer, drummer and percussionist)
chitarra acustica , voce di accompagnamento e voce principale:
Stephen Bishop (American singer-songwriter)
chitarra basso :
Mac Cridlin (bass)
chitarra elettrica :
Andrew Gold
chitarra steel :
Michael Staton
marimba , percussione e vibrafono :
Victor Feldman (jazz musician)
pianoforte elettrico :
Barlow Jarvis (American pianist, keyboardist and songwriter)
diritti fonografici (℗) detenuti da:
ABC Records, Inc (nel 1976), Geffen Records (nel 1976) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1976)
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti e ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, Stati Uniti
registrazione di:
On and On
paroliere e compositore:
Stephen Bishop (American singer-songwriter)
editore:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing e エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:04
11Precious and Few
Climax2:45
12What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3.63:07
13After the Lovin’
registrazione cover di:
After the Lovin’
paroliere:
Alan Bernstein
compositore:
Ritchie Adams
Engelbert Humperdinck3.53:58
14You’re Only Lonely
tecnico di registrazione:
Lee Herschberg
tecnico aggiunto:
Loyd Clifft
produttore:
J.D. Souther
batteria :
Rick Marotta (US drummer/percussionist)
chitarra :
Danny Kortchmar (Danny Kootch), J.D. Souther e Waddy Wachtel
chitarra basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
voce principale:
J.D. Souther
esecutore:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
You’re Only Lonely
paroliere e compositore:
J.D. Souther
editore:
EMI Blackwood Music Inc. e Ice Age Music
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
J.D. Souther53:46
15When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:10
16We Just Disagree
assistente tecnico:
Michael Beiriger e Rick Smith (engineer)
produttore:
Ron Nevison
batteria :
Rick Jaeger (drummer)
chitarra basso [bass] :
Gerald Johnson
percussione :
Bobbye Hall
tastiera :
Mike Finnigan (keyboardist)
voce:
Mike Finnigan (keyboardist)
arrangiatore archi :
Alan MacMillan
arrangiatore:
Dave Mason (co‐founder of Traffic)
primo violino:
James Getzoff (American concertmaster and violinist)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977)
è stato produttore per:
Gadget Productions Inc.
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
We Just Disagree
paroliere e compositore:
Jim Krueger
editore:
Bruiser Music, EMI Blackwood Music Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.653:03
17Lowdown
tecnico:
Tom Perry (engineer)
produttore:
Joe Wissert
batteria :
Jeff Porcaro (nel 1975-09)
chitarra :
Louie Shelton (nel 1975-09) e Fred Tackett (nel 1975-09)
chitarra basso :
David Hungate (nel 1975-09)
corno :
Vincent DeRosa (nel 1975-09)
minimoog e sintetizzatore :
David Paich (nel 1975-09)
ottoni :
Dick Hyde (nel 1975-09)
strumenti a fiato :
Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1975-09), Plas Johnson (nel 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1975-09) e Bud Shank (nel 1975-09)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1975-09) e Paul Hubinon (nel 1975-09)
voce di accompagnamento:
Jim Gilstrap (nel 1975-09), Augie Johnson (nel 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (nel 1975-09) e Carolyn Willis (nel 1975-09)
voce principale:
Boz Scaggs (nel 1975-09)
direttore d'orchestra:
Sid Sharp (nel 1975-09)
arrangiatore:
David Paich
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 4)
registrazione di:
Lowdown (nel 1975-09)
paroliere:
Boz Scaggs
compositore:
David Paich e Boz Scaggs
editore:
BMG Songs, Inc., Hudmar Publishing Co. Inc. e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs45:17
18Always on My Mind
produttore:
Chips Moman
armonica (a bocca) :
Mickey Raphael (il 1981-10-11)
basso :
Mike Leech (Nashville session musician and arranger) (il 1981-10-11)
batteria :
Gene Chrisman (il 1981-10-11)
chitarra :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (il 1981-10-11), Willie Nelson (il 1981-10-11) e Reggie Young (guitarist and songwriter) (il 1981-10-11)
tastiera :
Bobby Woods (American pianist, keyboard player and songwriter) (il 1981-10-11) e Bobby Emmons (il 1981-10-11)
voce:
Willie Nelson (il 1981-10-11)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1982, nel 2003) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982)
registrata presso:
Moman's Recording Studio in Nashville, Tennessee, Stati Uniti (il 1981-10-11)
registrazione di:
Always on My Mind (il 1981-10-11)
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Willie Nelson4.73:33
19Colour My World
tecnico:
Chris Hinshaw, Don Puluse e Brian Ross-Myring
produttore:
James William Guercio
flauto solista :
Walter Parazaider (nel 1969-08)
voce principale:
Terry Kath (member of Chicago) (nel 1969-08)
diritti fonografici (℗) detenuti da:
Warner Strategic Marketing Inc. (nel 1970) e Rhino Entertainment Company (not for release label use!) (nel 2002)
registrazione di:
Colour My World (Chicago song) (nel 1969-08)
paroliere:
James Pankow
compositore:
James Pankow (nel 1969)
editore:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. e Spirit Two Music Inc.
parte di:
Ballet for a Girl in Buchannon
Chicago23:02
20I’ll Never Love This Way Again
assistente tecnico:
Peter Darmi
tecnico:
Michael DeLugg
produttore:
Barry Manilow
batteria :
Rick Schlosser (drummer)
chitarra :
Mitch Holder (guitarist)
chitarra basso [bass] :
Will Lee (US jazz/rock bassist)
percussione :
Alan Estes
pianoforte :
Barry Manilow
tastiera :
Bill Mays
voce di accompagnamento:
Ron Dante e Barry Manilow
voce principale:
Dionne Warwick
arrangiatore:
Barry Manilow
orchestratore:
Artie Butler
primo violino:
Sid Sharp
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1979)
registrata presso:
United Western Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
I’ll Never Love This Way Again
paroliere:
Will Jennings
compositore:
Richard Kerr
editore:
Irving Music (BMI) e Irving Music, Inc.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick2.53:27

Accreditamenti

Pubblicazione

ASIN:US: B0002IQF0E [info]