A Man and a Half: The Best of Wilson Pickett

~ Veröffentlichung von Wilson Pickett (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelBewertungLänge
1I Found a Love (The Falcons)
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1961-06)
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
Blechblasinstrumente:
Ralph "Pee Wee" Middlebrook (in 1961-06)
Gitarre:
Lance Finnie, Lance Finnie (in 1961-06) und Robert Ward (guitar, blues musician) (in 1961-06)
Klarinette und Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
Tenorsaxophon:
Clarence Satchell (, in 1961-06)
Sologesang:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) und Joe Stubbs (in 1961-06)
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
Interpret(in):
The Ohio Untouchables (in 1961-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (in 1962-01)
recording of:
I Found a Love (in 1961-06)
Verfasser(in):
Wilson Pickett, Willie Schofield und Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
2:58
2Let Me Be Your Boy
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
produced for:
Correc-Tone Recording Co.
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1962)
recording of:
Let Me Be Your Boy (in 1962)
Texter und Komponist(in):
Wilbur Harbert
publisher:
Lark Music Inc.
42:48
3If You Need Me
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1963)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
Bass:
James Jamerson
Gitarre:
Robert White (US funk/soul guitarist) und Eddie Willis
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer)
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
If You Need Me (in 1963)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
2:37
4It’s Too Late
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1963)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
It’s Too Late
Texter und Komponist(in):
Wilson Pickett
publisher:
Correc-Tone und Cotillion Music Inc. (BMI)
3:09
5I’m Gonna Cry (Cry Baby)
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-12)
Produzent(in):
Wilson Pickett
vocals:
Wilson Pickett (am 1964-05-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (am 1964-05-12)
recording of:
I’m Gonna Cry (am 1964-05-12)
Verfasser(in):
Don Covay und Wilson Pickett
publisher:
Correc-Tone und Cotillion Music Inc. (BMI)
2:21
6Come Home Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1964-11-13)
Produzent(in):
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1964-11-13)
Bass [electric bass]:
Jimmy Lewis (jazz bassist) (am 1964-11-13)
Bassposaune:
Tony Studd (am 1964-11-13)
Gitarre:
Cornell Dupree (am 1964-11-13) und Wally Richardson (US jazz/R&B guitarist) (am 1964-11-13)
Klavier:
Paul Griffin (American pianist, session musician) (am 1964-11-13)
Schlagzeug:
Panama Francis (US swing jazz drummer) und Ted Sommer
Tenorsaxophon:
Joe Grimaldi (flute and saxophone player) und Joe Grimaldi (am 1964-11-13)
Trompete:
Jack Cortner (New York-based Broadway and television composer/arranger) (am 1964-11-13), Ernie Royal (am 1964-11-13) und Clark Terry (American swing trumpeter) (am 1964-11-13)
Sologesang:
Wilson Pickett
vocals:
Cissy Houston (am 1964-11-13) und Wilson Pickett (am 1964-11-13)
zusätzlich vocals:
Tami Lynn
conductor:
Teacho Wiltshire (am 1964-11-13)
arranger:
Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-11-13)
recording of:
Come Home Baby (am 1964-11-13)
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:36
7In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
32:34
8Don’t Fight It (unedited single master)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
recording of:
Don’t Fight It (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Irving Music, Inc.
2:33
9I’m Not Tired
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
recording of:
I’m Not Tired (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Irving Music, Inc.
