Girls Night Out: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves & the Vandellas3.552:39
2Baby Love
recording of:
Baby Love
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes2:35
3Shout
cover recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
part of:
MJ: The Musical
Lulu & the Luvvers42:55
4Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:05
5Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:26
6Rescue Me
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass2:53
7Puppet on a String
vocals:
Sandie Shaw (in 1967)
part of:
United Kingdom in the Eurovision Song Contest (number: 1967) and Winners of the Eurovision Song Contest (number: 1967)
recording of:
Puppet on a String (in 1967)
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
Sandie Shaw52:22
8Baby Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Pub. Ltd.
The Foundations42:37
9Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
writer:
Tyran Carlo and Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:43
10Skidy Woe
Nappy Brown2:57
11Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.52:59
12I Got You (I Feel Good)
James Brown & The Famous Flames2:29
13Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:50
14Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:17
15I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. and Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:55
16You’re the First, the Last, My Everything
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White43:23
17Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) and Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:00
18Do You Love Me
producer:
Berry Gordy Jr.
guitar:
Huey Davis (guitarist) (on 1962-06-03)
instruments:
The Funk Brothers (on 1962-06-03)
additional lead vocals:
Billy Hoggs (on 1962-06-03)
background vocals:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (on 1962-06-03), Hubert Johnson (singer) (on 1962-06-03) and Sylvester Potts (on 1962-06-03)
lead vocals:
Billy Gordon (The Contours) (on 1962-06-03)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1962-06-03)
music videos:
Do You Love Me (music video) by The Contours (60s soul)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 9)
recording of:
Do You Love Me (on 1962-06-03)
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours4.352:52
19Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce4.63:19
20It Should Have Been Me
Yvonne Fair3:32
2▼CD
#TitleArtistRatingLength
1Upside Down
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:35
2Heart of Glass
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie3:42
3I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:46
4Pop Muzik
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited and Union Square Music Publishing Ltd.
M3.53:18
5Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:37
6Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
lyricist and composer:
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. and Universal Music Publishers MGB Australia Pty Ltd
Anita Ward4:29
7I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
8Uptown Top Ranking
recording of:
Uptown Top Ranking
writer:
Althea Forrest, Joe Gibbs, Donna Reid and Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music and EMI Virgin Music Ltd. (do not use this as a release label!)
Althea & Donna3.53:52
9I Love the Nightlife
Alicia Bridges3:04
10Knock on Wood
phonographic copyright (℗) by:
Ariola America, Inc. (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 6)
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart53:44
11Ladies Night
producer:
Eumir Deodato and Kool & the Gang
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.153:25
12Funky Town
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.3:57
13Oop! Upside Your Head (I Don’t Believe You Want to Get Up and Dance)
producer:
Lonnie Simmons (producer, songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
The Gap Band3:25
14Don’t Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 355) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:36
15Together We Are Beautiful
cover recording of:
Together We Are Beautiful (1977 song)
lyricist, writer and composer:
Ken Leray (songwriter)
publisher:
Brampton Music Ltd. (publisher) and Sony/ATV Music Publishing Australia Pty Ltd.
Fern Kinney4:09
16Feels Like I’m in Love
recording of:
Feels Like I’m in Love
lyricist and composer:
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) and Satellite Music Ltd.
Kelly Marie3:17
17You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:29
18And the Beat Goes On
recording of:
And the Beat Goes On
writer:
William Shelby, Stephen Shockley and Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. and Sony/ATV Music Publishing (UK) Ltd.
