The Lord of the Rings Trilogy: The Motion Picture Trilogy Soundtrack

~ Release by Howard Shore (see all versions of this release, 2 available)

Tracklist

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1▼CD: The Fellowship of the Ring
#TitleArtistRatingLength
1The Prophecy
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Prophecy (The Lord of the Rings: The Fellowship of the Ring)
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.93:55
2Concerning Hobbits
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Concerning Hobbits
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore4.152:55
3The Shadow of the Past
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Shadow of the Past
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.453:33
4The Treason of Isengard
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Treason of Isengard
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.754:01
5The Black Rider
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Black Rider
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
writer:
Philippa Boyens and Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.552:48
6At the Sign of the Prancing Pony
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
At the Sign of the Prancing Pony
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.53:14
7A Knife in the Dark
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Knife in the Dark
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.653:34
8Flight to the Ford
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Flight to the Ford
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.54:15
9Many Meetings
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Many Meetings
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
quotes music from:
Concerning Hobbits
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore3.053:05
10The Council of Elrond (feat. “Aníron (Theme for Aragorn and Arwen)”)
recording engineer and mixer:
John Kurlander (engineer)
engineer and producer:
Nicky Ryan
choir vocals:
The London Oratory School Schola and London Voices
vocals:
Enya (Irish singer-songwriter)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
recorded at:
Aigle Studios in Dún Laoghaire, County Dublin, Leinster, Ireland
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Aníron (theme for Aragorn and Arwen, from LOTR: The Fellowship of the Ring)
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Roma Ryan
composer:
Eithne Ní Bhraonáin (Enya, Irish singer-songwriter) and Nicky Ryan
publisher:
EMI Blackwood Music Inc. and EMI Songs Ltd.
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
recording of:
The Council of Elrond Assembles
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter) and Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore3.353:49
11The Ring Goes South
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Ring Goes South
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.92:03
12A Journey in the Dark
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Journey in the Dark
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.754:20
13The Bridge of Khazad‐dûm
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Bridge of Khazad-Dûm
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, Howard Shore (Canadian score composer), J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore3.455:57
14Lothlórien / Lament for Gandalf
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
performer:
Elizabeth Fraser (Cocteau Twins)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Lament for Gandalf
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens
composer:
Philippa Boyens and Howard Shore (Canadian score composer)
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
recording of:
Lothlórien (Lord of the Rings soundtrack)
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.64:34
15The Great River
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Great River
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.652:43
16Amon Hen
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Amon Hen
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore2.755:02
17The Breaking of the Fellowship / In Dreams
recording engineer and mixer:
John Kurlander (engineer)
producer:
Suzana Perić and Howard Shore (Canadian score composer)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
performer:
Edward Ross (boy soprano)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
In Dreams (The Lord of the Rings: The Fellowship of the Ring)
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Fran Walsh
composer:
Howard Shore (Canadian score composer) and Fran Walsh
publisher:
New Line Tunes
version of:
Concerning Hobbits
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
recording of:
The Breaking of the Fellowship (The Lord of the Rings: The Fellowship of the Ring)
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Howard Shore3.77:21
18May It Be
recording engineer and mixer:
John Kurlander (engineer)
engineer and producer:
Nicky Ryan
choir vocals:
The London Oratory School Schola and London Voices
vocals:
Enya (Irish singer-songwriter)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and New Zealand Symphony Orchestra
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director), Igelese Ete and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2001), Warner Music UK Limited (not for release label use!) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
recorded at:
Aigle Studios in Dún Laoghaire, County Dublin, Leinster, Ireland
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
May It Be (Enya song for Lord of the Rings soundtrack)
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter) and Nicky Ryan
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
part of:
The 74th Academy Award for Best Original Song (number: 2)
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Enya3.254:18
2▼CD: The Two Towers
#TitleArtistRatingLength
1Foundations of Stone
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Foundations of Stone
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.353:54
2The Taming of Sméagol
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The Taming of Sméagol
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
quotes music from:
Concerning Hobbits
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.652:51
3The Riders of Rohan
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
recording of:
The Riders of Rohan
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.754:08
4The Passage of the Marshes
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The Passage of the Marshes
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.12:48
5The Uruk‐Hai
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
recording of:
The Uruk-Hai
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.53:01
6The King of the Golden Hall
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The King of the Golden Hall
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.653:51
7The Black Gate Is Closed
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
recording of:
The Black Gate Is Closed
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.353:20
8Evenstar
recording engineer:
John Kurlander (engineer)
producer:
Paul Broucek (lead vocals) and Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Isabel Bayrakdarian (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Evenstar (Lord of the Rings: The Two Towers)
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore feat. Isabel Bayrakdarian2.853:18