2:48
10That’s a Man’s Way
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
recording of:
That’s a Man’s Way (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) und Irving Music (BMI)
2:22
11634–5789 (Soulsville, U.S.A.)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-12-20)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-12-20)
Gitarre:
Steve Cropper (am 1965-12-20)
Klavier:
Isaac Hayes (am 1965-12-20)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-12-20)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-12-20) und Andrew Love (am 1965-12-20)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-12-20)
vocals:
Wilson Pickett (am 1965-12-20)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
634‒5789 (Soulsville, U.S.A.) (am 1965-12-20)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
Irving Music, Inc. und Pronto Music (publisher)
2:58
12Ninety‐Nine and a Half (Won’t Do)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
baritone saxophone:
Floyd Newman (am 1965-12-20)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-12-20)
Gitarre:
Steve Cropper (am 1965-12-20)
Klavier:
Isaac Hayes (am 1965-12-20)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-12-20)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-12-20) und Andrew Love (am 1965-12-20)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-12-20)
vocals:
Wilson Pickett (am 1965-12-20)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Ninety‐Nine and a Half (Won’t Do) (am 1965-12-20)
Verfasser(in):
Steve Cropper, Eddie Floyd und Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
42:43
13Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
42:27
14Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:07
15Three‐Time Loser
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
recording of:
Three Time Loser (von 1966-10-13 bis 1966-10-14)
Verfasser(in):
Don Covay und Ron Miller (US songwriter Ronald Alonzo Miller)
publisher:
Pronto Music (publisher) und Warner/Chappell Music Scandinavia AB
2:24
16Everybody Needs Somebody to Love
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
Bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-10-12)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1966-10-12)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (am 1966-10-12)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (am 1966-10-12)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-10-12)
Tenorsaxophon:
Gilbert Caples (am 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1966-10-12) und Eddie Logan (am 1966-10-12)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1966-10-12)
vocals:
Wilson Pickett (am 1966-10-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (am 1966-10-12)
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
32:20
17Soul Dance Number Three
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
recording of:
Soul Dance Number Three (von 1967-02-01 bis 1967-02-04)
Verfasser(in):
Wilson Pickett und Jerry Wexler
publisher:
Erva Music Publishing (BMI) und Pronto Music (publisher)
2:42
18You Can’t Stand Alone
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
recording of:
You Can't Stand Alone (von 1967-02-01 bis 1967-02-04)
Verfasser(in):
Rudy Clark (US songwriter)
publisher:
Alley Music (BMI affiliated publisher) und Trio Music (publisher)
2:51
19Funky Broadway
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
E-Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (von 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. und Embassy Music Corporation
22:37
20I’m in Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (von 1967-07-01 bis 1967-07-03)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) und Tracebob Music Co.
2:32
21Stagger Lee
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Stagger Lee (Lloyd Price version) (am 1967-07-01)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
2:22
22Jealous Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Jealous Love (von 1967-07-01 bis 1967-07-03)
Verfasser(in):
King Curtis (saxophonist) und Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cotillion Music Inc. (BMI), Tracebob Music Co. und Warner/Chappell Music Ltd. (1996–2019)
2:50
23I’ve Come a Long Way
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’ve Come a Long Way (von 1967-07-01 bis 1967-07-03)
Texter und Komponist(in):
Bobby Womack
publisher:
Cotillion Music Inc. (BMI) und Tracebob Music Co.
3:12
24In the Midnight Hour (Live & Burnin’)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-08-08)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
live recording of:
In the Midnight Hour (am 1965-08-08)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
8:10
2▼CD
Nr.TitelBewertungLänge
1I’m a Midnight Mover
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1968-03-04)
Produzent(in):
Tom Dowd
vocals:
Wilson Pickett (am 1968-03-04)
arranger:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (am 1968-03-04)
Verfasser(in):
Wilson Pickett und Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) und Tracebob Music Co.
2:25
2I Found a True Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1968-03-04)
Produzent(in):
Tom Dowd
vocals:
Wilson Pickett (am 1968-03-04)
arranger:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I Found a True Love (am 1968-03-04)
Verfasser(in):
Bobby Womack und Reggie Young (guitarist and songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) und Tracebob Music Co.