The Whispers4:54
19I Want to Wake Up With You
recording of:
I Want to Wake Up With You
lyricist and composer:
Ben Peters (country music songwriter)
publisher:
Ben Peters Music (BMI) and IQ Music
Boris Gardiner2:56
20Move Closer
phonographic copyright (℗) by:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1984)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson24:33
3▼CD
#TitleArtistRatingLength
1Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:37
2Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl (Irish saxophonist)
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.953:55
3Too Many Broken Hearts
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
phonographic copyright (℗) by:
PWL Records Ltd. (not release use)
recording of:
Too Many Broken Hearts
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Jason Donovan23:25
4Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:08
5Sign of the Times
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
writer:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons and Lesley Shone
The Belle Stars4.52:51
6China in Your Hand
T’Pau4:04
7I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
UB40 ft. Chrissie Hynde2.753:07
8Teardrops
Womack & Womack3:44
9The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz2.654:01
10Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
11Don’t Worry Be Happy
phonographic copyright (℗) by:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don't Worry Be Happy by Bobby McFerrin
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 31)
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin43:52
12Ain’t Nothin’ Goin’ on but the Rent
Gwen Guthrie3:27
13Pull Up to the Bumper
recording of:
Pull Up to the Bumper
writer:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno and Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) and Ixat Music
Grace Jones3:39
14A Night to Remember
recording of:
A Night to Remember
writer:
Nidra Beard, Dana Meyers and Charmaine Sylvers
publisher:
Notting Hill Music (UK) Ltd.
Shalamar3.653:30
15Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:49
16I’ll Be Good
recording of:
I'll Be Good
writer:
René Moore and Angela Winbush
René & Angela5:19
17Never Knew Love Like This Before
recording of:
Never Knew Love Like This Before
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills3:23
18You’ll Never Stop Me Loving You
recording of:
You'll Never Stop Me Loving You
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Sonia3:24
19The Grease Mega Mix
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
20Swing the Mood
cover recording of:
Swing the Mood
writer:
Jive Bunny (Jive Bunny)
medley of:
Let’s Twist Again
medley of:
In the Mood
medley of:
Rock Around the Clock (Bill Haley’s version)
medley of:
Rock‐a‐Beatin’ Boogie
medley of:
Tutti Frutti
medley of:
Wake Up Little Susie
medley of:
C’mon Everybody
medley of:
Hound Dog
medley of:
Shake, Rattle and Roll
medley of:
All Shook Up
medley of:
Jailhouse Rock
medley of:
At the Hop
Jive Bunny & the Mastermixers44:46
4▼CD
#TitleArtistRatingLength
1Whatta Man
producer:
Hurby Luv Bug
guest performer:
Salt‐N‐Pepa (US hip‐hop)
performer:
Salt‐N‐Pepa (US hip‐hop)
recording of:
Whatta Man
writer:
Hurby Azor, Cheryl James (Member of Salt-n-Pepa) and Dave Crawford (US soul songwriter, keyboard player, singer & producer)
version of:
What a Man
Salt‐N‐Pepa Ft. En Vogue4:54
2No Diggity
guest performer:
Dr. Dre (Andre Young, rap producer)
samples:
Grandma’s Hands by Bill Withers
edit of:
No Diggity by Blackstreet featuring Dr. Dre (Andre Young, rap producer)
recording of:
No Diggity
writer:
Andre Young (Andre Young, rap producer), Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley (US R&B singer & producer), William "Skylz" Stewart (US hip-hop producer) and Bill Withers
publisher:
Ain't Nothin' Goin' But F...n' (aka Ain’t Nothin’ but F****n’ and other variations), Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music (ASCAP), Sony Songs Inc., Universal Z Songs and Zomba Enterprises Inc.
Blackstreet Ft. Dr. Dre3.254:12
3U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:14
4Gypsy Woman
producer:
The Basement Boys (house music production team)
recording of:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
writer:
Neal Conway and Crystal Waters
publisher:
Basement Boys Music and BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Crystal Waters43:36
5Finally
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston3.53:42
6Touch Me (All Night Long)
Cathy Dennis3:27
7Always There
cover recording of:
Always There (with lyrics)
lyricist:
Paul Allen (US songwriter)
composer:
William Jeffrey and Ronnie Laws
version of:
Always There (instrumental)
Incognito Ft. Jocelyn Brown3:34
8Show Me Love
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 9)
recording of:
Show Me Love
writer:
Allen George (Songwriter - producer - keyboards player) and Fred McFarlane
publisher:
Champion Music and Son-A-Tron Music
Robin S.44:13
9Tease Me
recording of:
Tease Me
writer:
Everton Bonner (a.k.a. Pliers from "Chaka Demus & Pliers"), Joseph Bonner (reggae artist), Lowell “Sly” Dunbar, Robert “Robbie” Shakespeare, John Taylor (Chaka Demus) and Lloyd "Gitsy" Willis
Chaka Demus & Pliers3.54:05
10All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
phonographic copyright (℗) by:
A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 405)
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) and Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. and Zen of Iniquity
Sheryl Crow3.94:33
11(I Wanna Give You) Devotion
producer:
Damon Rochefort
guest vocals:
MC Mikee Freedom
recording of:
(I Wanna Give You) Devotion
writer:
D. Rochefort, M. Wesson and S. McCutcheon (British pop producer/songwriter Steve McCutcheon)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Skratch Music Publishing
Nomad3.64:05
12Let’s Groove
George Morel3:27
13Free
executive producer:
Bill Coleman (techno remixer/producer)
producer:
John Ciafone and Lem Springsteen
recording of:
Free
writer:
Ultra Naté and Lem Springsteen
publisher:
Commitment Music, Connor Ryan Music, Jessica Michael Music, Moody Black Keys and Ultra Blue Music
Ultra Naté3.253:44
14Can’t Get Enough!
