The Complete Ella Fitzgerald Song Books

~ Release by Ella Fitzgerald (see all versions of this release, 3 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1All Through the Night
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
All Through the Night (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
4.253:17
2Anything Goes
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Anything Goes (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
43:23
3Miss Otis Regrets (She’s Unable to Lunch Today)
engineer:
Val Valentin
producer:
Norman Granz
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Miss Otis Regrets (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
33:02
4Too Darn Hot
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
3.653:50
5In the Still of the Night
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-09) and Bud Shank (on 1956-02-09)
baritone saxophone:
Chuck Gentry (on 1956-02-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-09) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
trumpet:
Pete Candoli (on 1956-02-09), Harry “Sweets” Edison (on 1956-02-09), Maynard Ferguson (on 1956-02-09) and Conrad Gozzo (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
In the Still of the Night (Cole Porter song) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) and Chappell & Co., Inc. (USA)
32:40
6I Get a Kick Out of You
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I Get a Kick Out of You (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3.654:02
7Do I Love You?
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Do I Love You? (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
2.53:52
8(I’m) Always True to You in My Fashion
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Always True to You in My Fashion (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
3.52:50
9Let’s Do It (Let’s Fall in Love)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-02-09)
drums (drum set) [drums]:
Alvin Stoller (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
3.653:34
10Just One of Those Things
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Just One of Those Things (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
23:33
11Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.653:34
12All of You
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
All of You (Silk Stockings musical) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
31:46
13Begin the Beguine
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Begin the Beguine (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
33:39
14Get Out of Town
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Get Out of Town (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
23:24
15I Am in Love
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
I Am in Love (Can-Can musical) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1953)
24:08
16From This Moment On
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
23:17
2▼Digital Media
#TitleRatingLength
1I Love Paris
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-07)
conductor:
Buddy Bregman (in 1956, on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
14:57
2You Do Something to Me
engineer:
Val Valentin (on 1956-02-08)
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (on 1956-02-08)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
22:21
3Ridin’ High
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
Ridin’ High (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1936)
3:20
4Easy to Love
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Easy to Love (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:24
5It’s All Right With Me
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
23:07
6Why Can’t You Behave?
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
35:04
7What Is This Thing Called Love?
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-09)
conductor:
Buddy Bregman (in 1956, on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:02
8You’re the Top
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You’re the Top (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
13:33
9Love for Sale
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-08)
conductor:
Buddy Bregman (in 1956, on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Love for Sale (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:52
10It’s De‐Lovely
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-09) and Bud Shank (on 1956-02-09)
baritone saxophone:
Chuck Gentry (on 1956-02-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-09) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
trumpet:
Pete Candoli (on 1956-02-09), Harry “Sweets” Edison (on 1956-02-09), Maynard Ferguson (on 1956-02-09) and Conrad Gozzo (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1956-02-09 until 1956)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
It’s De‐Lovely (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:42
11Night and Day
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
baritone saxophone:
Chuck Gentry (on 1956-03-27)
bass trombone:
George Roberts (american bass trombone) (on 1956-03-27)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
harp:
Corky Hale (on 1956-03-27)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-03-27)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-03-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-03-27)
trombone:
Milt Bernhart (on 1956-03-27), Joe Howard (american trombone player) (on 1956-03-27) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-03-27)
trumpet:
Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-03-27)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:04
12Ace in the Hole
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Ace in the Hole (Let’s Face It! musical) (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1941)
31:58
13So in Love
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
So in Love (from Kiss Me, Kate) (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
33:50
14I’ve Got You Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
2.252:42
15I Concentrate on You
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-09) and Bud Shank (on 1956-02-09)
baritone saxophone:
Chuck Gentry (on 1956-02-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-09) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
trumpet:
Pete Candoli (on 1956-02-09), Harry “Sweets” Edison (on 1956-02-09), Maynard Ferguson (on 1956-02-09) and Conrad Gozzo (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I Concentrate on You (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
33:11
16Don’t Fence Me In
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-09)
conductor:
Buddy Bregman (in 1956, on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
recording of:
Don’t Fence Me In (on 1956-02-09)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
23:19
17You’re the Top (alternate take)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-03-27)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
You’re the Top (on 1956-03-27)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
2:08
18I Concentrate on You (alternate take)
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
I Concentrate on You (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:00
19Let’s Do It (Let’s Fall in Love) (alternate take)
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
5:25
3▼Digital Media
#TitleRatingLength
1Have You Met Miss Jones?