2:23
3She’s Looking Good
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
cover recording of:
She’s Looking Good (von 1967-07-01 bis 1967-07-03)
Verfasser(in):
Justin Dickens
Komponist(in):
Rodger Collins
publisher:
Veytig Music
2:28
4A Man and a Half
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1968-09-19)
Bass [electric bass]:
Jerry Jemmott (am 1968-09-19)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968) und Duane Allman (am 1968-09-19)
Klavier:
Barry Beckett (am 1968-09-19)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-09-19)
Tenorsaxophon:
Andrew Love (am 1968-09-19) und James Mitchell (US saxophonist/arranger) (am 1968-09-19)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1968-09-19)
vocals:
Wilson Pickett (am 1968-09-19)
conductor:
Tom Dowd (am 1968-09-19)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-09-19)
recording of:
A Man and a Half (am 1968-09-19)
Verfasser(in):
Larry Chambers, George Jackson (US soul songwriter/vocalist), Melvin Leakes und Raymond Moore (US songwriter)
publisher:
Screen Gems-EMI
2:51
5Hey Jude
Techniker(in) und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass [electric bass]:
Jerry Jemmott (am 1968-11-27)
E-Gitarre:
Duane Allman (am 1968-11-27) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-11-27)
Klavier:
Barry Beckett (am 1968-11-27)
Saxophon:
Floyd Newman (am 1968-11-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-11-27)
Tenorsaxophon:
Andrew Love (am 1968-11-27) und James Mitchell (US saxophonist/arranger) (am 1968-11-27)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1968-11-27)
Sologesang:
Wilson Pickett (am 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-11-27)
cover recording of:
Hey Jude (am 1968-11-27)
geschrieben in:
England, Vereinigtes Königreich (in 1968-06)
Verfasser(in):
John Lennon (The Beatles) (in 1968-06) und Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-06 bis 1968-07-26)
4:07
6Mini‐Skirt Minnie
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-12-03)
recording of:
Mini-Skirt Minnie (am 1968-12-03)
Verfasser(in):
Earl Cage (American songwriter, producer and arranger), Lindell Hill und George Jackson (US soul songwriter/vocalist)
publisher:
New Research Publishing
3:00
7Toe Hold
Produzent(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass [electric bass]:
Jerry Jemmott (am 1968-12-03)
Gitarre:
Duane Allman (am 1968-12-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-12-03)
Klavier:
Barry Beckett (am 1968-12-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-12-03)
Tenorsaxophon:
Andrew Love (am 1968-12-03) und James Mitchell (US saxophonist/arranger) (am 1968-12-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1968-12-03)
vocals:
Wilson Pickett (am 1968-12-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-12-03)
cover recording of:
Toe Hold (am 1968-12-03)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Irving Music (BMI)
2:50
8Hey Joe
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Wilson Pickett (am 1969-05-20)
Orchester:
unidentified orchestra ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-05-20)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1969-05-20)
cover recording of:
Hey Joe (am 1969-05-20)
Texter und Komponist(in):
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music und Third Story Music, Inc.
3:06
9You Keep Me Hangin’ On
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bass:
Harold Cowart (am 1969-08-29)
Gitarre:
Jim O’Rourke (guitar) (am 1969-08-29)
Keyboard:
Billy Carter (organ, jazz) (am 1969-08-29)
Schlagzeug:
Tubby Ziegler (am 1969-08-29)
vocals:
Wilson Pickett (am 1969-08-29)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-08-29)
cover recording of:
You Keep Me Hangin’ On (am 1969-08-29)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
4:56
10She Said Yes
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bass:
Harold Cowart (am 1969-08-29)
Gitarre:
Jim O’Rourke (guitar) (am 1969-08-29)
Keyboard:
Billy Carter (organ, jazz) (am 1969-08-29)
Schlagzeug:
Tubby Ziegler (am 1969-08-29)
vocals:
Wilson Pickett (am 1969-08-29)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-08-29)
recording of:
She Said Yes (am 1969-08-29)
Verfasser(in):
Don Covay, Johnny Nash (US reggae/pop singer-songwriter), Wilson Pickett und William Stevenson (Motown songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) und Mikim Music
3:15
11Cole, Cooke & Redding
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bass:
Harold Cowart (am 1969-10-27)
Gitarre:
Jim O’Rourke (guitar) (am 1969-10-27)
Keyboard:
Billy Carter (am 1969-10-27)
Saiteninstrumente:
string section ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-10-27)
Schlagzeug:
Tubby Zeigler (drummer) (am 1969-10-27)
Hintergrundgesang:
Judy Clay (American soul and gospel singer) (am 1969-10-27), Cissy Houston (am 1969-10-27), John Utley (am 1969-10-27) und Jackie Verdell (am 1969-10-27)
arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-27)
recording of:
Cole, Cooke & Redding (am 1969-10-27)
Verfasser(in):
Dick Holler
publisher:
Regent Music (BMI)
3:53
12Sugar Sugar
Produzent(in):
Tom Dowd und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-11-19)
Gitarre [lead guitar]:
Eddie Hinton (am 1969-11-19)
Gitarre [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-11-19)
Keyboard [piano, organ]:
Barry Beckett (am 1969-11-19)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-11-19)