recording of:
Can’t Get Enough
writer:
Marc Pomeroy, Joe Tucci and Gary R. Turnier
publisher:
C-Wype Music, Mideb Songs, Two Twenty Four Music and Unitunes Music
Soulsearcher4.53:26
15In & Out of My Life
recording of:
In and Out of My Life (OnePhatDeeva version)
writer:
Aydin Hasirci
is based on:
In and Out of My Life (Adeva song)
is based on:
Right Here, Right Now
ATFC Presents. OnePhatDeeva3:27
16Sex Bomb
producer:
Mousse T.
bass guitar and horn:
Peter Hinterthür
Hammond organ:
Lutz Krajenski
horn:
Uwe Granitza
vocals:
Tom Jones (Welsh pop singer)
recorded at:
Bunk, Junk and Genius in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom and Peppermint Park Studios in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany
recording of:
Sexbomb (Mousse T. / Errol Rennalls song)
lyricist and composer:
Mousse T. and Errol Rennalls
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones & Mousse T.53:31
17King of My Castle
recording of:
King of My Castle
composer:
Adisson Gaelle (US dance/house vocalist Gaelle Adisson) and Chris Brann
publisher:
Jessica Michael Music, Inc
Wamdue Project3:27
18Family Affair
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 2001)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 17)
recording of:
Family Affair
additional writer:
Luchana N. Lodge, Melvin Charles Bradford (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment) and Paula Miller
writer:
Andre Young (Andre Young, rap producer), Mary J. Blige, Mike Elizondo, Camara Kambon and Bruce Miller (younger half-brother of Mary J. Blige/co-writer for her)
Mary J. Blige33:24
19Who’s That Girl?
recording of:
Who’s That Girl?
lyricist:
Eve (US rapper/singer) and Guy Sebastian
writer:
D. Dean, Sheldon Harris, Jay Jackson (Moombahton producer) and Guy Sebastian
Eve3:24
20Ride Wit Me
producer:
City Spud
guest vocals:
City Spud
vocals:
City Spud and Nelly (US rapper)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 2000)
recording of:
Ride Wit Me
writer:
Cornell Haynes, Jr. (US rapper), Eldra DeBarge (El DeBarge), Etterlene Jordan (R&B/soul singer/songwriter, a/k/a Etterlene Jordan), Jason Epperson, Levell Webb and William DeBarge
publisher:
D2 Pro Publishing, Dynacom Publishing, Hipgnosis SFH I Limited, Jay E’s Basement (ASCAP), Jobete Music Co., Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
Nelly3.94:14
5▼CD
#TitleArtistRatingLength
1Girls
producer:
Si Hulbert and Melvin Kuiters
recording of:
Girls
writer:
Keisha Buchanan, Nicole Jenkinson, Anna McDonald (Singer/Songwriter) and Allen Toussaint
publisher:
Reverb America Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
is based on:
Here Come the Girls
Sugababes2.53:11
2Rehab
assistant recording engineer:
Jesse Gladstone and Mike Makowski
recording engineer:
Vaughan Merrick and Mark Ronson (British DJ and producer)
miscellaneous support:
Isobel Griffiths (task: contractor / orchestra)
engineer:
Dom Morley
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Matt Paul
mixer:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) and Ian Hendrickson-Smith
bass guitar:
Nick Movshon
cello:
John Heley (cellist), Joely Koos (cellist) and Anthony Pleeth (cellist)
drums (drum set):
Homer Steinweiss
electric piano, handclaps and piano and piano:
Victor Axelrod
guitar:
Thomas Brenneck and Binky Griptite
handclaps:
Vaughan Merrick and Mark Ronson (British DJ and producer)
harp:
Helen Tunstall
percussion:
Frank Ricotti (percussionist)
tenor saxophone:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman and Jamie Talbot (English jazz alto saxophonist)
trombone:
Richard Edwards (trombonist)
trumpet:
Dave Guy and Steve Sidwell (English composer & wind instrumentalist)
viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) and Katie Wilkinson (violist)
violin:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) and Warren Zielinski (violinist)
