The Alltime Greatest Rock Classics 4 of the 70s, 80s & 90s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Call It Rock 'n' Roll
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001)
registrazione di:
Call It Rock ’n’ Roll
autore:
Michael Lardie, Mark Kendall, Tony Montana (US metal bassist for Great White), Alan Niven e Jack Russell (original singer for Great White)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Psycho Bimbos from Hell
Great White3:57
2Lonesome Loser
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione di:
Lonesome Loser
paroliere e compositore:
David Briggs (producer, guitarist of Little River Band)
editore:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band3:54
3Two Silhouettes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984)
registrazione di:
Two Silhouettes
autore:
Russ Ballard
editore:
Island Music (Island Music Ltd.) e Russell Ballard Ltd
Russ Ballard4:18
4Out in the Fields
tecnico:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
produttore:
Peter Collins (producer)
assistente tecnico di missaggio:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
batteria [drums] ospite :
Charlie Morgan (British drummer and percussionist)
chitarra [guitars] e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso [bass] ospite e voce ospite:
Philip Lynott
tastiera [keyboards] ospite :
Don Airey e Andy Richards (Strawbs keyboard player/record producer)
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2002)
prodotta presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
Out in the Fields
paroliere e compositore:
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore3.44:18
5Entre dos tierras
diritti fonografici (℗) detenuti da:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.) (nel 1990)
video musicali:
Entre dos tierras (videoclip) di Héroes del Silencio
registrazione di:
Entre dos tierras
paroliere:
Rodrigo Rosado
autore:
Pedro Andreu, Joaquín Cardiel, Enrique Bunbury e Juan Valdivia
editore:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.)
Heroes del Silencio4.56:06
6Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
7Your Mama Don't Dance
tecnico:
Duane Baron
produttore:
Tom Werman
tecnico di missaggio:
Duane Baron, John Purdell e Tom Werman
batteria :
Rikki Rockett
chitarra :
C.C. DeVille
chitarra basso :
Bobby Dall
voce principale:
Bret Michaels
esecutore:
Poison (US glam metal band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1996)
registrazione cover di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
registrazione di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Poison3.653:00
8Atomic
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento ospite:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
Songs banned by the BBC (numero: Gulf War ban)
registrazione di:
Atomic (dal 1979-05 al 1979-06)
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie43:47
9Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.453:27
10Road to Nowhere
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
bonghi ospite , congas ospite e tamburello ospite :
Steve Scales
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer)
fisarmonica ospite :
Jimmy MacDonell
sassofono ospite :
Lenny Pickett (saxophone)
sintetizzatore basso [synth bass] :
Tina Weymouth
washboard ospite :
Andrew Cader
voce:
David Byrne (Talking Heads)
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce di accompagnamento ospite:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves e Kurt Yahijian
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
Road to Nowhere (music video) di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads4.24:20
11We're an American Band
assistente tecnico di registrazione:
Seth Snyder
tecnico e produttore:
Todd Rundgren
basso :
Mel Schacher
batteria e percussione :
Don Brewer (drummer for Grand Funk Railroad)
chitarra , chitarra acustica , congas e pianoforte elettrico :
Mark Farner
clavinet , moog , organo e pianoforte :
Craig Frost
voce:
Don Brewer (drummer for Grand Funk Railroad) e Mark Farner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1987, nel 1991)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 99) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
We’re an American Band
paroliere e compositore:
Don Brewer (drummer for Grand Funk Railroad)
editore:
Brew Music Company
Grand Funk Railroad4.153:26
12Eyes of a Stranger
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1988)
registrazione di:
Eyes of a Stranger
autore:
Chris DeGarmo e Geoff Tate
editore:
Queensrÿche Publishing Company e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Queensryche6:38
13Comin' on Strong
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Comin' On Strong
autore:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
editore:
Steve Elson Business
Broken English3:53
14Let's Work Together
produttore:
Canned Heat e Skip Taylor
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1994)
registrazione cover di:
Let’s Work Together
paroliere:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat3:13
15Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
16You Ain't Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
mixata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
B.T.O.4.653:52
2▼CD
#TitoloArtistaValutazioneDurata
1Bad to the Bone
tecnico:
Paul Mufson e John Nagy
assistente produttore:
Ken Irwin e John Nagy
produttore:
Terry Manning (US recording engineer) e The Delaware Destroyers (George Thorogood & the Destroyers)