vocals:
Wilson Pickett (am 1969-11-19)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-11-19)
cover recording of:
Sugar, Sugar (am 1969-11-19)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
2:58
13Get Me Back on Time, Engine Number 9, Part 1
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1970-01)
recording of:
Engine Number Nine (Engine Number 9) (in 1970-01)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
46:27
14Don’t Let the Green Grass Fool You
Bass:
Ronnie Baker (bass) (am 1970-01-15)
Gitarre:
Roland Chambers (am 1970-01-15), Bobby Eli (am 1970-01-15) und Norman Harris (American Philly Soul guitarist, producer, and songwriter) (am 1970-01-15)
Klavier:
Lenny Pakula (am 1970-01-15) und Ugene Dozier (Pianist, keyboardist, songwriter, arranger, and producer) (am 1970-01-15)
Orgel:
Thom Bell (keyboards, songwriter, producer) (am 1970-01-15)
Perkussion und Vibraphon:
Vince Montana (am 1970-01-15)
Schlagzeug:
Earl Young (am 1970-01-15)
arranger:
Lenny Pakula
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1970-01-15)
cover recording of:
Don’t Let the Green Grass Fool You (am 1970-01-15)
Verfasser(in):
Jerry Akines (soul singer and songwriter), Johnnie Bellmon, Victor Drayton und Reginald Turner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:05
15Don’t Knock My Love, Part 1
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
E-Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1971-01-27)
Gitarre:
Tippy Armstrong (am 1971-01-27) und Dennis Coffey (am 1971-01-27)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1971-01-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1971-01-27)
Tenorsaxophon:
Andrew Love (am 1971-01-27)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-01-27)
vocals:
Wilson Pickett (am 1971-01-27)
conductor:
Wade Marcus (am 1971-01-27)
arranger:
Wade Marcus
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-01-27)
recording of:
Don’t Knock My Love (am 1971-01-27)
Komponist(in):
Wilson Pickett und Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Erva Music Publishing (BMI)
2:18
16Call My Name, I’ll Be There
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
vocals:
Wilson Pickett (am 1971-07-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-07-14)
recording of:
Call My Name, I’ll Be There (am 1971-07-14)
Verfasser(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer), Willie Martin (US soul songwriter) und Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Walden Music (publisher)
2:19
17Fire and Water
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1971-01-27)
Gitarre:
Tippy Armstrong (am 1971-01-27) und Dennis Coffey (am 1971-01-27)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1971-01-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1971-01-27)
Tenorsaxophon:
Andrew Love (am 1971-01-27)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-01-27)
vocals:
Wilson Pickett (am 1971-01-27)
arranger:
Wade Marcus
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-01-27)
recording of:
Fire and Water
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Catherine’s Peak Music, Irving Music, Inc. und Songs of PolyGram, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:30
18(Your Love Has Brought Me) A Mighty Long Way
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1971-01-27)
Gitarre:
Tippy Armstrong (am 1971-01-27) und Dennis Coffey (am 1971-01-27)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1971-01-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1971-01-27)
Tenorsaxophon:
Andrew Love (am 1971-01-27)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-01-27)
vocals:
Wilson Pickett (am 1971-01-27)
arranger:
Wade Marcus
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-01-27)
cover recording of:
(Your Love Has Brought Me) A Mighty Long Way (am 1971-01-27)
Verfasser(in):
Jackie Avery, Carlton McWilliams (guitar player) und Earl Simms
publisher:
Redwal Music Co., Inc.
3:01
19Funk Factory
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1971-10-26)
Conga:
Eddy Brown (am 1971-10-26)
Gitarre:
Tippy Armstrong (am 1971-10-26) und Dennis Coffey (am 1971-10-26)
Keyboard:
Barry Beckett (am 1971-10-26) und Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1971-10-26)
Mundharmonika:
Wilson Pickett (am 1971-10-26)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1971-10-26)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1971-10-26)
Tenorsaxophon:
Andrew Love (am 1971-10-26)
Trompete und Waldhorn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-10-26)
vocals:
Wilson Pickett (am 1971-10-26)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-10-26)
recording of:
Funk Factory (am 1971-10-26)
Verfasser(in):
Luther Dixon, Wilson Pickett und Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Erva Music Publishing (BMI)
2:56
20Funky Broadway (Live in Ghana)
recorded in:
Ghana (am 1971-03-06)
Produzent(in):
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
live cover recording of:
Funky Broadway (am 1971-03-06)
Texter und Komponist(in):
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. und Embassy Music Corporation
4:19

Nennungen

Veröffentlichung

liner notes:Leo Sacks
Zusammensteller:Harry Weinger
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
Teil von:Atlantic & ATCO Remasters Series (Reihenfolge: 12)
ASIN:US: B0000032DU [Info]