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
wind instruments arranger:
Gabriel Roth and Mark Ronson (British DJ and producer)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
recorded at:
Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis (London) in London (Greater London), England, United Kingdom
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
recording of:
Rehab
lyricist and composer:
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:33
3Don’t Cha
recording of:
Don’t Cha
writer:
Anthony Ray, Thomas DeCarlo Callaway and Trevor Tahiem Smith, Jr. (Busta Rhymes)
publisher:
Ensign Music Corporation, Notting Hill Music (publisher), Sony/ATV Melody and T’ziah’s Music
The Pussycat Dolls3:38
4Hold On
executive producer:
Charles Koppelman (American businessman and musician)
producer:
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson and Wendy Wilson
phonographic copyright (℗) by:
SBK Records (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:39
5Murder on the Dancefloor
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2002)
edit of:
Murder on the Dancefloor (album version) by Sophie Ellis‐Bextor
music videos:
Murder on the Dancefloor by Sophie Ellis‐Bextor
recording of:
Murder on the Dancefloor
writer:
Gregg Alexander and Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor33:35
6My Humps
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2006), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2006) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2006)
recording of:
My Humps
writer:
David Payton and will.i.am (American rapper and producer)
publisher:
Sugar Hill Music Publishing Ltd. and will.i.am Music Inc.
quotes music from:
I Need a Freak
The Black Eyed Peas3.753:44
7Don’t Upset the Rhythm (Go Baby Go)
recording of:
Don’t Upset the Rhythm (Go Baby Go) (from 2007 until 2008)
composer:
George Astasio, Jamie Morrison, Jason Pebworth, Shingai and Dan Smith (Noisettes guitarist)
publisher:
Transgressive Publishing Ltd and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Noisettes3.353:47
8Moves Like Jagger
bass:
Mickey Madden
drums (drum set) and percussion:
Matt Flynn (Maroon 5 drummer)
guitar:
James Valentine (Maroon 5)
keyboard:
PJ Morton
background vocals and lead vocals:
Adam Levine (Maroon 5’s lead vocalist)
remix of:
Moves Like Jagger by Maroon 5 (American pop rock band) feat. Christina Aguilera
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012), Billboard Year-End Hot 100 singles of 2011 (number: 9) and Billboard Year-End Hot 100 singles of 2012 (number: 36)
recording of:
Moves Like Jagger
writer:
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik and Shellback
Maroon 53.53:21
9Let Me Blow Ya Mind
assistant recording engineer:
John Tyree (engineer)
recording engineer:
Mauricio “Veto” Iragorri
miscellaneous support:
Larry Chatman
producer:
Dr. Dre (Andre Young, rap producer) and Scott Storch (producer)
mixer:
Dr. Dre (Andre Young, rap producer)
guitar:
Mike Elizondo
keyboard [keyboards]:
Scott Storch (producer)
background vocals:
Eve (US rapper/singer) and Stevie J. (US hip-hop producer/songwriter Steven Jordan)
lead vocals:
Gwen Stefani
performer:
Gwen Stefani
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2001) and Ruff Ryders (in 2001)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
part of:
My VH1 Music Awards – There’s No “I” in Team (Best Collaboration) Nominees (2001) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 322)
recording of:
Let Me Blow Ya Mind
writer:
A. Young (Andre Young, rap producer), E. Jeffers (US rapper/singer), M. Elizondo, S. Jordan (US hip-hop producer/songwriter Steven Jordan) and S. Storch (producer)
publisher:
Aint Nuthin’ Goin’On But F****’ Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT (copyright holder, no releases here please) and WB Music Corp. (1929–2019)