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
3:45
2You Took Advantage of Me
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
You Took Advantage of Me (on 1956-08-31)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:31
3A Ship Without a Sail
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
A Ship Without a Sail (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Williamson Music Company
4:11
4To Keep My Love Alive
recorded in:
Los Angeles, California, United States (on 1956-08-30)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
To Keep My Love Alive (on 1956-08-30)
orchestrator:
Don Walker (orchestrator)
lyricist:
Lorenz Hart (in 1943)
composer:
Richard Rodgers (composer) (in 1943)
part of:
A Connecticut Yankee
3:38
5Dancing on the Ceiling
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
4:10
6The Lady Is a Tramp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-08-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
4.653:25
7With a Song in My Heart
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
With a Song in My Heart (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:48
8Manhattan
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Manhattan (on 1956-08-29)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:52
9Johnny One Note
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Johnny One Note (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
42:16
10I Wish I Were in Love Again
engineer:
Val Valentin (on 1956-08-28)
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
I Wish I Were in Love Again (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
2:40
11Spring Is Here
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Spring Is Here (on 1956-08-30)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:42
12It Never Entered My Mind
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
It Never Entered My Mind (on 1956-08-30)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:10
13This Can’t Be Love
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
This Can’t Be Love (on 1956-08-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:58
14Thou Swell
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Thou Swell (on 1956-08-29)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
2:07
15My Romance
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Romance (on 1956-08-30)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
53:46
16Where or When
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Where or When (from “Babes in Arms”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:51
17Little Girl Blue
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Bob Cooper (US jazz saxophonist) (on 1956-08-30), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30), Bud Shank (on 1956-08-30) and Maurice Stein (American jazz saxophonist) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
recording of:
Little Girl Blue (on 1956-08-30)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
3:53
4▼Digital Media
#TitleRatingLength
1Give It Back to the Indians
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Give It Back to the Indians (on 1956-08-28)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
3:15
2Ten Cents a Dance
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Ten Cents a Dance (on 1956-08-28)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
part of:
Simple Simon
4:10
3There’s a Small Hotel
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1956-08-29)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:52
4I Didn’t Know What Time It Was
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1956-08-29)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:51
5Ev’rything I’ve Got
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (in 1956)
drums (drum set):
Alvin Stoller (in 1956)
guitar:
Barney Kessel (in 1956)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Ev’rything I’ve Got (in 1956)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:25
6I Could Write a Book
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flugelhorn:
Vince DeRosa (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
I Could Write a Book (on 1956-08-30)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
43:42
7The Blue Room
engineer:
Val Valentin
producer:
Norman Granz
bass clarinet and bassoon:
Chuck Gentry (in 1956)
clarinet:
Abe Most (in 1956)
double bass:
Joe Mondragon (in 1956)
drums (drum set):
Alvin Stoller (in 1956)
flute:
Jule Kinzler (in 1956)
French horn:
Vincent DeRosa (in 1956)
guitar:
Barney Kessel (in 1956)
oboe:
Arnold Koblentz (Oboe player) (in 1956)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Blue Room (in 1956)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:33
8My Funny Valentine
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
43:56
9Bewitched
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2.657:05
10Mountain Greenery
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Mountain Greenery (on 1956-08-28)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:17
11Wait Till You See Her
engineer:
Val Valentin
producer:
Norman Granz
guitar:
Barney Kessel (in 1956)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Wait Till You See Her (in 1956)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
1:34
12Lover
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
orchestrator:
Buddy Bregman
cover recording of:
Lover (in 1956)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:21
13Isn’t It Romantic?