9The White Rider
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The White Rider
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.52:30
10Treebeard
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Treebeard
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.152:46
11The Leave Taking
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The Leave Taking
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.83:44
12Helm’s Deep
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Helm’s Deep
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.653:55
13The Forbidden Pool
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The Forbidden Pool
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore1.655:29
14Breath of Life
recording engineer:
John Kurlander (engineer)
producer:
Paul Broucek (lead vocals) and Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Sheila Chandra
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Breath of Life
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore feat. Sheila Chandra2.155:10
15The Hornburg
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
The Hornburg
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.54:39
16Forth Eorlingas
recording engineer:
John Kurlander (engineer)
producer:
Paul Broucek (lead vocals) and Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Ben Del Maestro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Forth Eorlingas
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore feat. Ben Del Maestro2.53:18
17Isengard Unleashed
recording engineer:
John Kurlander (engineer)
producer:
Paul Broucek (lead vocals) and Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Elizabeth Fraser (Cocteau Twins) and Ben Del Maestro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Isengard Unleashed
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore feat. Elizabeth Fraser & Ben Del Maestro2.55:03
18Samwise the Brave
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
recording of:
Samwise the Brave
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore2.653:48
19Gollum’s Song
recording engineer:
John Kurlander (engineer)
producer:
Paul Broucek (lead vocals) and Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Emilíana Torrini
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Gollum’s Song
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Two Towers
Howard Shore feat. Emilíana Torrini2.85:51
3▼CD: The Return of the King
#TitleRatingLength
1A Storm Is Coming
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
A Storm Is Coming
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.752:52
2Hope and Memory
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Hope and Memory
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.651:46
3Minas Tirith
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
vocals:
Ben Del Maestro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Minas Tirith
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.73:37
4The White Tree
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The White Tree
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.73:25
5The Steward of Gondor
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
vocals:
Billy Boyd (Scottish actor and musician)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The Steward of Gondor
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.63:53
6Minas Morgul
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Minas Morgul
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.651:58
7The Ride of the Rohirrim
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The Ride of the Rohirrim
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.82:09
8Twilight and Shadow
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Renée Fleming (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Twilight and Shadow
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.53:30
9Cirith Ungol
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Cirith Ungol
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
21:44
10Andúril
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Andúril - Flame of the West
orchestrator and composer:
Howard Shore (Canadian score composer)
additional lyricist:
Philippa Boyens
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.52:35
11Shelob’s Lair
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Shelob’s Lair
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
24:07
12Ash and Smoke
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Ash and Smoke
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.153:25
13The Fields of the Pelennor
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The Fields of the Pelennor
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
3.053:26
14Hope Fails
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Hope Fails
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.052:21
15The Black Gate Opens
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
solo flute and tin whistle:
James Galway (flautist)
choir vocals:
The London Oratory School Schola and London Voices
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The Black Gate Opens
orchestrator and composer:
Howard Shore (Canadian score composer)
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.64:02
16The End of All Things
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Renée Fleming (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The End of All Things
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
translator:
David Salo
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.655:13
17The Return of the King
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
solo flute and tin whistle:
James Galway (flautist)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Renée Fleming (soprano)
vocals:
Viggo Mortensen
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The Return of the King
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
J.R.R. Tolkien
composer:
Viggo Mortensen and Howard Shore (Canadian score composer)
publisher:
New Line Tunes
quotes music from:
Concerning Hobbits
part of:
The Lord of the Rings: The Return of the King
2.9510:14
18The Grey Havens
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
solo flute and tin whistle:
James Galway (flautist)
choir vocals:
The London Oratory School Schola and London Voices
vocals:
Renée Fleming (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
The Grey Havens
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, J.R.R. Tolkien and Fran Walsh
publisher:
New Line Tunes
part of:
The Lord of the Rings: The Return of the King
2.95:59
19Into the West
recording engineer:
John Kurlander (engineer)
12 string guitar and guitar [6 string guitar]:
John Parricelli
cimbalom [cimbalon]:
Edward Cervenka (percussionist and cimbalom player)
fiddle [irish fiddle], hardingfele [hardanger] and violin [double violin]:
Dermot Crehan
low whistle and zurna [rhaita]:
Jan Hendrickse
pan flute:
Ulrich Herkenhoff (German composer and panfluteist)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
phonographic copyright (℗) by:
Reprise Records (in 2003)
recording of:
Into the West
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Howard Shore (Canadian score composer), J.R.R. Tolkien and Fran Walsh
composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Howard Shore (Canadian score composer) and Fran Walsh
publisher:
La Lennoxa Ltd and New Line Tunes
part of:
The 76th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 2003 winner)
part of:
The Lord of the Rings: The Return of the King
3.555:47