tecnico di missaggio:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) e Terry Manning (US recording engineer) (nel 1992)
basso :
Bill Blough (dal 1981 al 1982)
batteria :
Jeff Simon (dal 1981 al 1982)
chitarra e voce principale:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (dal 1981 al 1982)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member)
sassofono :
Hank Carter (Hank "Hurricane" Carter) (dal 1981 al 1982)
tastiera :
Ian Stewart (piano/keyboard, Rolling Stones member) (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrata presso:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Stati Uniti (dal 1981 al 1982)
mixata presso:
The Mixing Lab in Newton, Massachusetts, Stati Uniti
registrazione di:
Bad to the Bone (dal 1981 al 1982)
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
editore:
Del Sound Music
George Thorogood4.24:50
2Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:18
3Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
4The Heart of Rock & Roll
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984)
registrazione di:
The Heart of Rock & Roll
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Huey Lewis
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Huey Lewis & the News4:05
5Soul Twist
produttore:
Jack Nitzsche (American musician and score composer)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
è stato produttore per:
North Spur Productions
registrazione di:
Soul Twist
autore:
Willy DeVille
editore:
Fire Escape Music, Glenwood Music Corp. e Jockamo Music
sub-editore:
Budde Music France
Mink DeVille2:32
6The Doctor
co-produttore:
Rodney Mills
produttore:
Charlie Midnight e Eddie Schwartz
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
registrazione di:
The Doctor
autore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Charlie Midnight e Eddie Schwartz
editore:
EMI Songs Ltd., High Frontier Music, Janiceps Music, Round Hill Works, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Windecor Publishing
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
7Stage Fright
produttore:
The Band (Canadian-American rock band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrazione di:
Stage Fright
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc e WB Music Corp. (1929–2019)
The Band3:42
8I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
9God Is a Bullet
diritti fonografici (℗) detenuti da:
I.R.S. Records, Inc. (nel 1989)
registrazione di:
God Is a Bullet
autore:
James Mankey e Johnette Napolitano
editore:
I.R.S. Music, Inc. e International Velvet Music
Concrete Blonde4:24
10Once Bitten Twice Shy
tecnico e produttore:
Michael Lardie
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
registrazione cover di:
Once Bitten Twice Shy
paroliere e compositore:
Ian Hunter (Mott the Hoople)
editore:
April (publisher), EMI April Music Inc. e Ian Hunter Music Inc.
Great White5:23
11Drop Dead Beautiful (radio version)
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (nel 1994)
registrazione di:
Drop Dead Beautiful
autore:
Mick Leeson e Peter Benson Vale (writer/arranger)
editore:
EMI Virgin Musikverlag GmbH
Six Was Nine3.354:01
12Love Is a Battlefield
produttore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo (multi-instrumentalist, songwriter, producer) e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.14:09
13Just Another Night
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1999)
registrazione di:
Just Another Night
autore:
Ian Hunter (Mott the Hoople) e Mick Ronson (British guitarist)
editore:
EMI Songs Ltd.
Ian Hunter44:36
14Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:57
15Thank You
tecnico:
Peter Tattersall
produttore:
Barclay James Harvest
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrazione di:
Thank You
autore:
John Lees
editore:
RAK Publishing Ltd.
Barclay James Harvest4:20
16Bitch
programmazione degli strumenti:
Geza X
assistente tecnico:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri e Charles Nasser
tecnico:
Jim Ebert e Geza X
produttore:
Geza X
tecnico di missaggio:
Jim Ebert
basso e basso senza tasti :
Paul Bushnell (session bassist, producer and music director)
batteria :
Josh Freese (American drummer)
chitarra acustica , chitarra elettrica e voce di accompagnamento:
Meredith Brooks (US singer/songwriter and guitarist)
tastiera [keyboards] :
David Ricketts (of David & David)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1997)
registrata presso:
City Lab Sound Design in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Bitch
autore:
Meredith Brooks (US singer/songwriter and guitarist) e Shelly Peiken
editore:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music e Warner–Tamerlane Music Corp.
Meredith Brooks3.854:13

Accreditamenti

Pubblicazione

fabbricata a:Europa
stampata a:Europa
tecnico di mastering:Peter Iversen (audio engineer)
tecnico di remastering:Larry Walsh (nel 1990)
licenziata da:Talking Heads
distribuito da e commercializzata da:EMI (EMI Records, or EMI Music only if there is no other imprint)
copyright (©) detenuto da:EMI Marketing (nel 2003)
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (nel 2003)
diritti fonografici (℗) detenuti da:EMI Marketing (nel 2003)
licenziata a:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mastering effettuato presso:Puk Digital Mastering (Danish mastering studio established in 1994, affiliated with Puk Recording Studios and located at the same address)
remastering effettuato presso:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
Discogs:https://www.discogs.com/release/9736059 [info]
ASIN:DE: B00012BD26 [info]