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
3:04
14Here in My Arms
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Here in My Arms (on 1956-08-31)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
1:56
15Blue Moon
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Blue Moon (on 1956-08-29)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:15
16My Heart Stood Still
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Heart Stood Still (on 1956-08-30)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:06
17I’ve Got Five Dollars
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
I’ve Got Five Dollars (on 1956-08-21)
lyricist:
Lorenz Hart (in 1931)
composer:
Richard Rodgers (composer) (in 1931)
2:42
18Lover (monaural)
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
orchestrator:
Buddy Bregman
cover recording of:
Lover (in 1956)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:15
5▼Digital Media
#TitleRatingLength
1Rockin’ in Rhythm
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
Rockin’ in Rhythm (from 1957-06-25 until 1957-06-27)
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
5:21
2Drop Me Off in Harlem
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
Drop Me Off in Harlem (from 1957-06-25 until 1957-06-27)
lyricist:
Nick Kenny (in 1933)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:51
3Day Dream
engineer:
Val Valentin (on 1957-06-24)
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-06-24)
trumpet:
William “Cat” Anderson (on 1957-06-24), Willie Cook (US jazz trumpeter) (on 1957-06-24), Dizzy Gillespie (on 1957-06-24) and Clark Terry (American swing trumpeter) (on 1957-06-24)
trumpet and violin:
Ray Nance (on 1957-06-24)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-06-24)
performer:
Duke Ellington and His Orchestra (on 1957-06-24)
cover recording of:
Day Dream (on 1957-06-24)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
4:01
4Caravan
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
Caravan (from 1957-06-25 until 1957-06-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
3:55
5Take the “A” Train
engineer:
Val Valentin (on 1957-06-24)
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1957-06-24)
alto saxophone and clarinet:
Russell Procope (on 1957-06-24)
bass clarinet and clarinet:
Harry Carney (on 1957-06-24)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-06-24)
double bass:
Jimmy Woode (on 1957-06-24)
drums (drum set):
Sam Woodyard (on 1957-06-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-06-24)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-06-24) and Paul Gonsalves (on 1957-06-24)
trombone:
Quentin Jackson (on 1957-06-24), John Sanders (US jazz trombonist) (on 1957-06-24) and Britt Woodman (on 1957-06-24)
trumpet:
William “Cat” Anderson (on 1957-06-24), Willie Cook (US jazz trumpeter) (on 1957-06-24), Dizzy Gillespie (on 1957-06-24) and Clark Terry (American swing trumpeter) (on 1957-06-24)
trumpet and violin:
Ray Nance (on 1957-06-24)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-06-24)
performer:
Duke Ellington and His Orchestra (on 1957-06-24)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1957-06-24)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
6:42
6I Ain’t Got Nothin’ but the Blues
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1957-06-25)
baritone saxophone:
Harry Carney (on 1957-06-25)
double bass:
Jimmy Woode (on 1957-06-25)
drums (drum set):
Sam Woodyard (on 1957-06-25)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-06-25)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-06-25) and Russell Procope (on 1957-06-25)
tenor saxophone:
Paul Gonsalves (on 1957-06-25)
trombone:
Quentin Jackson (on 1957-06-25), John Sanders (US jazz trombonist) (on 1957-06-25) and Britt Woodman (on 1957-06-25)
trumpet:
William “Cat” Anderson (on 1957-06-25), Willie Cook (US jazz trumpeter) (on 1957-06-25) and Clark Terry (American swing trumpeter) (on 1957-06-25)
trumpet and violin:
Ray Nance (on 1957-06-25)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-06-25)
performer:
Duke Ellington and His Orchestra (on 1957-06-25)
cover recording of:
I Ain’t Got Nothin’ but the Blues (on 1957-06-25)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
4:44
7Clementine
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
Clementine (from 1957-06-25 until 1957-06-27)
composer:
Billy Strayhorn
2:41
8I Didn’t Know About You
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
I Didn’t Know About You (from 1957-06-25 until 1957-06-27)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
4:13
9I’m Beginning to See the Light
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
I’m Beginning to See the Light (from 1957-06-25 until 1957-06-27)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:28
10Lost in Meditation
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
Lost in Meditation (from 1957-06-25 until 1957-06-27)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Lou Singer (pianist), Irving Mills and Juan Tizol
3:28
11Perdido
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (US jazz trumpeter) (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (American swing trumpeter) (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