Eve & Gwen Stefani4.33:50
10All About Tonight
engineer:
Wesley Michene and Chris Utley
producer:
Brian Kidd and Tebey Ottoh (task: vocal)
mixer:
Jimmy Douglass (engineer)
additional background vocals:
Felicia Barton
vocals:
Pixie Lott
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 2011)
produced for:
Brian Kidd Productions and We Go to Eleven
mixed at:
The Magic Mix Room in Miami, Florida, United States
music videos:
All About Tonight by Pixie Lott
recording of:
All About Tonight (in 2011)
writer:
Tommy Lee James (Country music songwriter), Brian Kidd and Tebey Ottoh
publisher:
All Mixed Up Music, Pretty Woman Publishing, Purple Cape Music, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing and Super Phonic Music
Pixie Lott33:05
11Running (Disclosure remix radio edit)
recording of:
Running
writer:
B. Baptista, Julio Bashmore (English house producer/DJ Matt Walker) and Jessie Ware (British singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Jessie Ware3:46
12The Time Is Now
recording of:
The Time Is Now
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music Publishing
Moloko3:41
13Hot in Herre
assistant recording engineer and assistant engineer:
Nick Howard (engineer)
recording engineer and engineer:
Brian Garten (Engineer)
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
assistant mixer:
Dan Milazzo and Jeff Robinette
associate mixer:
Jamie Duncan
mixer:
Rich Travali (Engineer)
other vocals [female vocals]:
Dani Stevenson
vocals:
Nelly (US rapper)
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 2002)
recorded at and engineered at:
Right Track Recordings in Manhattan, New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 195)
recording of:
Hot in Herre
lyricist:
Charles Brown (jazz guitarist/singer "The Godfather of Go-Go") and Nelly (US rapper)
writer:
Charles Brown (jazz guitarist/singer "The Godfather of Go-Go")
composer:
Chad Hugo and Pharrell Williams
publisher:
BMG Songs, Inc. (ended), Chase Chad Music (BMI) (ended), EMI April Music Inc. (ended), EMI Blackwood Inc. (ended), Ascent Music Inc., EMI Pop Music Publishing, Jackie Frost Music, Nouveau Music Company, Swing T Publishing, Universal Music–MGB Songs and Waters of the Nazareth Publishing
quotes lyrics from:
Bustin’ Loose
Nelly3.953:50
14Big Girls Don’t Cry
music videos:
Big Girls Don’t Cry (personal version) by Fergie (American singer)
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 22) and Billboard Year-End Hot 100 singles of 2008 (number: 78)
recording of:
Big Girls Don’t Cry
writer:
Fergie (American singer) and Toby Gad (German songwriter, producer, pianist)
Fergie3.94:29
15Promiscuous
recording of:
Promiscuous
lyricist:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado and Timbaland
composer:
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) and Timothy Mosley
Nelly Furtado3:41
16She’s Like a Star
recording of:
She’s Like a Star (Original Taio Cruz version)
lyricist and composer:
Taio Cruz
Taio Cruz3:17
17Right There
recording of:
Right There
writer:
Ester Dean and Frank Romano (producer/guitarist)
Nicole Scherzinger4:03
18Strings of Life (Stronger on My Own)
recording of:
Strings of Life (Stronger on My Own)
writer:
Michael James (composer, working with Derrick May), Derrick May, Paul Timothy (DJ and producer, UK) and Jacqui Williams
version of:
Strings of Life
Soul Central3:35
19Move Ya Body
Nina Sky3:51
20Finally
guest vocals:
Julie McKnight
edit of:
Finally (original album version) by Kings of Tomorrow feat. Julie McKnight
recording of:
Finally
writer:
Sandy Rivera (US house DJ and producer) and Jay ‘Sinister’ Sealée
publisher:
Universal Music Publishing International Ltd. and Universal–Songs of PolyGram International, Inc.
Kings of Tomorrow3.353:07

Credits

Release group

part of:The Ultimate Collection (Union Square Music, ULTIM5CD) (number: 020) (order: 13)