Perdido (with lyrics) (from 1957-06-25 until 1957-06-27)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
6:14
12Cotton Tail
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Cotton Tail (from 1957-09-04 until 1957-09-16)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:27
13Do Nothin’ Till You Hear From Me
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Do Nothin’ Till You Hear From Me (from 1957-09-04 until 1957-09-16)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
7:40
6▼Digital Media
#TitleRatingLength
1Just A‐Sittin’ and A‐Rockin’
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Just A‐Sittin’ and A‐Rockin’ (from 1957-09-04 until 1957-09-16)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
3:35
2Solitude
engineer:
Val Valentin (on 1956-09-04)
producer:
Norman Granz
guitar:
Barney Kessel (on 1956-09-04)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-09-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-04)
cover recording of:
(In My) Solitude (on 1956-09-04)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
2:09
3Rocks in My Bed
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Rocks in My Bed (from 1957-09-04 until 1957-09-16)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:59
4Satin Doll
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Satin Doll (from 1957-09-04 until 1957-09-16)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
3:29
5Sophisticated Lady
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Sophisticated Lady (from 1957-09-04 until 1957-09-16)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
5:22
6Just Squeeze Me (But Don’t Tease Me)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Just Squeeze Me (but Don’t Tease Me) (from 1957-09-04 until 1957-09-16)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:17
7It Don’t Mean a Thing (If It Ain’t Got That Swing)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
4:15
8Azure
engineer:
Val Valentin
producer:
Norman Granz
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Azure (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
2:23
9I Let a Song Go Out of My Heart
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
I Let a Song Go Out of My Heart (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
4:12
10In a Sentimental Mood
engineer:
Val Valentin
producer:
Norman Granz
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
In a Sentimental Mood (from 1957-09-04 until 1957-09-16)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
2:48
11Don’t Get Around Much Anymore
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Don’t Get Around Much Anymore (from 1957-09-04 until 1957-09-16)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
5:02
12Prelude to a Kiss
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (jazz violinist) (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1957-09-04 until 1957-09-16)
cover recording of:
Prelude to a Kiss (on 1957-10-17)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:30
13Mood Indigo
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-17)
drums (drum set):
Alvin Stoller (on 1957-10-17)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-17)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-17)
tenor saxophone:
Ben Webster (on 1957-10-17)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-17)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1957-10-17)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
3:28
14In a Mellow Tone
recorded in:
Los Angeles, California, United States (on 1957-10-17)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-17)
drums (drum set):
Alvin Stoller (on 1957-10-17)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-17)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-17)
tenor saxophone:
Ben Webster (on 1957-10-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-17)
cover recording of:
In a Mellow Tone (on 1957-10-17)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
35:12
15Love You Madly
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-17)
drums (drum set):
Alvin Stoller (on 1957-10-17)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-17)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-17)
tenor saxophone:
Ben Webster (on 1957-10-17)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-17)
cover recording of:
Love You Madly (on 1957-10-17)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:42
16Lush Life
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-17)
drums (drum set):
Alvin Stoller (on 1957-10-17)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-17)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-17)
tenor saxophone:
Ben Webster (on 1957-10-17)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-17)
cover recording of:
Lush Life (on 1957-10-17)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
3:41
17Squatty Roo
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-17)
drums (drum set):
Alvin Stoller (on 1957-10-17)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-17)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-17)
tenor saxophone:
Ben Webster (on 1957-10-17)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-17)
cover recording of:
Squatty Roo (on 1957-10-17)
composer:
Johnny Hodges
3:39
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